Lee Atkin

Das Power MOD ISO DC 1 ist ein Multi-Netzteil für Effektpedale und bietet bis zu 9 galvanisch getrennte, aufwändig gefilterte 9 VDC Stromanschlüsse und einen 5 V USB Anschluss.

Das Multi-Netzteil ist so konzipiert, dass es bis zu 9 Effektpedale gleichzeitig, und ohne Nebengeräusche zu erzeugen, mit Strom versorgt. Eine ausgeklügelte Filtertechnologie eliminiert effektiv hochfrequente Einstreuungen.

Ein separater Kurzschlussschutz für jeden Ausgang schützt die angeschlossenen Effektpedale vor Schäden im Falle eines Kurzschlusses. Unabhängig voneinander arbeitenden LED signalisieren den ordnungsgemäßen Zustand der Verbindung an jedem Ausgang. Bei einem Kurzschluss wird nur der betroffene Ausgang abgeschaltet, der Rest der Effektpedale bleibt betriebsbereit.

- Multi-Netzteil für Effektpedale
- bietet galvanisch isolierte und aufwändig gefilterte Stromausgänge
- passt in einen MOD Steckplatz and RockBoard® Pedalboards
- kompatibel mit vielen anderen Pedalboards
- abnehmbare Frontplatte für die Befestigung auf oder unter einem Pedalboard
- aufwändige Filtertechnologie verhindert Hochfrequenzeinstreuungen
- externes Netzteil verhindert Niederfrequenzeinstreuungen
- Verpolschutz am Eingang
- individuelle LED Anzeigen und Kurschlussschutz für alle Stromausgänge
- 2 x Zugentlastungen für angeschlossene Kabel
- Eingang: 24 VDC / 1,5 A
- Ausgänge: 8 x 9 VDC, je 300 mA / 1 x 9 VDC, 500 mA / 1 x 5 VDC USB-C, 2000 mA
- inkl. 1 x 24 VDC Netzteil (1,5 mA) mit austauschbaren multiregionalen Steckeradaptern
- (EU, UK, US/CA, AU/NZ), Eingangsspannungsbereich 100-240V AC
- inkl. 9 x RockBoard® Flat Power Cable, 60 cm (zum Anschluss der Effektpedale)
- Abmessungen (L x B x H): 175 x 85 x 47 mm (mit Frontplatte) / 160 x 85 x 33 mm (ohne Frontplatte)
- Gewicht: 500 g

The Power MOD ISO DC 1 is a multi-power supply for eﬀect pedals and provides up to 9 electrically isolated, highly filtered 9 VDC power connections and one 5V USB connection.

It fits in a MOD slot on ROCKBOARD pedalboards, but, due to its removable front plate, it can also be used as a power supply for other pedalboards. The multi-power supply is designed to provide noiseless power to up to 9 eﬀects pedals simultaneously. Sophisticated filtering technology eﬀectively eliminates high-frequency noise. Separate short-circuit protection for each power slot protects the connected eﬀects pedals from damage in the event of a short circuit.

Separate LED indicate healthy connections for individual each slot. Should a short circuit occur, only the aﬀected power slot is switched oﬀ, leaving the rest of the eﬀects rig operational.

- multi-power supply for eﬀects pedals
- provides transformer isolated and highly filtered power slots
- fits in a MOD slot on RockBoard® pedalboards
- compatible with most other pedalboards
- detachable front plate for mounting on top or underneath pedalboards
- advanced filter technology prevents high frequency noise
- external mains transformer prevents low frequency interference
- input polarity protection
- individual status LEDs and short circuit protection for all power slots
- 2 x strain relief clamps for connected cables
- input power: 24 VDC / 1.5 A
- outputs: 8 x 9 VDC, 300 mA each / 1 x 9 VDC output, 500 mA / 1 x 5 VDC USB-C, 2000 mA
- incl. 1 x 24 VDC power adapter (1.5 mA) with exchangeable multi-regional plug adapters
- (EU, UK, US/CA, AU/NZ), input voltage 100-240V AC
- incl. 9 x RockBoard® Flat Power Cable, 60 cm (for connecting eﬀects pedals)
- dimensions (L x W x H): 175 x 85 x 47 mm / 6.9" x 3.34" x 1.85" (with front plate) / 160 x 85 x 33 mm / 6.3" x 3.34" x 1.3" (without front plate)
- weight: 500 g / 1.1 lbs

Multi-Netzteil für Effektpedale

Multi-Power Supply for effects pedals

Sandbox Pedal Board

Tester

Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening it with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.

Strymon

Product Page

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by Premier Guitar

Manual

Demo by strymon

Deco - V1

The Broadcast is a transformer coupled, discrete Class-A germanium pre-amplifier based on the classic broadcast consoles of the 1960s. In the low-gain setting, the Broadcast can cover everything from sparkling clean boost through to transparent overdrive, all with a healthy dose of volume available to push your amp. The Broadcast features a specially selected Triad steel-core transformer and a Germanium transistor. Advancing the gain on the Broadcast starts to saturate the transformer and the pedal’s discrete circuitry, giving rise to a gentle and dynamic compression coupled with subtle thickening of the mid-range. With the gain switch in the high setting and the trim control wound up, the Broadcast starts to deliver heavier distorted sounds with a warm and fuzzy edge to them. The Broadcast covers a wide range of driven and distorted tones whilst remaining dynamic, responding well to pick attack and the subtle nuances of every player.

Hudson Electronics

Demo by The Tone Lounge 

Demo by shnobel

Review by THE JHS SHOW 

Review by

Broadcast

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Tobias Elliott

Mit der Boss DM-101 Delay Machine kombiniert der legendäre Pedalhersteller den beliebten Klang analoger Delays mit einer digitalen Prozessorsteuerung. Herausgekommen sind dabei 12 verschiedene Delay-Modi, von denen sechs sogar in Stereo ausgegeben werden können. Ermöglicht wird diese für Analogpedale ungewöhnliche Vielfalt von sage und schreibe acht Eimerkettenspeichern. Was sich mit der DM-101 Delay Machine im Detail anstellen lässt, verrät euch der folgende Test.

Classic sound meets modern power with the DM-101 Delay Machine, the ultimate analog delay. Driven by eight BBDs under smart CPU control, this inspiring pedal delivers 12 unique modes, stereo operation, and a wide array of tonal colors, all while maintaining 100 percent analog signal processing throughout. And with 127 user memories, tap tempo, carryover, MIDI, and more, the DM-101 brings you the features and versatility of an advanced digital pedal—but with the vibrant, characterful sound that’s only possible with authentic analog BBD circuitry.

BOSS

Review by Chris Gill, guitarworld.com

Review by DelayDude, amazona.de

Review by Michael Behm, bonedo.de

Demo by That Pedal Show 

Demo by JHS Pedals 

Official Product Video

DM-101 Delay Machine

Der Red Panda Tensor bietet Live-Reverse und Tape-Stop Effekte, Pitch Shifting, Time Stretching und Hold-Funktionen, die kreativ miteinander kombiniert werden können. Verlangsamen, beschleunigen und zurückspulen in Echtzeit! Dehnen oder komprimieren der Abspielzeit ohne Veränderung der Tonhöhe! Loop, Overdub und zufällige Slice-Phrasen bis zu 9,4 Sekunden (4,7 Sekunden in Stereo). Die Intelligent Randomization Funktion passt sich an die jeweiligen Settings an und reicht klanglich von zufälligen CD-Skips, Stutter Effekten und rhythmischen Repeats bis hin zum zufälligen Slicing und verrückten Tonhöhen-Verschiebungen (Pitch Shifts). Beide Fußschalter verfügen über Momentary- und Latching-Modi, um Tonhöhen-Sprünge, Glitches oder Instant-Rewind von gerade gespielten Phrasen einfach abrufbar zu machen. Der Tensor kommt in einem Pedalboard-freundlichen Gehäuse mit allen Buchsen an der Stirnseite. Auf alle Regelmöglichkeiten kann jederzeit zugegriffen werden und die Reglern sind mit ausreichend Platz angeordnet um auch in Live-Situationen einfachen und schnellen Zugriff zu bieten. Für Recording und Sequencing bietet USB MIDI noch mehr Möglichkeiten.

The Red Panda Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played. The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing.

Red Panda

Official Product Page

Red Panda Tensor - Demo Video - Knobs

Red Panda Tensor - Demo Video - Reverb

Red Panda Tensor - Demo Video - aBunchOfPedals

Tensor

Randy's Revenge/Ring Modulator
At its finest, in a considerably small package, powered by your typical 9V power supply, all analogue, hand stamped, pure sine wave oscillator, low-pass filtered with a touch of class and apparently musical. These are the requirements of warp speed space travel; a regular occurrence when dealing with Randy's hardware. 

The lower oscillator frequencies create rich trem/vibe effects, excruciatingly slow or chopped up rhythmic flavours. As the frequency goes up, thick bells, tuned intervals, low-fidelity synth-like effects are only the beginning. Experimenting with the low-pass filter cutoff frequency and the dry/wet mix will yield tones as strange or subtle as desired.


Fairfield Circuitry

Demo by collector//emitter

Demo by Knobs

Randy's Revenge

Callum Banks

TC Electronic

Polytune Mini

Der Death By Audio Echo Master ist ein analoges Lo-Fi Delay im Tape-Style, dass speziell als Vocal-Effekt entwickelt wurde und die Stimme in ein experimentelles, chaotisches Feld aus Rauschen, Wiederholungen und Rückkopplungen bringen kann. Über den integrierten Effekt-Loop lassen sich weitere Effektpedale ganz einfach ohne zusätzliche Adapter in den Vocal-Sound einbinden. Der Echo Master überzeugt neben dem Delay-Effekt mit gematchten Bourns-Transformern am Input auch als lebendig klingender und Rückkopplungs-minimierender Vocal-Preamp. Bei dezenten Settings eignet sich der Echo Master als Always-On Effekt, um dem Signal eine phänomenale Qualität zu geben und den Klang der Stimme vollständig zu kontrollieren, bevor man damit in die PA geht.

Designed for vocals, the Death By Audio Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use any of your favorite effects pedals on your vocal sound without any adapters. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Death By Audio

Death By Audio Echo Master - Demo / Review Video - Datachoir Sounds

Death By Audio Echo Master - Demo Video - Audiorial

Echo Master

Das Red Panda Context 2 ist ein Hall und Reverb Effektpedal, das von den Rack-Mount-Reverbs der 1980er Jahre inspiriert wurde. Das Pedal verfügt über 8 wählbare Reverb-Algorithmen, darunter Room, Hall, Cathedral, Gated Reverb, Reverse Reverb, Plate, Spring und ein granularer Reverb. Die Version 2 bietet Stereo-Ein- und Ausgänge (TRS), USB MIDI, eine frei zuweisbare Expression Pedal Funktion, drei neue Modi, Delay plus Reverb in allen Modi, separate High- und Low-Frequency Damping Regler, Modulation, dynamischen Reverb und Infinite Hold. Mit der Umschalttaste (Shift) lassen sich die alternativen Regler-Funktionen aktivieren. Die High- und Low-Frequency Damping Regler kontrollieren die Dynamik für den Ducking Reverb oder einen Expander für mehr Hall bei lauteren Tönen - natürlich mit regelbarem Threshold und variabler Recovery Time. Über die Fußschalter erhält man direkten Zugriff auf zwei verschiedene Arten von unendlichem Sustain. Ein Preset ist über den linken Fußschalter direkt verfügbar, 127 weitere Presets über MIDI oder den Red Panda Remote 4-Fußschalter. Ein optionales Expression Pedal / CV kann einer beliebigen Kombination von Parametern zugewiesen werden.

The Red Panda Context 2 is a reverb pedal inspired by 1980’s rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Version 2 adds stereo input/output, USB MIDI, fully assignable expression pedal, 3 new modes, delay plus reverb in all modes, separate high and low frequency damping controls, modulation, dynamic reverb, and infinite hold. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset is available on the left footswitch, 127 via MIDI or the Red Panda Remote 4 footswitch. An optional expression pedal / CV can be assigned to any combination of parameters.

Red Panda Context 2 - Official Demo Video

FAVES: 3 Modulated Stereo Reverbs I Absolutely LOVE! (In Stereo - Use Headphones) - The Pedal Zone

Red Panda Context 2 - Demo Video -  Dennis Kayzer

Red Panda Context 2 - Demo / Review Video - Musiker TV

Red Panda Context 2 - Demo Video - Musiker TV

Red Panda Context 2 - Demo Video - MatthewChapmanMusic

Red Panda Context 2 - Demo Video - Elliot Knapp

Context 2

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

As you wait for the next tray of free food on platters held by white gloves, notice the contrasts that emerge from the hunger and tensions within the space. Will we remember what it takes to keep us here?

Indeed, causality breaks down when feedback loops are involved. The effect nestled within the cause, without cause, and so on. There is no beginning or end, at least objectively. And so, who eats the last hors d'œuvre, when time is space and silence is noise

The Hors d'Oeuvre? Active Feedback Loop then serves different opportunities to create and listen to: bipolar feedback of any combination of sound processing devices, and signal difference of input and return signals.

It is intentionally an introduction.

Demo by Cicada Sound

Review by Talk Bass.com

Review by Pedal of the Day

Review by delicious audio

Hors d'Oeuvre?

A state-variable filter with wide range and application. Versatile. Combining tilt and notch/boost equalization around a 2nd-order (-12dB/octave) state-variable core.

Very much a one-band parametric equalizer with gritty extras:

Shelving filter, from low-pass to high-pass
CV inputs for resonance (Q) and frequency (F)
V/octave scaling synthesizer interface
Fully variable Q goes well into tasty sweet self-oscillations
Soft clip zener zesty mordant
Expression pedal input controls center frequency

Demo by Cyberattack

Long Life

And when things are combined, is anything lost? And when something is lost, will there ever be more?

But what is the gain?

The ~900 is a ferocious fuzz pedal featuring two cascading JFET gain stages. Tracing its lineage back to our discontinued Four Eyes Fuzz, it offers a very wide range of gain, adds delicious harmonics and, if given the opportunity, will slap the ice cream cone right out of your hand.

All Fuzzes
Are Friends
AF

Demo by Emily Hopkins

Review by Perfect Circuit

~900

Der Fairfield Circuitry 20% More ist ein experimenteller Slew-Limiting-Distortion-Effekt, der eine aus modularen Synthesizern bekannte Schaltung zur kreativen Klangformung von Gitarre und anderen Audiosignalen nutzt. Anstelle normaler Verzerrungsabschnitte begrenzt ein Slew-Limiter die Geschwindigkeit von Spannungsänderungen, was zu einem einzigartigen Mix aus Tiefpass-Filterung, resonanten Dreiecksoszillationen, Pseudo-Wavefolding-Effekten und JFET-Clipping führt. Zusätzliche Regler für Blend, Feed, Low-Pass Gate, Oktav-Up/Down-Schalter und ein Envelope-Follower ermöglichen eine breite Klangpalette von ungewöhnlicher Verzerrung bis hin zu synth-artigen Fuzz- und Filtereffekten.

The Fairfield Circuitry 20% More is an experimental slew-limiting distortion pedal that uses a circuit normally found in modular synths to creatively shape guitar and other audio signals. Instead of normal distortion clipping stages, it applies a slew limiter to control how fast voltage changes, giving a unique combination of low-pass filtering, resonant triangle wave oscillations, pseudo-wavefolding, and JFET clipping. Additional controls include blend, feed, low-pass gate, octave up/down switches, and an envelope follower, creating a wide palette from quirky distortion to synth-like fuzz and filtering effects.

Review by Guitar Pedal X

20% More

Learn more about Fairfield Circuitry Randy's Revenge modulation pedal on PedalPedia - the most comprehensive online resource for effect pedals ▶️ Official specs, manuals, product videos and more