Marijn Munnecom

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Sandbox Pedal Board

David Litaba

Helix® Floor leverages dual-SHARC® processing and HX® Modeling to deliver the authentic sound and feel of analog amps and effects, and its player-friendly interface sets the standard for ease of use. Features include a large color LCD, capacitive-touch footswitches, customizable scribble strips, extensive analog and digital I/O, and an onboard expression pedal.

LINE 6

Product Page

Review by PremierGuitar

Review by TonyMcKenzie.com

Manual

Demo by Pete Thorn

Official Product Video

Helix Floor

Yoshi van Vroonhoven

Das Mini Mounting MOD TRS ermöglicht einen bequemen Zugang zur Signalversorgung der Pedale auf dem Board. Es passt perfekt in die Befestigungslöcher des RockBoard® LED-Lights und ist eine vielseitig einsetzbare, saubere Montage-Lösung auf allen Pedalboards der RockBoard® Serie. Der zentrale Zugang zur Signalversorgung erfolgt durch eine TRS 6,3 mm Stereoklinkenbuchse. Da es sich bei den Klinkenbuchsen um Durchgangsbuchsen handelt, ist auch in umgekehrter Richtung eine Weiterleitung von Signalen an externe Pedale, wie z.B. Wah, möglich. Auch sind, durch die Verwendung von TRS-Stereo-Buchsen, „Send/Return“-Anwendungen (A- = Tip und B- = Ring) einfach realisierbar.

The Mini Mounting MOD TRS provides convenient access to the signal supply of the pedals on the board. It fits perfectly into the RockBoard® LED Light mounting holes and is a versatile, clean mounting solution on all RockBoard® series pedalboards. Central access to the signal supply is provided by a TRS 6.3 mm stereo jack socket. Since the Mini Mounting MOD TRS uses through-connections between the inner and outer jacks, it is also possible to pass signals in the reverse direction to external pedals, such as Wah. Also, by using TRS stereo jacks, „send/return“ applications (A- = tip and B- = ring) are easy to realize.

RockBoard

MiniMod TRS

Ivan Mihić

MIDI 4 x LOOP ermöglicht das Hinzufügen von vier zusätzlichen Effektschleifen zum Gitarrensystem. MIDI 4 x LOOP (M4L) ist ein Schleifenumschalter, der über die MIDI-Schnittstelle (über Program Change- oder Control Change-Befehle) oder manuell über die Tasten gesteuert wird. Mit den MIDI-Befehlen ist es auch möglich, das Signal stummzuschalten (z. B. für lautloses Stimmen).
M4L sollte über einen programmierbaren MIDI-Controller gesteuert werden (der das Programmieren der gewünschten Anzahl von PROG CHANGE- oder CTRL CHANGE-Befehlen für ein bestimmtes Preset ermöglicht).

MIDI 4 X LOOP allows to add four additional effects' loops to the guitar system. MIDI 4 x LOOP (M4L) is a loops' switcher controlled by MIDI interface (by Program Change or Control Change commands) or manually, by using the buttons. Using the MIDI commands it is also possible to mute the signal (e.g. for silent tuning).
M4L should be controlled by programmable MIDI controller (which enables to progra<m desired No. of PROG CHANGE or CTRL CHANGE command for a given preset).

G-LAB

Official Website

Review by audiofanzine

Demo by Psyckadeli TV

Dawid Horodecki

Demo by  Frank Kuhlmann

Review by VGuitar Forum

Review by Musiker-Board

MIDI 2x Looper

Tester

Die Fuzz Face Mini-Serie bietet die legendären Fuzz Face-Sounds in kleineren, pedalboardfreundlicheren Gehäusen mit zahlreichen modernen Ausstattungsmerkmalen wie einer hellen Status-LED, einem Netzanschluss und einem praktischen Batteriefach. Das FFM1 Silicon Fuzz Face Mini basiert auf einem Fuzz Face aus dem Jahr 1970 aus unserer eigenen Sammlung, das für seinen hellen und aggressiven Fuzz Face-Sound geschätzt wird, der durch seine abgestimmten BC108-Siliziumtransistoren erzeugt wird.

The Fuzz Face Mini line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments such as a bright status LED, an AC power jack and a convenient battery door. The FFM1 Silicon Fuzz Face Mini is spec’d from a 1970 Fuzz Face in our own collection prized for its bright and aggressive Fuzz Face sound delivered by its matched BC108 silicon transistors.

Dunlop

Review by Michael Brown, musicradar.com

Demo by Prymaxe

Demo by germanndude

FFM1 Silicon Fuzz Face Mini

QuickMount Type UH

Universal-Pedal-Montageplatte für horizontale Pedale

Universal Pedal Mounting Plate For Horizontal Pedals

Michael McCarron

The ’70s was a bountiful time for analog effects pedals. Among the great fuzz boxes of the era, the Foxx Tone Machine stands proudly as one of the most expressive and more extreme. The pedal was the flagship of Foxx’s lineup, which ran for a few years before vanishing in the latter part of the decade.

Foxx

Review by GuitarPlayer 

Tone Machine

Crowther Audio

Hot Cake

The ODR-mini delivers creamy, natural overdrive – Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother – the ODR-1. You‘ll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the mini features true-bypass switching, the SPECTRUM pot with mid-click, fluorescent pointers on the “GitD“ – knobs (Glow-in-the-Dark). Guaranteed to be a BIG part of your sound while a small part of your pedal board.

Nobels

Review by Guitar World

Review by Guitar.com

Demo by  Elmo Karjalainen

ODR-Mini Overdrive

The Dirty Shirley Overdrive packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock in no time.

Friedman

Review by bonedo

Demo by session

DIRTY SHIRLEY

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

Xotic

Demo by Mike Hermans

EP Booster

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Demo by PMTVUK

Rat 2

A single channel mid-strong overdrive reminiscent of the late 90s Fulldrive but without the boost channel.

Fulltone

Demo by fulltoneeffects

Full-Drive 1

Truetone

1Spot Pro CS7

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Lorenzo Mancini

Mayer/Misch BOARD

Mardy Wagner

Ernie Ball

VPJR Tuner

ch ray

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Walrus Audio

Review by reddit /guitarpedals

Review by Premier Guitar

Demo by Rabea Massaad

Demo by Knobs

Demo by Walrus Audio

Julianna

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Compact Version of Hugely Popular Sub 'N' Up Octaver with Advanced Polyponic Octave Engine and TonePrint-Enabled Technology for Easy Custom Effects

TC Electronic

Review by Talk Bass.com

Review by Continual Riff

Demo by Andrew Z

Sub 'N' Up mini Octaver

Der SP Compressor hat eine hervorragende Klangqualität und bietet eine große Auswahl an Kompressor-Sounds von Vintage über subtil bis hin zu modern.
 
Er ist sehr flexibel und verfügt über einen Dry-Blend-Regler, bis zu +15 dB Boost und einen internen Dip-Schalter zur Attack-Steuerung.

The SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage, to subtle, to modern and more.

It’s super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control.

SP Compressor

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Der TS9 Tube Screamer Reissue belebt das legendäre Overdrive‑Pedal der 1980er neu, das zahllose Gitarrentöne prägte.
Sein charakteristischer Mitten‑Boost und das warme Clipping verleihen sanften Biss, ohne die Klarheit jeder Note zu opfern.
Drei einfache Regler—Drive, Tone und Level—formen den Sound von dezentem Boost bis zu sattem Overdrive.
Buffered Bypass sichert Ihr Signal auf dem Pedalboard, ob aktiv oder ausgeschaltet.
Kompakt und robust in seinem typisch grünen Gehäuse ist es sowohl bei Profis als auch Hobbyisten unverzichtbar.
Ob SRV‑Sparkle oder moderner Crunch—der TS9 liefert den unverwechselbaren Klassiker‑Sound.

The TS9 Tube Screamer reissue faithfully revives the classic 1980s overdrive that defined countless guitar tones.
Its signature mid‑hump and warm clipping add smooth grit while preserving note clarity and amp feel.
Three simple knobs—Drive, Tone, and Level—let you shape everything from a gentle boost to full‑bodied overdrive.
Buffered bypass ensures your signal stays strong on‑ or off‑board, with true pedalboard reliability.
Compact and rugged, its familiar green enclosure has been a staple on pros’ and hobbyists’ rigs alike.
Whether you’re chasing SRV sparkle or modern crunch, the TS9 delivers instantly recognizable tone.

Ibanez

Review by The Gear Page

Review by Reddit /guitarpedals

TS9 Tube Screamer

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

The Dude is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there.
Crafted from a Dumble owned by Keith Urban, The Dude was designed to capture every nuance of the legendary amplifier
The Dude V2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.

J. Rockett Audio Designs

Demo by shnobel

Review by delicious audio

The Dude V2

The Centura is a true overdrive pedal, enhancing the tone and capability of your amp. Highly acclaimed one-one recreation of the Klon Centaur circuit.

Ceriatone

Review by Pedal of the Day

Manual Page 3

Manual Page 2

Manual Page 1

Demo by TheKlonWars

Demo by Andrew Cheng

Centura overdrive raw/clear coat version

Gleiches Design wie der ursprüngliche EHX Q-Tron, aber mit extrem nützlicher Effektschleife und einem Attack Response Schalter. Die Effektschleife gibt dem Musiker die Möglichkeit, einen zusätzlichen Effekt oder eine Kette von Effekten zwischen dem Vorverstärker und der Filtersektion des EHX Q-Tron Plus zu platzieren, ohne die Hüllkurvensteuerung zu ändern. Dies ist besonders wichtig bei den meisten Distortion-Geräten, da die meisten von ihnen keine Amplitudenhüllkurve haben. Die FX-Schleife regt auch Ihre Kreativität an, um alle möglichen Kombinationen in der Effektschleife auszuprobieren: Probieren Sie den Micro POG mit einem Deluxe Memory Man. Sie können alle Arten von neuartigen Effekten erfinden. Der hinzugefügte Response-Schalter wählt zwischen einem langsamen, weichen, vokalähnlichen Attack und der schnellen, geschlängelten Reaktion des ursprünglichen Q-Tron.

Same design as the original EHX Q-Tron but with extremely useful Effects Loop and an Attack Response Switch. The Effects Loop gives the musician the ability to place an additional effect, or chain of effects between the EHX Q-Tron Plus’s preamp and filter section without changing the envelope drive. This is particularly important with most distortion devices, as most all do not have much of an amplitude envelope. The FX loop will also fire up your creative juices to try all sorts of combinations in the effects loop: try the Micro POG into a Deluxe Memory Man. You can invent all sorts of novel effects. The added Response Switch selects between a slow, smooth, vowel-like attack and the fast, snaked response of the original Q-Tron.

Electro-Harmonix

Demo by Anıl Yazar

Demo by  Alberto Martinez Del Rio Guitar

Q-Tron Plus

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

The MC404 CAE Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Cry Baby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a built-in MXR MC401 Boost/LineDriver adds even more flexibility. Choose between inductors and turn the boost on or off with the side-mounted kickswitches; bright LEDs on each side of the wah indicate operation status. The MC404 boasts true hardwire bypass, a long-life CTS potentiometer, and internal pots for "Q" and gain adjustments.

Review by PREMIER Guitar 

Demo by ProGuitarShopDemos 

MC404 CAE Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

The Vertex Boost is expertly crafted to be a clean boost, buffer and volume pedal in one. The Boost is designed to leave your tone unchanged, while boosting the level of your signal. The Boost also features an ultra-linear buffer to condition your line with ZERO tonal coloration, even with dozens of pedals in your chain. Additionally, you have total volume control by connecting the Boost with any EXP or Volume Pedal and adjusting your volume as you would with a normal volume pedal. When the Boost is OFF, the EXP will function as a volume pedal (sweeping from silent to unity gain). When the Boost is ON, the EXP or Volume Pedal will control the boosted volume (sweeping from silent to wherever the Boost level knob is set). Since your guitar signal is isolated from the impedance of your chosen EXP or Volume Pedal, your tone remains open and full-range, and most importantly, it feels like you're plugged straight into your amp.

Vertex Effects

Review by proaudioland.com

Demo by

Vertex Boost MKI

Scott Machalk

From recalling presets to tapping in tempos, MiniSwitch adds another layer of functionality to your Strymon pedals at the press of a button. 

Strymon

Demo by Sunday Tone 

MiniSwitch

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Review by Amazona 

Review by Six String Sensei

Demo by Made by Miike

Audio Examples

Flint

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Das Boss DD-200 ist ein weiteres Digital-Delay des renommierten Herstellers, das der Saitenzunft die Sounds und Funktionen des schon länger erhältlichen DD-500in einem kompakteren Format aufs Pedalboard zaubern soll. Der geschrumpfte Echogenerator aus der neuen 200er Serie, die bisher vier Pedale umfasst, hat schon auf den ersten Blick zahlreiche Funktionen zu bieten, deren Bedienelemente dennoch äußerst übersichtlich angeordnet wurden.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colors from modern digital to classic analog, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There’s also a looper that’s always ready to use, plus a selectable carryover function for seamless transitions between memories.