yann LE BORGNE

Sandbox Pedal Board

STUDIO

Bart Gijde

Roland/BOSS offers two types of sturdy metal footswitches for different applications. The FS-5U (silver) is a momentary "unlatch"-type footswitch, and the FS-5L (black) is a latch-type footswitch with an LED to indicate status. Both footswitches can be connected using ordinary guitar cables. Please consult your owner's manual for compatibility.

BOSS

Demo by Reverb

Product Page

Review by Musiker-Board

Review by Equipboard

Manual

FS-5U

Tester

FLASHBACK is a modern twist on the know-how and legacy of TC Electronic's legendary 2290 Delay, featuring 7 seconds of delay and a cherry-picked selection of the very best delay sounds out there . Seriously, why you're not out buying one right now after reading that is beyond us.

TC Electronic

Review by musicradar

Review by bonedo

Demo by Ryan Lutton

Demo by TC Electronics

Official Product Video

FLASHBACK DELAY

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

Review by The Gear Page

Review by reddit /guitarpedals

Review by Guitar

Demo by  Nick Bowcott 

IR-2

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Marshall

Review by

Demo by PMTVUK

RF-1 Reflector

ch ray

Der BOSS SDE-3 Dual Digital Delay ist ein kompaktes Stereo-Delay-Pedal, das den klassischen Klang und Charakter des Roland SDE-3000 Rack-Delays in ein pedalboardtaugliches Format bringt. Es bietet reichhaltige vintage digitale Delay-Töne mit kreativer Kontrolle über Verzögerungszeit, Feedback, Modulationstiefe und Rate sowie einen High-Cut-Filter zur Formung der Echo-Wiederholungen. Die Offset-Regelung erzeugt eine zweite Verzögerungslinie für polyrhythmische und Stereo-Texturen. Der Pedal verfügt über vielseitige Ausgangsmodi einschließlich Stereo-Ein/ausgängen und Wet/Dry-Routing, Tap-Tempo, MIDI-Sync-Eingang, Expression-Pedal-Steuerung und einen gepufferten Bypass mit Carryover für natürliche Ausklänge.

The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic ’80s-era rackmount delay favored by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colorful dual-delay textures.

Demo by The Studio Rats

Instagram Channel

Review by Premier Guitar

Review by Guitar World

SDE-3 Dual Digital Delay

The Line 6 MM4 Guitar Modulation stomp box modeller Pedal. Loaded with a treasure trove of vintage analog-style modulation and modern tone manglers.

LINE 6

Official Website

Demo by  Astronauts高田馬場

Demo by Dressed in Black

The THROTTLE BOX™ Distortion serves up all genres of ROCK with cut and aggression, but retains the signature warmth and organic sonic quality found in all our amplifiers. While its main strengths lie in higher-gain sounds, it is quite versatile and it’s lower gain options shouldn’t be overlooked for classic rock or howling blues. The THROTTLE BOX also features a unique MID CUT that scoops out midrange to produce the signature Boogie® “V” EQ-curve that so many artists have employed in our amps to create the world’s heaviest guitar tones! 

Mesa Boogie

Demo by Jake Cloudchair

Review by Ultimate Guitar

Throttle Box

Sondre Søndervik

Dies ist eine 80's verzerrung, die wie ein Full Stack in eine Box klingt, direkt vom Sunset Strip. Es handelt sich um ein Pedal in limitierter Auflage, das nur bis zum 1. Oktober 2018 erhältlich war – und nie wieder hergestellt wird.

This is a 80’s distortion sounding like a full stack in a box, directly from the Sunset strip. It is a limited edition pedal, and was only available until October 1, 2018 - and will never be made again. 

Steel Panther

Demo by Loudwire

Review by Toilet Ov Hell

Review by reddit /Guitar

Pussy Melter

Overdrives were already plentiful at the time, yet when the original circuit that inspired the Blues Believer made its apparition in 1991, guitarists were delighted to have access to that vintage British amp-inspired tone.
When the term British sound gets mentioned, it usually brings to mind the fat warm crunch of a Plexi, but the FX Teacher Blues Believer has a different sonic color to it. It is a bright overdrive, the original transparent overdrive (without the clean sound being added to the crunch), truly respectful of your amp and guitar’s personality, mindful of the dynamics in your playing, while supplying all the fat and harmonically loaded sustain typical of tube amps.
The FX Teacher Blues Believer can be used as your basic crunch on a super clean amp, as a boost to push it to the other side, as an extra source of fat on an amp that’s already cooking, or even as a way of making a crappy rental amp feel decent and more flattering.

Anasounds

Demo by Palf

Demo by Tone Factory

Review by delicious audio

Review by guitar pedal X

Blues Believer

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Pedal Authority

NS-2 Noise Suppressor

The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records.

At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.

Orange

Demo by Pete Thorn

Demo by ProGuitarShopDemos

Official Product Video 

Kongpressor

Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here’s how it works: The Nano Q-Tron responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It’s all about how you play and it’s super interactive

Electro-Harmonix

Nano Q-Tron

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.
As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tuned sound, way better than you’d expect from an analog octaver.

This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.

Michal Kotarbinski

Markbass

Octaver Raw

Demo by Toy Box Playa Reviews

Review by Talk Bass.com

Demo by azenhar

Alejandro Garcia Iglesias

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it’s appearance to facilitate all-new ways to experiment with your songs.

Walrus Audio

Demo by Sonic Drive Studio

Canvas Re-Amp

Palmer

PWT 12 MK 2

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Le Bon, is the smallest of them, small in size but full of resources, it is amply enough for guitar and will save room to the point of leaving it scratched on top of the pedalboard, while admiring the beauty of moving springs!

Demo by Peter Honoré

Demo by Pedal of the Day

Le Bon - Spring Tank

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Tape Preamp

Eines Tages rief uns Julien Bitoun an, weil sein Bitoun Fuzz nicht funktionierte! Nun ja... wir haben das Problem natürlich untersucht. Als wir das pedal öffneten, entdeckten wir, dass alle Trimmpotis auf 11 standen. Diese mysteriöse und unlogische Einstellung hat uns tatsächlich verblüfft! Der Sound hatte kein Sustain, er klang wie das Brüllen eines Bären, neu gemastert von einem Germanium Fuzz.
Wir haben das Geräuschproblem behoben und fanden es interessant, eine neue Version mit diesem sound zu veröffentlichen.

Da der Sound wirklich speziell und anders ist, haben wir uns entschlossen, eine kleine Auflage von diesem Pedal zu machen (50 Stück auf der ganzen Welt). und unseren großen Fans die Möglichkeit zu geben, es ganz exklusiv zu entdecken!

one day, julien bitoun called us because his bitoun fuzz didn’t work! well… we investigated that issue of course.
when we opened the pedal, we discovered that all the trimpots were close to 11.
in fact this mysterious and illogical setting astonished us! the sound had no sustain, it sounded like the cry of a bear, re-masterized by a germanium fuzz.
we’ve corrected the noise issue and found interesting to release a new version with this sound.

this time it is possible to dial with the fuzz knobs because the bias delicately embrasse all the noise glitch and smooth the final sound rendering.
so you can push both of them to the maximum and keep control over your tone.

as the sound is really special and different, we decided to launch a small run of this pedal (50 pieces for world only). and let our big fans the opportunity to discover it in exclusivity !

Crankled Bitoun Fuzz

We no longer need to introduce this famous circular fuzz pedal, which produced the iconic sound of many guitarists in the 60’s.
With its two volume and gain controls forming a smiling face, it offers a unique sound going from a creamy and dynamic fuzz to a powerful and punchy fuzz with sharp trebles.

The extremely simple circuit offers a lot of space for customization, hence our own interpretation of the mythical pedal with the Feed Me.
The Feed Me mk3 is ultra versatile and customizable. You can get the classic sound of the 60’s model, rich in trebles and sustain.
But also a thick and fat fuzz, for more modern sounds close to stoner tones. Or a garage rock style gated fuzz by using the Crack and Smash controls for a velcro texture.
While remaining ultra expressive and responsive as always to the guitar’s volume and tone controls, with the Feed control, for warm cleans.

FEED ME MK3

Blues Believer von Anasounds