Paulo Damasceno Nepomuceno

These are the drives and preamps that i like or want to have(most of them i don't have lol)

The Sauce PT.3

Oscar Kezirian

Altoids

Altoids Smalls

Elod Bajrami

Product Page

Official Product Video

Michał Wrzos

Designed for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between notes or phrases, and has an EQ control that smoothly selects between more bass and more treble.

ZVEX

Review by Luca Romeo

Manual

Woolly Mammoth Vexter

Tester

Basstortion

Mastotron

Mike Matthews, der Gründer von Electro-Harmonix, ist eine schillernde Figur. Die Hippie-Bewegung und die Evolution der E-Gitarre durch Jimi Hendrix diente ihm als Katalysator für die Entwicklung des bis heute populären Big Muff Verzerrers. Nach phänomenalem Wachstum seiner Firma in den goldenen Zeiten des Rock’n´Roll, den 1970er Jahren, folgte Anfang der 1980er die Ernüchterung – und schließlich die Pleite.

Mike Matthews, the founder of Electro-Harmonix, is a colorful figure. The hippie movement and Jimi Hendrix's evolution of the electric guitar served as a catalyst for him to develop the Big Muff distortion unit, which is still popular today. After phenomenal growth of his company in the golden age of rock'n'roll, the 1970s, disillusionment followed in the early 1980s - and finally bankruptcy.

Electro-Harmonix

Review by guitarfella.com

Review by Oliver Poschmann, bonedo.de

Demo by Reverb 

Demo by PMTVUK

Demo by FrostByte

Bass Big Muff Pi

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

BOSS

FZ-2 Hyper Fuzz

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

FZ-3 Fuzz

Denys Kozakov

Boss FZ-1W Fuzz

Liam Shannon

Das Electro Harmonix Hot Wax Overdrive-Pedal ist ein weiterer Beweis für die Tatsache, dass man der New Yorker Effektschmiede eines nicht vorwerfen kann: Untätigkeit. Im Gegenteil steigt die Anzahl der neu auf dem Markt erhältlichen Pedale zumindest gefühlt wöchentlich!

Awesome on guitar and bass, the EHX Hot Wax fuses our Hot Tubes and Crayon pedals into one powerful dual-overdrive. Each section can be engaged independently, for two very different overdrive flavors, or together to create a massive overdriven sound.
The Hot Wax includes a two-knob EQ (BASS and TREBLE) for extensive tonal control, and a BLEND control to mix between your dry and distorted sound. These three controls are active with either or both distortion sections engaged, and bypassed when both overdrive section are turned off.

Demo by The Bass Channel 

Demo by Pedal Experiments

Review by Phil O'Keefe, harmonycentral.com

Review by gearnews.de

Review by Bassel Hallak, bonedo.de

HOT WAX

Fraser Grant

Der BASSRIG Fifteen ist ein rein analoge Amp-Rekreator-Preamp/D.I.-Pedal, basierend auf dem legendären Ampeg B-15 Portaflex-Kombi-Bassverstärker. Er bildet den Klang, das Spielgefühl und den Charakter des Original-B-15 nach mittels eines kompletten ventilähnlichen Signalweges im Miniaturformat. Er verfügt über eine analog simulierte 1×15-Lautsprechersimulation auf dem D.I.-Ausgang sowie eine eigene AMP OUT EQ, um den Klang an jeden Verstärker oder jede Box anzupassen. Der BLEND-Regler erlaubt das Beimischen des sauberen Signals für Klarheit und Artikulation.

The BASSRIG Fifteen is an all-analogue amp recreation preamp and DI pedal, based on the legendary Ampeg B-15 Portaflex amplifier. It recreates the sound, feel and character of the original B-15 studio bass combo using a full valve-style signal path in miniature. It features an all-analogue 1×15 cabinet simulator on the DI output and a dedicated AMP OUT EQ to tailor the sound to any amp or cab. The BLEND control allows you to mix clean signal in for clarity and articulation.

Origin Effects

Demo by Andertons

Review by Sound On Sound

Review by Bass Gear Reviews

BassRig Fifteen

HM-2W Heavy Metal (Waza Craft)

Mit Leidenschaft entworfen von den Meisteringenieuren bei BOSS in Japan, bietet der Waza Craft SD-1W Super Overdrive ein erstklassiges Stomp-Erlebnis, das Fans von individuell abgestimmtem Pedal-Ton lieben werden. Der SD-1W wurde mit einem feinen Ohr für raffinierten Sound entwickelt und verfeinert den berühmten BOSS Overdrive mit rein analoger Schaltung. Der Standard-Modus fängt den klassischen SD-1-Sound ein, während der Custom-Modus eine neue Klangvielfalt und mehr Gain bietet.

Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the SD-1W hot rods the famous BOSS overdrive with all-discrete analog circuitry. Standard mode captures the classic SD-1 sound while Custom mode offers new tonal range and gain.

Demo by Pete Thorn

Demo by Pro Guitar Shop Demos

Review by TonePedia

Review by Guitar.com

SD-1W Super Overdrive (Waza Craft)

BD-2W Blues Driver (Waza Craft)

Jonathan James

„Knackige Overdrive-Effekte für Bass - Der ODB-3 Bass OverDrive liefert die brusthohe Verzerrung, auf die Hardrock-, Thrash- und Punk-Bassisten gewartet haben. Dieses heiße, kompakte Pedal wurde speziell für Bassanwendungen entwickelt.“ - Boss

"Crunchy Overdrive Effects for Bass-- The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications." - Boss

Demo by  Bass Stuff

Demo by  Freddy Despo—The Bass Place

Review by Ultimate Guitar

Review by bassic.de

Review by Talk Bass.com

Review by bonedo

ODB-3 Bass OverDrive

ch ray

Albino Rhino is an overdrive pedal that brings with it the duality and balances of a nature that borders on the apocalypse: behaving sometimes softly, sometimes wild, our powerful pedal can be used for first, second or even third stage of gain in your set!

It has two modes of operation: the "Tame", where the pedal works as a low-gain with a cleaner and more compressed characteristic, and the "Wild", where its true nature is revealed, starting to act as a mid-gain or as a high-gain distortion pedal, depending on the position of the gain knob, with tones that range from the sound of an amp "breakup" to a fuzzed distortion, being ideal for grunge, stoner, and some metal styles that require more "dirty".

Krozz Devices

Demo by  ajwithjetpacks

Review by Pedais & Efeitos

Albino Rhino

Isen Ritchie

DS-1W Distortion

Der Royalbreaker ist ein Verzerrungspedal, das jeden Möchtegern-Monarchen von Ihrem Pedalboard stoßen soll. Es kombiniert einen intensiven Verzerrungsbereich, der von dicken, aggressiven Tönen bis zu einer kraftvollen, druckvollen Reaktion reicht, und bietet die Flexibilität und Wirkung, die Gitarristen brauchen, um in jeder Umgebung hervorzustechen.

Inspiriert von revolutionären Themen ist der Royalbreaker nicht nur ein Pedal – er ist der Funke einer neuen Ära der Verzerrung auf Ihrem Pedalboard, der Ihre Kreativität dazu antreibt, Barrieren zu durchbrechen und Normen zu trotzen!

The Royalbreaker is a distortion pedal built to dethrone any would-be monarch from your pedalboard. Combining an intense distortion range that spans from thick, aggressive tones to a powerful, punchy response, it offers the flexibility and impact guitarists need to stand out in any setting.

Inspired by themes of revolution, the Royalbreaker isn’t just a pedal—it’s the spark of a new era of distortion on your pedalboard, pushing your creativity to break barriers and defy norms!

Review by delicious audio

Review by guitar pedals X

Demo by Kris Barocsi

Demo by  Ana Julia Braga (aj)

Royalbreaker Distortion

Maxime Rihet

The Royal Jelly is an overdrive/fuzz blender like no other pedal. It can cover any ground from overdrive to fuzz, running two circuits in parallel and giving you the possibility of blending it or having them separately. It also has two presets of the blend, called Queen and King. The presets allow you not only to have two different sounds on the fly, but also make for a very natural transition between them, since instead of switching pedals, you are mixing the levels between your overdrive and fuzz.
It’s also possible to blend in your dry signal, a great feature for bass, drums and synths or any studio use. On the guitar the DRY control is great to create unique clean tones with a fuzzy background.

Beetronics

Demo by Eric Merrow

Royal Jelly

Zur Feier des 40-jährigen Jubiläums der BOSS-Compact-Pedale haben sich BOSS und JHS Pedals zu einer historischen kreativen Zusammenarbeit zweier Branchenführer zusammengeschlossen. Untergebracht im klassischen BOSS-Compact-Design vereint das JB-2 Angry Driver die Sounds des legendären BOSS BD-2 Blues Driver mit dem beliebten Angry Charlie von JHS Pedals. In enger Zusammenarbeit entwickelten die beiden Pedalhersteller eine völlig neue kombinierte Schaltung mit optimiertem Sound und perfekter Abstimmung für den Dual-Mode-Overdrive-Betrieb.

Das JB-2 Angry Driver verfügt über drei Doppelpotis, die eine unabhängige Regelung von Drive, Tone und Level für jede der beiden Overdrive-Schaltungen ermöglichen. Über einen Sechsfach-Drehschalter lassen sich die beiden Overdrives einzeln oder kombiniert in Serien- oder Parallelbetrieb nutzen. Durch die Möglichkeit, den expressiven Low-to-Mid-Gain-Sound des Blues Driver mit der aggressiven Rock-Stimme des Angry Charlie in jeder erdenklichen Kombination zu mischen, bietet das JB-2 Angry Driver eine enorme Bandbreite und Vielseitigkeit in einem einzigen Overdrive-Pedal.

To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals’ popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation.

The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently or combine them in series and parallel configurations. With the ability to blend the Blues Driver’s famously expressive low-to-mid gain tones with the Angry Charlie’s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal.

Review by Premier Guitar

Demo by Guitarist

Demo by JHS Pedals

JB-2 Angry Driver

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by reddit /basspedals

Review by Gitarre & Bass

Demo by Nate Navarro

Sound Samples w/ Ian Martin Allison

DCX BASS

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Jonny Dibble

The BASSRIG ’64 Black Panel is, quite simply, a complete vintage bass amp in a pedal. Based on Fender®’s Showman® and Bassman® amplifiers, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you the drive, grit and articulation of these classic amps in one small box.

Demo by The Bass Channel

Demo by BassTheWorld.com

Official Product Video 

BASSRIG  ’64 Black Panel

The Formiga B. Drive can be used for bass, guitar or with any instrument that you may want to clip, distort and drown in harmonics.

With two parallel channels (Clean and Dirty), the final result is a harmonically rich distortion that greatly adds to your instrument tone. There are independent Low-Pass filters for each channel and three clipping options (Silicon, LED, OpAmp) that altogether offer a world of possibilities.

Cachalote Audio

Review by guitar pedal X

Demo by ajwithjetpacks

Formiga B. Drive

The Ushuaia Drive has an original circuit developed by Cachalote, featuring a 100% analog signal chain with only discrete components. This overdrive pedal embodies a bold personality with an amp-like dynamic breakup. It delivers clean and transparent tones, featuring an extremely responsive low-gain, a versatile mid-boost, classic overdrive tones, and can transition all the way to a full-bodied drive, rich in bass with a fuzz-like texture.

Its circuit has two saturation stages. The first one uses a MosFET transistor, and the second one uses a BJT 2n2222a metal-can transistor. The combination of a transistor with more advanced technology with one with classic characteristics provides a dynamic, organic, and articulate tone. The Ushuaia Drive is true-bypass with an internal relay and a soft-touch footswitch. 

Demo by  Victor Pradella

Ushuaia Drive

Der Konsolenvorverstärker ist ein Halbleiter-Vorverstärker der Klasse A.

Es handelt sich um eine Originalstrecke, die von Cachalote entworfen wurde. Es verfügt über Eingangsverstärkungs- und Ausgangslautstärkeregler, einen Kippschalter für niedrige/hohe Impedanz und drei EQ-Modi (Konsole, Flach und Hochpass).

The Console Preamp is a solid-state, Class A preamplifier.

It is an original circuit designed by Cachalote. It has input gain and output volume controls, a low/high impedance toggle switch, and three EQ modes (Console, Flat, and High Pass).

Review by forum.cifraclub

Console Preamp

Das 214 Fuzz MKII ist ein äußerst vielseitiges Fuzz-Pedal.

Das Design wurde vom obskuren Sam Ash Fuzz Stainer inspiriert, aber das ist noch nicht alles. Wir haben verschiedene Parameter und Effekte hinzugefügt, um eine 100 % analoge Schaltung zu schaffen, die klassische, zeitgenössische und dennoch unerforschte Töne ermöglicht.

The 214 Fuzz MKII is a highly versatile fuzz pedal.

The design was inspired by the obscure Sam Ash Fuzz Stainer, but we didn't stop there. We added various parameters and effects to create a 100% analog circuit that enables classic, contemporary, and yet unexplored tones.

214 Fuzz MKII

Meteoro Amplifiers

Demo by  João Pedro Rodrigues

Demo by Dofenya

Master Bass Drive MPX 500

Cainã Santana

VMan (Alessandro Venturella from Slipknot) Signature pedal - Gritty, Dual-Path Overdrive for Guitar and Bass

KHDK

Demo by Toy Box Playa

Review by Guitar World

Review by Bass Chat

Totality by VMan of Slipknot

The Two Notes Le Bass Tube Preamp Pedal is equipped with two channels with independent control options, delivering a full host of versatile tones. This studio grade preamp pedal is equipped with a true high voltage design, running on 200 volts for a superb performance for you and your bass guitar. As well as this, Le Bass also includes a speaker simulator button, along with two fusion modes that allow you to achieve even more tones. Its compact housing means it will sit well on any pedalboard, and be a worthwhile investment for your setup.

Two Notes Audio Engineering

Review by delamar

Demo by Andertons Music

Demo by Eric Arkö

User Manual

Le Bass Dual-channel tube preamp

Eines der am häufigsten nachgeahmten Bauteile in digitalen Aufnahmegeräten sind Röhrenverstärker. Warum? Röhren liefern ein wunderbar warmes Signal mit vielen geraden Obertönen und einer leichten, natürlichen Kompression. Die JT Amplificaton Alpha Direct Box hat einen ähnlichen Signalweg wie ein Röhrenverstärker für Musikinstrumente: eine einstellbare Röhrenvorstufe, eine Röhrenausgangsstufe und einen großen Ausgangstransformator.

Die Alpha Direct Box liefert genau das, was Sie brauchen: einen fantastisch warmen Klang. Der Entwicklungsprozess: Dank der wertvollen Unterstützung des Produzenten und Toningenieurs „Evil“ Joe Barresi entstand die Alpha Direct Box – von einer ersten Idee über einen handgezeichneten Schaltplan bis hin zur Realität. Die Alpha Direct Box wird in limitierter Auflage in Los Angeles, Kalifornien, gefertigt.

One of the most emulated components in digital recording products are tube-based products. Why? Tubes deliver a wonderfully warm signal rich with even harmonics and slight natural compression. The JT Amplificaton Alpha Direct Box has a similar signal path as a musical instrument tube amplifier: An adjustable tube preamp section. A tube output section and a big ol' output transformer

The Alpha Direct Box delivers what you need. Amazing warm tone. The R&D Process: With valuable and appreciated guidance from Producer & Studio Engineer Extraordinaire “Evil” Joe Barresi, the Alpha Direct Box went from a text message, to a hand-drawn schematic, to reality. The Alpha Direct Box is built in limited production runs in Los Angeles, CA.

JT Amplification

Demo by 

Alpha Direct Box Tube D.I.

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Richard Delos Santos

Chavy21 bass rig

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

Noble

Demo by Noble Amplifier Company 

Noble Preamp DI

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

David Graves

Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. With its warm, rich, and dynamic sound, the Tone Hammer Preamp is an essential preamp/direct box for every bassist. The Tone Hammer features fully sweepable midrange frequencies, in addition to bass and treble controls. With the Tone Hammer’s pristine D.I., players are set for either studio or stage. Enhanced for even greater flexibility, the updated Drive circuit now provides an expanded range, allowing for increased gain and a dedicated control to finely tune your sound. You can go from modern slap sounds to vintage or overdriven, and everything in between. 18-volt operation gives the Tone Hammer plenty of headroom, and we’ve added a Headphone Out and Aux In, making it the perfect practice companion, whether on the road or at home.

Aguilar

Review by algam Benelux

Tone Hammer Preamp v2

Benjamin Hooper

Der berüchtigte Harmonic Percolator-Schaltkreis ist auf maximalen Klang getrimmt. Geeignet für schmutzige Suboktaven und mutwillige Rückkopplungen, bis hin zu einem Hauch von Grit oder einem Transistor-Booster, der den Verstärker knallt. Eindeutig mehr als nur ein Fuzz.

Wie das Original HP-1 verwendet auch das Hurts sowohl Germanium- als auch Siliziumtransistoren, die sorgfältig ausgewählt und auf Klang und Verstärkung abgestimmt wurden. Im Inneren befinden sich mehrere Trimmer, einer zum Einstellen des Oktav-Sweetspots“ und einer zur Gain-Kompensation im Falle von Oszillationen.

Er verwendet Germanium-Dioden wie im originalen HP-1 und hat einen Schalter, um auf Silizium-Dioden umzuschalten, die etwas lauter sind (mein Favorit im Bass). In der Mittelstellung überbrückt dieser Schalter die Dioden, was ihn zu einem lauten Transistor-Booster macht, der das Front-End eines Verstärkers wirklich antreibt. 

The infamous Harmonic Percolator circuit tuned for maximum tone. Capable of filthy sub octave and wilful feedback, through to just a hint of grit, or an amp slamming transistor booster. Definitely more than just a fuzz.

As in the original HP-1 the Hurts uses both germanium and silicon transistors carefully selected and graded for both sound and gain. Inside it has a couple of trimmers, one to tune in the octave "sweet spot" and one for gain compensation in case of oscillation.

It uses germanium diodes as in the original HP-1 and has a switch to change to silicon diodes which are slightly louder (my favourite on bass). In the mid position this switch bypasses the diodes making it a loud transistor booster that really pushes the front end of an amp. 

Latent Lemon Audio

Demo by Guy Incognito

Review by ilovefuzz

Review by The Gear Page

Hurts

HP-2 is a distortion device, based on the harmonic percolator. A genuinely unusual design that is instantly recognizable. Known as a sonic doomsday device, but can easily be dialed down to add just a touch of harmonic richness. Harmonics (H) controls the input level and Balance (B) controls the output level. Rocker switches in and out the clipping section. Switch left for 1970s. Switch right for absolute destruction.