Terence Vignaud

Terence Vignaud of Cluster

Joseph Cannings

The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets.

Walrus Audio

Walrus MAKO Series: M1 Product Page 

Review by Guitar.com

Review by bonedo

Walrus MAKO Series: M1 Manual

Walrus MAKO Series: M1 Presets

Walrus MAKO Series: M1 Demo 1

Walrus MAKO Series: M1 Demo 2

Walrus MAKO Series: M1 Demo 4

Walrus MAKO Series: M1 Demo 3

Mako M1

Tester

Das MXR Carbon Copy Analog Delay verfügt über einen vollständig analogen Signalweg für einen besonders satten, warmen Delay-Sound – ein Ergebnis, das nur durch die klassische Bucket-Brigade-Technologie möglich ist. Dieses Design bietet eine beeindruckende Delay-Zeit von 600 ms mit optionaler Modulation über einen Schalter auf der Oberseite sowie ein einfaches Layout mit drei Reglern, die Delay-Zeit, Mix (Dry/Wet-Mischung) und Regen (Delay-Wiederholungen) steuern – und das alles in einem Pedal, das nicht größer ist als ein Phase 90. Darüber hinaus bieten zwei interne Trimmpotis eine vom Benutzer einstellbare Breiten- und Geschwindigkeitssteuerung der Modulation für noch mehr Klangoptionen. Das Carbon Copy führt Sie mit einem Dreh am Regler von knackigen „Badezimmer“-Slap-Echos zu epischen, Gilmour-artigen Delays. Ein echter Hardwire-Bypass, der Betrieb mit einer einzigen 9-Volt-Batterie und bühnenreife blaue LEDs runden das Paket ab.

Übersetzt mit DeepL.com (kostenlose Version)

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Product Page

Manual

Demo by Marty Music

Official Product Video

Carbon Copy Analog Delay M169 

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Nicolas Wilfer

Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Video Manual

Official Product Video 

Canvas Tuner

At first glance, you might think that with only three pots and two switches you’ll always end up with the same sounds.
But this is far from true: first of all, the FX Teacher Full Story is compatible with all the Tone Cards, those mini-circuits that allow you
to radically change the personality of your massive disto-fuzz.
It comes with the most popular version of the pedal as standard, but there are many, many other tone colors available.

FX Teacher

Demo by R.J. Ronquillo

Demo by HarryAndAGuitar

Full Story

Armond Mahnaz

The Slötvå Multi Texture Reverb is a variant of the Slö but adds on the ability to create and save three presets. Save your favorite dreamscapes by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The Slötvå allows players to create lush, modulated, sleepy, and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.

The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.

Combine deep modulation with long washy trails and experience, the Slötvå.

Slötvå

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Anasounds

Tape Preamp

The first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer and custom EQ circuitry specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom so you can take solos or throw in fills without ever disturbing your low end.

Dunlop

Dunlop 105Q Cry Baby Bass Wah 

Dunlop 105Q Cry Baby Bass Wah Wah

105Q Cry Baby Bass Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der Guitar Pedal Switcher ist ein superleichtes, einfaches und zuverlässiges manuelles Gerät. Er ermöglicht es Ihnen, mit nur einem Knopfdruck zwischen verschiedenen Effektpedalen zu wechseln. Der Switcher ist robust und zuverlässig, so dass Sie sich darauf verlassen können, dass er jedes Mal funktioniert. Außerdem verfügt er über eine LED-Anzeige, die anzeigt, welcher Effekt gerade aktiv ist. Mit seinem intuitiven Design und der einfachen Bedienung ist der Pedal-Switcher das perfekte Werkzeug für jeden Gitarristen, der schnell und einfach zwischen verschiedenen Effekten umschalten möchte.Für einen Musiker, der gerne mehrere Effektpedale benutzt, ist dieses Gerät ein absolutes Muss. Solide in der Konstruktion und einfach in der Bedienung, ist es eine großartige Lösung für ein häufiges Problem. Der GEC9 Gitarreneffekt-Commander fügt deinem Sound keine nennenswerten Verfärbungen hinzu, und wie so ziemlich alles heutzutage verfügt er über eine vollständige Bypass-Funktion, so dass du alles aus deiner Tonkette entfernen kannst, wenn du zu deinem Kernsound zurückkehren möchtest. Achten Sie nur darauf, dass Sie in Ihrem Budget genug Platz für viele hochwertige Patchkabel lassen, damit Sie Ihre Wünsche für das Effekt-Routing erfüllen können.

The guitar pedal switcher is a super easy, simple and reliable manual device. It allows you to switch between different effects pedals with just one press of a button. The switcher is designed to be robust and reliable, so you can trust it to work every time. It also features an LED indicator to show which effect is currently active. With its intuitive design and straightforward operation, the guitar pedal switcher is the perfect tool for any guitarist looking to quickly and easily switch between different effects.For a gigging musician who enjoys using multiple effects pedals this unit is a bit of no-brianer. Solid in construction and simple in operation, it is a great solution to a common problem. The GEC9 guitar effects Commander doesn’t add any noticeable colouration to your tone, and like pretty much everything these days. it features full bypass, so you can kick everything out of your tone chain whenever you want to get back to your core sound. Just make sure you leave enough in your budget for plenty of quality patch cables to allow your effects routing desires to come true.

Moen

Review by Musiker-Board

Review by The Gear Page

Demo by Edgebrook

Demo by EytschPi42

GEC9 Effekt Routing System

The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards. The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

Demo by EBSSweden

MultiComp

Matthis LEMONNIER

The DigiTech® Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your

DigiTech

Demo by Agufish

Demo by Reinaldo Lopez

Review by reddit /guitarpedals

Review by Guitar Gear Finder

Drop

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

andronik supersonik

Der RockBoard Pedalboard Drawer ist eine simple aber extrem effiziente Lösung zum Organisieren und Verstauen von optionalem Zubehör in einem RockBoard Pedalboard. Der Pedalboard Drawer wurde entwickelt, um Zubehör wie Kabel, Plektren, Wireless Systeme und vieles mehr im MOD Slot des Pedalboards aufzubewahren. Durch den zentralen Zugang auf der Front des Pedalboards bietet der Drawer einen sichereren, sauberen und einfach zugänglichen Platz zur Aufbewahrung direkt am Setup. Durch die intelligente Arretierung der rotierenden Schublade ist eine zusätzliche Sicherung nicht notwendig.

- rotierende Schublade für RockBoard Pedalboards
- intelligenter Drehmechanismus mit sicherer Arretierung
- für Zubehör, Kabel, Wireless Systeme, Plektren, etc.
- passt in die MOD-Slot Aussparung von RockBoard Pedalboards (außer RockBoard DUO 2.0, 2.1, und 2.2)
- Material: Verstärktes Polyamid
- inkl. Montagematerial und Werkzeug
- Maße (B x T x H): 175 x 84,5 x 47 mm
- Gewicht: 150 g
- schwarz
- Hinweis: Nicht kompatibel mit den 19" Rack Panel Single oder Double (1U) - Rack Mount for RockBoard MOD

The RockBoard Pedalboard Drawer is a simple but super effective solution to organize and store optional accessories in your RockBoard pedalboard. The Pedalboard Drawer is designed to store accessories such as cables, picks, wireless systems and more directly in the MOD slot of the pedalboard. With access on the front of the pedalboard, the Drawer provides a safer, cleaner, and convenient place for storage. The Drawer opens and closes using an intelligent swivel locking mechanism.

- rotating mounting drawer for RockBoard pedalboards
- intelligent swivel locking mechanism
- for accessories, cables, wireless systems, etc.
- fits MOD slots in RockBoard pedalboards (except RockBoard DUO 2.0, 2.1, 2.2, and 2.3)
- material: reinforced polyamide
- incl. all mounting screws, counter nuts, and tools
- dimensions (W x D x H): 175 x 84.5 x 47 mm / 6 57/64" x 3 21/64" x 1 27/32"
- weight: 150 g / 0.33 lbs
- black
- Note: Not compatible with 19" Rack Panel Single or Double (1U) - Rack Mount for RockBoard MOD

Rotierende Schublade für RockBoard Pedalboards

Rotating Drawer for RockBoard Pedalboards

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Guitar Mania

Michael Hodgson

Der EP-25K verfügt über ein 25-kOhm-Potentiometer, das von einigen Geräten benötigt wird, im Gegensatz zum 10-kOhm-Potentiometer des Mission EP-1. Über die beiden isolierten Ausgänge lassen sich zwei Effekte gleichzeitig steuern.

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Expressionator

Nico Dritsch

Der Crocodile Tail Loop (OC10) ist das Flaggschiff unter den programmierbaren True Bypass Loop Switchern von One Control. Mit 10 schaltbaren Loops und 70 frei editierbaren Presets (10 Bänke mit je 7 Presets) ist der OC10 bestens für eine professionelle Nutzung geeignet. Der Switcher bietet eine vollständige MIDI-Unterstützung und kann sowohl Program Change / Patch Change (PC) Nachrichten senden als auch über den MIDI-Through in ein größeres MIDI-Setup integriert werden. Die Link- und Sync-Funktionen heben den Crocodile Tail Loop deutlich von anderen Switchern ab: Mit einem speziellen One Control LAN-Kabel lassen sich zwei OC10 verbinden, um so auf mehrere Pedale abseits der Bühne zugreifen zu können. Für viele professionelle Musiker ist es unglaublich wichtig, einen Loop-Switcher fernsteuern zu können. Unabhängig davon, ob man die Effekte im Rack oder am Verstärker postieren möchte oder es vorzieht, dass der Techniker die Patch-Änderungen kontrolliert, ist der Crocodile Tail Loop eine großartige Lösung für praktisch alle Gitarristen, die Pedale verwenden. Der OC10 verfügt außerdem über eine integrierte BJF Buffer-Schaltung mit separaten Ein- und Ausgängen. Der Loop Switcher kann im Direct Mode auch ein einfacher Umschalter sein. Der Direct Mode eignet sich perfekt für Proben oder zum Experimentieren mit Pedalen, bevor sie fest ins Setup integriert werden. Zusätzlich zu 7 in Reihe geschalteten Loops verfügt der One Control Crocodile Tail Loop (OC10) über drei separate Loops, die für verschiedene Zwecke verwendet werden können. Diese Loops können zum Umschalten des Verstärkerkanals oder zum Verbinden von Effekten verwendet werden, die im FX Loop des Verstärkers gespielt werden sollen, sowie für eine Vielzahl anderer Funktionen, um den Anforderungen des einzelnen Gitarristen gerecht zu werden. Der Crocodile Tail Loop ist wirklich einer der innovativsten Pedal Switcher auf dem Markt.

The Crocodile Tail Loop (OC10) is the flagship switcher from One Control. The OC10 offers 10 switchable loops and 70 preset setups (10 banks with 7 presets per bank). The loop switcher also features MIDI operation and can send Program Change / Patch Change (PC) messages or you can use it as MIDI-Through unit in combination with other MIDI devices. The Link and Sync functions truly separate the Crocodile Tail Loop from other switchers: Link two OC10 together with a special One Control LAN cable to access multiple pedals off stage. Being able to link or remotely control a loop switcher is incredibly important for many professional musicians. Whether you use a rack of effects or you prefer to have your tech controlling you patch changes, the Crocodile Tail Loop is a great solution for all guitarists who use pedals. The OC10 also comes with the amazing BJF buffer circuit with independent inputs and outputs. The OC10 can also be a simple switcher by using the Direct mode. Direct mode is perfect for band practices or experimenting with pedals before you’ve decided how to set your programs. In addition to 7 loops in series, One Control Crocodile Tail Loop (OC10) has three separate loops that can be used for a variety of purposes. These loops can be used for amp channel switching or connecting effects to go into an amp’s effects loop as well as a variety of other functions to match individual guitar player’s needs. The Crocodile Tail Loop truly is one of the most innovative pedal switchers on the market.

One Control

Official Product Page

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - JayLeonardJ

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - Tom Quayle

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - Carlos E. Perez

Demo by  LEP INTERNATIONAL

Demo by digimartnet

Crocodile Tail Loop Wing OC10W

BOSS

TU-3S Tuner

Das Voodoolab Giggity Overdrive/Distortion Pedal verfügt über eine Vielzahl von Regelmöglichkeiten, welche die Feinabstimmung des Overdrive/Distorition Sounds erlauben. Die einzigartige Klangregelung mit Bass (Body), Höhen (Air) und einem 4-Weg Tone/Gain Schalter ermöglichen ein sehr gutes Angleichen des Klangspektrums an den gewünschten Amp Sound.

Wie jedes Voodoo Lab Pedal verfügt das Giggity über einen True Bypass Fußschalter sowie eine Status LED Anzeige.

The Voodoolab Giggity overdrive/distortion pedal has a wide range of control options that allow you to fine-tune the overdrive/distortion sound. The unique tone control with bass (body), treble (air) and a 4-way tone/gain switch allow the sound spectrum to be adjusted very well to the desired amp sound.

Like every Voodoo Lab pedal, the Giggity has a true bypass footswitch and a status LED display.

Voodoo Lab

Review by Premier Guitar

Demo by Brett Kingman

Demo by John Nathan Cody

Demo by Premier Guitar

Giggity

Tom Gumley

The Echo Fix EF-P2 is a real Spring Reverb pedal that packs a huge sound into a small enclosure. The EF-P2 features a three-spring reverb tank, adjustable Spring Drive, Bass / Treble EQ controls, and Reverb Volume control. With a footswitch for reverb bypass and also a direct signal mute footswitch, the EF-P2 can also be used as an outboard effect in recording studios. The EF-P2 can accept audio signal from synths and other audio devices, not just guitar.

Echo Fix

Demo by Demos in the Dark

Review by musicradar

Review by AMAZONA

EF-P2 Spring Reverb

Cited as a major influence by wah masters such as Hendrix, Clapton, and Vaughn, Buddy Guy helped establish the effect as part of the blues vocabulary. To honor his contributions we have created the Buddy Guy Cry Baby Wah, featuring the Fasel Inductor for a sweet and singing top end, and two distinct user selectable wah voices—choose "DEEP" for a big and throaty growl, or "BG" for Buddy's own warm and bell-like wah tone. Convenient side-mounted LEDs indicate which mode you are in, while a separate LED indicates effect on/off. Let your guitar sing the blues in style with the Buddy-approved polka dot graphics and custom signature tread.

Review by Simon Bradley, musicradar.com

Demo by Guitar World

BG95 Buddy Guy Cry Baby Wah

The real McCoy! The SR-71 Blackbird™ ‘Tube Tone Engine’ is a genuine all-tube preamp in a compact pedal. Designed for great versatility, the  SR-71 adds additional clean/drive/distortion channels to vintage/boutique guitar amps or works as a professional stand-alone direct recording tube preamplifier. The clean channel possesses a beautifully pure, ‘glassy’ character and audio circuitry within the drive channel is tuned to generate a rich, full-bodied and devastatingly smooth overdrive.

Effectrode

Review by Sound on Sound

Demo by Mike Hermans

Blackbird

The Tube-Vibe™ is a no compromise, innovative and original re-design of the classic Uni-Vibe pedal. However, instead of transistors, the Tube-Vibe utilises vacuum tubes, photocells and a pulsating filament lamp to generate exceptionally rich, swirling chorus and vibrato effects.

Demo by gilmourish

Tube Vibe

On more subtle settings the Phaseomatic tube phaser pedal creates a beautiful, natural sounding vibrato (frequency modulation) and shimmering phasing effects, utilising exactly the same one- and two-stage “Cathodyne” tube circuitry used to in those incredible vintage Magnatone® amps. However, the Phaseomatic’s all-tube circuitry has two additional Cathodyne phase inverters, which allow it to generate a much richer, deeper vibrato and even intense, deep “tunnel” phasing as well as a host of cosmic and spacious sound effects heard on many 1950′s “B” science fiction movie soundtracks.

Phaseomatic Vacuum Tube Phaser

Demo by Joe Perkins

Review by Anatomy of Guitar Tone

Mercury Tube Fuzz

Ruben Shannon

The Effectrode® ‘LA-1A’ Leveling Amplifier is a high-end, studio-grade vacuum tube compressor in a pedal. Whisper-quiet operation and a wide, wide dynamic range make this tone-tool an unparalleled tone enhancer on stage and in the studio—its natural warmth and clarity are unmatched.

Review by CompressorPedalReviews

Demo by Electric Mojo Guitars

Review by loopersparadise

LA1A Levelling Amplifier

The Fire Bottle™ is an all-tube booster specially designed to enhance the tone of single coil pickups. With up to 30dB of gain on tap, this powerful boost pedal can push the input stage of a tube amp into beautiful breakup and rich overdrive, creating glassy, bolder, larger-than-life Stevie Ray Vaughan Strat® guitar sounds.

Fire Bottle

The Delta-Trem™ authentically recreates the alluring, hypnotic tone and feel of vintage guitar amp tremolo in S-T-E-R-E-O! This is accomplished using vacuum tubes and an archaic, long forgotten electronic component known as a ‘Raysistor’, essentially a tiny filament lamp and photocell housed together in a small metal can. The combination of Raysistor and all-tube circuitry tube creates an exceptionally smooth, rich and musical tremolo effect that blends well with clean and overdriven guitar sounds. The true stereo signal path allows the Delta-Trem to operate as a mono tremolo with a single guitar amp or into two amps, where the sound ping-pongs between them creating a huge, 3-D, spacious tone.

Demo by DMTR Pedal Shop

Delta-Trem

The Blue Bottle™ Inductorized Booster pedal has been custom designed for blues/rock guitarist John Verity to enable him to achieve a fatter, more bluesy B.B. King ‘335’ tones from his Strat-type guitars. It’s the perfect vintage mid-boost—never too aggressive or over-the-top—for low output single coil pickups.

Review by Guitar World

Demo by John Verity

Blue Bottle

The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making
Tape delays.
it is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.

T-Rex

Demo by Martin Klaja's Guitarchannel

Demo by Duskmos

Demo by T-Rex Effects

Review by GEOFF KING, mixdownmag.com.au

Replicator D'LUXE

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Le Bon, is the smallest of them, small in size but full of resources, it is amply enough for guitar and will save room to the point of leaving it scratched on top of the pedalboard, while admiring the beauty of moving springs!

Demo by Peter Honoré

Demo by Tone Factory

Demo by Pedal of the Day

Le Bon - Spring Tank

Eines Tages rief uns Julien Bitoun an, weil sein Bitoun Fuzz nicht funktionierte! Nun ja... wir haben das Problem natürlich untersucht. Als wir das pedal öffneten, entdeckten wir, dass alle Trimmpotis auf 11 standen. Diese mysteriöse und unlogische Einstellung hat uns tatsächlich verblüfft! Der Sound hatte kein Sustain, er klang wie das Brüllen eines Bären, neu gemastert von einem Germanium Fuzz.
Wir haben das Geräuschproblem behoben und fanden es interessant, eine neue Version mit diesem sound zu veröffentlichen.

Da der Sound wirklich speziell und anders ist, haben wir uns entschlossen, eine kleine Auflage von diesem Pedal zu machen (50 Stück auf der ganzen Welt). und unseren großen Fans die Möglichkeit zu geben, es ganz exklusiv zu entdecken!

one day, julien bitoun called us because his bitoun fuzz didn’t work! well… we investigated that issue of course.
when we opened the pedal, we discovered that all the trimpots were close to 11.
in fact this mysterious and illogical setting astonished us! the sound had no sustain, it sounded like the cry of a bear, re-masterized by a germanium fuzz.
we’ve corrected the noise issue and found interesting to release a new version with this sound.

this time it is possible to dial with the fuzz knobs because the bias delicately embrasse all the noise glitch and smooth the final sound rendering.
so you can push both of them to the maximum and keep control over your tone.

as the sound is really special and different, we decided to launch a small run of this pedal (50 pieces for world only). and let our big fans the opportunity to discover it in exclusivity !

Crankled Bitoun Fuzz

We no longer need to introduce this famous circular fuzz pedal, which produced the iconic sound of many guitarists in the 60’s.
With its two volume and gain controls forming a smiling face, it offers a unique sound going from a creamy and dynamic fuzz to a powerful and punchy fuzz with sharp trebles.

The extremely simple circuit offers a lot of space for customization, hence our own interpretation of the mythical pedal with the Feed Me.
The Feed Me mk3 is ultra versatile and customizable. You can get the classic sound of the 60’s model, rich in trebles and sustain.
But also a thick and fat fuzz, for more modern sounds close to stoner tones. Or a garage rock style gated fuzz by using the Crack and Smash controls for a velcro texture.
While remaining ultra expressive and responsive as always to the guitar’s volume and tone controls, with the Feed control, for warm cleans.

Demo by Jake Cloudchair

FEED ME MK3

The K+ ion is essential for our muscles and therefore for our heart,
and this is how we position the power supply in the signal chain.
So now it is time to take care of your pedalboard!