rBass

RB_new Full Analog

Tester

Der MXR Bass Chorus Deluxe basiert auf reiner analoger Bucket-Brigade-Technologie, die schimmernde, flüssige Chorus- und rauschende, metallische Flanger-Effekte liefert und dabei den Punch und das Fundament deines Low Ends bewahrt.

Der Bass Chorus Deluxe verfügt über Flanger- und X-Over-Tasten auf der Oberseite mit LED-Statusanzeigen. Im X-Over-Modus wird die Modulation in den tiefen Frequenzen auf 100 Hz abgesenkt - perfekt für das Spielen von Akkorden, Melodien und Fills in den oberen Registern, während die tiefen Frequenzen in der richtigen Stimmung bleiben. Mit den Reglern für Bass und Treble können Sie die Tiefen und Höhen absenken oder anheben und den Klangcharakter des Effekts gestalten. Für einen breiten Stereosound können Sie über einen internen Schalter den TRS (Tip-Ring-Sleeve) Stereo Hardwire Bypass Mode wählen. In diesem Modus können Sie ein TRS-auf-TS-(Tip-Sleeve)-Y-Verteilerkabel verwenden, um das Effektsignal an zwei verschiedene Verstärker zu senden, so dass die Modulation von links nach rechts wandern kann.

The MXR Bass Chorus Deluxe is powered by pure analog bucket-brigade technology, serving up shimmering, liquid chorus and swooshing, metallic flanger effects while preserving the punch and fundamental of your low end.

The Bass Chorus Deluxe features top-mounted Flanger and X-Over buttons with LED status indicators. In X-Over Mode, modulation in low frequencies is decreased at 100Hz—perfect for playing upper register chords, melodies and fills while keeping the low end in tune. With Bass and Treble controls you can cut or boost lows and highs and shape the tonal character of the effect. For a wide stereo sound, select the TRS (tip-ring-sleeve) Stereo Hardwire Bypass Mode via an internal switch. In this mode, you can use a TRS to TS (tip-sleeve) Y-splitter cable to send the effect signal to two different amplifiers, allowing the modulation to move from left to right.

Product Page

Review by Premier Guitar

Review by Basschat

Review by Talk Bass.com

Review by Bonedo

Manual

Official Product Video

Demo by The Bass Channel

M83 Bass Chorus Deluxe

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

M288 Bass Octave Deluxe

FLASHBACK is a modern twist on the know-how and legacy of TC Electronic's legendary 2290 Delay, featuring 7 seconds of delay and a cherry-picked selection of the very best delay sounds out there . Seriously, why you're not out buying one right now after reading that is beyond us.

TC Electronic

Review by musicradar

Review by bonedo

Demo by Ryan Lutton

Demo by Reverb

Demo by TC Electronics

FLASHBACK DELAY

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

David Graves

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Origin Effects

Demo by  BassTheWorld.com

Review by Compressor Pedal Reviews

Review by reddit /basspedals

Review by Gearnews

Review by AMAZONA

Manual download

Cali76 Bass Compressor (Classic)

Als das ursprüngliche POLYTUNE 2010 auf den Markt kam, revolutionierte es für immer die Art und Weise, wie Musiker ihre Instrumente stimmen. Von Profis und Amateuren gleichermaßen gelobt, wurde das Stimmen der Gitarre plötzlich so einfach wie „Strum – Tune – Rock“! Wie also lässt sich das meistverkaufte polyphone Stimmgerät noch weiter verbessern? Man hebt ihn auf die nächste Stufe, indem man: mehrere Stimmmodi bereitstellt, darunter polyphon, chromatisch, Strobe und eine Vielzahl von alternativen Stimmungen; einen integrierten BONAFIDE BUFFER hinzufügt, um deinen Klang über lange Kabelwege und Signalpfade im Pedalboard zu bewahren; und das LED-Display für noch höhere Stimmgenauigkeit verbessert. Begrüße deinen nächsten Tuner – POLYTUNE 3.

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

Review by Charleston Classical Guitar

Demo by American Musical Supply

Demo by Addicted to Gear

Polytune 3

Giuseppe CAVO

The Bassbone V2 is a bass command center that enables one to seamlessly switch between
any two bass guitars including active, passive (magnetic) and upright (piezo). When the PZB
booster is engaged, the PZB activates a special boost circuit for piezo transducers that at
once increases the sensitivity and impedance to 10 meg-Ohms, this results in a much wider
frequency response. Two channels let you set up each instrument with their own tone and
signal level. Channel-1 features two preset tones that will bring a modern vibe to older
vintage amps. Channel-2 features a powerful passive-interactive EQ that lets you carve out
any tone. When Input-2 is not in use the Bassbone reverts to a 2-channel preamp that lets
you create two completely different tones with one bass. A built-in effects loop lets you to
share pedals with both basses and this is supplemented with a variable power booster for
solos and a mute switch for quiet-on-stage tuning. A built-in Radial DI box delivers the
performance to the PA or recording system.

Radial Engineering

Review by Bass Gear Mag

Demo by Sweetwater

Demo by Deadbeat Studios

Bassbone v2

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

nicolas  mouren

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Sandbox Pedal Board-copy

Dieses High-Fidelity-Stereo-Reverb-Pedal bietet sechs verschiedene Programme in Studioqualität: Spring, Hall, Plate, BFR, Refract und Air. Es basiert auf einer leistungsstarken digitalen Plattform mit einem Analog Devices SHARC-Prozessor, 32-Bit-Fließkomma-Verarbeitung und 24-Bit/48-kHz-Wandlern. Das Gerät verfügt über einen einzigartigen Volume-Swell-Effekt, der auf jedes Programm angewendet werden kann, sowie über Sustain- und Latching-Momentary-Funktionen zur Erzeugung atmosphärischer Klänge. Es bietet eine umfassende Steuerung über MIDI, unterstützt bis zu 128 Presets und verfügt über drei wählbare Bypass-Modi, einschließlich True Bypass und DSP-Trails. Das Plate-Programm ist speziell vom klassischen analogen Plattenhall EMT 140 inspiriert und sorgt für eine sanfte und gleichmäßige Diffusion.

This high-fidelity stereo reverb pedal features six distinct studio-quality programs: Spring, Hall, Plate, BFR, Refract, and Air. It is built on a powerful digital platform using an Analog Devices SHARC processor with 32-bit floating-point processing and 24-bit 48kHz converters. The unit includes a unique volume swell effect applicable to any program, along with sustain and latching momentary functions for creating ambient washes. It offers extensive control via MIDI, supporting up to 128 presets, and features three selectable bypass modes including true bypass and DSP trails. The Plate program is specifically inspired by the classic EMT 140 analog plate reverb for smooth and even diffusion.

Walrus Audio

Review by Guitar.com

Demo by Guitar Bonedo

MAKO R1 Stereo Reverb

M292 Carbon Copy Deluxe

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

David Litaba

The MXR M306 Poly Blue Octave Pedal is a colossal box of tone. There's a staggering array of effects to explore in a single pedal that'll keep you experimenting all night. With no less than four separate octave divisions available you can send your tone plummeting down the registers for some unctuous bass or soar up through the pitches to reach dizzying high notes. Combine all those octaves together or separately and mix in the fuzz, mono, dry/wet and expression pedal options and you have an almost unlimited palette of sonic creation. Whatever sound is in your head, you can bring it to life it on the MXR Poly Blue.

It simply can't be overstated just how versatile and varied this delightful stomp box is. Offering dual-mode modulation, your effects are boosted with phaser like momentum, be that a thick, undulating slow swirls or a frenzied, frantic dash. Set into the polyphonic mode you have access to textures resembling the famous rotary Leslie effect, while the monophonic switch evokes the swooshes and dips of MXR's celebrated Phase 90 pedal. And for those times you don't want to draw on the considerable power of the M306, it's default off bypass mode will ensure your signal is unaffected no matter where you place this on your pedalboard.

Poly Blue Octave M306 Product Page 

Poly Blue Octave M306 Manual

Demo by abienttrash

M306 POLY BLUE OCTAVE

Der SansAmp Bass Driver DI ist viel mehr als nur eine Direktbox. Er kann große Vintage-Röhrensounds, helle moderne Slap-Sounds, knorrige Verzerrungen und alles dazwischen erzeugen. Drei verschiedene Ausgänge zum Ansteuern von Endstufen, Aufnahmepulten, PA-Mischpulten oder einfach zum Verbessern Ihres aktuellen Rigs. Zu den Reglern gehören Presence für die Definition und den oberen Obertongehalt, Blend, um das Verhältnis von Direktsignal und SansAmp-Schaltung zu kombinieren, und ein aktiver EQ, der mit 12 dB Absenkung oder Anhebung speziell auf den Bass abgestimmt ist.

Da die Popularität von 5- und 6-saitigen Bässen den Status einer Modeerscheinung überschritten hat und zum Mainstream geworden ist, haben wir einen Schalter hinzugefügt, mit dem die Bassfrequenz so eingestellt werden kann, dass sie auch in die tieferen Lagen reicht. Außerdem haben wir einen Regler für die Mitten und einen Schalter zur Einstellung ihrer Frequenz hinzugefügt. Der Kern des SansAmp Bass Driver und alle seine Töne bleiben dem ursprünglichen Design treu.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by bondeo

Demo by Philip Brennan

SansAmp BDDI V2

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

BOSS

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

paddy.bee

Bass Board Live 2

Fraser Grant

Der BASSRIG Fifteen ist ein rein analoge Amp-Rekreator-Preamp/D.I.-Pedal, basierend auf dem legendären Ampeg B-15 Portaflex-Kombi-Bassverstärker. Er bildet den Klang, das Spielgefühl und den Charakter des Original-B-15 nach mittels eines kompletten ventilähnlichen Signalweges im Miniaturformat. Er verfügt über eine analog simulierte 1×15-Lautsprechersimulation auf dem D.I.-Ausgang sowie eine eigene AMP OUT EQ, um den Klang an jeden Verstärker oder jede Box anzupassen. Der BLEND-Regler erlaubt das Beimischen des sauberen Signals für Klarheit und Artikulation.

The BASSRIG Fifteen is an all-analogue amp recreation preamp and DI pedal, based on the legendary Ampeg B-15 Portaflex amplifier. It recreates the sound, feel and character of the original B-15 studio bass combo using a full valve-style signal path in miniature. It features an all-analogue 1×15 cabinet simulator on the DI output and a dedicated AMP OUT EQ to tailor the sound to any amp or cab. The BLEND control allows you to mix clean signal in for clarity and articulation.

Demo by Andertons

Review by Sound On Sound

Review by Bass Gear Reviews

BassRig Fifteen

Dunlop

DVP5

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

TU-3W Tuner

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by Gitarre & Bass

Demo by Nate Navarro

Sound Samples w/ Ian Martin Allison

DCX BASS

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Peter Kummer

scott delony

Pushing the boundaries of bass innovation, Anagram is our most powerful and versatile multi-effect unit yet. More than just an effects processor—it’s a revolution. With ultra-low latency, deep customization, and seamless integration into the Darkglass ecosystem, it empowers bassists like never before, from studio precision to stage power.

Designed for effortless creativity, Anagram delivers studio-quality sound, advanced signal chain editing, and the groundbreaking Neural Amp Modeler (NAM) technology—all within a compact footprint that accommodates any pedalboard. Fun to use, inspiring to explore, and limitless in sonic potential, Anagram doesn’t just shape tone—it unlocks new ways of assembling music.

Darkglass Electronics

Demo by Leo Gibson

Demo by Nate Navarro 

Anagram

Matt Johnson

Die Helix® Stadium Family von Verstärker- und Effektprozessoren setzt neue Maßstäbe – genau wie der ursprüngliche Helix-Prozessor. Durch den Einsatz leistungsstarker DSPs und der völlig neuen Agoura™-Modellierungsmethodik bieten sie außergewöhnlichen Klang und Ansprache auf Spiel­dynamik, eine ausgefeilte und dennoch intuitive Benutzeroberfläche sowie unerreichte Steuerungsmöglichkeiten. Zudem sind alle Helix/HX®-Presets mit den Helix Stadium-Prozessoren kompatibel. Zur Helix Stadium Family gehören die Helix Stadium XL Floor- und Helix Stadium Floor-Prozessoren, die Expand D10 Digital-I/O-Erweiterungseinheit, das EX2™ Expression-Pedal-/Toe-Switch-Paar und der Helix Stadium Backpack. Lassen Sie Helix Stadium Produkte Ihre musikalische Vision verwirklichen.

Helix® Stadium Family amp and effects processors establish a new benchmark—just as the original Helix processor did. Leveraging powerful DSP and the entirely new Agoura™ modeling methodology, they deliver extraordinary sound and responsiveness to playing dynamics, a sophisticated yet intuitive user interface, and unparalleled control capabilities. Plus, legacy Helix/HX® presets are compatible with Helix Stadium processors. The Helix Stadium Family comprises the Helix Stadium XL Floor and Helix Stadium Floor processors, the Expand D10 digital I/O expansion unit, the EX2™ expression pedal/toe switch, and the Helix Stadium Backpack. Let Helix Stadium products help you realize your musical vision. 

LINE 6

Helix Stadium Floor

TAI  TONG YEE

Welch schönes Thema doch Effekte und Amps sind, nicht wahr? Seit den ersten Bodentretern Mitte des vergangenen Jahrhunderts faszinieren sich fast alle Gitarrist:innen für die Boxes of Goodness. Seit der Einführung der Digitaltechnik in die Effektgerätbranche werden die Kisten heiß diskutiert. Gerade die Modeling-Technik und später das Capturing/Profiling lösen immer wieder große und lange Diskussionen in den Online-Portalen (oder am heimischen Gitarren-Stammtisch) aus.

"Upgrade" is more than a 7-letter word. It embodies the continuation and evolvement beneath
the surface, and embraces revolution and creativity outside the box.
It’s what Ampero II Stomp does. Throughout years of grinding to establish its core technologies
from empirical practice, Hotone team proudly presents this soul partner for your
sophisticated taste in the sound of the music.

HOTONE

Review by Preshan John, audiotechnology.com

Review by Simon S, amazona.de

Demo by Andetons Music Co

Demo by Sonic Drive Studio 

Demo by Bernd Kiltz - Gitarrenvideos

Ampero II Stomp

daniel lee

Der Pentatone Equalizer ist eine eigenständige Version des 5-Band-Equalizer-Teils im Ibanez Pentatone Preamp. Mit einem kontinuierlich veränderbaren Q-Regler für jedes Band, der eine größere Vielfalt an Klangkreationen ermöglicht, bietet er noch präzisere Klanggestaltungsmöglichkeiten. Darüber hinaus sorgt die ±9V Stromversorgungstechnik für eine hohe Headroom. Damit eignet sich der parametrische Equalizer nicht nur für E-Gitarren, sondern auch für Signalquellen mit höherem Pegel wie E-Bässe und Keyboards.

The Pentatone Equalizer is a standalone version of the 5-band equalizer section in the Ibanez Pentatone Preamp. Adding a continuously variable Q control on each band, which allows for a wider variety of sound creation, enables even more detailed sound creation. Furthermore, the ±9V power supply circuitry provides a wide headroom. That makes the parametric equalizer suitable for not only electric guitars but also higher-level output signal equipment such as electric bass guitars and keyboards.

Ibanez

Demo by EytschPi42

Review by sevenstring.org

Review by The Gear Page

Pentatone PTEQ

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Roberto Beretta

Sennheiser

XSW-D

Franko Teston

TONEX ONE integriert die revolutionäre AI Machine Modeling-Technologie in Pedalboards jeder Größe, sodass Sie auf mehr Arten als je zuvor mit den gefragtesten Sounds der Welt spielen können. Es macht buchstäblich unbegrenzte Töne für jedermann zugänglich.

Das ultrakompakte und leistungsstarke TONEX ONE speichert bis zu 20 hyperrealistisch modellierte Verstärker, Boxen und Pedale aus einer praktisch unbegrenzten Quelle, sodass Sie es überall in Ihrem Rig hinzufügen können. Mit der mitgelieferten TONEX-Software können Sie sogar Modelle Ihrer eigenen erfassten Ausrüstung hochladen. Platzieren Sie mühelos mehrere Einheiten auf Ihrem Board für wirklich unbegrenzte Klangmöglichkeiten.

TONEX ONE puts IK’s revolutionary AI Machine Modeling technology on any size pedalboard, enabling you to perform with the world’s most sought-after tones in more ways than ever before. It truly makes unlimited tone accessible to all.

Ultra-compact and powerful, TONEX ONE stores up to 20 hyper-realistic modeled amps, cabs and stomps from a nearly infinite supply, so you can add it anywhere in your rig. You can even load models of your own gear captured with the included TONEX software. Effortlessly fit multiple units on your board for truly limitless tone possibilities.

IK Multimedia

Review by delamar

Review by Audiofanzine

Demo by Andertons Music Co

Demo by ikmultimedia

ToneX One

PedalSafe Type K3

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Schutzabdeckung & RockBoard-Montageplatte für das IK Multimedia® ToneX One Pedal

Protective Cover & RockBoard Mounting Plate for the IK Multimedia® ToneX One pedal

Schutzabdeckung & universelle Montageplatte für das IK Multimedia® ToneX One Pedal

Protective Cover & Universal Mounting Plate for the IK Multimedia® ToneX One pedal

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

Noble

Demo by Noble Amplifier Company 

Noble Preamp DI

Introducing the B2 FOUR Amp and Effects Emulator, powered with Zoom’s Multi-Layer IR technology and 6 iconic DI models. Now you can craft the perfect low-end tone

B2 FOUR

Cali76 Bass Compressor (Classic) von Origin Effects