Uygar Yildiz

Best Single Coil Pedalboard Ever!!!

Tester

Deep Blue Delay is a natural sounding digital/analog delay, with the analog direct signal path. The Deep Blue Delay has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

Mad Professor

Demo by Sound Xperience

Demo by Wall of Sound

Product Page

Manual

Deep Blue Delay

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Graham Eaton

The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching from one side to the other with just a single press on the switch.

The tones were set for a great all around boost to low gain drive on the A side used mostly on a neck pickup. The A side is heavily based on our famous Royal Blue Overdrive pedal. And for the B side a fat dynamic tone containing some ”power amp” response with a lot of headroom. The B side is a completely new design and is used mostly on a bridge pickup. This is the way Matt prefers to use the Supreme pedal.

Review by Guitar.com

Review by bonedo

Official Product Video

Demo by Guitar Bonedo

Supreme

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

The Snow White Autowah (SWAW) circuit is based on a 1991 BJF rack mount remote wah circuit and is tuned like a real wah. The circuit was redesigned with envelope controls and built into small size pedal. It has very fast tracking and accuracy rarely found on auto wahs/ envelope filters. With the four knobs, you can have total control of the effect. SWAW works both with guitar and bass and you can fine-tune the pedal to suit your instrument, your playing style and your taste of tone.
The pedal has a unique decay control for the filter frequency fall speed. You can set it to be fast for wah effects on every note, or slower for a more traditional auto wah sound.

Demo by ProGuitarShopDemos

Snow White AutoWah

Lee Atkin

The Blues Power is a truly transparent overdrive, renowned for its versatility and for producing ‘always-on’ amp breakup tones. This pedal delivers a full-range, amp-like tone with responsive bass and treble controls. Its wide-range drive control allows for a broad spectrum of overdrive effects. Side switches provide adjustments to the mid-frequency range, compressed drive, and KingTone Switch tones. Additionally, the volume control offers ample output to drive even the most stubborn tube amps. With these combined features, the Blues Power might just be one of the  most versatile overdrive available. This is a mighty overdrive indeed.

KingTone

Demo by JamesOnGuitar

Demo by jessetwohands

Blues Power

ch ray

After 1000’s of requests, Pedal Pawn® are proud to be doing another LTD Edition GERMANIUM version of the Pedal Pawn® Fuzz! Equipped with a specially hand selected pair of VINTAGE British CV7003 Texas Instruments transistors (military spec OC44) in custom colour ‘Olive Drab Green’ - this small run of hand-wired pedals are set to light the world on fire

Pedal Pawn

Demo by  Advent of Gears

Review by FX Pedal Planet

Germanium Fuzz

RockBoard

The Centura is a true overdrive pedal, enhancing the tone and capability of your amp. Highly acclaimed one-one recreation of the Klon Centaur circuit.

Ceriatone

Review by Pedal of the Day

Manual Page 3

Manual Page 2

Manual Page 1

Demo by TheKlonWars

Demo by Andrew Cheng

Centura overdrive raw/clear coat version

The CHRONO DELAY features a simple interface that allows fast, intuitive control.

Delay time is adjustable from 1 to 2700 milliseconds. The A/B preset memory allows two different delay times settings to be memorized and recalled via the footswitch as needed.

Providence

Review by Premier Guitar

Demo by shnobel

DLY-4 Chrono Delay

David Litaba

Das British Pedal Company Dumble Blackface Pedal wurde von den klassischen Sounds des Dumble Overdrive Special aus den späten 1980ern und 1990ern inspiriert. Das Pedal verfügt über vier Regler für Gain, Dynamic, Tone und Volume und einen Boost Schalter. Um mehr Headroom zu bieten kann das Pedal sowohl mit 9 Volt als auch mit 18 Volt betrieben werden. Zu den Besitzern des Dumble Blackface Verstärkers gehören Eric Clapton, Joe Bonamassa, Larry Carlton, Robben Ford und John Mayer.

The British Pedal Company Dumble Blackface pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the Dumble Blackface amp include Eric Clapton, Joe Bonamassa, Larry Carlton, Robben Ford and John Mayer.

British Pedal Company

British Pedal Company - Dumble Overdrive Special Silverface & Blackface - Deutsch - W-Music Distribution

British Pedal Company - Dumble Overdrive Special Silverface & Blackface - English - W-Music Distribution

Dumble Blackface Overdrive

Pedro Delgado

The TCHULA was originally built for Josh Smith as a “one off” 2 stage, custom tuned, COT50 and quickly became a his #1 Dirt Box.

Highly sought after by professional guitarists and collectors worldwide it has been my mission to produce this unit from time to time in custom small batch builds.. This unit blows minds! It sounds and feels so natural you will swear there is an amp in this box!

Lovepedal

Demo by  Sean Gibson

Demo by Sebastian Falvo Music

Review by The Gear Page

Review by guitartest.de

Review by Sam Goffen Guitar

Tchula

Gleiches Design wie der ursprüngliche EHX Q-Tron, aber mit extrem nützlicher Effektschleife und einem Attack Response Schalter. Die Effektschleife gibt dem Musiker die Möglichkeit, einen zusätzlichen Effekt oder eine Kette von Effekten zwischen dem Vorverstärker und der Filtersektion des EHX Q-Tron Plus zu platzieren, ohne die Hüllkurvensteuerung zu ändern. Dies ist besonders wichtig bei den meisten Distortion-Geräten, da die meisten von ihnen keine Amplitudenhüllkurve haben. Die FX-Schleife regt auch Ihre Kreativität an, um alle möglichen Kombinationen in der Effektschleife auszuprobieren: Probieren Sie den Micro POG mit einem Deluxe Memory Man. Sie können alle Arten von neuartigen Effekten erfinden. Der hinzugefügte Response-Schalter wählt zwischen einem langsamen, weichen, vokalähnlichen Attack und der schnellen, geschlängelten Reaktion des ursprünglichen Q-Tron.

Same design as the original EHX Q-Tron but with extremely useful Effects Loop and an Attack Response Switch. The Effects Loop gives the musician the ability to place an additional effect, or chain of effects between the EHX Q-Tron Plus’s preamp and filter section without changing the envelope drive. This is particularly important with most distortion devices, as most all do not have much of an amplitude envelope. The FX loop will also fire up your creative juices to try all sorts of combinations in the effects loop: try the Micro POG into a Deluxe Memory Man. You can invent all sorts of novel effects. The added Response Switch selects between a slow, smooth, vowel-like attack and the fast, snaked response of the original Q-Tron.

Electro-Harmonix

Review by reddit /guitarpedals

Demo by Anıl Yazar

Demo by  Alberto Martinez Del Rio Guitar

Q-Tron Plus

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

The micro Vent 16 simulates the classic guitar leslie with a 10 inch speaker into a single drum rotor. Yes, we are talking about the vertically suspended magic of the Fender Vibratone. The algorithm simulates capturing the Vibratone with one mic and the distance from the cabinet is variable. Compared to the micro Vent 122, the micro Vent 16 sounds less complex and dominant. It is perfect for rhythm work and for giving lead tones the final touch.

Neo Instruments

Review by Sound on Sound

Demo by Mike Hermans

Demo by Alberto Barrero

Micro Vent 16

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Review by Amazona 

Review by Six String Sensei

Demo by Made by Miike

Audio Examples

Flint

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Éloi Deraiche

To put it bluntly, we’ve spent thousands on both new & VINTAGE octave fuzz’s - in search of the holy grail! To our ears, we deemed a very rare vintage 1970’s Octavia the gold standard for its SPOOKY magic. Once faithfully recreating the voodoo of that FAT circuit, we souped up the parameters to also fulfil the ULTRA clean octave settings that are desired by so many. We can now proudly present the highly requested - Pedal Pawn® Octone™

Demo by Fret Junkies

Review by Guitar World

Review by delicious audio

Octone

Meet the Pedal Pawn® Cowboy King™, where the legendary 1980’s Screamer style circuit gets cranked up to 11—on steroids! This powerhouse pedal takes the classic mid-hump overdrive you love and dials in more clarity, gain, output, and a woody, thick tone for blues tones that absolutely scream!

Whether you want smooth, Texas-style smoke or stage-shaking leads, the Cowboy King™ nails that iconic tube tone with fat, juicy character and unmatched authority. Yeehaw!

Cowboy King

Step into a Time Machine for Your Tone with the Pedal Pawn® Gypsy Vibe™ V2.

Inspired by the Magical Vintage Units of the Past, We've Captured the Unmistakable "THROB" that Transforms Your Amp's Speaker into a Pulsing Heartbeat!

Immerse Yourself in a Hypnotic 3D Swirl of Magical Colors and Experience the Unmistakable Essence of the Psychedelic '60s - All Packed into a Compact Box that Perfectly Fits on Your Pedalboard.

Demo by  Fmaj13

Gypsy Vibe v2

Noam Chabbi

It’s been a lifelong journey to encapsulate our favourite Texan’s ‘Twang’ into a box! Alongside our countless hours of tweaking, we have received an outpouring of requests for this very creation! We listened to you, ourselves, (& Stevie on repeat for 20 years) &  can now proudly present the – Pedal Pawn ® Texan Twang ™.

This custom boost circuit is specifically tuned for an abundance of glassy clean-up, for when you roll back the guitars volume knob on each setting. Rolling up the guitars volume knob produces the Texan Twang ™ we have searched for our whole lives!

Demo by  Alberto Barrero

Texan Twang

Nicolas Wilfer

Es ist kein Geheimnis, dass das Pedal Pawn® Team einige der verrücktesten Fuzz-Freaks überhaupt sind! Nachdem wir hunderte, wenn nicht gar tausende von Vintage-Smiley-Fuzzs durch unsere Hände bekommen haben, haben wir unser Wissen verfeinert und das ultimative Fuzz entwickelt! Dieser Custom-Schaltkreis ist speziell für eine Fülle von glasigem Clean-up beim Zurückdrehen des Lautstärkereglers der Gitarre abgestimmt. Wenn man den Lautstärkeregler der Gitarre aufdreht, entsteht das fetteste Fuzz, das wir je gehört haben!

t's no secret that the Pedal Pawn® team are some of the craziest fuzz freaks ever! After having 100s if not 1000s of vintage smiley Fuzz's pass through our hands, we have refined our knowledge into the end-all Fuzz! This custom circuit is specifically tuned for an abundance of glassy clean-up when rolling back the guitars volume knob. Rolling up the guitars volume knob produces the fattest fuzz we've ever heard!

Demo by Alex Hamilton

FUZZ (ORIGINAL SILICON)

Stefan Valenberghs

The Aqua-Puss Analog Delay MkIII delivers smooth vintage delay tones and tape-based echo with 20ms to 300ms of delay time.

Way Huge

Aqua-Puss MKII

PedalSafe Type WH3

QuickMount Type WH3

Pedal-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

 Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

BOSS

DD-3 Digital Delay vintage

PedalSafe Type E

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Boss Pedale

Protective Cover & RockBoard Mounting Plate For Standard Boss Pedals

Schutzabdeckung & universelle Montageplatte für Standard Boss Pedale

Protective Cover & Universal Mounting Plate For Standard Boss Pedals

Der Lillian ist ein vollanaloger, mehrstufiger True-Bypass-Phaser, der von seiner Cousine Julia inspiriert wurde. Mit Reglern wie Rate, Width, Feedback und D-P-V Blend bietet der Lillian eine breite Palette an analogen Phaser-Eigenschaften, die darauf warten, eingestellt zu werden.

The Lillian is a true bypass, all analog, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like Rate, Width, Feedback, and D-P-V blend, the Lillian is packed with a wide array of analog phaser goodness waiting to be dialed in.

The “Stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6.

The D-P-V knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come. 

Borrowed from the Julia, the unique blend between Dry, Chorus and Vibrato has also been provided on the Lillian. Blend between Dry, Phase Shifted, and Vibrato (labeled d-p-v on the pedal). The Dry-Phase-Vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional Phaser setting. Set it to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations.

Walrus Audio

Demo by Pete Thorn 

Demo by Rabea Massaad

Lillian Multi-Stage Analog Phaser

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

thuy nguyen

Official Website

CE-2 Chorus

PedalSafe Type E1

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

pol ice

Keeley präsentiert den NEUEN Katana Clean Boost in einer neuen 'Throwback White' Farbgebung! Der beste Katana EVER.
Der Katana Clean Boost ist zurück und besser als je zuvor! Keeley hat auf die Wünsche der Spieler gehört und sind zu ihren Wurzeln zurückgekehrt. Der neue Katana verwendet die Original-JFETs, die das Original so besonders gemacht haben. Es wurden die gleichen Bauteilwerte wie beim Original-Katana verwendet und der Boost-Modus wurde weiterentwickelt, um einen robusteren, klareren Sound zu bieten, der bei aktiviertem Boost mehr Klarheit in die Bässe bringt. Keeley hat die Konstruktion mit modernen Fertigungstechniken aktualisiert, um diesen Katana zum zuverlässigsten Clean Boost auf dem Markt zu machen, einschließlich eines optimierten Aluminium-Reglerknopfes, der für die schnelle Einstellung per Fuß entwickelt wurde.
DU WILLST EIN SPIEGELBILD DEINES TONS, NUR LAUTER? Drehe den Lautstärkeregler mit dem Fuß nach vorne und du bist startklar! DU BRAUCHST NOCH MEHR? Der Katana Boost ist auch ein fetter, harmonischer Boost. Einfach den Lautstärkeregler herausziehen und mit einem übersteuerten Ton an die Grenzen gehen! Du kannst ihn die ganze Zeit eingeschaltet lassen, um deinen Verstärker härter zu pushen, oder ihn als gelegentlichen Boost verwenden, um dich im Mix durchzusetzen.
Der Katana-Schaltkreis ist Robert Keeleys erster Gitarreneffekt, den er für Keeley Electronics entwickelt hat. Ursprünglich wurde er als Teil des Time Machine Boost entwickelt, aber nach der Veröffentlichung des originalen Keeley Compressors wurde er als eigenständiges Produkt unter dem Namen Keeley veröffentlicht.


Introducing the NEW Keeley Katana Clean Boost in a new ‘Throwback White’ colorway! 
The best Katana EVER.
The Katana Clean Boost is back and better than ever! Keeley listened to what the players wanted and went back to the roots. The new Katana uses the original JFETs that made the original so special. They used the same component values from the original Katana and updated the Boost mode to offer a more robust, clear sound, giving more clarity to bass notes when engaged. Keeley updated the build with modern construction techniques to make this Katana the most dependable Clean Boost on the market, including an updated aluminum control knob, designed for on-the-fly foot adjustment.
WANT A MIRROR IMAGE OF YOUR TONE, ONLY LOUDER? Roll the volume knob forward with your foot and you’ll be good to go! NEED EVEN MORE? The Katana Boost is also a fat, harmonically rich boost, just pull out on the volume knob and push the limits with overdriven tone! You can keep it on all the time to push your amp harder, or as an occasional boost to cut through the mix.
The Katana circuit is Robert Keeley’s first guitar effect design for Keeley Electronics. It was originally designed as part of the Time Machine Boost, but then became an independent product under the Keeley name after the release of the original Keeley Compressor.

Keeley Electronics

Official Product Page

Katana Clean Boost – THROWBACK WHITE’ EDITION

OC-3 Super Octave

Das neue Nobels ODR-1X ist die nächste Generation dieses mittlerweile legendären Overdrives und läutet ein neues Kapitel und eine Erweiterung in der Nobels Familie
ein. Auf vielfachen Wunsch wurde ein praktisches Bass-Cut-Poti hinzugefügt sowie die Möglichkeit, zwischen True-Bypass und Buffered-Bypass zu wechseln. Für Hi-Gain-Liebhaber gibt es jetzt auch einen neuen schaltbaren Hi-Gain-Boost.
Damit lässt sich der ODR-1X in ein wahres Hardrock-Monster verwandeln. Mit der Möglichkeit,
sowohl den Gain-Boost als auch On/Off fernzusteuern, zusammen mit der einzigartigen SPECTRUM-Klangregelung, ausklappbaren Mounty-P-Montageplatten und Knöpfen mit fluoreszierenden ‚Glow in the Dark‘-Zeigern, fügt das ODR-1X einem altbewährten Favoriten wertvolle Flexibilität und Nützlichkeit hinzu.

The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true
hard rock monster.
With the ability to control both the gain boost and on/off remotely, along
with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with
fluorescent ‘Glow in the Dark’ pointers, the ODR-1X adds worthwhile flexibility and utility to a
time-tested favourite.

Nobels

Review by guitar pedal X

Review by gearnews.de

ODR-1X

The SlideRIG Compact Deluxe Mk2 is a dual-stage compressor pedal, using two of our Cali76 compressor circuits cascaded in series for the ultimate compressed guitar tone. Based on the iconic Urei® 1176®, we’ve taken this studio classic to the next level of compression and flexibility.

SlideRIG Compact Deluxe Mk2 brings classic studio sound to your pedalboard with an exacting recreation of a timeless tone. SlideRIG lets you layer your dry signal with the compressed outputs from each of two stacked Cali76 stages, for the ultimate in parallel compression. A must-have effect for slide players, SlideRIG is equally comfortable with conventional guitar setups, offering thick, fat sustain with perfect clarity.

Origin Effects

Demo by Ben Fletcher

Review by musicradar

Review by Studio Brewdio

Manual download

SlideRIG Compact Deluxe

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Marco Trane

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Switch Looper

Als wir uns entschieden, ein Stereo-Delay-Effektpedal in Studioqualität zu entwickeln, wussten wir, dass wir weit über das bisher Erreichte hinausgehen mussten – in Sachen Klangqualität, klanglicher Flexibilität, Hardware-Design und Verarbeitungsleistung. Wir verbrachten Monate in den Sounddesign-Laboren von Strymon und träumten von den geräumigsten, üppigsten, kreativsten und anpassbarsten Delay-Effekten, die man je gehört hat. Es war eine monumentale Aufgabe – ein unermüdliches Studium von Delays und ihren Nuancen und ein kontinuierliches Streben nach innovativen und musikalisch inspirierenden Klängen. Durch die Verwendung eines unglaublich leistungsstarken SHARC DSP wird jedes bisschen Verarbeitungsleistung genutzt.

TimeLine bietet Ihnen zwölf einzigartige Delay-Maschinen, jede mit umfassender Kontrolle über Klangcharakter und -gefühl. Gehen Sie von knackigen und klaren digitalen Delays in Studioqualität bis hin zu den gesättigten und schwankenden Klängen von Band-Delay-Maschinen. Erhalten Sie warme und unscharfe Wiederholungen im analogen Stil bis hin zu schimmernden, funkelnden und kristallinen Eis-Delays.

Optimieren Sie nach Herzenslust und speichern Sie bis zu 200 Voreinstellungen Ihrer Lieblingssounds. Krönen Sie das Ganze mit einer vollständigen MIDI-Implementierung und einem routingfähigen 30-Sekunden-Stereo-Looper und schon sind Sie auf dem Weg zum Delay-Glück.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.

Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

Demo by Mike Hermans 

Timeline

Supreme von Mad Professor