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Designed by iconic high-gain amp guru James Brown, the Fat Metal Pro II redefines rock/metal tone and the emergence of 7 and 8 string players that need more pronounced and controlled low end. More “chunk” and more “chug”-in a word, MORE!!!

Perfect for live and studio, the Fat Metal Pro II has included a balanced DI, cab sim and headphone output in addition to three separate loops for multiple processing and switching combinations.

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FatMetal Pro II

Das Bass BluesFuzz Jr Fuzz verwendet einen Germanium-Transistor mit niedrigem Gain und verfügt über einen Mid EQ und eine Dry Low-Blende. Das Bass BluesFuzz JR besitzt die meisten Regeloptionen seines großen Bruders, während einige Features, die viele Bassisten nicht benötigen weggelassen wurden, um Größe und das Gewicht zu reduzieren. Die beliebte automatische Anpassung der Fuzz-Regler Bias sorgt dafür, dass der Sweet Spot immer griffbereit ist und ist besonders gut für saubere Sounds geeignet. Und der Bass BluesFuzz JR verfügt über einen Dry Low-Regler an der Seite, der dir das Bottom End hinzuregeln lässt, wenn du tightere Sounds brauchst. Alle Amptweaker Fuzz Pedale haben eine eingebaute 'Gitarren-Style'-Eingangsimpedanz, mit der du alle anderen Pedale ohne die traditionellen Probleme, die mit Vintage Fuzz Pedalen verbunden sind, davor einschleifen kannst. Das heißt, es funktioniert auch perfekt mit aktiven Bässen und Pickups.

The Bass BluesFuzz Jr fuzz uses a low gain germanium transistor, and has mid EQ, and a Dry Low blend. The Bass BluesFuzz JR shares most of the tone-tweaking features available on their larger counterparts, while some features many players don't need in order to shrink down the size and weight. The popular automatically adjusting bias on the Fuzz controls bias keeps the sweet spot at hand, and is especially nice for cleaner tones. And the Bass BluesFuzz JR has a Dry Low control on the side, to help dial in the bottom even when setting the fuzz for tighter tones. All Amptweaker fuzz pedals have a built-in 'guitar-style impedance, which allows you to put any other pedals in front without the traditional issues associated with vintage fuzz pedals. That means it works fine with low impedance active basses and pickups too.

Official Product Page

Amptweaker Bass Blues Fuzz - Review by Bonedo, [03-2019] DE

Amptweaker Bass BluesFuzz JR - Official Demo Video - Amptweaker

Amptweaker Bass BluesFuzz JR - Demo Video - MrExcane

Bass BluesFuzz Jr

Der Bass TightDrive war das erste Amptweaker Bass-Produkt und stellte den beliebten Tight Attack Regler vor. Das Bass TightDrive Overdrive Pedal entstand, nachdem Greg Weeks von The Red Chord die "Gitarren" Version auf der NAMM Show ausprobiert hatte. Diese hatte ihm so gut gefallen, dass schon nach ein paar kleinen Optimierungen die finale Bassversion fertig war. Sie ist perfekt, um den Klang deines Bassamps zu optimieren, vom Straffen des Attacks bis hin zum Aufbau einer dichten Wand aus Overdrive für pick-lastige Metal-Basslinien. Andere berühmte Liebhaber dieses Pedals beinhalten dUg Pinnick von King's X und Sean Frankhouser den Bassisten von Bugs Henderson.

The Bass TightDrive was the first Amptweaker bass product, and introduced the popular Tight attack control. The Bass TightDrive overdrive pedal came about after Greg Weeks from The Red Chord tried out the 'guitar' version at the NAMM show. He really liked it, and after some tweaks, this final fine-tuned Bass version is now ready for the public. It's perfect for tweaking your bass amp's tone, anything from tightening up the attack a little to building a thick distortion for pick-driven metal bass lines.In addition to Greg, other artists using the Bass TightDrive include dUg Pinnick of King's X, and Sean Frankhouser, bassist with Bugs Henderson.

Review by Talk Bass.com

Demo by Music Gear Fast

Demo by MrExcane

Bass TightDrive

Das BluesFuzz Jr Fuzz Pedal basiert auf dem BluesFuzz Limited, einem begehrten auf 49-Stück limitierten Modell, das einen Germanium-Transistor mit niedrigem Gain mit Boost-, Mid-EQ- und Tight-Attack-Schalter besaß. Es verfügt über die meisten der Optionen, auf seinem großen Bruder zu finden sind, wobei einige Features, die viele Gitarristen nicht benötigen eingespart wurden, um Größe und Gewicht zu reduzieren. Abgeleitet von der Pro-Serie wurden Tight-Regler und Fat-Schalter in einen 3-Positionen-Fat / Normal / Tight-Schalter umkonfiguriert, um das Attack von dick und heavy zu aggressiv und clunky zu verändern. Da dieses Modell verfügt über einen Germanium-Transistor mit geringem Gain und einen Input Boost um dichtere Fuzz Sounds zu erhalten. Und um die wichtigen Mitten hinzu zu blenden, gibt es einen Mid-Regler, wie beim Original-BluesFuzz. Die geniale automatische Bias Anpassung des Fuzz-Reglers sorgt dafür, dass der Sweet Spot immer griffbereit ist und macht, dass sich das Blues Fuzz Jr besonders gut für cleane Sounds eignet.

The BluesFuzz Jr fuzz pedal is based on the BluesFuzz Limited, a sought-after 49 piece model that used a low gain germanium transistor with boost, mid EQ, and Tight attack switch. It shares most of the tone-tweaking features available on its larger counterpart, while eliminating some features most players don't need in order to shrink down the size and weight. Derived from the Pro series, the Tight control and Fat switches were re-configured into a 3-position Fat/Normal/Tight switch to dial in the attack of the notes from thick and heavy to aggressive and chunky. Since this model uses a low gain germanium transistor, an input boost is included to give thicker fuzz tones. And to help dial in the all-important mid frequencies, there's a Mid control that matches the tone of the original BluesFuzz when set in the middle. The ingenious automatically adjusting bias on the Fuzz controls keeps the sweet spot at hand, and is especially nice for cleaner tones.

Amptweaker BluesFuzz JR demo by Mike Hermans

Amptweaker BluesFuzz JR official demo

Review by bonedo

Review by Bass Gear Mag

BluesFuzz Jr

The DepthFinder is an active boost-only EQ pedal that simulates the tube amp Resonance and Presence controls, but without having to be done in the power amp. This means you can use it with an amp that doesn’t have Resonance and Presence, by patching it in the effects loop. It also works great for building a pedalboard direct signal, since that low damping factor is a key ingredient to the overall tone. It can easily make a solid state amp sound and feel more like a tube amp, and can actually widen the bandwidth since it boosts at very low and very high frequencies.

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