cuulguit@r

Ok, there's a gig or session and they tell you: "we have a full backline here so don't bring your amps. We have twin channel amps here". You go there and there's a Fender Twin and/or a Roland Jazz Chorus. Nice amps, but not for you. Here's the board for that. 
The 2nd row of pedals is a little augmented for easier footswitch a

The BYOP (Bring Your Own Preamp) Board

Tester

AMT Electronics

Product Page

Review by gearspace

Manual

Demo by Evgen Pleximents

Demo by Pedal Science

SS-11 A

David Litaba

Die One Control Pedal Board Junction Box ist Teil der Minimal Series, die viele praktische Tools und Gadgets für moderne Pedalboards bietet. Es ist eine praktische In- und Output Box die genutzt werden kann, um das Signal vom und zum Pedalboard zu routen, damit alle Kabelstrecken sauber und gut organisiert sind. Die Junction Box verfügt über zwei Paare 6,35 mm (1/4") Mono-Klinkenbuchsen die jeweils untereinander verbunden sind.

The One Control Junction Box belongs to the Minimal Series, which offers many useful tools and gadgets for modern pedalboards. It is a convenient small in- and output box that can be used to route signal to and from your board to keep everything clean and organized. The Junction Box comes with two pairs of 6.35 mm (1/4") mono jacks which are all respectively connected to each other.

One Control

Official Product Page

Demo by JayLeonardJ

Review by Sweetwater Customers

Minimal Series Board Junction Box

Mathew Pybus

Die Warm Audio ODD Box orientiert sich nicht nur optisch, sondern auch klanglich am beliebten Fulltone OCD Overdrive. Leider musste Fulltone-Inhaber Mike Fuller im letzten Jahr sein Geschäft schließen, was die Preise für Pedale wie den Fulltone OCD auf dem Gebrauchtmarkt steigen lässt. Warm Audio hat sich wiederum in den letzten Jahren einen Namen mit gelungenen Nachbildungen von diversen Pedalen und auch Studioequipment gemacht. Mit dem ODD Overdrive bietet das Unternehmen nun eine verhältnismäßig günstige Alternative zum Original an.

The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.

Warm Audio

Review by Gitarre & Bass 

Review by bonedo 

Demo by Warm Audio 

Demo by intheblues 

ODD Box v1

T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.

T-Rex

Official Product Video

Review by Thomas Dill, bonedo.de

Møller 2

Dieses High-Fidelity-Stereo-Reverb-Pedal bietet sechs verschiedene Programme in Studioqualität: Spring, Hall, Plate, BFR, Refract und Air. Es basiert auf einer leistungsstarken digitalen Plattform mit einem Analog Devices SHARC-Prozessor, 32-Bit-Fließkomma-Verarbeitung und 24-Bit/48-kHz-Wandlern. Das Gerät verfügt über einen einzigartigen Volume-Swell-Effekt, der auf jedes Programm angewendet werden kann, sowie über Sustain- und Latching-Momentary-Funktionen zur Erzeugung atmosphärischer Klänge. Es bietet eine umfassende Steuerung über MIDI, unterstützt bis zu 128 Presets und verfügt über drei wählbare Bypass-Modi, einschließlich True Bypass und DSP-Trails. Das Plate-Programm ist speziell vom klassischen analogen Plattenhall EMT 140 inspiriert und sorgt für eine sanfte und gleichmäßige Diffusion.

This high-fidelity stereo reverb pedal features six distinct studio-quality programs: Spring, Hall, Plate, BFR, Refract, and Air. It is built on a powerful digital platform using an Analog Devices SHARC processor with 32-bit floating-point processing and 24-bit 48kHz converters. The unit includes a unique volume swell effect applicable to any program, along with sustain and latching momentary functions for creating ambient washes. It offers extensive control via MIDI, supporting up to 128 presets, and features three selectable bypass modes including true bypass and DSP trails. The Plate program is specifically inspired by the classic EMT 140 analog plate reverb for smooth and even diffusion.

Walrus Audio

Review by Guitar.com

Review by bonedo

Demo by Guitar Bonedo

MAKO R1 Stereo Reverb

Joao Silva

The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets. A workhorse of a delay that is just as ready for the road as it is the studio.

Review by reddit /guitarpedals

Review by AMAZONA

Review by Gitarre & Bass

Demo by FACE MI

Demo by TheGuitarGeek

Mako D1

Joseph Cannings

The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets.

Walrus MAKO Series: M1 Product Page 

Walrus MAKO Series: M1 Manual

Walrus MAKO Series: M1 Presets

Walrus MAKO Series: M1 Demo 1

Walrus MAKO Series: M1 Demo 2

Walrus MAKO Series: M1 Demo 4

Walrus MAKO Series: M1 Demo 3

Mako M1

The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This MIDI controllable stompbox provides quick, hands-free access to four different user programmed EQ settings. It has found its way onto the touring pedalboards of David Gilmour, John Mayer, Steven Wilson, The Killers, The Dierks Bentley Band, and more. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.

Source Audio

SOURCE AUDIO PROGRAMMABLE EQ

Users Guide 

The Source Audio Programmable EQ for Bass Guitar

Steven Wilson Talks About the Programmable EQ from Source Audio

Source Audio Programmable EQ

Programmable EQ

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Angelo Pitone

φ (Phi) has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

Crazy Tube Circuits

Review by Compressor Pedal Reviews

Demo by R.J. Ronquillo

Golden Ratio Phi v2

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Review by Talk Bass.com

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

Mit dem Mercury Flanger hat Source Audio nicht nur einen beachtlichen Flanger mit einer Menge an sanften bis überwältigenden Flange Sounds geschaffen. Taucht man via Neuro App erst einmal in die fantastischen Möglichkeiten dieses Pedals ein scheinen den Soundwelten keine Grenzen mehr gesetzt. Nicht nur bietet der Flanger der Source Audio One Series drei enorm gelungene Presets – hierunter befindet sich das vielgesuchte Thru-Zero a.k.a. Tape Flanging – sondern auch die Möglichkeit über Verbindung mit dem Smartphone weitere Effektparameter zu steuern und in den Presets zu speichern. Der Nutzer hat hier Zugriff auf eine sich ständig erweiternde Sammlung von Presets oder, kann eigene Modulationswelten kreieren, die keineswegs auf Flanging beschränkt sind.

With the Mercury Flanger Source Audio has not only created an astonishing array of flanging sounds ranging from subtle to overwhelming in a handy stompbox. If one looks beneath the surface of the enclosure using the Neuro App, an entire world of sound, seemingly without limits opens up. Not only does the Mercury offer three very well designed presets, amongst which one will find the sought after thru-zero a.k.a. tape flanging. There is also the option to connect the pedal to your smartphone to control a multitude of further effects parameters and save them in the three preset slots. The user also gets access to a vast and ever increasing collection of presets or can create their own sounds which are not at all limited to mere flanging.

Source Audio SA 240 One Series Mercury Flanger - Official Demo Video

Source Audio SA 240 One Series Mercury Flanger - Review by Muzikus CZ

Source Audio SA 240 One Series Mercury Flanger - Review by Bonedo DE

Source Audio SA 240 One Series Mercury Flanger - Review by Gitarre&Bass DE

Source Audio One Series - Review by Tone Report

Demo by Do Noise

Mercury Flanger

Harley Benton

Powerplant ISO-12 Pro

George Tsipos

For recording guitars/bass. Metal and post rock

Extended Pedal Board

Scott Gillies

Super Conductor features 4 distinct boost circuits in a small pedal format. Based on one-knob-wonders of the present and past, these tone accelerators can drive your rig into sonic bliss.

Each all-analog circuit features different input/output impedance, internal voltage and behaves differently on the volume / output knob, producing its own sonic signature, so that you can find the one that suits your rig and playing style. 

Demo by Pete Thorn

Super Conductor

Der Mirage Jr ist ein kompaktes Mono-Reverb-Pedal, das Studio-Qualität in kleinem Format liefert. Er bietet 16 Reverb-Algorithmen, unterteilt in klassische Räume und experimentelle Ambient-Texturen. Der analoge Dry-Pfad garantiert, dass dein ursprüngliches Signal unverfälscht bleibt. Vier Regler sowie Shift- und Assign-Schalter ermöglichen sofortige Steuerung ohne Menüstruktur. Er unterstützt externe Expression-Pedale und Parameter-Morphing per Fußschalter. Trotz seiner kompakten Bauweise erzeugt er opulente Hallfahnen und komplexe Klanglandschaften für Bühne und Studio.

The Mirage Jr is a compact mono reverb pedal that packs studio-grade processing into a small footprint. It offers 16 reverb algorithms split between classic acoustic spaces and ambient experimental textures. Its analog dry path ensures your original tone remains pure and untouched. Four knobs and shift/assign switches provide real-time control without menu diving. It supports expression pedal control and parameter morphing via footswitch. Despite its size, it delivers lush reverb tails and complex textures suited for studio and live use.

Demo by Brett Kingman

Demo by ambienttrash

Review by Bonedo

Review by Face

Mirage Jr

The Delay Llama is a tone machine that will become an indispensable part of your sound adding warmth and depth through organic repeats which seamlessly integrate into your playing, courtesy of its BBD chips , faithful reproductions of the Panasonic MN3205.

Its straight-forward layout is addressed to delay users who are looking to elegantly enhance their hard-earned tone, similarly to how a tape-echo machine would with no frills.

The mk.3 version expands on the utility value of this modern classic, while retaining the form factor and ease of use, by introducing Tap Tempo with subdivisions and Hold  (self oscillation) functions. You can also set the bypass mode to trails (buffered) or true bypass!

The Delay Llama mk.3 comes with 600ms max. delay time , and can also be used with bass guitars.

Jam Pedals

Review by delicious audio

Review by Premier Guitar

Demo by Rabea Massaad

Demo by AndyDemos

Delay Llama MK3

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Das Silencer ist ein vielseitiges Noise-Gate- und Effects-Loop-Pedal, das entwickelt wurde, um unerwünschtes Brummen und Rauschen aus einer Signalkette zu eliminieren. Es verfügt über ein Drei-Regler-Layout – Threshold, Reduction und Release – das eine präzise Feinabstimmung der Gate-Funktion ermöglicht. Die Integration eines dedizierten Send- und Return-Loops erlaubt es dem Benutzer, gezielt rauschanfällige Pedale zu gaten, während das direkte Gitarrensignal zur Steuerung des Gates verwendet wird, was eine konsistente Reaktion gewährleistet. Es bietet bis zu -70 dB Rauschunterdrückung und eine variable Release-Zeit von 8 ms bis 4 Sekunden. Das Pedal nutzt einen gepufferten Bypass, um die Signalintegrität zu bewahren, wenn das Gate deaktiviert ist. Sein kompaktes, robustes Gehäuse macht es zu einem effizienten Hilfsmittel für High-Gain-Gitarren- und Bass-Setups.

The Silencer is a versatile noise gate and effects loop pedal designed to eliminate unwanted hum and hiss from a signal chain. It features a three-control layout—Threshold, Reduction, and Release—allowing for precise fine-tuning of the gating action. The inclusion of a dedicated Send and Return loop enables users to gate specific noisy pedals while using the guitar's direct signal to trigger the gate, ensuring consistent response. It offers up to -70dB of noise reduction and a variable release time ranging from 8ms to 4 seconds. The pedal employs a buffered bypass to maintain signal integrity when the gate is disengaged. Its compact, rugged chassis makes it an efficient utility for both high-gain guitar and bass rigs.

Electro-Harmonix

Demo by jam Bunamlag

Silencer

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

This creation differs greatly from our previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using our Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equalizer makes Alpha · Omega the most flexible among our designs.

Darkglass Electronics

Review by Peter-Philipp Schierhorn, amazona.de

Demo by Tone Zone

Demo by  The Bass Channel

Alpha·Omega: "Goliath" Playthrough by Jon Stockman

Alpha Omega

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Erweitern Sie Ihr Pedalboard mit Intersection um zahlreiche Routing-Optionen. Es ist ein intelligenter, flexibler kleiner ABY-Helfer, der Ihnen unzählige Routing-Möglichkeiten für Ihre Verstärker und Gitarren eröffnet. Drei Ein- und Ausgangsbuchsen lassen sich nahezu beliebig konfigurieren: Ideal, um Ihr Gitarrensignal an zwei separate Verstärker zu senden, zwischen ihnen umzuschalten oder das Signal an beide zu senden. Oder verwalten Sie zwei verschiedene Eingangssignale, indem Sie entweder A oder B auswählen oder sie auf dem Weg zum Ausgang zusammenführen. Die LED leuchtet rot, grün oder gelb und zeigt Ihnen so die aktuelle Konfiguration an. Superrobust, superleicht, superpraktisch. Ein Kinderspiel.

Add a bunch of routing options to your pedalboard with Intersection. It’s a smart, flexible little ABY helper that opens up myriad routing possibilities for your amps and guitars. Three input and output jacks can be configured pretty much any way you need: It’s perfect for sending your guitar to two separate amps, switching between them or sending the signal to both. Or manage two different incoming signals, either selecting A or B or merging them on their way to the output. The LED lights red, green or yellow to show you which configuration is currently selected. Super-sturdy, super-light, super-useful. A no-brainer.

MiniStomp Intersection

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Compact Version of Hugely Popular Sub 'N' Up Octaver with Advanced Polyponic Octave Engine and TonePrint-Enabled Technology for Easy Custom Effects

Review by Continual Riff

Demo by Andrew Z

Sub 'N' Up mini Octaver

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

Basic Pedal Board

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

For recording guitars/bass. Metal and post rock
That's it no more

Final Basic Pedal Board

Sam Hilton

François Liger

A distinctively Greek flavor - analog except for reverb and looper

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Mostly Greek Boutique Board

Karsten Bock

The Warm Audio Mutation Phasor II is an accurate recreation of one of the most desirable,100% analog phaser circuits made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk” to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-spec recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more.

Review by MusicRadar

Demo by Riff

Demo by Travis Raab

Demo by Kris Barocsi

Mutation Phasor II

Der RetroVibe zählt seit langem zu den beliebtesten Uni-Vibe-Interpretationen, die je hergestellt wurden, und wird für seinen satten Puls, seinen vokalen Schimmer und seine unverwechselbare Wärme gefeiert.

Der mk.4 setzt dieses Erbe fort. Sein von Grund auf neu gestaltetes, vollständig analoges Design bewahrt die Seele des Originals und erweitert gleichzeitig seinen Ausdrucksbereich. Ein größerer Tiefen- und Geschwindigkeitsbereich sowie neue Tap-Tempo- und Ramping-Funktionen ermöglichen eine tiefere Interaktion und mehr Freiheit bei der Performance.

Wechseln Sie zwischen Chorus- und Vibrato-Modus, um alles von langsamen, flüssigen Wellen bis hin zu schnellen, rotierenden Effekten zu erkunden – immer lebendig, immer unverkennbar RetroVibe.

Der RetroVibe Mk.4 ist bereits in den Händen von Paul Gilbert, Greg Koch, Joey Landreth und Ruban Nielson von Unknown Mortal Orchestra, langjährigen RetroVibe-Nutzern, deren Feedback zum Mk.4 einstimmig begeistert ist.

Schließen Sie ein standardmäßiges passives 10k-Expression-Pedal an, um die Modulationsgeschwindigkeit in Echtzeit zu steuern und den Klang während der Bewegung zu formen.

Rosen sind rot, Veilchen sind blau, der RetroVibe ist lila und Sie werden ihn auch lieben!

The RetroVibe has long stood among the most revered Uni-Vibe interpretations ever made, celebrated for its lush pulse, vocal shimmer, and unmistakable warmth.

The mk.4 continues that legacy. Its ground-up all-analog redesign preserves the soul of the original while expanding its expressive range. A wider Depth and Speed span, plus new Tap Tempo and Ramping functions, invite deeper interaction and performance freedom.

Switch between Chorus and Vibrato modes to explore everything from slow, liquid waves to fast, rotary-like spins· always alive, always unmistakably RetroVibe.

The RetroVibe Mk.4 is already in the hands of Paul Gilbert, Greg Koch, Joey Landreth, and Ruban Nielson of Unknown Mortal Orchestra, long-time RetroVibe users, whose feedback on the Mk.4 has been unanimously enthusiastic.

Plug in a standard passive 10k expression pedal for real-time control of modulation Speed, and shape the sound as it moves.

Roses are red violets are blue the RetroVibe’s purple and you’ll looove it too!

Demo by The Studio Rats

RetroVibe Mk.4

We set out to create a circuit that combined the singing, dynamic mid-range of germanium fuzz pedals with the gritty, full-bodied and well-rounded Muff-style fuzz distortion. Well...

Eureka!

Utilizing silicon transistors in a proprietary architecture to get the best of both worlds, the Eureka! is a phenomenal team player, flawlessly performing with all kinds of different effects, guitars and amps, all-the-while managing to maintain its distinct head-turning personality.

The onboard three-way toggle-switch incrementally introduces more low-end, a feature extremely useful for switching between single-coil and humbucker equipped guitars, as well as beefing things up for solos! When set to the setting, and sending a strong enough signal its way you can enjoy its gated-fuzz response!

Demo by Sasha Ivantic

Eureka

Adam GUIRAUD

Mirage ist eine kreative Reverb-Plattform für Gitarristen, Synth-Spieler und Sounddesigner, die Studio-Tiefe und praxisnahe Performance in einem kompakten Gerät suchen. Im Kern bietet es zwei völlig unabhängige Reverb-Engines mit jeweils eigener Steuerung und Zugang zu 16 sorgfältig entwickelten Algorithmen, aufgeteilt in zwei intuitive Bänke. Wähle klassische Sounds wie Plate, Spring und Cathedral oder tauche ein in Ambient mit Shimmer, Modulation, unendlichem Sustain und mehr. Mirage passt sich jedem Setup an – betreibe die Engines in Serie für immersive, geschichtete Reverbs; splitte sie für Stereo-Processing; nutze sie als eigenständige Mono-Reverbs im Dual-Mono-Modus; oder füge Pedale dazwischen über den Send/Return-Loop hinzu. Ein modulares Reverb-System ganz ohne Komplexität.

Mirage is a creative reverb platform built for guitarists, synth players, and sound designers who want studio-grade depth and hands-on performance in one compact unit. At its core are two fully independent reverb engines, each with its own set of controls and access to 16 meticulously crafted algorithms, organized into two intuitive banks. Choose from natural classics like plate, spring, and cathedral, or push into ambient territory with shimmer, modulation, infinite sustain, and more. Mirage adapts to any rig—run engines in series for immersive, layered reverbs; split them left and right for stereo processing; use them as independent mono reverbs in a dual-mono setup; or insert pedals between them using the dedicated send/return loop. It’s a modular reverb system without the complexity. 

Demo by Ambient Endeavors

Review by Guitar Pedal X

Review by Gear News

Mirage

Review by Looper Pedal Reviews

Demo by The Box

Loop Core Deluxe

ch ray

Unobtanium wurde von 3 der mythischsten und begehrtesten Musikgeräte inspiriert und kombiniert deren ultraseltene Klangelemente.
Ein magischer Ton-Overdrive trifft auf zwei legendäre Verstärker. Wir haben die Schaltung des High Headroom OVERDRIVE mit der mystischen Mischung aus Clean und Overdrive originalgetreu nachgebaut.
mystischen Mischung aus cleanen und übersteuerten Sounds. Die RAW-Edition ist das erste Pedal seiner Art, das Germanium-Transistoren in der
Clipping-Sektion eines K-Style-Schaltkreises, der höhere Verstärkung und natürlich komprimierte Töne erzeugt. Die RAW AMP-Sektion verwendet eine rein analoge Schaltung, um die kraftvolle Seite von zwei legendären Röhrenverstärkern einzufangen. Von fetten Clean-Sounds bis hin zu rauem, singendem Overdrive mit blühenden harmonischen Obertönen. Eine passive Effektschleife gibt dir die Möglichkeit, deine geliebten Pedale zwischen Overdrive und Amps in einer Box anzuschließen und so dein ideales Rig.

Unobtanium was inspired by 3 of the most mythical and sought-after pieces of music gear and combines their ultra-rare sonic elements.
A magical tone overdrive meets two legendary amps. We have accurately recreated the circuit of the high headroom OVERDRIVE with the mystical blend of clean and overdriven tones. The RAW edition is the first pedal of its kind to feature germanium transistors in the clipping section of a K-style circuit producing higher gain, naturally compressed tones. RAW AMP section uses an all-analog circuit to
capture the powerful side of two legendary tube amplifiers. From big fat clean to raw singing overdrive with blooming harmonic overtones. A passive effects loop gives you the option to connect your beloved pedals between your overdrive and amps in a box, building your ideal rig.