Paulo Damasceno Nepomuceno

These are the drives and preamps that i like or want to have(most of them i don't have lol)

The Sauce PT.3

Oscar Kezirian

Altoids

Altoids Smalls

Elod Bajrami

Product Page

Official Product Video

Michał Wrzos

Designed for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between notes or phrases, and has an EQ control that smoothly selects between more bass and more treble.

ZVEX

Review by Luca Romeo

Manual

Woolly Mammoth Vexter

Tester

Basstortion

Mastotron

Mike Matthews, der Gründer von Electro-Harmonix, ist eine schillernde Figur. Die Hippie-Bewegung und die Evolution der E-Gitarre durch Jimi Hendrix diente ihm als Katalysator für die Entwicklung des bis heute populären Big Muff Verzerrers. Nach phänomenalem Wachstum seiner Firma in den goldenen Zeiten des Rock’n´Roll, den 1970er Jahren, folgte Anfang der 1980er die Ernüchterung – und schließlich die Pleite.

Mike Matthews, the founder of Electro-Harmonix, is a colorful figure. The hippie movement and Jimi Hendrix's evolution of the electric guitar served as a catalyst for him to develop the Big Muff distortion unit, which is still popular today. After phenomenal growth of his company in the golden age of rock'n'roll, the 1970s, disillusionment followed in the early 1980s - and finally bankruptcy.

Electro-Harmonix

Review by guitarfella.com

Review by Oliver Poschmann, bonedo.de

Demo by Reverb 

Demo by PMTVUK

Demo by FrostByte

Bass Big Muff Pi

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

BOSS

FZ-2 Hyper Fuzz

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

FZ-3 Fuzz

Denys Kozakov

Boss FZ-1W Fuzz

Liam Shannon

Das Electro Harmonix Hot Wax Overdrive-Pedal ist ein weiterer Beweis für die Tatsache, dass man der New Yorker Effektschmiede eines nicht vorwerfen kann: Untätigkeit. Im Gegenteil steigt die Anzahl der neu auf dem Markt erhältlichen Pedale zumindest gefühlt wöchentlich!

Awesome on guitar and bass, the EHX Hot Wax fuses our Hot Tubes and Crayon pedals into one powerful dual-overdrive. Each section can be engaged independently, for two very different overdrive flavors, or together to create a massive overdriven sound.
The Hot Wax includes a two-knob EQ (BASS and TREBLE) for extensive tonal control, and a BLEND control to mix between your dry and distorted sound. These three controls are active with either or both distortion sections engaged, and bypassed when both overdrive section are turned off.

Demo by The Bass Channel 

Demo by Pedal Experiments

Review by Phil O'Keefe, harmonycentral.com

Review by gearnews.de

Review by Bassel Hallak, bonedo.de

HOT WAX

Fraser Grant

Der BASSRIG Fifteen ist ein rein analoge Amp-Rekreator-Preamp/D.I.-Pedal, basierend auf dem legendären Ampeg B-15 Portaflex-Kombi-Bassverstärker. Er bildet den Klang, das Spielgefühl und den Charakter des Original-B-15 nach mittels eines kompletten ventilähnlichen Signalweges im Miniaturformat. Er verfügt über eine analog simulierte 1×15-Lautsprechersimulation auf dem D.I.-Ausgang sowie eine eigene AMP OUT EQ, um den Klang an jeden Verstärker oder jede Box anzupassen. Der BLEND-Regler erlaubt das Beimischen des sauberen Signals für Klarheit und Artikulation.

The BASSRIG Fifteen is an all-analogue amp recreation preamp and DI pedal, based on the legendary Ampeg B-15 Portaflex amplifier. It recreates the sound, feel and character of the original B-15 studio bass combo using a full valve-style signal path in miniature. It features an all-analogue 1×15 cabinet simulator on the DI output and a dedicated AMP OUT EQ to tailor the sound to any amp or cab. The BLEND control allows you to mix clean signal in for clarity and articulation.

Origin Effects

Demo by Andertons

Review by Sound On Sound

Review by Bass Gear Reviews

BassRig Fifteen

HM-2W Heavy Metal (Waza Craft)

Mit Leidenschaft entworfen von den Meisteringenieuren bei BOSS in Japan, bietet der Waza Craft SD-1W Super Overdrive ein erstklassiges Stomp-Erlebnis, das Fans von individuell abgestimmtem Pedal-Ton lieben werden. Der SD-1W wurde mit einem feinen Ohr für raffinierten Sound entwickelt und verfeinert den berühmten BOSS Overdrive mit rein analoger Schaltung. Der Standard-Modus fängt den klassischen SD-1-Sound ein, während der Custom-Modus eine neue Klangvielfalt und mehr Gain bietet.

Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the SD-1W hot rods the famous BOSS overdrive with all-discrete analog circuitry. Standard mode captures the classic SD-1 sound while Custom mode offers new tonal range and gain.

Demo by Pete Thorn

Demo by Pro Guitar Shop Demos

Review by TonePedia

Review by Guitar.com

SD-1W Super Overdrive (Waza Craft)

Basierend auf einer vollständig diskreten analogen Verstärkerschaltung liefert der BOSS BD-2W Blues Driver einen dynamischen, röhrenähnlichen Overdrive mit nuancierter Ansprache auf die Anschlagsdynamik. Zwei Betriebsmodi erweitern die klassische BD-2-Schaltung aus dem Jahr 1995 und ermöglichen die Wahl zwischen dem Standard-Klangbild und einem Custom-Modus mit mehr Mittenfülle und Sustain. Drehregler für Level, Tone und Gain bieten volle Kontrolle über Gesamtlautstärke, Hochtonpräsenz und Verzerrungsintensität. Hochwertige diskrete Bauteile sorgen für ein geringes Grundrauschen bei gleichzeitig transparenter Dynamikübertragung für unterschiedlichste Tonabnehmer. Das robuste Kompakt-Gussmetallgehäuse verfügt über eine gepufferte elektronische Umschaltung zur Bewahrung der Signalintegrität in langen Effektketten. Eine zweistufige Gain-Clipping-Struktur reproduziert sowohl warme Vorstufenübersteuerungen als auch gesättigte Lead-Sounds für Blues- und Rock-Genres.

Utilizing an all-analog discrete amplifier topology, the BOSS BD-2W Blues Driver delivers dynamic tube-like overdrive with nuanced pick responsiveness. Dual operation modes expand upon the vintage 1995 BD-2 circuit, allowing seamless selection between standard voicing and a custom voicing with enhanced body and sustain. Rotary level, tone, and gain potentiometers provide comprehensive control over overall output volume, high-frequency presence, and clipping intensity. Premium discrete components ensure lower operational noise floors while maintaining transparent dynamic tracking across diverse pickup outputs. Built into a compact cast-metal chassis, the unit features buffered electronic switching to preserve signal integrity across long pedal chains. Independent dual-stage gain clipping recreates warm preamp break-up alongside saturated lead textures suitable for blues and rock genres.

Demo by Guitar Emerge

Demo by MustyGuitar

Review by Sonic State

Review by Soundaffects

BD-2W Blues Driver (Waza Craft)

Jonathan James

„Knackige Overdrive-Effekte für Bass - Der ODB-3 Bass OverDrive liefert die brusthohe Verzerrung, auf die Hardrock-, Thrash- und Punk-Bassisten gewartet haben. Dieses heiße, kompakte Pedal wurde speziell für Bassanwendungen entwickelt.“ - Boss

"Crunchy Overdrive Effects for Bass-- The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications." - Boss

Demo by  Bass Stuff

Demo by  Freddy Despo—The Bass Place

Review by Ultimate Guitar

Review by bassic.de

Review by Talk Bass.com

Review by bonedo

ODB-3 Bass OverDrive

ch ray

Albino Rhino is an overdrive pedal that brings with it the duality and balances of a nature that borders on the apocalypse: behaving sometimes softly, sometimes wild, our powerful pedal can be used for first, second or even third stage of gain in your set!

It has two modes of operation: the "Tame", where the pedal works as a low-gain with a cleaner and more compressed characteristic, and the "Wild", where its true nature is revealed, starting to act as a mid-gain or as a high-gain distortion pedal, depending on the position of the gain knob, with tones that range from the sound of an amp "breakup" to a fuzzed distortion, being ideal for grunge, stoner, and some metal styles that require more "dirty".

Krozz Devices

Demo by  ajwithjetpacks

Review by Pedais & Efeitos

Albino Rhino

Isen Ritchie

DS-1W Distortion

Der Royalbreaker ist ein Verzerrungspedal, das jeden Möchtegern-Monarchen von Ihrem Pedalboard stoßen soll. Es kombiniert einen intensiven Verzerrungsbereich, der von dicken, aggressiven Tönen bis zu einer kraftvollen, druckvollen Reaktion reicht, und bietet die Flexibilität und Wirkung, die Gitarristen brauchen, um in jeder Umgebung hervorzustechen.

Inspiriert von revolutionären Themen ist der Royalbreaker nicht nur ein Pedal – er ist der Funke einer neuen Ära der Verzerrung auf Ihrem Pedalboard, der Ihre Kreativität dazu antreibt, Barrieren zu durchbrechen und Normen zu trotzen!

The Royalbreaker is a distortion pedal built to dethrone any would-be monarch from your pedalboard. Combining an intense distortion range that spans from thick, aggressive tones to a powerful, punchy response, it offers the flexibility and impact guitarists need to stand out in any setting.

Inspired by themes of revolution, the Royalbreaker isn’t just a pedal—it’s the spark of a new era of distortion on your pedalboard, pushing your creativity to break barriers and defy norms!

Review by delicious audio

Review by guitar pedals X

Demo by Kris Barocsi

Demo by  Ana Julia Braga (aj)

Royalbreaker Distortion

Maxime Rihet

The Royal Jelly is an overdrive/fuzz blender like no other pedal. It can cover any ground from overdrive to fuzz, running two circuits in parallel and giving you the possibility of blending it or having them separately. It also has two presets of the blend, called Queen and King. The presets allow you not only to have two different sounds on the fly, but also make for a very natural transition between them, since instead of switching pedals, you are mixing the levels between your overdrive and fuzz.
It’s also possible to blend in your dry signal, a great feature for bass, drums and synths or any studio use. On the guitar the DRY control is great to create unique clean tones with a fuzzy background.

Beetronics

Demo by Eric Merrow

Royal Jelly

Zur Feier des 40-jährigen Jubiläums der BOSS-Compact-Pedale haben sich BOSS und JHS Pedals zu einer historischen kreativen Zusammenarbeit zweier Branchenführer zusammengeschlossen. Untergebracht im klassischen BOSS-Compact-Design vereint das JB-2 Angry Driver die Sounds des legendären BOSS BD-2 Blues Driver mit dem beliebten Angry Charlie von JHS Pedals. In enger Zusammenarbeit entwickelten die beiden Pedalhersteller eine völlig neue kombinierte Schaltung mit optimiertem Sound und perfekter Abstimmung für den Dual-Mode-Overdrive-Betrieb.

Das JB-2 Angry Driver verfügt über drei Doppelpotis, die eine unabhängige Regelung von Drive, Tone und Level für jede der beiden Overdrive-Schaltungen ermöglichen. Über einen Sechsfach-Drehschalter lassen sich die beiden Overdrives einzeln oder kombiniert in Serien- oder Parallelbetrieb nutzen. Durch die Möglichkeit, den expressiven Low-to-Mid-Gain-Sound des Blues Driver mit der aggressiven Rock-Stimme des Angry Charlie in jeder erdenklichen Kombination zu mischen, bietet das JB-2 Angry Driver eine enorme Bandbreite und Vielseitigkeit in einem einzigen Overdrive-Pedal.

To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals’ popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation.

The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently or combine them in series and parallel configurations. With the ability to blend the Blues Driver’s famously expressive low-to-mid gain tones with the Angry Charlie’s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal.

Review by Premier Guitar

Demo by Guitarist

Demo by JHS Pedals

JB-2 Angry Driver

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by reddit /basspedals

Review by Gitarre & Bass

Demo by Nate Navarro

Sound Samples w/ Ian Martin Allison

DCX BASS

PedalSafe Type OE

QuickMount Type OE 

Pedal-Montageplatte für die ORIGIN EFFECTS Cali76 Bass Compressor und Cali76 FET Compressor Pedale

Pedal Mounting Plate for the ORIGIN EFFECTS Cali76 Bass Compressor and Cali76 FET Compressor pedals 

Schutzabdeckung & RockBoard-Montageplatte für die ORIGIN EFFECTS Cali76 Bass Compressor und Cali76 FET Compressor Pedale

Protective Cover & RockBoard Mounting Plate For the ORIGIN EFFECTS Cali76 Bass Compressor and Cali76 FET Compressor pedals 

Schutzabdeckung & universelle Montageplatte für die ORIGIN EFFECTS Cali76 Bass Compressor und Cali76 FET Compressor Pedale

Protective Cover & Universal Mounting Plate For the ORIGIN EFFECTS Cali76 Bass Compressor and Cali76 FET Compressor pedals 

Jonny Dibble

The BASSRIG ’64 Black Panel is, quite simply, a complete vintage bass amp in a pedal. Based on Fender®’s Showman® and Bassman® amplifiers, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you the drive, grit and articulation of these classic amps in one small box.

Demo by The Bass Channel

Demo by BassTheWorld.com

Official Product Video 

BASSRIG  ’64 Black Panel

The Formiga B. Drive can be used for bass, guitar or with any instrument that you may want to clip, distort and drown in harmonics.

With two parallel channels (Clean and Dirty), the final result is a harmonically rich distortion that greatly adds to your instrument tone. There are independent Low-Pass filters for each channel and three clipping options (Silicon, LED, OpAmp) that altogether offer a world of possibilities.

Cachalote Audio

Review by guitar pedal X

Demo by ajwithjetpacks

Formiga B. Drive

The Ushuaia Drive has an original circuit developed by Cachalote, featuring a 100% analog signal chain with only discrete components. This overdrive pedal embodies a bold personality with an amp-like dynamic breakup. It delivers clean and transparent tones, featuring an extremely responsive low-gain, a versatile mid-boost, classic overdrive tones, and can transition all the way to a full-bodied drive, rich in bass with a fuzz-like texture.

Its circuit has two saturation stages. The first one uses a MosFET transistor, and the second one uses a BJT 2n2222a metal-can transistor. The combination of a transistor with more advanced technology with one with classic characteristics provides a dynamic, organic, and articulate tone. The Ushuaia Drive is true-bypass with an internal relay and a soft-touch footswitch. 

Demo by  Victor Pradella

Ushuaia Drive

Der Konsolenvorverstärker ist ein Halbleiter-Vorverstärker der Klasse A.

Es handelt sich um eine Originalstrecke, die von Cachalote entworfen wurde. Es verfügt über Eingangsverstärkungs- und Ausgangslautstärkeregler, einen Kippschalter für niedrige/hohe Impedanz und drei EQ-Modi (Konsole, Flach und Hochpass).

The Console Preamp is a solid-state, Class A preamplifier.

It is an original circuit designed by Cachalote. It has input gain and output volume controls, a low/high impedance toggle switch, and three EQ modes (Console, Flat, and High Pass).

Review by forum.cifraclub

Console Preamp

Das 214 Fuzz MKII ist ein äußerst vielseitiges Fuzz-Pedal.

Das Design wurde vom obskuren Sam Ash Fuzz Stainer inspiriert, aber das ist noch nicht alles. Wir haben verschiedene Parameter und Effekte hinzugefügt, um eine 100 % analoge Schaltung zu schaffen, die klassische, zeitgenössische und dennoch unerforschte Töne ermöglicht.

The 214 Fuzz MKII is a highly versatile fuzz pedal.

The design was inspired by the obscure Sam Ash Fuzz Stainer, but we didn't stop there. We added various parameters and effects to create a 100% analog circuit that enables classic, contemporary, and yet unexplored tones.

214 Fuzz MKII

Meteoro Amplifiers

Demo by  João Pedro Rodrigues

Demo by Dofenya

Master Bass Drive MPX 500

Cainã Santana

VMan (Alessandro Venturella from Slipknot) Signature pedal - Gritty, Dual-Path Overdrive for Guitar and Bass

KHDK

Demo by Toy Box Playa

Review by Guitar World

Review by Bass Chat

Totality by VMan of Slipknot

The Two Notes Le Bass Tube Preamp Pedal is equipped with two channels with independent control options, delivering a full host of versatile tones. This studio grade preamp pedal is equipped with a true high voltage design, running on 200 volts for a superb performance for you and your bass guitar. As well as this, Le Bass also includes a speaker simulator button, along with two fusion modes that allow you to achieve even more tones. Its compact housing means it will sit well on any pedalboard, and be a worthwhile investment for your setup.

Two Notes Audio Engineering

Review by delamar

Demo by Andertons Music

Demo by Eric Arkö

User Manual

Le Bass Dual-channel tube preamp

Eines der am häufigsten nachgeahmten Bauteile in digitalen Aufnahmegeräten sind Röhrenverstärker. Warum? Röhren liefern ein wunderbar warmes Signal mit vielen geraden Obertönen und einer leichten, natürlichen Kompression. Die JT Amplificaton Alpha Direct Box hat einen ähnlichen Signalweg wie ein Röhrenverstärker für Musikinstrumente: eine einstellbare Röhrenvorstufe, eine Röhrenausgangsstufe und einen großen Ausgangstransformator.

Die Alpha Direct Box liefert genau das, was Sie brauchen: einen fantastisch warmen Klang. Der Entwicklungsprozess: Dank der wertvollen Unterstützung des Produzenten und Toningenieurs „Evil“ Joe Barresi entstand die Alpha Direct Box – von einer ersten Idee über einen handgezeichneten Schaltplan bis hin zur Realität. Die Alpha Direct Box wird in limitierter Auflage in Los Angeles, Kalifornien, gefertigt.

One of the most emulated components in digital recording products are tube-based products. Why? Tubes deliver a wonderfully warm signal rich with even harmonics and slight natural compression. The JT Amplificaton Alpha Direct Box has a similar signal path as a musical instrument tube amplifier: An adjustable tube preamp section. A tube output section and a big ol' output transformer

The Alpha Direct Box delivers what you need. Amazing warm tone. The R&D Process: With valuable and appreciated guidance from Producer & Studio Engineer Extraordinaire “Evil” Joe Barresi, the Alpha Direct Box went from a text message, to a hand-drawn schematic, to reality. The Alpha Direct Box is built in limited production runs in Los Angeles, CA.

JT Amplification

Demo by 

Alpha Direct Box Tube D.I.

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Adam Kidd

This is my main, bass pedal board.  My heart belongs to rock n roll, psychedelic, garage rock, motown.  & blues. However, I'm trying to keep this a little more versatile for some funk, grunge, industrial, etc. It's still a working progress atm.

Main Bass Pedal Board (Working Progress)

Logan Norcliffe

Er ist ein zurückhaltender Zeitgenosse, der so gut wie nie Interviews gibt. Doch stille Wasser sind bekanntlich tief. Und wenn TOOL-Bassist Justin Chancellor seinen exklusiven Wal-Bass umschnallt und seine komplexen Basslines mit diesem einzigartigen Sound anstimmt, dann spricht er Bände.

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Dunlop

Demo by BassTheWorld 

Review by GASS MAGAZINE

Review by GUITAR World 

Review by GEARNEWS 

JCT95 Justin Chancellor Cry Baby Wah

Mit einer gezielten Verstärkung der tiefen Frequenzen hebt der analoge Booster das Bassfundament des Instrumentensignals hervor. Die Schaltung basiert auf einer klassischen diskreten Transistor-Boost-Topologie aus den 1970er Jahren und bietet bis zu 20 dB Pegelanhebung vom sauberen bis hin zum angezerrten Tieftonbereich. Der Frequenzschwerpunkt liegt auf tiefen Subbass- und Bass-Grundfrequenzen, um dünn klingende Single-Coil-Tonabnehmer anzudicken oder Bassverstärker stärker anzusteuern. Das dynamische Ansprechverhalten ermöglicht eine subtile Bassanreicherung bei niedrigen Einstellungen und gesättigte harmonische Wärme bei voll aufgedrehtem Regler. Ein einzelnes Boost-Potentiometer steuert die Ausgangsverstärkung bei direktem, unkompliziertem Signalweg. Ein mechanischer True-Bypass gewährleistet einen unverfälschten Signalfluss auf dem Pedalboard im deaktivierten Zustand.

Delivering focused low-frequency enhancement, the analog booster amplifies the bottom end of an instrument's frequency spectrum. Originally based on classic 1970s discrete transistor boost topology, the circuit provides up to 20 dB of clean-to-gritty low-end amplification. Frequency emphasis centers on deep sub-bass and bass fundamental frequencies to fatten thin single-coil pickups or drive bass amplifiers harder. Dynamic response allows subtle bass thickening at lower settings and saturated harmonic warmth when pushed. A single Boost potentiometer controls output gain while keeping signal routing direct and uncluttered. Mechanical true bypass switching ensures uncolored signal flow across the pedalboard when deactivated.

Demo by Joe Hart

The Mole Nano

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Aufbauend auf einer polyphonen Sample-and-Hold-Synthese-Architektur friert die Multieffekt-Engine Audiomomente ein, um unendliche Sustain-Pads, Glissando-Schichten und Synthesizer-Texturen zu erzeugen. Das dynamische Tracking erfasst polyphone Akkorde oder monophone Einzeltöne über präzise Attack- und Decay-Hüllkurvenregler. Die integrierte digitale Modulation bietet elf Onboard-Effekte, darunter Detune, Delay, Echo, Flanger, Phaser, Chorus, Touch-Wah, manuelles Wah, Pitch-Shift, Tremolo und Rotary-Lautsprecher-Simulationen. Ein integrierter Effekteinschleifweg ermöglicht das direkte Einbinden externer Pedale in den eingefrorenen Effektsignalweg. Externe Steuerungsmöglichkeiten umfassen Expression-Pedal-Zuweisungen und eine dedizierte externe Fußschalter-Navigation für Parameterfahrten in Echtzeit. Ein gepufferter Bypass erhält die gesamte Signalintegrität auf komplexen Pedalboards bei deaktivierter Synthese-Engine aufrecht.

Expanding on polyphonic sample-and-hold synthesis architecture, the multi-effects engine freezes audio moments to generate infinite sustain pads, glissando layers, and synth textures. Dynamic tracking captures polyphonic chords or monophonic lead lines with responsive attack and decay envelope controls. Built-in digital modulation features eleven onboard effects including detune, delay, echo, flange, phase, chorus, touch wah, manual wah, pitch shift, tremolo, and rotary speaker simulations. An integrated effects loop allows external pedals to be patched directly into the wet frozen signal path. External control capabilities include expression pedal mapping and dedicated external footswitch navigation for real-time parameter sweeps. Buffered bypass switching maintains overall signal integrity across complex pedalboards when the synthesis engine is disengaged.

Demo by Aaron Rusch Guitar

Superego+

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Erfahre mehr über das BASSRIG  ’64 Black Panel Cab sim, Preamp, Amp, Di-Pedal von Origin Effects auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr