Tachin Sum

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

NET Pedal Board 01

ch ray

The Highline Stereo is a full-featured line isolator that is specifically designed to address the needs of instrumentalists who use amp modelers, allowing them to seamlessly connect to a PA or a recording system while maintaining their full signal integrity with no added noise or distortion. The Highline features premium Jensen 1:1 transformers, which retain the full volume level from the pedalboard to the PA, while also providing galvanic isolation that eliminates ground loop noise for a clean and noise-free signal. The balanced outputs of the Highline Stereo allow for long cable runs to the PA, and the device also blocks phantom power so it never reaches the pedalboard. The Highline Stereo can be easily reconfigured for multiple setups with the use of two summing switches: these allow you to connect to the PA or your stage monitors in either stereo or mono.

Radial Engineering

Demo by Premier Guitar

Official Product Video

Product Page

Manual

Highline Stereo

David

Das Germanium Fuzz ist ein Fuzz-Pedal. Die Regler verändern den Klang.
Dieses Pedal basiert auf zwei Germanium-Transistoren vom Typ 2N527 oder 2N404.  Sie wurden hinsichtlich Verstärkung und Leckstrom bewertet und sorgfältig aufeinander abgestimmt, um den bestmöglichen Klang zu erzielen.  Sie sind in der allgegenwärtigen kreisförmigen Fuzz-Topologie der 60er Jahre angeordnet, auf guten Klang abgestimmt und verfügen über einige zusätzliche Besonderheiten, die Probleme lösen sollen, die einer breiteren Verwendung von Germanium-Bauteilen im Wege stehen.

DAS ERSTE FUZZ-PEDAL MIT AUTOMATISCHER THERMISCHER BIAS-TECHNOLOGIE
Die Vorspannung der Transistoren in diesem Pedal wird automatisch durch eine Schaltung geregelt, die die Transistoren mithilfe analoger Komponenten sanft auf einen voreingestellten Betriebspunkt erwärmt und einen gleichbleibenden Klang unabhängig von der Außentemperatur gewährleistet. 

The Germanium Fuzz is a fuzz pedal.  The knobs change the sounds.
This pedal is designed around two germanium 2N527 OR 2N404 Germanium Transistors.  They have been graded for gain and leakage and carefully matched to sound their best.  They are set up in the ubiquitous 60’s circular fuzz topology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent more widespread use of Germanium devices.

THE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY
The bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the transistors to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. 

Benson Amps

Demo by Mike Hermans

Demo by Pedal of the Day

Review by That Guitar Lover

Review by The Gear Page

Germanium Fuzz

Louis Springer

LOOP SWITCHING MADE SIMPLE
The ML5 lets you to use your MIDI controller to control your non-MIDI pedals, giving you simultaneous control of both your digital and analog effects.

Easily select which of your non-MIDI pedals are included or excluded from each of your MIDI presets and recall loop combinations with the touch of a switch.

Morningstar Engineering

Demo by BugBryan

In den letzten Jahrzehnten entschieden sich viele international bekannte Topmusiker für den ODR-1 Natural Overdrive, von Jerry Donahue bis zu Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody und vielen anderen. Alle Single-Coil Gitarristen, die meisten Humbucker Nutzer und sogar Bassisten lieben die Klarheit und Vielseitigkeit des vollen Sounds des ODR-1. Einige Heavy-Humbucker Spieler baten aber um die Möglichkeit, den Sub-Bass etwas abschwächen zu können. Und diesem Wunsch sind wir gefolgt!

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.

Nobels

Demo by The Pedal Zone

ODR-1 Overdrive

Tester

The FINAL BOOSTER is a full-range booster that emphasizes the sound quality. It allows to boost the signal that were converted to low impedance on Vitalizer™ circuit up to 20db.

Providence

Demo by Guitar Interactive Mag

Demo by Jimmy Lin『JL Music Studio』

VFB-1 Vitalizer Final Booster

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Review by bonedo

Review by reddit /guitarpedals

Review by Talk Bass.com

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

The Broadcast is a transformer coupled, discrete Class-A germanium pre-amplifier based on the classic broadcast consoles of the 1960s. In the low-gain setting, the Broadcast can cover everything from sparkling clean boost through to transparent overdrive, all with a healthy dose of volume available to push your amp. The Broadcast features a specially selected Triad steel-core transformer and a Germanium transistor. Advancing the gain on the Broadcast starts to saturate the transformer and the pedal’s discrete circuitry, giving rise to a gentle and dynamic compression coupled with subtle thickening of the mid-range. With the gain switch in the high setting and the trim control wound up, the Broadcast starts to deliver heavier distorted sounds with a warm and fuzzy edge to them. The Broadcast covers a wide range of driven and distorted tones whilst remaining dynamic, responding well to pick attack and the subtle nuances of every player.

Hudson Electronics

Review by THE JHS SHOW 

Review by

Demo by The Tone Lounge 

Demo by shnobel

Broadcast

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Strymon

Review by Elektronauts

Review by Guitar.com

Demo by strymon

El Capistan v2

Simon Lo

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

Review by Jan Steiger, amazona.de

Review by Best Guitar Effects 

Demo by Reverb

Big Sky

Oscar Kezirian

In Zusammenarbeit mit Analog Man selbst entwickelt, ist Brothers AM eine Hommage an den legendären King of Tone Overdrive.

Er basiert auf der begehrten Schaltung, bietet dir erweiterte Kontrolle und ein paar spannende Extras – ohne das zu verändern, was ihn ursprünglich so besonders gemacht hat.

Ein Schub sonniger Sättigung, der einfach immer genau richtig klingt.

Made in collaboration with Analog Man himself, Brothers AM is a tribute to the legendary King of Tone overdrive.

It builds on that iconic circuit, adding deeper control and a few tasty extras—without losing the magic that made it a classic.

Think: a stack of sunny saturation that always lands in the sweet spot.

Chase Bliss

Demo by Sean Pierce Johnson

Review by Guitar Bomb

Review by Gear News

Brothers AM

Jeff Wingo

Introducing our superior-grade FrontAux switches, designed exclusively for your Morningstar MIDI controller. If you have been on the hunt for a quality auxiliary switch that seamlessly integrates with your controller's front edge, then your search ends here. Our FrontAux switches offer unparalleled ease of use and are meticulously engineered to occupy minimal space, ensuring that they fit comfortably along the front edge of your board without compromising on functionality.

Pedalnetics

MC6Pro Front Aux 3

Patrick Dougherty

With a massive display upgrade, an entirely new processor and a never-before-seen array of connections, MC6 PRO is by far the most powerful and user-centered MIDI controller yet.

Morningstar Product Page

Review by Gearspace

Review by Six String Sensei

Demo by SON WU

MC6 Pro

Andrea De Blasio

Sweetwater exclusive.
Multi-effect processor with the helix sound Over 300 effects and models from the Helix, M series and other Line6 products 6 Simultaneously usable amplifiers, boxes and effect blocks - including looper and IR loading Coloured LC display Integrated audio interface 3 Footswitches with colour-coded LED rings MIDI In and Out Expression pedal connection Input: L / Mono and Right Output: L / Mono and Right USB MIDI In and Out / Thru Headphone output FX loop Aux in Dimensions: 17.8 x 12.6 x 6.6 cm Weight: Approximatey 800 g Connection for 9 V DC 3 A power supply Includes power supply

LINE 6

Review by musicradar

Demo by Guitar Bonedo

HX Stomp - Cosmic Gray

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Zuma r300

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Pedro Almeida

Jazzmaster 

New pitch delay mod

AC15CC2

Jay Jay

Der 1312 begann sein Leben als physische Verkörperung einer der Grundüberzeugungen von Black Mass Electronic: Black Lives Matter. Es bot uns auch eine umsetzbare Möglichkeit, unsere Unterstützung finanziell zu demonstrieren. Diese neue Version des 1312 verkörpert ein weiteres wichtiges Gefühl: Trans-Rechte sind Menschenrechte. 50 % der Gewinne aus diesen Pedalen werden zwischen mehreren Organisationen aufgeteilt, deren Anliegen wir unterstützen – No More Dysphoria, Transgender Emergency Fund, Asian American Resource Workshop, Black & Pink – Boston und Solidarity North Shore.

The 1312 began its life as a physical embodiment of one of Black Mass Electronic’s fundamental beliefs: Black Lives Matter. It also provided an actionable avenue for us to demonstrate our support monetarily. This new iteration of the 1312 embodies another important sentiment: Trans Rights are Human Rights. 50% of the profits from these pedals will be split between several organizations whose causes we support - No More Dysphoria, Transgender Emergency Fund, Asian American Resource Workshop, Black & Pink - Boston, and Solidarity North Shore.

Black Mass Electronics

Review by guitar.com

Demo by Megan L

Demo by collector//emitter

Demo by TUNNEL OF REVERB

Demo by ambienttrash

1312 Distortion V3

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Petrichor is a lo-fi delay sequencer pedal based on 2399 chip.

Polarbear Effects

Review by delicious audio

Review by guitar pedal X

Demo by Ambient Exploration

Petrichor

Tomasz Galek

Portal ist ein aktiver Signalmischer mit zwei Betriebsarten: parallel und seriell. Im Parallelmodus verfügt der Signalmischer über zwei Send/Return-Schleifen und einen Hauptausgang, der drei unabhängige Eingänge zu einem zusammenfassen oder bei Bedarf als aktiver ABY verwendet werden kann. Im Serienmodus sind A und B serielle Kanäle. Wenn der A/B-Schalter geschlossen ist, wird Kanal A oder B überbrückt. Wenn alle drei Schalter geschlossen sind, handelt es sich um einen echten Bypass.

Portal is an active signal mixer with two working modes: parallel and series. In parallel mode, the signal mixer has two send/return loops and one main output, which can combine three independent inputs into one, or can be used as an active ABY as needed. In series mode, A and B are series channels. When the A/B switch is closed, channel A or B is bypassed. When all three switches are closed, it is true bypass.

Sonicake

Demo by Pedal Picassos

Demo by David Greer

Portal

Whammy effects in a single stompbox pedal
7 pitch intervals shift across a 4 octave range

DigiTech

Demo by ProGuitarShopDemos

Whammy Ricochet

Das Z.Vex Fat Fuzz Factory Vexter ist das neue Fuzz-Effektpedal für E-Gitarre, das die Grundfunktionen des Fuzz Factory-Pedals um einen 3-Wege Schalter erweitert, mit Hilfe dessen unterschiedliche Oszillationen bzw. Oktaven angewählt werden können. Mit den Schaltern Volume und Drive wird die Ausgangslautstärke bzw. die Stärke der Verzerrung eingestellt. Daneben kann der Sound des Z.Vex Fat Fuzz Factory Vexter mit den Noisegate-, Compressor- und Stability-Reglern verfeinert werden. Z.Vex Fat Fuzz Factory Vexter.

This 25th Anniversary Vexter Series Fuzz Factory features UV printed art. The parts inside are identical to the hand painted model.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. Includes an on/off LED and center-negative DC power jack.

ZVEX

Zvex Effect Product Page 

Demo by G. Wooden

Fuzz Factory 25th Anniversary Ed.

Der Small Stone von Electro Harmonix ist ein Phaser-Pedal, das 1974 von David Cockerell entwickelt wurde. Im Gegensatz zu seinem Hauptrivalen, dem MXR Phase 90, der einen JFET-Transistor verwendet, um die Frequenz seiner vier Stufen zu variieren, ist seine Schaltung um einen Transkonduktanz-OP-Verstärker herum aufgebaut. Der Small Stone wurde unter anderem von David Gilmour und David Bowies Gitarristen Carlos Alomar verwendet und war von Anfang an ein großer Erfolg, so dass er noch immer im Katalog der in Long Island ansässigen Marke zu finden ist.

The Small Stone from Electro Harmonix is a phaser pedal that was developed by David Cockerell in 1974. Unlike its main rival, the MXR Phase 90, which uses a JFET transistor to vary the frequency of its four stages, its circuit is built around a transconductance op-amp. Used by David Gilmour and David Bowie's guitarist Carlos Alomar, among others, the Small Stone was a huge success from the start, so much so that it can still be found in the Long Island-based brand's catalog.

Electro-Harmonix

Demo by Musicmaker

Review by Reddit /guitarpedals

Review by MusicRadar

Small Stone

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Esben Dyrhovden

Get the wobbly, disjointed, decidedly un-hifi sound of recording to cassette. Without the need to record to cassette. Or record at all!
The unique, dynamic vibrato responds to your playing strength and can get fairly extreme if you want. Adjust the 'Sensitivity' control to dial in the intensity of it's response, from subtle to almost complete tape stop!

Adjust the character control to give you anything from clean and jangly, to saturated and wooly tones. It changes the response of the tape saturation and tone circuits in one go, making it really easy to dial in the kind of cassette vibe you're after.

Bleak District Electric

Demo by Pair of Pandas

Demo by Eric Merrow

RecHead

Mit hochwertigem Sound und vielseitiger Einsatzmöglichkeit hebt der **RV-6** Reverb-Pedale auf ein neues Level. Über die Möglichkeiten vorheriger Generationen hinausgehend, vereint dieses leistungsstarke Pedal modernste Technologie mit dem legendären BOSS-Know-how – so lassen sich beeindruckende Reverb-Sounds im Handumdrehen abrufen.  

Von dezenten Raumklängen über moderne Shimmer-Effekte bis hin zu langen, atmosphärischen Reverbs umhüllt der RV-6 deinen Sound mit dichten, inspirierenden Klangwelten.

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

BOSS

Review by Music Radar

RV-6 Reverb

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

This limited edition version of Ariel’s signature Broadcast-AP features a stunning blue livery with a gorgeous dark red marbled nameplate. 

We took the low-gain side of the standard Broadcast as the starting point. Together, Ariel and I exchanged the Germanium transistor for a Silicon and used an OEP transformer – the OEP transformer saturates and distorts less below 100Hz compared to the Triad transformer used in the standard Broadcast. These two changes together give the Broadcast-AP a darker, smoother, more powerful tone compared to the standard version. Greater weight in the lows, whilst retaining the open highs and upper-mids, giving the Broadcast a ‘3D’ effect. 

Demo by R.J. Ronquillo

Demo by Living Room GD

Broadcast AP

Designed for today's guitar player. Designed for use with, or without, a pedal effects board. Comes with it's own power supply, or easily powered with any pedal board power supply.


Demo by  Pedal Steel and Dobro Instruction

Demo by Tonetronix

Review by Greg Cutshaw

Hilton Electronics Pro Guitar Volume Pedal

This limited edition version of Ariel’s signature Broadcast-AP finished in a dark green with a red marbled nameplate. Limited to 200 units worldwide. 

At the heart of the Broadcast-AP – as the name may suggest – is the same circuitry as the Broadcast. A class-A discrete, transformer-coupled circuit, designed to saturate in a unique way reminiscent of certain recording and broadcast consoles. 

We took the low-gain side of the standard Broadcast as the starting point. Together, Ariel and I exchanged the Germanium transistor for a Silicon and used an OEP transformer – the OEP transformer saturates and distorts less below 100Hz compared to the Triad transformer used in the standard Broadcast. These two changes together give the Broadcast-AP a darker, smoother, more powerful tone compared to the standard version. 

Demo by Ariel Posen

Broadcast AP Green

Broadcast by Hudson Electronics