Jason Jackson

Combustion 5

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

The Me Board

Die Whirlwind IMP 2 ist eine professionelle, einkanalige passive DI-Box, die für Live-Sound und Studioanwendungen entwickelt wurde. Sie nutzt den proprietären Whirlwind TRHL-Transformator, der für eine höhere Haltbarkeit mit dem Gehäuse vernietet ist, um hochohmige unsymmetrische Signale in niederohmige symmetrische Signale umzuwandeln. Das Gerät verfügt über parallel verdrahtete 1/4-Zoll-Ein- und Ausgangsbuchsen sowie einen symmetrischen XLR-Ausgang. Ein dedizierter Ground-Lift-Schalter ist vorhanden, um Brummen und Rauschen durch Erdschleifen effektiv zu isolieren. Das robuste Metallgehäuse ist so konzipiert, dass es harten Einsätzen auf Tourneen standhält, ohne dass eine externe Stromversorgung erforderlich ist.

The Whirlwind IMP 2 is a professional-grade, single-channel passive direct box designed for live sound and studio applications. It utilizes the proprietary Whirlwind TRHL transformer, which is riveted to the chassis for enhanced durability, to convert high-impedance unbalanced signals to low-impedance balanced signals. The unit features parallel-wired 1/4" input and output jacks along with a balanced XLR output. A dedicated ground lift switch is included to effectively isolate hum and buzz caused by ground loops. Its robust metal enclosure is engineered to withstand heavy use in touring environments without the need for external power.

Whirlwind

Demo by Audio University

Product Page

Review by Audio University

Manual

IMP 2

Tester

Mit dem Walrus Audio Ages Overdrive hat der amerikanische Boutique-Effektpedalhersteller ein Effektpedal im Sortiment, das analog aufgebaut ist und fünf unterschiedliche Overdrive-Grundsounds erzeugen kann. Außerdem lässt sich das Direktsignal hinzumischen, was bei Overdrive-Pedalen grundsätzlich für eine erhöhte klangliche Flexibilität sorgt

Ages is an overdrive with innovative features that can stand on its own and stack well with other drives. From clean, sparkly and smooth gain to thick compressed overdrive.

Walrus Audio

Demo by Walrus Audio Effects 

Demo by Rabea Massaad 

Review by Amazona 

Review by Bonedo 

Ages Five-State Overdrive

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

David Graves

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Origin Effects

Official Product Video

Demo by  BassTheWorld.com

Review by reddit /basspedals

Review by Compressor Pedal Reviews

Review by Gearnews

Review by AMAZONA

Manual download

Cali76 Bass Compressor (64 Black Panel)

ch ray

Der Kaamos wurde in Zusammenarbeit mit dem legendären Bassisten und Produzenten Amos Heller entwickelt und kombiniert eine kraftvolle Verzerrung mit oktavierten Sounds.

Mit den Echtzeit-Routing-Reglern können Sie Ihren Signalweg mühelos formen - stapeln Sie Effekte in Reihe, um eine satte Sättigung zu erzielen, oder schalten Sie sie parallel, um komplizierte, vielschichtige Texturen zu erzeugen. Eine bewegliche Effektschleife, die in drei verschiedenen Positionen konfiguriert werden kann, eröffnet neue Möglichkeiten, während ein spezieller Suboktav-Ausgang kreative Multi-Amp-Setups ermöglicht. Jedes Detail wurde präzise entwickelt, damit Sie die volle Kontrolle über Ihren Sound haben.

Designed in collaboration with legendary bassist and producer Amos Heller, Kaamos blends a powerful distortion with octave-down tones.

Real-time routing controls let you shape your signal path with ease—stack effects in series for rich saturation or run them in parallel for intricate, layered textures. A movable effects loop, configurable in three distinct positions, opens up new possibilities, while a dedicated sub-octave output unlocks creative multi-amp setups. Every detail is precision-engineered to put you in complete control of your sound.

Darkglass Electronics

Review by gearnews.de

Review by Talk Bass.com

Review by bonedo

Demo by Premier Guitar

Kaamos

Big Booty Judy ist ein Zerrpedal von Backburner. BBJ basiert auf deinen Lieblings-Rodent-Schaltungen. Es wurde speziell für Bass entwickelt.

Big Booty Judy is a dirt pedal from Backburner.
BBJ is based off of your favorite rodent circuits. 
It is made specifically for bass. 

Backburner Noise

Demo by Patrick Hunter

Big Booty Judy

Der EHX Bass Micro Synthesizer ist ein reiner Bassgitarren-Synthesizer mit vollständig analoger Schaltung. Einstellbare Synthesizer-Parameter erzeugen satte, kraftvolle Klänge aus einer anderen Welt.  

Die Voice-Mix-Sektion ermöglicht die Mischung aus vier verschiedenen Stimmen: Sub-Octave, Guitar, Octave und Square Wave. Besonders die Square Wave sorgt für den charakteristischen, fuzzigen Klang des Bass Micro Synthesizers, der an den kosmischen Sound der 70er Jahre erinnert.  

Mit der Attack-Decay-Steuerung lassen sich gestrichene Effekte oder bedrohliche Lautstärkeschwankungen erzeugen, während die Filter-Sweep-Sektion das gesamte Frequenzspektrum durchläuft – von schnellen, präzisen Schnitten von Hoch nach Tief bis hin zu langsamen, fließenden Anstiegen von Tief nach Hoch.

The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Adjustable synth parameters deliver fat, sweet tones from another world.

Its voice mix section lets you bring in 4 different voices: Sub Octave, Guitar, Octave, and Square Wave. The Square Wave gives the Bass Micro Snythesizer its signature, fuzzy growl that calls back to the cosmic ’70s .

An Attack Decay control creates bowed effects or ominous volume swells while the Filter Sweep section sweeps through the full frequency spectrum for sound from quick high to low chops and slow low to high blooms.

Electro-Harmonix

Review by Pedals & Effects

Review by Bass Gear Reviews

Demo by Bassic Gear Reviews

Bass Micro Synth

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Carlos  Steinmann

Dunlop

VOLUME (X) MINI PEDAL

Fraser Grant

Der BASSRIG Fifteen ist ein rein analoge Amp-Rekreator-Preamp/D.I.-Pedal, basierend auf dem legendären Ampeg B-15 Portaflex-Kombi-Bassverstärker. Er bildet den Klang, das Spielgefühl und den Charakter des Original-B-15 nach mittels eines kompletten ventilähnlichen Signalweges im Miniaturformat. Er verfügt über eine analog simulierte 1×15-Lautsprechersimulation auf dem D.I.-Ausgang sowie eine eigene AMP OUT EQ, um den Klang an jeden Verstärker oder jede Box anzupassen. Der BLEND-Regler erlaubt das Beimischen des sauberen Signals für Klarheit und Artikulation.

The BASSRIG Fifteen is an all-analogue amp recreation preamp and DI pedal, based on the legendary Ampeg B-15 Portaflex amplifier. It recreates the sound, feel and character of the original B-15 studio bass combo using a full valve-style signal path in miniature. It features an all-analogue 1×15 cabinet simulator on the DI output and a dedicated AMP OUT EQ to tailor the sound to any amp or cab. The BLEND control allows you to mix clean signal in for clarity and articulation.

Demo by Andertons

Review by Sound On Sound

BassRig Fifteen

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Premier Guitar

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

Jürgen Eschmann

Midi-Controller / Page turner

Foot switch control in a stompbox design that easily integrates with your pedal board!

Cue audio, lighting, and effects
Start and stop backing tracks and metronomes
Send MIDI commands and custom DAW keys
Turn pages, read music, scroll lyrics and tabs
Capture video, photos, and more!

Airturn

BT500S-2

QuickMount Type UH

Universal-Pedal-Montageplatte für horizontale Pedale

Universal Pedal Mounting Plate For Horizontal Pedals

Voodoo Lab

Pedal Power x8

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Dave Sahanaja

Small gig board

Anthony Sclafani

The Past FX PX-101 is a guitar pedal that is part of the Spectrum Collection, a series of pedals dedicated to capturing the sounds and sonic aura of legendary Pink Floyd guitarist David Gilmour. The pedal is designed to recreate the key elements of Gilmour’s sound, particularly his use and manipulation of effects pedals to shape his tone.

PastFx

Official Website

PX-101

Mit dem OC-2 Octave-Pedal kannst du deinen Sound durch Hinzufügen von zwei zusätzlichen Tönen aufpeppen - eine und zwei Oktaven unterhalb der ursprünglichen Note. Jeder Ton hat einen separaten Lautstärkeregler und wird mit hervorragender Klarheit wiedergegeben.

The OC-2 Octave pedal lets users fatten up their sound by adding two additional tones--one and two octaves below the original note. Each tone has a separate volume control and plays back with outstanding clarity.

BOSS

Review by Reddit /guitarpedals

Review by TalkBass

Demo by Middle Aged Gear Junkie

Demo by Nick Granville

OC-2 Octaver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Das StroboStomp HD verfügt über das größte Stimmdisplay, das Peterson Tuners je in eines seiner Pedal-Stimmgeräte integriert hat, und besticht durch einen hochauflösenden LCD-Bildschirm mit einer LED-Hintergrundbeleuchtung in variablen Farben. Die vom Benutzer wählbaren Farben können genutzt werden, um das Stimmgerät individuell anzupassen oder die Ablesbarkeit des Displays je nach Einsatzumgebung bei unterschiedlichen Lichtverhältnissen zu verbessern. Die leuchtenden Bildschirmfarben können zudem Standard- oder Benutzer-Presets zugewiesen werden, um die Zeit für die Menüführung deutlich zu verkürzen und die Sicherheit beim Stimmen auf der Bühne zu erhöhen.

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

StroboStomp HD

The CompIQ Stella Pro MK2 stands out as a remarkably powerful compressor/limiter pedal, offering a wide array of parameters for unprecedented control over playing dynamics. Encased in a compact and sturdy black powder-coated aluminum enclosure, it seamlessly integrates into any pedalboard, no matter the size. The Stella proves versatile for studio applications like bus compression and tracking and delivers outstanding results in live performances. It can be utilized with any instrument, such as guitar, bass, keyboards, synths, electro-acoustic guitars, etc., and even with vocals, provided that an appropriate pre-amp is utilized.

The optional DITOS Transformer-Coupled Balanced Output DI is available as an add-on board, offering the flexibility to be pre-installed or added later by the user.

Becos FX

Manual DITOS Upgrade

Review by Sound on Sound

Review by Bass Gear Mag

Demo by Brett Kingman

CompIQ Stella Pro Mk2

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Richard Delos Santos

Chavy21 bass rig

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

Noble

Demo by Noble Amplifier Company 

Noble Preamp DI

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Demo by The Bass Channel

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. With its warm, rich, and dynamic sound, the Tone Hammer Preamp is an essential preamp/direct box for every bassist. The Tone Hammer features fully sweepable midrange frequencies, in addition to bass and treble controls. With the Tone Hammer’s pristine D.I., players are set for either studio or stage. Enhanced for even greater flexibility, the updated Drive circuit now provides an expanded range, allowing for increased gain and a dedicated control to finely tune your sound. You can go from modern slap sounds to vintage or overdriven, and everything in between. 18-volt operation gives the Tone Hammer plenty of headroom, and we’ve added a Headphone Out and Aux In, making it the perfect practice companion, whether on the road or at home.

Aguilar

Demo by Nate Navarro

Review by algam Benelux

Tone Hammer Preamp v2

Benjamin Hooper

Der berüchtigte Harmonic Percolator-Schaltkreis ist auf maximalen Klang getrimmt. Geeignet für schmutzige Suboktaven und mutwillige Rückkopplungen, bis hin zu einem Hauch von Grit oder einem Transistor-Booster, der den Verstärker knallt. Eindeutig mehr als nur ein Fuzz.

Wie das Original HP-1 verwendet auch das Hurts sowohl Germanium- als auch Siliziumtransistoren, die sorgfältig ausgewählt und auf Klang und Verstärkung abgestimmt wurden. Im Inneren befinden sich mehrere Trimmer, einer zum Einstellen des Oktav-Sweetspots“ und einer zur Gain-Kompensation im Falle von Oszillationen.

Er verwendet Germanium-Dioden wie im originalen HP-1 und hat einen Schalter, um auf Silizium-Dioden umzuschalten, die etwas lauter sind (mein Favorit im Bass). In der Mittelstellung überbrückt dieser Schalter die Dioden, was ihn zu einem lauten Transistor-Booster macht, der das Front-End eines Verstärkers wirklich antreibt. 

The infamous Harmonic Percolator circuit tuned for maximum tone. Capable of filthy sub octave and wilful feedback, through to just a hint of grit, or an amp slamming transistor booster. Definitely more than just a fuzz.

As in the original HP-1 the Hurts uses both germanium and silicon transistors carefully selected and graded for both sound and gain. Inside it has a couple of trimmers, one to tune in the octave "sweet spot" and one for gain compensation in case of oscillation.

It uses germanium diodes as in the original HP-1 and has a switch to change to silicon diodes which are slightly louder (my favourite on bass). In the mid position this switch bypasses the diodes making it a loud transistor booster that really pushes the front end of an amp. 

Latent Lemon Audio

Demo by Guy Incognito

Review by ilovefuzz

Review by The Gear Page

Hurts

HP-2 is a distortion device, based on the harmonic percolator. A genuinely unusual design that is instantly recognizable. Known as a sonic doomsday device, but can easily be dialed down to add just a touch of harmonic richness. Harmonics (H) controls the input level and Balance (B) controls the output level. Rocker switches in and out the clipping section. Switch left for 1970s. Switch right for absolute destruction.

Land Devices

Demo by Goofy Ears

Demo by ambienttrash

HP-2

Lee Atkin

Das BOSS XS-1 Poly Shifter ist ein kompaktes Pitch-Shifting-Pedal, das fortschrittliche polyphone Technologie nutzt, um präzises, störungsfreies Umstimmen sowohl für Gitarre als auch für Bass zu liefern. Es bietet einen Gesamt-Shift-Bereich von ± sieben Halbtönen plus ± drei Oktaven, der alles von Drop-Tunings über sofortige Kapo-Effekte bis hin zu Oktav-Layers abdeckt. Die unkomplizierte Benutzeroberfläche verfügt über einen Balance-Regler zum Mischen des trockenen und des Effektsignals, einen Shift-Regler zur einfachen Pitch-Auswahl und flexible Steuerungsoptionen über externe Fußschalter oder ein Expression-Pedal. Angetrieben von 24-Bit-Wandlern und der Adaptive Focus-Methode gewährleistet es eine hochauflösende Pitch-Verschiebung, während der natürliche Klang und Charakter des Instruments auch bei komplexen Akkorden erhalten bleibt.

The BOSS XS-1 Poly Shifter is a compact pitch-shifting pedal that uses advanced polyphonic technology to deliver precise, glitch-free retuning for both guitar and bass. It offers a total shift range of ± seven semitones plus ± three octaves, covering everything from drop tunings to instant capo effects and octave layers. The straightforward interface features a Balance knob to blend the dry and effect signals, a Shift knob for easy pitch selection, and flexible control options via external footswitches or an expression pedal. Powered by 24-bit converters and Adaptive Focus method, it ensures high-fidelity pitch shifting while preserving the instrument's natural tone and character, even with complex chords.

Review by Gear News

XS-1 Poly Shifter

Entwickelt in Zusammenarbeit mit Bass-Professor und Klangkenner Ian Martin Allison ist der MXR Bass Synth ein Kraftpaket unter den Pedalen, das donnernde Sub-Oktaven, expressive Hüllkurven und üppige Modulationseffekte mit erstklassigem Tracking und Sustain bietet – dazu alle Funktionen, die Sie benötigen, um jeden einzelnen Aspekt Ihres Klangs zu formen.

Designed with low-end professor and tone connoisseur Ian Martin Allison, the MXR Bass Synth is a powerhouse of a pedal offers thunderous sub-octave, expressive envelope, and lush modulation effects with killer tracking and sustain—plus all the features you need to shape every detail of your tone.

Review by No Treble

Bass Synth MB301

Nathan Turnbull

Die Radial BigShot ABY V2 ist einen kompakte ABY switcher, der es dir ermöglicht zwischen zwei Verstärkern zu schalten oder das Signal zu kombinieren, wenn beide Verstärker zur gleichen Zeit aktiv sein sollen. Mit netten Extras wie eingebauten Isolationstransformern, separatem Tuner Ausgang und Status LEDs, ist dies der wohl flexibelste True-Bypass Switcher am Markt.

The Radial BigShot ABY V2 is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time. Featuring nice extras like a built-in isolation transformer, separate tuner output and status LED’s, is the most versatile true-bypass switcher made today!

Radial Engineering

Official Product Page

Review by Musiker-Board

Demo by Landon Bailey

Demo by Hollywood Rare Guitars

Bigshot ABY v2

scott delony

Pushing the boundaries of bass innovation, Anagram is our most powerful and versatile multi-effect unit yet. More than just an effects processor—it’s a revolution. With ultra-low latency, deep customization, and seamless integration into the Darkglass ecosystem, it empowers bassists like never before, from studio precision to stage power.

Designed for effortless creativity, Anagram delivers studio-quality sound, advanced signal chain editing, and the groundbreaking Neural Amp Modeler (NAM) technology—all within a compact footprint that accommodates any pedalboard. Fun to use, inspiring to explore, and limitless in sonic potential, Anagram doesn’t just shape tone—it unlocks new ways of assembling music.

Demo by Sweetwater

Demo by Leo Gibson

Demo by Nate Navarro 

Anagram

"When you see an aging building or a rusted bridge, you are seeing nature and man working together"

OAMP is an output driver designed to replace a conventional output buffer or gain pedal at the end of your chain. If you’re familiar with EUNA, it’s a similar concept but with a few key differences. High headroom, clean gain, great drive capability. They key features are labeled below. There are subtle tonal variations in the gain settings. Maximum clean output level is 20dB. 29dB of gain available. OAMP makes enough gain to drive your amp into breakup without adding it’s own distortion, or you can use it to trim hot signals from your pedalboard. The insert loop is active when OAMP is OFF, so you can easily swap from clean drive to a dirt pedal, alternative preamp or anything you want really. With nothing plugged into the insert OAMP is True-Bypass when switched off.

OAMP

Learn more about Origin Effects BassRig Fifteen preamp, di pedal on PedalPedia - the most comprehensive online resource for effect pedals ▶️ Official specs, manuals, product videos and more