Fred Petit

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Mad Professor

David BIET

THE GREEN WONDER ist ein vielseitiges Overdrive-/Booster-Pedal mit viel Headroom, hoher Ausgangsleistung und einem hervorragenden Klang sowohl mit Single-Coil- als auch mit Humbucker-Tonabnehmern. THE GREEN WONDER funktioniert hervorragend mit verschiedenen Verstärkern und kann sowohl mit Clean- als auch mit Overdrive-Kanälen verwendet werden, selbst bei starker Verzerrung.

THE GREEN WONDER ist eine aktualisierte Version des legendären LITTLE GREEN WONDER. Alles, was Sie am klassischen LITTLE GREEN WONDER geliebt haben, ist im neuen und sorgfältig abgestimmten THE GREEN WONDER enthalten. THE GREEN WONDER verfügt über zusätzliche Bass- und Höhenregler, mit denen Sie Ihre tiefen und hohen Frequenzen je nach verwendetem Equipment optimal einstellen können.

THE GREEN WONDER is a versatile high headroom overdrive/booster pedal, that has high output and sounds great with both single coil and humbucking pickups. THE GREEN WONDER works extremely well with different kinds of amplifiers and can be used with both clean and overdrive channels, even with heavy distortion.

THE GREEN WONDER is an updated version of the legendary LITTLE GREEN WONDER. Everything you loved with the classic LITTLE GREEN WONDER is included in the new and carefully fine tuned THE GREEN WONDER. THE GREEN WONDER has added Bass and Treble controls, that allow you to really dial in your low and high frequencies depending on other gear you are using.

Official Product Video

Demo by GUITARS & GIZMOS

Product Page

Review by delicious audio

Review by musicradar

Review by bonedo

Manual

The Green Wonder

Kari Kärkkäinen

Hand-made in Finland premium quality tremolo pedal. Mad Professor Mellow Yellow Tremolo (MYT) is a true sine wave tremolo effect designed for tremolo tones from the of 50′s type soft swing to deep modulation with great playability, regardless of tremolo depth or speed.
The strength of the incoming signal is modulated by a sinusoidal oscillator, just like in the early amps, and modulation bias is set to give symmetrical modulation. This gives a very musical tremolo effect that blend very well with both clean and distorted guitar tones

Review by musicradar 

Demo by Prymaxe 

Demo by ProGuitarShopDemos 

Demo by Wall Of Sound 

Mellow Yellow Tremolo

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Tester

Deep Blue Delay is a natural sounding digital/analog delay, with the analog direct signal path. The Deep Blue Delay has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

Demo by Sound Xperience

Demo by Wall of Sound

Deep Blue Delay

The tone is very musical and balanced thanks to carefully matched parts in the circuit. With the four controls, you can fine-tune the phaser effect to your taste. With the rotating switch you can choose between two different phase tones, the other is a light one and the other with the big fat low end and deep tone. With The Mix control, you can adjust phaser tones from very mild into deep phase effect. Speed range and amplitude of the internal oscillator are set to allow high phaser speeds without getting erratic.

You can find classic phasing sounds at about 12 o’clock speed setting, the lower settings produce a nice floating “Vibe”- a type of sound.

Demo by VintageandRare

Review by reddit /guitarpedals

Review by The Gear Page

Review by Premier Guitar

Manual download

Tiny Orange Phaser

Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.

Distortion level can be controlled by pick attack and pickup strength. Harder picking for overdrive and softer for a cleaner tone. With the unique Focus control, you can adjust the feel and dynamics of the pedal as well as overall EQ. Turning Focus CCW you need to play harder to get distortion and the tone is softer, great for jazz and blues. Focus turned CW gives a slight treble boost and earlier distortion great for classic rock.

Demo by Brett Kingman

Sweet Honey Overdrive

A compact digital reverb pedal with pure-analog dry signal path, true-bypass switching, and controls for Time, Tone, and Reverb (depth), the Silver Spring proved a sparkling little performer in a range of settings. It ably subbed for a tube Fender Reverb Unit in front of a tweed-like combo for some surfy instrumentals, and worked equally well replacing a Bogner Goldfinger’s builtin spring reverb in the amp’s parallel FX loop. It doesn’t go splash when you kick it, and you might detect just a hair of pulsing in the wash of the effect’s decay, but all in all it’s a stellar sounding unit

Review by AMAZONA

Demo by Alberto Barrero

Demo by ProGuitarShopDemos

Silver Spring Reverb

Sie können den Ruby Red Booster als Treble Booster, Clean Booster oder als Overdrive-Einheit verwenden, oder eine beliebige Kombination der oben genannten Funktionen. Außerdem kann er mit oder ohne Buffer verwendet werden. Der Treble Booster ist ein auf die richtige Höhenfrequenz abgestimmter Booster mit einer sorgfältig konzipierten Bandbreite und einem optimierten Bass-Cut-Verlauf. Der Booster-Schaltkreis wurde entwickelt, um die Eingänge Ihres Verstärkers mit einer massiven Anhebung von 40 dB zu übersteuern - von schönem Glitzern bis hin zu starkem Overdrive. Der Booster ist so kalibriert, dass er bei höheren Boost-Einstellungen von sich aus musikalische Verzerrung erzeugt. Sie können den Gesamtpegel der beiden Booster mit dem Master-Volume-Regler steuern und den Master-Volume-Regler auch dazu verwenden, die Verzerrung des Geräts zu steuern. Der Ruby Red Booster ist der am besten klingende und vielseitigste E-Gitarren-Booster auf dem Markt!

You can use the Ruby Red Booster as a treble booster, clean booster, or as an overdrive unit, or any combination of the above. Plus, it can be used with or without a buffer. The Treble Booster is a booster tuned to the right treble frequency with a carefully designed bandwidth and an optimized bass cut slope. The booster circuit is designed to overdrive your amp's inputs from nice sparkle to heavy overdrive with a massive 40dB boost. The booster is calibrated to produce musical distortion on its own at higher boost settings. You can control the total level of the two boosters with the Master Volume control, and also use the Master Volume to dial in distortion from the unit. The Ruby Red Booster is the best sounding and most versatile electric guitar booster on the market!

Demo by EytschPi42

Review by elevea

Ruby Red Booster

Mighty Red Distortion is a high-gain distortion pedal, which was modeled after the 80′s style compressed gain sounds. It is extremely easy (and a lot of fun) to play because its texture is adjusted to give clarity and definition also at heavy distortion. The gain range allows also low distortion sounds as well as stacking with other pedals, where an overdrive (preferably MP LGW) can pre-drive MRD for extreme and highly focused sounds. To get these gain levels with their impressive signal to noise ratio, we didn’t use any noise gate or expander. Instead, we used special amplifier techniques and extremely low noise amplifier stages, which result in a natural decay and a rather high current consumption for a distortion pedal in view of battery operation.

Demo by Pedalicious

Review by Ultimate Guitar

Mighty Red Distortion

LECTRIC BLUE II - Chorus Vibrato is a super high quality modulation pedal with a small footprint. It is simple-to-use yet surprisingly versatile. Vintage technology and modern engineering ensures the most organic and purest analog tone and ultra quiet performance. Electric Blue II is innovative and beautifully complex all analog bucket brigade design.

Warm or bright? Blast from the past or from today and everything in between? You get to choose. The effective and thorough, yet simple to use, controls allow you to explore analog modulation like never before.

Demo by delamar Guitar

Review by Gearnews

Electric Blue II Chorus

Forest Green Compressor (FGC) is designed to meet the highest standards of guitar and bass compression.There is extremely low noise throughout the range and a high overload margin, which allows also a wide dynamic input range at minimum distortion and noise.
FGC is equipped with a special tone control to fine-tune the compressed sound for most transparent tone and effect. The pedal has a switchable compressor and sustainer mode. In Sustain mode, you can get a very dynamic, touch-sensitive tone with a long sustain. Here the attack is not lost, making the pedal suitable even for blues players and works great with slide playing.

Demo by 【ムツミ】Mutsumi

Forest Green Compressor

RockBoard

ISO Power Block V6

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Valentina Bailo

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Sandbox Pedal Board

Ultra Lush, 2 channel chorus, stereo I/O!
The Ultra ChorusII is one of the most LUSH sounding, 2 channel chorus effects in the industry!  Alex Lifeson has one at his studio and pros like  Darius Rucker guitarist Quinton Gibson's make it a staple on their pedal boards!  The 7 position Delay switch adjusts the chorus width from spacious sparkling chorus to tighter compressed chorus, and anything in between!    Simply set the Rate and Depth in each channel a switch between the two on the fly!  The Blend  control mixes  as much analog instrument with our wonderful chorusing sound.   As with all DLS Effects™, the analog instrument always stays analog!   Hookup in (Mono in-Mono Out,  Mono in-Stereo Out, or Stereo in-Stereo Out). This product uses high quality capacitors and circuitry to achieve superior chorus and tone!

DLS Effects

Ultra Chorus II

ALex Ritis

Inspired by the match-made-in-heaven of vintage effects found on 60s American amps, White Whale V2 sets out a new objective to pack bigger real spring reverb and tremolo sounds in the same pedalboard friendly enclosure (17 x 12,5 x 7,5 cm).

The 3-spring reverb tank assembly housed inside White Whale’s enclosure has remained the same, but we have upgraded the power amp driving the springs for increased headroom and wider frequency response. Following the signal topography of vintage units we have also upgraded the dwell control to allow you to dial the right amount of signal that goes into the springs for a mellower or splashier reverb sound. Real spring reverb found in 60s American tube amps and external reverb units featured a tube power amp driving the spring assembly via an output transformer, so we have delicately tuned an analog circuit to emulate the tube and output transformer saturation that was produced on higher dwell settings. 

Crazy Tube Circuits

Demo by JayLenoardJ

Demo by Kirs Barocsi

Demo by 60 Cycle Hum

Demo by TheGuitarGeek

Demo by Pete Thorn

Demo by  AndyDemos

White Whale V2

Wir haben das Original Cry Baby Wah genommen und drei unserer beliebtesten Upgrades hinzugefügt: den berühmten „Q“-Regler, mit dem sich die Intensität des Wah-Effekts durch Anpassung der Bandpassform des Effekts variieren lässt; Volume Boost für bis zu +15 dB zusätzliche Verstärkung; und unsere Auto-Return-Funktion, die den Effekt automatisch aktiviert, wenn Sie Ihren Fuß auf das Pedal setzen. All dies ergibt ein vielseitiges Wah-Pedal mit großartigem Klang.

We've taken the original Cry Baby Wah and added three of our most popular upgrades: the famous "Q" Control, which varies the intensity of the wah effect by adjusting the effect's bandpass shape; Volume Boost, for up to +15dB added gain; and our Auto-Return function that automatically engages the effect when you place your foot on the pedal. It all adds up to a versatile, great sounding wah.

Dunlop

Review by 

Demo by  WMusicDistribution

95Q Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der Carl Martin Tuner vereint Einfachheit, Effizienz und Stil. Er ist in einem klassischen schwarzen Druckgussgehäuse untergebracht und bietet sowohl eine Standard- als auch eine Strobe-Anzeige, die beide hell genug sind, um im Stehen abgelesen zu werden. Die Kalibrierung reicht von 437 bis 443 Hz, wobei A440 die Standardeinstellung ist.

Zur Ausstattung gehören ein Mute-Schalter für geräuschlose Abstimmung und True Bypass für einen sauberen Signalweg. Mit einer 9V-Batterie oder einem externen Netzteil betrieben, ist es eine perfekte Ergänzung für Ihr Pedalboard.

The Carl Martin Tuner combines simplicity, efficiency, and style. Housed in a classic black die-cast casing, it offers both standard and strobe readouts, both bright enough to read while standing. Calibration ranges from 437 to 443 Hz, with A440 as the default.

Features include a mute switch for silent tuning and True Bypass for a clean signal path. Powered by a 9V battery or external supply, it's a perfect addition to your pedalboard.

Carl Martin

Demo by Guitarworks1000

Demo by  Music Force Official

Review by acoustic guitar forum

Tuner

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

ISO Power Block V10

The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching from one side to the other with just a single press on the switch.

The tones were set for a great all around boost to low gain drive on the A side used mostly on a neck pickup. The A side is heavily based on our famous Royal Blue Overdrive pedal. And for the B side a fat dynamic tone containing some ”power amp” response with a lot of headroom. The B side is a completely new design and is used mostly on a bridge pickup. This is the way Matt prefers to use the Supreme pedal.

Review by Guitar.com

Demo by Guitar Bonedo

Supreme

Rich, fat, warm sound and well thought out functionality makes the Mad Professor Dual Blue Delay one of the most clever, intuitive, and easy to use delay pedals currently available.

The short delay has a maximum delay time of 315ms and a fatter tone well suited for slapback and old-school tape echo tones. Long delay reaches 810ms and has a modern delay voicing, great for lead and ambient tones.

Both delays have wide range Tone controls for dialing in the perfect setting. Switch between the two delay channels or combine both together for huge dual-delay sounds. Keeping the On/Off switch depressed for 1 second brings you an exciting rhythmic multi-head mode. A must-have for all instrumental rock and Pink Floyd fans.Tap Tempo function is also included for use on the Long delay channel.

Dual Blue Delay is a powerful and intuitive pedal for the progressive musician.

Review by Seymour Duncan Forum

Review by mixdownmag

Dual blue delay

Super Black is a vintage Blackface Fender amp tone in a box with a boost.

Review by HometoneBlog

Demo by Peach Guitars

Demo by Premier Guitar

Super Black

Der SUPER BLACK mini bietet Ihnen den klassischen Black Panel-Sound der 60er Jahre in einem kompakten Gehäuse. Die vollständig analoge Schaltung des SB mini bildet den gesamten Signalweg des Verstärkers nach. Mit dem zusätzlichen Headroom des mini erhalten Sie den brillanten und druckvollen Clean-Sound, für den die Black Panel-Verstärker bekannt sind.

Mit dem SB mini erhalten Sie den glorreichen Breakup-Sound eines Verstärkers, ohne dass Sie dafür übermäßige Lautstärke benötigen – inklusive der gesamten Dynamik eines voll aufgedrehten Verstärkers. Verwenden Sie den SB mini als Tone Shaper vor Ihrem Verstärker oder schließen Sie ihn an den FX-Loop-Return oder einen Cabinet-IR an und nutzen Sie ihn als Vorverstärker.

THE SUPER BLACK mini gives you the classic 60's Black Panel sound in a compact package. SB mini's all analog circuit replicates the whole signal path of the amp. With the mini's added headroom you can get the sparkly and punchy clean tone that the Black Panel amps are known for.

With the SB mini you can get the glorious amp break up tone with no excessive amount of volume needed - all the dynamics of a cranked up amp included. Use the SB mini as a tone shaper in front of your amp or plug it into the FX loop return or a cabinet IR and use it as a preamp.