Like that legendary tone, this pedal produces intense drive while retaining high definition. The pedal also includes a built-in reverb circuit to add ambiance and depth to your sound.

“1”’s gain ranges from medium to very heavy distortion. The amount can be easily controlled via the volume control on your guitar. (Input impedance is set to facilitate this, and is somewhat negated if a buffer or buffered effect is used ahead of “1”.) The Brown knob controls the amount and harmonic overtones of the distortion. Getting the exact tonal quality is the key to this legendary sound and “1”’s Brown and Presence controls help it appropriately interface with a wide variety of pickups and amplifiers.

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Demo by EytschPi42

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Review by AMAZONA

Review by PerformerMAG

Manual

Demo by Al Estrada

Royal Blue Overdrive offers a wide range of tones from light overdrive into distortion and at lowest Distortion knob setting works as an EQ. It can also be used to create tube amp-like crunchy ‘strike hard for distortion’ effect. There is not much filtering on the overdrive, to provide a transparent tone that you can tailor with both the Treble and Bass controls.

Demo by Mad Professor Pedals

Royal Blue Overdrive

Der Sound basiert auf den fetten, druckvollen Mitten und dem brauchbaren Biss in den Höhen amerikanischer Verstärker der späten 50er Jahre. Das Pedal ist aufgrund seiner Dynamik sehr vielseitig. Mit dem Attack- und dem Volume-Regler an der Gitarre lässt sich die Stärke der Verstärkung steuern.

Da das Pedal so dynamisch arbeitet, ist es auch in Bezug auf mehrere Pedale und verschiedene Verstärkertypen vielseitig verwendbar. Die Volume-, Drive-, Tone- und Presence-Regler ermöglichen auch eine Feinabstimmung des Tons, was bei verschiedenen Einstellungen hilfreich ist. Der Tone-Regler des Big Tweedy Drive ist auf die Höhen ausgerichtet.

Der Big Tweedy Drive liefert einen klassischen, geschmackvollen Ton mit genau der richtigen Menge an Kompression, die auf Ihr Spiel reagiert.

The sound is based on the fat punchy midrange and usable high bite of late 50s American amps. The pedal is very versatile because of its dynamics. Control the amount of gain with your attack and volume knob on your guitar.

Because the pedal works so dynamic, it is also widely usable in terms of multiple pedals and different types of amps. The volume, drive, tone and presence knobs also allow fine-tuning your tone, which helps with various settings. The tone knob of the Big Tweedy Drive is focused on the treble.

The Big Tweedy Drive delivers a classic tasteful tone with just the right amount of compression that responds to your playing.

Review by bonedo

Review by The Gear Page

Review by Hometone Blog

Demo by Tone Zone

Big Tweedy Drive

The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching from one side to the other with just a single press on the switch.

The tones were set for a great all around boost to low gain drive on the A side used mostly on a neck pickup. The A side is heavily based on our famous Royal Blue Overdrive pedal. And for the B side a fat dynamic tone containing some ”power amp” response with a lot of headroom. The B side is a completely new design and is used mostly on a bridge pickup. This is the way Matt prefers to use the Supreme pedal.

Review by Guitar.com

Demo by Guitar Bonedo

Supreme

"The Blueberry Overdrive from Mad Professor offers a wide range of tones within quite a narrow part of the overall drive category. We’re talking about overdrive here, not clean boost, distortion or fuzz. Overdrive, baby!

Versatility is high and low at the same time in this case – low in the sense that it basically does one thing, and one thing alone. That said, the tonal possibilities within that limited range of ‘just’ overdrive, are quite amazing. And while you may argue that it is nothing but transparent and also adds compression that you can’t really control other than with playing dynamics, I find the drive both musical and pleasant when you find just the right setting which is relatively easy."

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