This pedal is based on the 1960s British Dallas Rangemaster, which was best at the time to give a treble and gain boost to the dark British amps. This allowed them to get a sound more in tune with the time, as guitars were starting to become a loud, bold, lead instrument. This pedal is a type of BOOSTER, not really a distortion pedal nor a clean boost- it does modify your sound quite a bit. It excites certain frequencies and pushes your amp to allow it to create rich tube distortion. The pedal colors your tone, with a crunchy overdrive, boosting certain frequencies, and warming the tone with NOS germanium transistors. It does not have a lot of compression and sustain like most OD pedals, but a more raw, open sound.

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Beano Boost Mini

Analog Man hat in Zusammenarbeit mit Jim Weider das Pedal herausgebracht, nach dem seit vielen Jahren gesucht wurde - den King Of Tone (KoT). Es gibt viele Overdrive-Pedale auf dem Markt, aber keines von ihnen hat den Ton der Gitarre bewahrt und die richtige Menge an Overdrive ohne Kompromisse hinzugefügt. Es gibt einige gute Clean-Boosts, aber sie haben einfach nicht genug Drive, um dem Verstärker wirklich die Verzerrung zu geben, die man sich oft wünscht. Es gibt einige neuere OD-Pedale, die einen großartigen Frequenzgang haben, aber für mich klingen sie zu TROCKEN, ein bisschen steril und pappig. Es gibt auch einige gut klingende Pedale, aber ihr Sound ist zu "gesättigt", so dass der Anschlag und das Gefühl der Gitarre verloren gehen. Hier kommt das King Of Tone-Pedal ins Spiel - es hat genug warmen Overdrive, bewahrt aber trotzdem den Klang Ihrer Qualitätsgitarren und -verstärker.

Analog Man, in collaboration with Jim Weider, have come out with the pedal we have been looking for for many years - the King Of Tone (KoT). There are many overdrive pedals on the market, but none of them have been quite right, preserving the tone of the guitar and adding the right amount of overdrive without compromise. There are some good clean boosts available, but they just don't have enough drive to really give your amp the distortion you often want. There are some newer OD pedals that have a great frequency response, but to me they sound too DRY, a bit sterile and cardboardy. There are also some nice sounding pedals available but their sound is too "saturated", losing the touch and feel of your guitar. That is where the King Of Tone pedal comes in - it has enough warm overdrive but still preserves the tones of your quality guitars and amps. If you are looking for a big change in your sound, or a lot of distortion, this is probably not the pedal for you.

King Of Tone

Sun Face (Top Jacks/Battery)

This product is actually two effects pedals in one. The left side is based on an
improved version of the Ross compressor (compROSSor) and the right side the
Dan Armstrong Orange Squeezer (Juicer). Each is independent and can be used
separately or together. The order of the pedals, if used together, is Juicer first.

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Mini Bicomp (ROSS)

Analog Man's first new pedal of 2010 is the ASTRO TONE fuzz. This pedal is based on the 1960's SAM ASH FUZZZ BOXX and ASTROTONE FUZZ made in New York City in 1966-68 by the Astro Amp company. It was one of the best fuzz pedals. Analog Mike had a NOS Astro Tone fuzz back in the 90s.

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Beano Boost Mini

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King Of Tone

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Sun Face (Top Jacks/Battery)

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Mini Bicomp (ROSS)

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