andronik supersonik

nanobitch

Tester

The micro-Thumpinator is a bandwidth optimizer designed for bass guitar. It removes the low frequency signals that are outside the range of notes produced by the instrument.

Infrasonic frequencies cannot be reproduced by standard bass cabinets but they often make amplifiers clip, especially when they are set to boost the lower frequencies. The Thumpinator filters the signal content optimising the energy delivered by the amplifier. Low-frequency clip is substantially reduced and the sound is tighter especially at high volume levels.

The micro-Thumpinator accepts instrument and line level signals. It can be used between preamplifier and amplifier, between bass and amplifier or anywhere in the effect chain (line or instrument level). It can also be connected directly to an audio interface.

SFX Sound

Product Page

Review by Talk Bass.com

Demo by Paul Reich

Official Product Video

micro-Thumpinator v2

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

Manual

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die StageBug SB-2 ist eine kompakte passive Direktbox, die sich perfekt für aktive Bässe und Keyboards eignet. Sie ist klein genug, um in einem Instrumentenkoffer Platz zu finden, und verfügt über eine Stereo-Mono-Mischfunktion, um Mischpultkanäle einzusparen.

The StageBug SB-2 is a compact passive direct box that is perfect for active basses and keyboards, is small enough to fit inside an instrument case, and features a stereo to mono mix function to save mixer channels.

Radial Engineering

Demo by Want 2 Check

Demo by Chris Lang Music

Review by bonedo

Review by TalkBass

Quick Start Guide

Stagebug SB-2

ch ray

Pedal76 accurately reproduces one of the fastest and most powerful studio compressors of all time, known for having ultra-fast attack and release and adding sweet analog tone to any source. Just like in the studio, Pedal76 has Attack & Release, Ratio, and Input controls, critical for taming unwanted changes in volume on stage. Backed by over 10 years of expertise delivering premium, award-winning studio compression with the Warm Audio WA76, the Pedal76 is capable of bringing out the wide range of legendary compression tones from subtle to hard-limiting as favored by celebrated artists such as Led Zeppelin, Pink Floyd, Periphery, Jack White and many more.

Warm Audio

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Review by Premier Guitar

Review by Sound on Sound

Pedal76

Barber Electronics

Demo by mysteriousdemos

Demo by JetCityMusic

Review by talkbass.com

Linden EQ

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

Mehmet Aycan Özek

British

eric Barbereau

From rolled-down wooly tweed tones all the way to riff-worthy growl and grit, the Warm Audio Warm Bender delivers the ultimate Tone Bender-style fuzz experience in one pedal. The Warm Audio Warm Bender features three dedicated, selectable circuits that accurately deliver two of the most iconic Germanium Tone Bender fuzz tones plus a bonus, modern silicon circuit. Many legendary guitar tracks by artists like Jimmy Page, Jeff Beck, Pete Townshend, and more were crafted using the two most popular versions of the iconic British Bender fuzz sound. The debate rages over which Bender fuzz tone is most legendary, but why choose one when you can have both on your board?

Review by reddit /guitarpedals

Review by Gearnews

Demo by JayLeonardJ

Review by The Gear Page

Warm Bender

The Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. Centavo is a true-to-original overdrive pedal that authentically recreates the experience and adored tones of the original, legendary box.

Demo by Kris Barocsi

Review by Guitar Bomb

Review by Sound on Sound 

Silver Centavo

WA-C1 has all of the vintage tones, functionality, and vibe of the famous original chorus/vibrato pedal with added controls to separate rate and depth and brighten the tone. Like the lauded original, WA-C1 has a dedicated vibrato section, and an always-on 100% analog preamp that adds tons of analog tone and character. The carefully designed circuit helps bring the vintage depth of the modulation when turned all the way up, and also allows the WA-C1 to have variable depth to dial back for subtle tones. True to the original pedal, WA-C1 delivers rich depth and wobbly rate in waves, favored by legendary musicians like The Police, Queen, Stone Temple Pilots, Rush, Red Hot Chili Peppers, and more.

Review by gearnews.de

Review by Guitar World

Demo by R.J. Ronquillo

WA-C1

Lee Atkin

Der Tube Squealer ist ein Overdrive-Pedal mit drei Modusoptionen und sanfter Clipping-Charakteristik, das drei klassische Tube Screamer-Schaltungen (808, TS9, TS10) originalgetreu nachbildet. Darüber hinaus bietet es moderne Ausstattung: einen Mix-Regler zum Mischen von sauberem und verzerrtem Signal, einen Tonabnehmer-Voicing-Schalter (Single-Coil / Humbucker), wählbaren Bypass (True oder Buffered) und eine integrierte Spannungsanhebung für mehr Headroom. Die Schaltung ist vollständig analog, mit hochwertigen Bauteilen gefertigt und sorgfältig geprüft.

The Tube Squealer is a 3-mode, soft-clipping overdrive pedal built to faithfully recreate three classic Tube Screamer circuits (808, TS9, TS10). It adds modern functionality: a mix knob for blending clean and driven signal, a pickup-voicing switch (single-coil / humbucker), selectable bypass (true or buffered), and an onboard voltage boost to increase headroom. It’s fully analog and constructed with premium components and careful testing.

Review by Sound On Sound

Review by Music Radar

Tube Squealer

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Behringer

Review by Synth Anatomy

Review by Internet Tattoo

BM-14M Analog Delay

Der BM‑13 PHASER fängt den üppigen, schwebenden Klang des Moog MF‑103 in einer vollanalogen Stompbox ein.
Mit umschaltbaren 6‑ oder 12‑Stufen‑Phasern erzeugt er alles von dezentem Glitzern bis hin zu tiefen, kosmischen Sweeps.
Drive‑, Sweep‑, Resonance‑, LFO‑Amount‑ und Rate‑Regler erlauben dynamische Klangformung direkt am Pedal.
Stereo‑ und Aux‑Ausgänge sowie CV‑/Expression‑Eingang bieten vielseitige Routing‑ und Steueroptionen.
Robustes Metallgehäuse und True Bypass garantieren zuverlässige Bühnen‑Performance ohne Klangverlust.
Ob Vintage‑Funk oder moderne Klanglandschaften – der BM‑13 entfacht grenzenlose Kreativität.

The BM‑13 PHASER channels the lush, swirling tones of Moog’s legendary MF‑103 in an all‑analog stompbox rebuilt for today.
With switchable 6‑stage or 12‑stage phasing, it covers everything from subtle shimmer to deep, cosmic swooshes.
Drive, Sweep, Resonance, LFO Amount, and Rate controls let you sculpt dynamic, expressive sweeps at your feet.
Add stereo depth with the Aux output, or sync effects via Expression/CV input for hands‑free modulation.
Rugged metal construction and true bypass ensure road‑ready reliability without tone loss.
Whether for vintage funk riffs or modern ambient landscapes, the BM‑13 inspires endless exploration.

Review by Gear News

Demo by Adam Husk

BM-13-Phaser

Bîrleanu Bogdan

Das Behringer Octavia Octave Fuzz ist eine moderne Nachbildung des legendären Oktav-Fuzz-Effekts der 1960er Jahre, der durch Jimi Hendrix berühmt wurde. Dieses Pedal liefert einen markanten Oktav-Fuzz-Klang, der sich durch seine aggressive und unvorhersehbare Natur auszeichnet. Mit einer vollständig analogen, silikonbasierten Schaltung bietet das Octavia eine authentische Klangqualität. Die einfache Bedienoberfläche mit Volume- und Boost-Reglern ermöglicht eine unkomplizierte Handhabung und dynamische Reaktionsfähigkeit. Das robuste Metallgehäuse sorgt für Langlebigkeit und macht es zu einer zuverlässigen Ergänzung für jedes Gitarrensetup.

The Behringer Octavia Octave Fuzz is a modern recreation of the iconic 1960s octave fuzz effect, famously used by Jimi Hendrix. This pedal delivers a distinctive octave-up fuzz tone, characterized by its aggressive and unpredictable nature. Featuring an all-analog, silicone-based circuit, the Octavia offers pure tonal authenticity. Its simple control layout includes Volume and Boost knobs, allowing for straightforward operation and dynamic responsiveness. The pedal's rugged all-metal enclosure ensures durability, making it a reliable addition to any guitarist's setup.

Demo by Pedalboards Of Doom

Demo by Pedal Playground

Review by Sweetwater

Octavia

Dieses Hochleistungs-Rauschunterdrückungspedal verfügt über das patentierte Decimator Time Vector Processing für ein adaptives Tracking von schnellen Staccato-Noten sowie lang anhaltenden Tönen. Die „G String“-Architektur bietet einen unabhängigen Kanal zur Rauschunterdrückung, der das Gitarrensignal direkt am Instrumenteneingang überwacht, während das Audio später in der Signalkette verarbeitet wird. Dies ermöglicht nahtlose Übergänge zwischen cleanen und High-Gain-Sounds, ohne dass der Schwellenwert neu eingestellt werden muss. Es verfügt über 1/8-Zoll-Link-Anschlüsse, um mehrere Einheiten für einen synchronisierten Stereo- oder Mehrkanalbetrieb zu verbinden. Der vollständig analoge Signalweg gewährleistet eine transparente Leistung ohne digitale Artefakte oder Klangfärbungen. Das Gerät ist in einem robusten, polierten Chromgehäuse untergebracht, das für professionelle Bühnen- und Studioumgebungen konzipiert wurde.

This high-performance noise reduction pedal features patented Decimator Time Vector Processing for adaptive tracking of both fast staccato and long sustained notes. The "G String" architecture provides an independent channel of noise reduction that monitors the guitar signal directly from the instrument input while processing audio later in the signal chain. This allows for seamless transitions between clean and high-gain tones without requiring threshold readjustments. It includes 1/8-inch link ports to connect multiple units for synchronized stereo or multi-channel operation. The all-analog signal path ensures transparent performance without digital artifacts or tone coloration. The unit is housed in a rugged polished chrome chassis designed for professional stage and studio environments.

ISP Technologies

Demo by Man Bun Metal Head

Decimator II G String

Giue Bur

Reverb is evocative of space – a note contains pitch, but reverb contains place. Without reverb you have no idea where you are. Every note has been played it is what happens between the notes that is special. The Secret Path is a beautiful pedal – crafted reverbs for Spring and Plate, reminiscent of the heyday of classic amp and studio tones combined with modern day sound quality and reliability. Plus - The Secret Path – a deep, dark, mesmerising ambience with a sublime, brooding, dynamically evolving shimmer.

Laney Amplification

Review by Musiker-Board

Demo by  Lari Basilio

Demo by Peter Honoré

BCC Secret Path

Es war der Oktober im Jahr 1971, als die Mannen von Pink Floyd ihr berühmtes Werk „Live at the Pompeii“ im Amphitheater der gleichnamigen italienischen Stadt aufnahmen. Stets mit dabei war eines der wohl angesagtesten Effektgeräte der damaligen Zeit – das Binson Echorec. Wohl kaum ein anderes Gerät prägte so maßgeblich den Sound von Pink Floyd der frühen Jahre wie dieses Echogerät, dessen Prinzip auf einer rotierenden Magnetscheibe basierte, die mit vier Tonköpfen das Signal aufnahm bzw. abspielte. Dabei machte nicht nur Leadgitarrist Dave Gilmour vom Echorec gebrauch, auch Bassist Roger Waters und Tastenmann Richard Wright nutzen diese Maschine ausgiebig.

The Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn’t realize. We’re talking about variable delay time! We thought, “What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson?” Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life!

Catalinbread

Review by Amazona 

Demo by The Pedal Zone 

Demo by Catalinbread Effects

ECHOREC

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Review by Bonedo 

Demo by Reverb 

Belle Epoch

PedalSafe Type A1.1

QuickMount Type A

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

MFer

And suddenly everything happens very quickly and completely unexpectedly
– 40 years of the Nobels brand
– 30 years the legendary overdrive ODR-1 has been pleasing the ears.
To celebrate this anniversary, an Anniversary Pedal is now available which reflects the classic sound of the golden Nobels ODR-1 era. For the first time upgraded with a continuously adjustable bass cut pot. Nobels has listened to the wishes of the humbucker players and fulfilled them.

From many old 90s “original” ODR-1 pedals, the best sounding pedal was transplanted into the anniversary model. The search for the holy “original ODR-1 Grail”, at extremely high prices, has surely come to an end.

Nobels

Demo by Rich. Words. Music.

Review by The Gear Forum

ODR-1 - 30th Anniversary

Kastle Abbott

T-Rex Mudhoney. Wir finden, der Name sagt eigentlich schon alles. Schmutzig und süß. Köstliche Verzerrung. Es ist eines der ersten Pedale, die wir produziert haben, und das Mudhoney hat alle leckeren Zutaten eines T-Rex-Klassikers: die perfekte Mischung aus Reglern, ein robustes Design und einen erstaunlichen Ton. Es wird für seinen beeindruckenden Tonumfang und seine Fähigkeit gelobt, alles von einer sanften, dreckigen Kante bis hin zu einer erschütternden Wand aus verzerrtem Sound zu liefern.

T-Rex Mudhoney. We think the name pretty much says it all. Dirty and sweet. Delicious distortion. It’s one of first pedals we produced, and Mudhoney has all the tasty ingredients of a T-Rex classic: the perfect mix of controls, a rugged design, and astonishing tone. It’s been praised for its impressive tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound.

T-Rex

Demo by Crank my amp

Demo by Brett Kingman

Review by Reddit /guitarpedals

Review by guitartest.de

Mudhoney

In 1970 Led Zeppelin hit the stage of London's historic concert hall, Royal Albert Hall. We love the RAH performance and were inspired by a friend to capture it in a pedal.
At this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.

Review by mylespaul

Demo by N Stuff Music

Demo by Reverb

The PLUS Pedal is a piano-style sustain pedal for guitars and all other melodic instruments.

Gamechanger Audio

Demo by Mike Hermans

Plus Pedal

David Litaba

Über vierzig Jahre nachdem das originale VOX Wah den Sound der Rockmusik für immer veränderte, erlebt das V846 als V846-HW Hand-Wired Wah-Pedal eine Renaissance. Sein klassischer Sound ist unbestreitbar, doch das V846-HW wurde nicht entwickelt, um die Geschichte der Vergangenheit zu wiederholen, sondern um in der Zukunft neue Kapitel zu schreiben. Wie der Name schon sagt, verfügt das V846 Hand Wired über eine handverdrahtete Turret-Board-Konstruktion. Doch VOX hat es hier nicht belassen. Jede Komponente, einschließlich der Induktoren, Widerstände, Kondensatoren und des Potentiometers, wurde sorgfältig im Hinblick auf erstklassige Wiedergabetreue und Klang ausgewählt. Das Originaldesign wurde sogar um einen tonerhaltenden True Bypass erweitert. Das Gehäuse aus Druckguss besticht durch eine sandgestrahlte Oberfläche mit Krepp-Finish. Das V846-HW ist eine perfekte Kombination aus der weltberühmten Technologie von VOX mit klassischen und doch modernen Spezifikationen und übertrifft jedes bisherige Wah-Wah-Pedale der Geschichte, indem es den reinsten Klang liefert.

Over forty years after the original VOX Wah forever changed the sound of rock music, the V846 has been reborn as the V846-HW Hand-Wired Wah Wah Pedal. While its classic tone is undeniable, the V846-HW was not created to simply repeat the history of the past, but to write new chapters in the future. As its name implies, the V846 Hand Wired boasts hand-wired turret board construction. But VOX didn’t stop there. Every component, including the inductors, resistors, capacitors, and the potentiometer has been carefully selected for premium fidelity and tone. In fact, a tone-preserving true bypass has been added to the original design. Outside, the die-cast body features a sandblasted exterior with crepe finish. The V846-HW is a perfect combination of VOX’s world-famous technology, with classical yet modern specifications, surpassing any previous Wah Wah pedal in history by delivering the purest sound.

V846-HW Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der MXR Duke of Tone Overdrive wurde in Zusammenarbeit mit dem Indie-Pedalhersteller Analog Man entwickelt und ist für Spieler gedacht, die ihrem Rig einen Hauch von Wärme und Schärfe verleihen wollen, während sie den natürlichen Ton und das Feeling ihres High-End-Equipments zur Geltung bringen wollen. Basierend auf dem Prince of Tone Overdrive, der einkanaligen Version des King of Tone Overdrive, ist dieses Pedal der wahrgewordene Traum eines jeden Vintage-Kenners. Analog Mike hat alle Komponenten des King of Tone Overdrive persönlich getestet und aufeinander abgestimmt, um sicherzustellen, dass die klangliche Würze in der Nachfolge erhalten bleibt: ein warmer und doch klarer und offener Sound, der alle Nuancen deiner Signalkette durchscheinen lässt, von den einzelnen Gitarrensaiten bis hin zur Dynamik der Röhren deines Verstärkers.

Der Duke of Tone Overdrive verfügt ebenfalls über die gleiche einfache, aber wirkungsvolle Bedienoberfläche. Volume-, Drive- und Tone-Regler decken alle grundlegenden Einstellungen ab, während der Boost/OD/Distortion-Schalter die Gesamtstimmung des Pedalausgangs bestimmt. Der Boost-Modus sorgt für einen sauberen, aber dennoch kräftigen Bump, der OD-Modus für einen Hauch von Grit und Kompression und der Distortion-Modus für etwas mehr von beidem. In allen Modi klingt dein Rig immer noch wie dein Rig. Scheuen Sie sich nicht, kreativ zu werden - der Duke of Tone Overdrive lässt sich hervorragend mit anderen Gain-Pedalen kombinieren, und wenn Sie das Pedal mit 18 V betreiben, erhalten Sie eine zusätzliche Portion Headroom und Klarheit, besonders im Boost-Modus.
Für einen Sound, der dir gehört, aber nur mehr davon, gibt es nichts Besseres als den Duke of Tone Overdrive von MXR und Analog Man. Legen Sie einen auf Ihr Pedalboard und werten Sie Ihre Signalkette auf.

Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. Based on the Prince of Tone Overdrive, the single-channel version of the King of Tone Overdrive, this pedal is a vintage connoisseur’s dream come true. Analog Mike personally tested and matched all of the various thru-hole components to the King of Tone Overdrive, ensuring that sweet sonic seasoning stays in the line of succession: a warm-yet-clear-and-open sound that allows all of the nuances of your signal chain to come through, from your individual guitar strings to the dynamics of your amp’s tubes.

The Duke of Tone Overdrive likewise carries forward the same simple-yet-effective control interface. Volume, Drive, and Tone knobs cover all your basic tweaks while the Boost/OD/Distortion switch allows you to set the overall attitude of the pedal’s output. Boost mode gives you a clean-yet-vigorous bump, OD mode adds a touch of grit and compression, and Distortion mode adds a touch more of each. In all modes, your rig still sounds like your rig. Don’t be afraid to get creative—the Duke of Tone Overdrive is excellent when stacked with other gain pedals, and running the pedal on 18V will give you an extra helping of headroom and clarity, especially in Boost mode.
For a sound that’s yours, but only more of it, you can’t do better than the Duke of Tone Overdrive from MXR and Analog Man. Put one on your pedalboard, and elevate your signal chain.

Review by Hometone Blog

Demo by Martin Clayton 

Demo by  Suichu Spica

DUKE OF TONE OVERDRIVE [CSP0399]

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Wampler

Plexi-Drive Deluxe

Wenn du jemals einen originalen Marshal JTM45 gehört hast, dann weißt du, warum man ihn die Stimme des Classic Rock & Roll nennt. Die klassischen JTM45er sind vollgeladen mit warmem tonalen Charakter, der eine Strat singen und eine Paula schreien lässt. Der JHS Charlie Brown ist so designt, dass er jeden guten Amp in eine Replik dieses legendären Amps verwandelt. Der Charly Brown V4 baut auf der Popularität der V3 auf und behält Herz und Seele seines Vorgängers bei, gibt dir aber mehr Flexibilität und Optionen. Wenn du auf der Suche nach einem Classic Rock Overdrive bist, der sich richtig anfühlt, klingt, riecht und schmeckt, bist du hier am Ziel angekommen!

If you’ve ever heard an original Marshall JTM45 then you know why it’s the voice of classic rock & roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. The JHS Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. The Charlie Brown V4 builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options. If you are looking for classic rock overdrive that feels, sounds, tastes, and smells like the real thing... Look no further.

Official Product Page

JHS Charlie Brown V4 - Livingroom Gear Demo

Charlie Brown V4

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Der British Pedal Company Compact Series NOS Rangemaster ist eine kompakte, moderne Nachbildung eines der bekanntesten Effekte der Welt - des Dallas Rangemaster Treble Boosters. Die NOS-Version kombiniert authentische Vintage Parts (New Old Stock) mit einem modernen Effektpedal-Design. Erstmals im Jahr 1965 produziert, wurde der Rangemaster von vielen der weltweit angesehensten Gitarristen verwendet, darunter Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore und vielen mehr. Der Dallas Rangemaster wurde ursprünglich entwickelt, um die Signalstärke auf dem Weg von der Gitarre zum Verstärker anzuheben und die Höhen im Signal zu boosten. Der Bedarf für einen Treble Booster entstand Mitte der 1960er Jahre, als britische Röhrenverstärker dazu neigten, bei Übersteuerung einen etwas 'dunklen, matschigen' Sound zu erzeugen, insbesondere wenn sie mit Humbucker Tonabnehmern gespielt wurden. Obwohl der Rangemaster als Treble Booster konzipiert war, wurde er auch als Overdrive Effekt verwendet, um mit vielen klassischen britischen Verstärkern einen verzerrteren, aber fokussierteren Klang zu erzeugen.

The British Pedal Company Compact Series NOS Rangemaster is a compact, modern replica of one of the world's most iconic effects - the Dallas Rangemaster treble booster. The NOS version combines authentic vintage parts (new old stock) with a modern effects pedal design. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more. The Dallas Rangemaster was initially designed to increase the signal strength of the guitar going into the amplifier, and to increase tones at the high-end of the spectrum. The need for a treble booster arose in the mid-1960s as British tube amplifiers tended to produce a slightly dark, muddy sound when overdriven, particularly when used with humbucking pickups. Although classed as a treble booster, the Rangemaster was also used as an overdrive pedal to give a more distorted but focused tone with many classic British amplifiers.

British Pedal Company

Compact Series NOS Rangemaster

David Graves

The Pigtronix 2NR is a no-nonsense, high-precision chromatic tuner pedal for guitar and bass. It features a large, high-contrast LED screen and ultra-fast pitch detection software that makes tuning quick and easy for musicians of every skill level.

2NR intentionally contains no extraneous features. There are no alternate modes or opportunities for accidental frustration. The pedal exists solely to help musicians tune their instrument to 440 Hz standard concert pitch as quickly and accurately as possible.

When 2NR is activated, the output is muted. When the pedal is not in use, relay-based, true bypass switching ensures that 100% of your tone passes through the pedal without any loss of fidelity. Housed in a robust aluminum chassis, 2NR is built for a lifetime of onstage performance. Pigtronix 2NR runs on standard 9VDC power.

Pigtronix

Review by No Treble

2NR Chromatic Tuner Pedal

Kim Ulmer

Ein Buffer zur Verringerung des Klangverlusts

Truetone

Pure Tone

Der Looking Glass ist ein Class-A FET Overdrive-Pedal, das einen gläsernen Boost bzw. leichten Overdrive bis hin zu dem Sound eines alten Röhrenamps am Rande der Zerre abbildet. Es verfügt über einen Bass-Cut-Regler vor der Verzerrung, einen Treble-Regler nach der Verzerrung, eine Input-Filter-Regelung zur Kontrolle von Helligkeit/Attack, einen HIGH/LOW Gain-Schalter und True-Bypass.

The Looking Glass is a Class-A FET overdrive pedal that transitions from a glassy boost and light overdrive to the sounds of a vintage amp pushed to the brink of breakup. Features include a pre-drive Bass Cut control (to tame/lower low end before gain), a post-drive Treble control (to shape brightness after gain), an Input Filter control (to tame overly bright instruments and shape mid/attack), a HIGH/LOW gain mode toggle, and true bypass.

DigiTech

LOOKING GLASS

Brandon Soriano

The BASS TEN opens up a whole new world for Bass players. This unbelievably clean, 10 band EQ has finally made it possible for bass players to tailor their tone with a level of precision and clarity that hasn’t existed in a pedal until now. Like the Perfect Ten, its constant Q design make adjustment easy and intuitive. (Constant Q means that each band’s frequency width remains the same for small boosts as well as large boosts), giving you unparalleled control and sensitivity. Built in the USA, this tour proven pedal will undoubtedly become a must have in your arsenal...  Play through it once and you’ll never turn it off. Thump!

Whirlwind

Demo by Guitar World

Demo by Bass Stuff

Bass Ten 10 Band Graphic EQ

Alfath Arya

Unser britisch inspirierter Glockenspiel-Vollventil-Pedalvorverstärker: bereit, Ihrem Gitarrenverstärker, Pedalboard oder Aufnahmegerät neues Leben einzuhauchen

V4 The Copper ist ein Pedalvorverstärker, der echten All-Valve-Clean und Overdrive liefert. Du kannst ihn direkt in deinen Verstärker oder dein Recording-Interface einschleifen oder ihn in Verbindung mit dem FX-Loop deines Verstärkers verwenden, um das Frontend deines bestehenden Verstärkers komplett zu umgehen und so ein völlig neues Klangerlebnis zu erhalten. Dies ist definitiv kein "gewöhnliches" Overdrive-Pedal!

Our British inspired chime all-valve pedal preamp : ready to breathe new life into your guitar amp, pedalboard or recording rig
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V4 The Copper is a pedal preamp that delivers genuine all-valve clean and overdrive. Use it straight into the front of your amp or recording interface, or alternatively use it in conjunction with your amp's FX loop to bypass the front end of your existing amp entirely for a whole new sound experience. This is definitely no 'ordinary' overdrive pedal!