BRADLEY HUNT

pedal steel

ch ray

Der Qi Etherealizer (ausgesprochen „chee ethereal-izer“), eine Gemeinschaftskreation mit Yvette Young, ist ein Multieffektpedal, das Chorus, Delay, Granular-Effekte und natürlich Reverb zu einem kreativen Spielplatz für atmosphärische Erkundungen kombiniert. 

Der Qi erlaubt es Ihnen, Chorus, Delay und Grain zu mischen und in Reihe oder parallel zu schalten, um Ihr eigenes inspirierendes Universum an Möglichkeiten in einem Stereofeld zu schaffen. Mit der Möglichkeit, Presets zu speichern und die Chorus-, Delay- und Grain-Regler zu umgehen, können Sie die Einstellungen durch gleichzeitiges Drücken der Bypass- und Freeze-Stomp-Schalter schnell und sofort ändern. Du kannst einen traditionellen Chorus mit ein wenig Delay verwenden oder den Qi mit unerklärlichen, glitchigen und üppigen Ambient-Effekten auftrumpfen lassen. Was auch immer dein Stil ist, der Qi wird ihm neues Leben einhauchen.

The Qi Etherealizer (pronounced “chee ethereal-izer”), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration. 

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

Walrus Audio

Official Product Video

Demo by Mark Johnston

Review by bonedo

Review by Synth Anatomy

Review by reddit /guitarpedals

Review by delicious audio

Manual

Product Page

QI Etherealizer

Juan Fernandez

The brains and brawn* of the award-winning Helix family comes to a board-friendly 3-switch stomp in the Line 6 HX Stomp. The HX Stomp makes the ultimate standalone travel rig, a fully loaded modeling and effects engine to front-load an amp, and a capable audio interface with re-amping capabilities. Choose up to eight blocks — amps, cabs, and stomps — per preset, and assign switches to suit your particular needs. The HX Stomp is equipped for real-world gigging applications with 126 user presets for guitars, bass, and keys and tons of I/O, which include TRS balanced outs, traditional MIDI switching, an effects return for 4-cable amp integration, and a 2-channel expansion jack for expression pedals or additional external switches. Additionally, this special-edition HX Stomp comes in a galaxy-conquering Stomptrooper White finish.

LINE 6

Review by musicradar

Demo by John Nathan Cordy

HX Stomp Stormtrooper White

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Tester

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

What is The Amp? First and foremost, it’s a 50W Guitar amplifier. The preamp is based around a single 12AX7 running at high voltage in a discrete Class A circuit. The tube preamp reacts with a guitar the same way any tube amplifier does: it generates harmonics and the sweet sounding high fidelity tone that tubes are known for. Along with tube EQ. there is on-board reverb and tremolo effects so that The Amp can be used as a grab and go amplifier. Foot switches for bypassing the effects are built in. A Class D power section delivers 50 watts into 8ohms, or 100 watts into 4ohms. The Speakon combination jack for speaker output takes either a standard 1/4” connection or a locking Speakon connector for extra security.

The Amp has an integrated headphone amplifier which sounds identical to the output from a speaker. This is perfect for practice, auditioning pedals, or for those times when noise is not appropriate. The Amp can operate with no speaker attached so it can live on a pedalboard and go wherever the pedals go. Speaking of travel, The Amp has a universal IEC power input. It can run from 100 to 260 VAC. No matter where it is on Earth, it can be plugged into a wall socket and used with no need for additional power accessories.

How about a compact studio quality tube preamp? The internal XLR output delivers a balanced line level output. There is no modeling or simulation involved, no menus or presets to give option anxiety. It is very straightforward and simple to get great tone from the tube preamp of The Amp and use it as the front end for a modeling system, recording setup, or for playing direct on stage.

The Amp also has “pedal level” output where it can be used as the front end of a pedal board or as an amp like effect on the back end of a pedal board. There is no substitute for the marriage between a magnetic guitar pickup and the first stage of a tube amplifier, and this is something that is missing with modern pedal board setups. Using The Amp in front of a pedal chain will add harmonics and tube musicality to the entire signal chain starting right where it matters most: between a guitar pickup and the grid of a tube.

Using The Amp further down the signal chain creates unique tonal possibilities. It plays well with pedals, and it can add extra EQ or reverb to an existing amplifier. The Amp can drive the input of an amplifier as an extra tube gain stage. It can be a backup for a vintage amp needing service, or used in place of anemic backline gear on your travel gig. At 2.5lbs, and with so many different uses, The Amp may be your new best friend. 

Milkman Sound

Demo by Milkman

The Amp

Tim TURPIN

Das in Portland, Oregon, entworfene und handgefertigte Germanium Boost ist ein lineares Clean-Boost-Pedal, das um einen einzelnen Germanium-Transistor herum aufgebaut ist. Es enthält eine proprietäre spannungsgesteuerte Fehlerkorrekturschaltung, die den Transistor automatisch vorspannt und ihn so unempfindlich gegen thermische Drift, Bauteilleckagen und Umgebungstemperaturschwankungen macht. Der Schaltkreis ist mit erhöhter Eingangsimpedanz und erweitertem Headroom konstruiert, um unerwünschtes Eingangs-Clipping oder den Verlust von Bässe zu verhindern. Ein einzelner Regler steuert die Gesamtlautstärke und sorgt für eine transparente, musikalische Anhebung sowie eine subtile Obertongestaltung, ohne den zugrunde liegenden Frequenzgang zu verändern. Das interne Strommanagement verarbeitet eine standardmäßige 9-V-DC-Stromversorgung oder einen 9-V-Block, wobei das selbstvorspannende Netzwerk nach dem ersten Einschalten etwa zehn Sekunden zur Stabilisierung benötigt.

Designed and handcrafted in Portland, Oregon, the Germanium Boost is a linear clean boost pedal built around a single germanium transistor. It incorporates a proprietary voltage-controlled error-correction circuit that automatically biases the transistor, rendering it immune to thermal drift, component leakage, and environmental temperature fluctuations. The circuit is engineered with elevated input impedance and expanded headroom to prevent unwanted input clipping or low-end signal loss. A single level control manages the overall volume output, providing transparent, musical boost and subtle harmonic enhancement without altering the underlying core frequency response. Internal power management accommodates a standard 9 V DC power supply or a 9 V battery, requiring approximately ten seconds upon initial power-up for the self-biasing network to stabilize.

Benson Amps

Demo by JayLeonardJ

Demo by Demos In the Dark

Demo by AndyDemos

Germanium Boost (Black)

Paulo  Duarte

An input driver that replaces a conventional buffer, EUNA is built to protect and condition your instrument's signal to prepare it for whatever you want to do with it. Console grade build, three great sounding filters, and an alt-path insert loop for your classic fuzz and wah circuits that don't want to be buffered. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. EUNA is made by 29 Pedals in California.

EUNA is an Elite UNity Amplifier. It is designed to protect and condition your guitar’s signal. Use it in place of an input buffer. Plug directly in, first in the chain. You can safely remove all other buffers after it if you wish. We recommend an output driver at the end of your chain. You can use a conventional buffer, or try our output amplifier OAMP. Plug your guitar directly into EUNA with the shortest cable that is convenient.

29 Pedals

Review by American Songwriter

Review by The Gear Page

Demo by Rabea Massaad

EUNA Black Edition

Robert Ossenkopp

Clean began its life as a question: Can clean be as fun as dirty?

Developed slowly and through a variety of experiments, Clean explores the wild side of compression and brings the interactivity of distortion circuits to a clean signal. 

Clean is a studio-grade compressor you can turn on its head and push beyond the expected.

It was built to bring the exploratory energy of distortion to the clean performer, from the touch sensitivity of an overdrive to the unwieldy response of a fuzz. Tasteful, musical nuance, tied to your hands.

Chase Bliss

Clean

Als Benson mich zum ersten Mal fragte, was ich von einem Pedal erwarte, fragte ich ihn, ob er meine Lieblings-Fuzz-Sounds und Vintage-Echos kombinieren könnte. Eine meiner Lieblings-Pedalkonfigurationen bestand schon immer darin, meine Echos und Delays vor meinen Dirt-Pedale laufen zu lassen, um ungewöhnliche Sounds zu erzeugen. So fingen wir also an, und daraus entwickelte sich ein Pedal, das größer und breiter wurde, als wir es uns ursprünglich vorgestellt hatten.

Es einfach nur als „Gated-Fuzz-Pedal mit Echo-Funktion“ zu bezeichnen, würde seinem Wesen nicht gerecht werden! Neben den spritzigen Gated-Sounds wollte ich ein Fuzz, das wollig und direkt klingen oder mit meinen Lieblings-My-Bloody-Valentine-Texturen harmonieren kann. Ich wollte, dass es sauber klingt und als Höhenverstärker für meine Gitarrensoli dient oder wie eine fremde Landschaft aus Schwingungen und unterbrechenden Texturen klingt. Kurz gesagt: Es ist das interessanteste und vielseitigste Pedal auf meinem Board geworden.“

 “When Benson first asked me what I wanted out of a pedal, I asked if he could smash together my favorite fuzz tones and vintage echos. One of my favorite pedal configurations has always been running my echos & delays before my dirt pedals to get unorthodox sounds. So, we started there and it morphed into a pedal than became bigger and wider than what we initially had imagined.

To call this simply a ‘gated fuzz pedal with an echo feature’ would be an injustice to its essence! Beyond the splatty gated sounds, I wanted a fuzz that could get wooly and straight forward, or shake hands with my favorite gauzy My Bloody Valentine textures. I wanted it to clean up nice and work as a treble booster for my guitar solos, or sound like a foreign landscape of oscillation and interrupting textures. Simply put, it has become the most interesting and versatile pedal on my board.”

Review by guitar pedal X

Review by gearnews.de

Review by GEAR GODS

Deep Sea Diver Fuzz Echo

Review by American Songriter

EUNA

"When you see an aging building or a rusted bridge, you are seeing nature and man working together"

OAMP is an output driver designed to replace a conventional output buffer or gain pedal at the end of your chain. If you’re familiar with EUNA, it’s a similar concept but with a few key differences. High headroom, clean gain, great drive capability. They key features are labeled below. There are subtle tonal variations in the gain settings. Maximum clean output level is 20dB. 29dB of gain available. OAMP makes enough gain to drive your amp into breakup without adding it’s own distortion, or you can use it to trim hot signals from your pedalboard. The insert loop is active when OAMP is OFF, so you can easily swap from clean drive to a dirt pedal, alternative preamp or anything you want really. With nothing plugged into the insert OAMP is True-Bypass when switched off.

Review by Guitar.com

Demo by collector//emitter

Demo by MAS Distro

OAMP

What can be said about the humble boost pedal? It's an AC wave riding on a DC voltage and I did my very best to elevate it. JFET is rooted in my deep love of FET transistors, and their corresponding place in the hearts of many pieces of gear. FETs are very early solid-state devices that were designed to emulate vacuum tubes as closely as possible, and they have found their way into a sizeable number of classic pieces of gear. As usual for 29 we don't copy or emulate any of those, but start from a ground-up design. The JFET stage is neatly biased for a specific THD ratio, just enough hair to be tube-y but still very clean by most standards. A dual-stage IC output driver shapes the tone and ensures the output impedance stays constant as you turn the level fader. The three modes tailor the low end in a gentle way for fine-tuning of the boost sound with your guitar. Sounds great after EUNA, or as an alternate front-end to your board, makes about 18dB of gain and LOVES to be stacked with FLWR and other drives! Will happily drive cables and draws about 150mA. Still features our WHATEVER internal power supply and the build quality you've come to expect from BELIEVABLE AUDIO.

Demo by ambienttrash

Demo by Demos In The Dark 

JFET

FLWR ist meiner Meinung nach ein Overdrive! Die Verstärkung beträgt etwa 45 dB und kann bei maximalen Einstellungen in den Fuzz-Bereich vordringen. Es wurde entwickelt, um Ihnen dabei zu helfen, Ihren eigenen Bruchpunkt zu finden, an dem das Drücken mit der Gitarre schön und klangvoll auflöst, aber das Zurückziehen reinigt. Die „SHAPE“-Regler beeinflussen die erste Verstärkungsstufe, während der „GAIN“-Regler die zweite Verstärkungsstufe beeinflusst. Die Begrenzungsdioden sind eine modulare Unterbaugruppe. Sie können experimentieren und Ihre eigene magische Anordnung finden. FLWR hat eine mittlere Eingangsimpedanz, sodass es beim direkten Anschließen etwas wärmer ist, als wenn FLWR einem Eingangstreiber wie EUNA folgt. Die Ausgangsimpedanz ist etwas höher, um Interaktionen mit anderen Pedalen zu ermöglichen. Der WHATEVER-Stromanschluss akzeptiert 7,5 bis 35 Volt Wechsel- oder Gleichstrom in beiden Polaritäten. FLWR ist im ausgeschalteten Zustand True-Bypass.

FLWR is, I guess, an overdrive! It makes gain, about 45dB, and can get up into fuzz territory at max settings. It’s designed to help you find your own breakup point, where pushing with the guitar breaks up nice and amp-y, but pulling back cleans up. The “SHAPE” controls affect the first gain stage, while the “GAIN” control affects the second gain stage. The clipping diodes are a modular sub-assembly, you can experiment and find your own magic arrangement. FLWR has a medium input impedance, so plugging right in will be a little warmer than when FLWR is following an input driver like EUNA. The output impedance is slightly higher to allow for interactions with other pedals. The WHATEVER power port accepts 7.5 to 35 volts of AC or DC in either polarity. FLWR is True-Bypass when switched off.

FLWR

Erfahre mehr über das EUNA Black Edition Buffer, Booster-Pedal von 29 Pedals auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr

EUNA Black Edition von 29 Pedals | PedalPedia | RockBoard