Terence Vignaud of Cluster

Drop

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GEC9 Effekt Routing System

105Q Cry Baby Bass Wah

Tape Preamp

Slötvå

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PB#1-copy

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JP95 John Petrucci Crybaby Wah

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StroboStomp HD

The swiss army knife of your pedalboard

Very transparent overdrive that keeps all the quality of your clear sound while finding the desired saturated harmonics.

3 steps for 3 clipping, jazz, blues or rock style.

Inside, a potentiometer will allow you to completely transform your overdrive from a very transparent sound to a warm distortion !

Review by audiofanzine

Review by Pedal of the Day

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Demo by intheblues

Cerberus

Find back the tone from ac/dc with this plexi distortion pedal !

As malcolm young said “nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. », it is in this spirit that the high voltage was designed, a plexi distortion pedal that strongly smash publics’ face. Thanks to his bass killer switch, the chords are powerful and they easily stand out in the mix! This is the end of sticky and fuzzy distortions which drool everywhere. Only good sound, dynamics and energy.

It is from this perspective that the anasounds team, advised by fans of ac/dc, developed this new pedal. At first, the sound was supposed to be close from a marshall plexi pushed to 11 but finally they made a frequency analysis of « it’s a long way to the top (if u wanna rock’n’roll) » from the album high voltage. The chords of the intro are so powerful, so clear and so recognizable, that it was time to launch a pedal that finds back their tone more easily.

Do not be mistaken, with all the available pots and trimpots, it is also very easy to create its own tone!

Demo by Pedal of the Day

High Voltage Gold

ITS BIRTH IS DUE TO THE SMART COMBINATION OF 2 PEDALS
THE FIRST FUZZ IS A PART OF ANASOUNDS FEED ME (FUZZ FACE STYLE)
THE SECOND IS A PART OF THE SHIN-EI SUPERFUZZ
KNOWN FOR ITS BEAUTIFUL OCTAFUZZ.
LET’S DISCOVER WHAT IS BETWEEN THOSE TWO…

Review by Tone Pedia

Demo by TonePedia

Demo by Tone Factory

Bitoun Fuzz

Custom boost to push yourself through the mix

This is a boost where we find at the same time a transparent and clean boost and a really typed and settable crunch.

In addition to that you have possibility to stay in the middle mode or to select the frequencies you want to add, so bass or trebles.

An internal setting allows to set the nature of the overdrive while at the same time, this is matching the whole chain between guitar and amplifier.

Freq Up

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Tape Preamp by Anasounds

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Terence Vignaud of Cluster

PB#1-copy

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