Marcell Janssen

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Best Of Both Worlds

Tester

A True Strobe Tuner in a Mini Stompbox Format

Sonic Research

Product Page

Review by Anatomy of Guitar Tone

Manual

Review by The Gear Page

Demo by fiveightandten

Demo by Adam White

St-300 Turbo Tuner Mini

David Litaba

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Strymon

Review by Bonedo 

Review by Amazona 

Demo by Pete Thorn

Demo by Andertons Music 

Cloudburst Ambient Reverb

Adrian Gutierrez

Review by AMAZONA

Review by reddit /guitarpedals

Demo by Antoine Michaud

Demo by Vintage Guitar Workshop

Bluesky V1

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Origin Effects

Official Product Video

Review by Compressor Pedal Reviews

Review by Gearnews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

ch ray

Quad Cortex is the most powerful floor modeler on the planet. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 running at 500MHz each), this ludicrous amount of processing capacity provides limitless sound design possibilities.

Neural DSP

Review by wired

Review by Fractal Audio Forum

Review by guitarguitar

Quad Cortex 2.0 manual

Demo by EytschPi42

Demo by Neural DSP

Quad Cortex

James Morse

The greatest pieces of studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Boost. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Boost reimagines this classic preamp as a tone-shaper and drive pedal for guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by bonedo

Review by Guitar World

Demo by AndyDemos 

Demo by Peach Guitars

DCX BOOST

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

Julia analog chorus and vibrato from WalrusAudio.com. Julia offers a unique blend knob to blend your dry signal with chorus or blend between chorus and vibrato.

Walrus Audio

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Nobel Music 

JULIA

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Michael Hodgson

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Berry Gibson

El Capistan V1

Gilles Peynet

KingTone

Kingtone Website 

Demo by Buddy Blues

Mini Fuzz v1

ISP Technologies

Deci-Mate

julien Tabarly

The Protein 2 in 1 Overdrive is a collaboration between David Brown and guitarist/producer Adam Sniegowski.  After years on the road and in the studio using backline amps that could be very inconsistent,  Adam came to Dave wanting to create a dual overdrive that would sound great with any backline he encountered. They started with two drives they loved, stacked well together, but had a few inherent issues. Dave set out to fix those issues without losing the soul of the originals.

Browne Amps

Review by ThatGuitarLover

Overdrive Comparison by That Pedal Show 

Demo by Michael W. Westbrook 

 Demo by Alberto Berrero

Demo by Jackson Brooksby

Demo by Ben Neal

Protein Dual Overdrive V3 (Black)

Mit mehr als 20 Jahren an Expertise im Bereich Reverb-Modeling legt Dir UAFX Golden Reverberator ein Trio der besten legendären Reverbs direkt zu Füßen. Der röhrenbetriebene Federhall klassischer Gitarrenverstärker der 60er Jahre. Der dichte und eindringliche Klang von 50er Jahre Studio Plate-Reverbs. Das unendliche algorithmische Wunder der frühen digitalen Reverb-Hardware.

Basierend auf dem leistungsstarken UAFX Dual Engine Processing und einem noch nie dagewesenen Maß an klanglicher Authentizität ist der Golden Reverberator ein kompromissloses Flaggschiff Hallgerät, das Dich jahrzehntelang inspirieren wird.

Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.

Built upon powerful UAFX dual-engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no-compromise reverb unit, built to inspire you for decades

Universal Audio

Review by Sam Goffen, samgoffenguitar.com

Review by Thomas Dill, bonedo.de

Demo by Kris Barocsi

Demo by Mattjew Kelly

Golden Reverberator

Demo by StrobeTuner

ST-300 Turbo Tuner

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Rob Vasko

I dont own the rockboard, but this is the current setup, going into an Ampeg RB-210 with a Portaflex 1x15 HE 

Currently owned pedals.

RB210

Fabian Förster

LEKATO Guitar Looper Effect Loop Pedal 5 Minutes Looping Time ONE Looper Unlimited Overdubs — dare to adventure!

Solid, 24-bit audio construction, convenient USB to upload/download, single-knob operation, 5 min looping w/unlimited overdubs-- LEKATO Looper Pedal has it all.

Lekato

Demo by 57studio

Demo by Photo reviews

Review by consordini.com

Looper Stage 5 Mins

DigiTech

Review by Gitarre & Bass 

Demo by A2a - Music Encyclopedia

Demo by Austin Bazaar

X-Series Bass Driver Overdrive/Distortion

Isolated Guitar Pedal Power Supply - 1 SPOT Pro models have outputs that can put out 9Vdc, 12Vdc or 18Vdc. The CS12 even has a variable voltage output for old-style fuzz pedals, and a 9Vac output for certain Line6 and Digitech pedals. And if you need to change the voltage of an output, Truetone also makes inexpensive converter cables to help you. There’s the Voltage Doubler, which does exactly what its name says, and the 18V to 9V Converter... which also does what its name says. 

Truetone

1Spot Pro CS7

Danelectro

New Pedal

Bacon N' Eggs

Der gewaltige Bass Big Muff-Sound jetzt in einem Nano-Paket. Die Klangfarbe ist vom tankgrünen Russian Big Muff inspiriert, mit dem klassischen Big Muff Pi-Layout der Sustain-, Ton- und Lautstärkeregler.

Mit den Reglern für Lautstärke, Ton und Sustain können Sie Ihre Verzerrung und Ihren Drive formen, während der Dry-Schalter Ihren trockenen Bass mit der Verzerrung des EHX Nano Bass Big Muff mischt.

The huge Bass Big Muff sound now in a nano-sized package. Voicing inspired by the tank green Russian Big Muff with the classic Big Muff Pi layout of Sustain, Tone and Volume controls.

Controls for Volume, Tone and Sustain let you sculpt your distortion and drive, while the Dry switch mixes your dry bass with the EHX Nano Bass Big Muff’s distortion.

Electro-Harmonix

Review by Premier Guitar

Review by Talk Bass.com

Demo by Juanka Trujillo

Nano Bass Big Muff PI

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Badger

R-28 DOUBLE THRUSTER is an Overdrive pedalspecially designed for Bass. It sculpts clear and punchy lows, delivering sharp and grainy mid and high frequencies.Compact and portable.

JOYO

Demo by The Bass Channel

R-28 Double Thruster

Elod Bajrami

Altoids

ju.h_mn

Fender

Demo by Steven twangs

Demo by Mic Sustianevo

1-Button Footswitch

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

BOSS

CH-1 Super Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die Darkglass Mircrotubes-Serie hat Familienzuwachs bekommen: Mit dem Microtubes X und seinem größerem Bruder Microtubes X7 ergänzt die finnische Effektschmiede ihr Programm um zwei neue Preamp/Overdrive-Pedale, die erstmals mit Multiband-Technologie arbeiten und den Tieftönern damit noch mehr Flexibilität für verzerrte Sounds bieten. In der Ausstattung unterscheiden sich die beiden Modelle deutlich – wer sich für das kleinere und günstigere Microtubes X entscheidet, muss nämlich auf den D.I.-Ausgang, den 5-Band-Equalizer sowie den Onboard-Kompressor des X7 verzichten. Ob das Microtubes X soundmäßig mit seinem größeren Bruder mithalten kann und für wen die abgespeckte Version vielleicht sogar die bessere Wahl ist, wollen wir in diesem Test herausfinden.

The Microtubes X multiband distortion engine brings into controls producers have been using for years in the studio, allowing you to separate and sculpt the portions of the spectrum that are distorted and remain untouched for ultimate flexibility.

Darkglass Electronics

Demo by  HugoBass

Review by David Abdo, premierguitar.com

Review by Rainer Wind, bonedo.de

Demo by patric hunter 

Demo by darkglass electronics 

Microtubes X

Dave Snippe

DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics.
New for version 2 is the you’re / your switch. You’re is the classic DOOM sound - strong upper harmonics, a mid-focused sound, and octavia / ring modulator effects as you play up the neck. Your is a new mode that has a stronger fundamental, more low end and fewer harmonics. This mode sounds more like a traditional fuzz.

3 Leaf Audio

Review by guitar pedal X

Demo by BAssTheWorld

Doom 2

The OptoStomp is a audio compressor that utilizes an optical  sensor to control signal levels.

Website

Review by audiofanzine

Review by Compressor Pdals Reviews

Demo by Peter S

Demo by Simon Smith

Opto Stomp Optical Compressor

Tuwi Yuwi

Make way for the new heir to the octave fuzz throne, the Lizard King from Electro-Harmonix. Directly inspired by the EHX x JHS collaboration released in 2023, the Lizard King takes the gnarly and responsive octave fuzz circuit from the Lizard Queen and optimizes it for bass and beyond. With updated tone controls and a new Blend knob, the bass’s fundamental tone and low-end is preserved while the top-end of the fuzz tone is shaped to fit or dominate any mix!

The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass’s attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.