cuulguit@r

Ok, there's a gig or session and they tell you: "we have a full backline here so don't bring your amps. We have twin channel amps here". You go there and there's a Fender Twin and/or a Roland Jazz Chorus. Nice amps, but not for you. Here's the board for that. 
The 2nd row of pedals is a little augmented for easier footswitch a

The BYOP (Bring Your Own Preamp) Board

Tester

AMT Electronics

Product Page

Review by gearspace

Manual

Demo by Evgen Pleximents

Demo by Pedal Science

SS-11 A

David Litaba

Die One Control Pedal Board Junction Box ist Teil der Minimal Series, die viele praktische Tools und Gadgets für moderne Pedalboards bietet. Es ist eine praktische In- und Output Box die genutzt werden kann, um das Signal vom und zum Pedalboard zu routen, damit alle Kabelstrecken sauber und gut organisiert sind. Die Junction Box verfügt über zwei Paare 6,35 mm (1/4") Mono-Klinkenbuchsen die jeweils untereinander verbunden sind.

The One Control Junction Box belongs to the Minimal Series, which offers many useful tools and gadgets for modern pedalboards. It is a convenient small in- and output box that can be used to route signal to and from your board to keep everything clean and organized. The Junction Box comes with two pairs of 6.35 mm (1/4") mono jacks which are all respectively connected to each other.

One Control

Official Product Page

Demo by JayLeonardJ

Review by Sweetwater Customers

Minimal Series Board Junction Box

Mathew Pybus

Die Warm Audio ODD Box orientiert sich nicht nur optisch, sondern auch klanglich am beliebten Fulltone OCD Overdrive. Leider musste Fulltone-Inhaber Mike Fuller im letzten Jahr sein Geschäft schließen, was die Preise für Pedale wie den Fulltone OCD auf dem Gebrauchtmarkt steigen lässt. Warm Audio hat sich wiederum in den letzten Jahren einen Namen mit gelungenen Nachbildungen von diversen Pedalen und auch Studioequipment gemacht. Mit dem ODD Overdrive bietet das Unternehmen nun eine verhältnismäßig günstige Alternative zum Original an.

The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.

Warm Audio

Review by Gitarre & Bass 

Review by bonedo 

Demo by Warm Audio 

Demo by intheblues 

ODD Box v1

T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.

T-Rex

Official Product Video

Review by Thomas Dill, bonedo.de

Møller 2

Dieses High-Fidelity-Stereo-Reverb-Pedal bietet sechs verschiedene Programme in Studioqualität: Spring, Hall, Plate, BFR, Refract und Air. Es basiert auf einer leistungsstarken digitalen Plattform mit einem Analog Devices SHARC-Prozessor, 32-Bit-Fließkomma-Verarbeitung und 24-Bit/48-kHz-Wandlern. Das Gerät verfügt über einen einzigartigen Volume-Swell-Effekt, der auf jedes Programm angewendet werden kann, sowie über Sustain- und Latching-Momentary-Funktionen zur Erzeugung atmosphärischer Klänge. Es bietet eine umfassende Steuerung über MIDI, unterstützt bis zu 128 Presets und verfügt über drei wählbare Bypass-Modi, einschließlich True Bypass und DSP-Trails. Das Plate-Programm ist speziell vom klassischen analogen Plattenhall EMT 140 inspiriert und sorgt für eine sanfte und gleichmäßige Diffusion.

This high-fidelity stereo reverb pedal features six distinct studio-quality programs: Spring, Hall, Plate, BFR, Refract, and Air. It is built on a powerful digital platform using an Analog Devices SHARC processor with 32-bit floating-point processing and 24-bit 48kHz converters. The unit includes a unique volume swell effect applicable to any program, along with sustain and latching momentary functions for creating ambient washes. It offers extensive control via MIDI, supporting up to 128 presets, and features three selectable bypass modes including true bypass and DSP trails. The Plate program is specifically inspired by the classic EMT 140 analog plate reverb for smooth and even diffusion.

Walrus Audio

Review by Guitar.com

Review by bonedo

Demo by Guitar Bonedo

MAKO R1 Stereo Reverb

Joao Silva

The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets. A workhorse of a delay that is just as ready for the road as it is the studio.

Review by reddit /guitarpedals

Review by AMAZONA

Review by Gitarre & Bass

Demo by FACE MI

Demo by TheGuitarGeek

Mako D1

Joseph Cannings

The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets.

Walrus MAKO Series: M1 Product Page 

Walrus MAKO Series: M1 Manual

Walrus MAKO Series: M1 Presets

Walrus MAKO Series: M1 Demo 1

Walrus MAKO Series: M1 Demo 2

Walrus MAKO Series: M1 Demo 4

Walrus MAKO Series: M1 Demo 3

Mako M1

The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This MIDI controllable stompbox provides quick, hands-free access to four different user programmed EQ settings. It has found its way onto the touring pedalboards of David Gilmour, John Mayer, Steven Wilson, The Killers, The Dierks Bentley Band, and more. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.

Source Audio

SOURCE AUDIO PROGRAMMABLE EQ

Users Guide 

The Source Audio Programmable EQ for Bass Guitar

Steven Wilson Talks About the Programmable EQ from Source Audio

Source Audio Programmable EQ

Programmable EQ

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Angelo Pitone

φ (Phi) has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

Crazy Tube Circuits

Review by Compressor Pedal Reviews

Demo by R.J. Ronquillo

Golden Ratio Phi v2

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Review by Talk Bass.com

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

Mit dem Mercury Flanger hat Source Audio nicht nur einen beachtlichen Flanger mit einer Menge an sanften bis überwältigenden Flange Sounds geschaffen. Taucht man via Neuro App erst einmal in die fantastischen Möglichkeiten dieses Pedals ein scheinen den Soundwelten keine Grenzen mehr gesetzt. Nicht nur bietet der Flanger der Source Audio One Series drei enorm gelungene Presets – hierunter befindet sich das vielgesuchte Thru-Zero a.k.a. Tape Flanging – sondern auch die Möglichkeit über Verbindung mit dem Smartphone weitere Effektparameter zu steuern und in den Presets zu speichern. Der Nutzer hat hier Zugriff auf eine sich ständig erweiternde Sammlung von Presets oder, kann eigene Modulationswelten kreieren, die keineswegs auf Flanging beschränkt sind.

With the Mercury Flanger Source Audio has not only created an astonishing array of flanging sounds ranging from subtle to overwhelming in a handy stompbox. If one looks beneath the surface of the enclosure using the Neuro App, an entire world of sound, seemingly without limits opens up. Not only does the Mercury offer three very well designed presets, amongst which one will find the sought after thru-zero a.k.a. tape flanging. There is also the option to connect the pedal to your smartphone to control a multitude of further effects parameters and save them in the three preset slots. The user also gets access to a vast and ever increasing collection of presets or can create their own sounds which are not at all limited to mere flanging.

Source Audio SA 240 One Series Mercury Flanger - Official Demo Video

Source Audio SA 240 One Series Mercury Flanger - Review by Muzikus CZ

Source Audio SA 240 One Series Mercury Flanger - Review by Bonedo DE

Source Audio SA 240 One Series Mercury Flanger - Review by Gitarre&Bass DE

Source Audio One Series - Review by Tone Report

Demo by Do Noise

Mercury Flanger

Harley Benton

Powerplant ISO-12 Pro

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Adzim Ezani

Voodoo Vibe was inspired by the Dunlop® Uni-Vibe® for its gorgeous sound easily associated with Hendrix’s bending facial expressions in his 60s stage performances.
NUX's modern-tech DSP yields a perfect combination of both worlds: analog and digital. Unlike the original Uni-vibe, now you can power the Voodoo Vibe with 9V instead of 18V. Using DSP technology, NUX is able to offer a mini pedal with Smart Tap Tempo function. And it’s easier to enhance the Chorus mode without volume drop issues in the digital world, while still retaining the same good vibes and analog sound.

Demo by The Tone Lounge

Demo by Guitar Safari

Review by Stompbox Steals

Review by delicious audio

Review by The Gear Page

Voodoo Vibe NCH-3

Compact Version of Hugely Popular Sub 'N' Up Octaver with Advanced Polyponic Octave Engine and TonePrint-Enabled Technology for Easy Custom Effects

Review by Continual Riff

Demo by Andrew Z

Sub 'N' Up mini Octaver

Lee Atkin

Das Electro-Harmonix Big Muff Pi 2 ist ein Dual-Op-Amp-Fuzz-Pedal, das auf einem wiederentdeckten Schaltungsdesign aus den späten 1970er-Jahren von Bob Myer und Mike Matthews basiert. Es bietet den klassischen Big-Muff-Sustain und kräftigen Fuzz mit einem offeneren, dynamischeren Klangcharakter. Das Pedal verfügt über Regler für Volume, Tone und Sustain sowie einen neuen Soft-Fußschalter mit wahlweise rastender oder Momentan-Funktion für kreative Einsätze. Das kompakte Nano-Gehäuse ist mit einem Design von Daniel Danger versehen.

The Electro-Harmonix Big Muff Pi 2 is a dual op-amp fuzz pedal based on a rediscovered late-1970s circuit design by Bob Myer and Mike Matthews. It delivers classic Big Muff sustain and heavy fuzz with a more dynamic, open sound character. The pedal features Volume, Tone, and Sustain controls and a new soft footswitch that supports both latching and momentary operation for creative performance use. It includes artwork by Daniel Danger and comes in a compact nano-sized die-cast chassis.

Review by Music Radar

Review by Guitar World

Big Muff Pi 2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Der MXR Duke of Tone Overdrive wurde in Zusammenarbeit mit dem Indie-Pedalhersteller Analog Man entwickelt und ist für Spieler gedacht, die ihrem Rig einen Hauch von Wärme und Schärfe verleihen wollen, während sie den natürlichen Ton und das Feeling ihres High-End-Equipments zur Geltung bringen wollen. Basierend auf dem Prince of Tone Overdrive, der einkanaligen Version des King of Tone Overdrive, ist dieses Pedal der wahrgewordene Traum eines jeden Vintage-Kenners. Analog Mike hat alle Komponenten des King of Tone Overdrive persönlich getestet und aufeinander abgestimmt, um sicherzustellen, dass die klangliche Würze in der Nachfolge erhalten bleibt: ein warmer und doch klarer und offener Sound, der alle Nuancen deiner Signalkette durchscheinen lässt, von den einzelnen Gitarrensaiten bis hin zur Dynamik der Röhren deines Verstärkers.

Der Duke of Tone Overdrive verfügt ebenfalls über die gleiche einfache, aber wirkungsvolle Bedienoberfläche. Volume-, Drive- und Tone-Regler decken alle grundlegenden Einstellungen ab, während der Boost/OD/Distortion-Schalter die Gesamtstimmung des Pedalausgangs bestimmt. Der Boost-Modus sorgt für einen sauberen, aber dennoch kräftigen Bump, der OD-Modus für einen Hauch von Grit und Kompression und der Distortion-Modus für etwas mehr von beidem. In allen Modi klingt dein Rig immer noch wie dein Rig. Scheuen Sie sich nicht, kreativ zu werden - der Duke of Tone Overdrive lässt sich hervorragend mit anderen Gain-Pedalen kombinieren, und wenn Sie das Pedal mit 18 V betreiben, erhalten Sie eine zusätzliche Portion Headroom und Klarheit, besonders im Boost-Modus.
Für einen Sound, der dir gehört, aber nur mehr davon, gibt es nichts Besseres als den Duke of Tone Overdrive von MXR und Analog Man. Legen Sie einen auf Ihr Pedalboard und werten Sie Ihre Signalkette auf.

Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. Based on the Prince of Tone Overdrive, the single-channel version of the King of Tone Overdrive, this pedal is a vintage connoisseur’s dream come true. Analog Mike personally tested and matched all of the various thru-hole components to the King of Tone Overdrive, ensuring that sweet sonic seasoning stays in the line of succession: a warm-yet-clear-and-open sound that allows all of the nuances of your signal chain to come through, from your individual guitar strings to the dynamics of your amp’s tubes.

The Duke of Tone Overdrive likewise carries forward the same simple-yet-effective control interface. Volume, Drive, and Tone knobs cover all your basic tweaks while the Boost/OD/Distortion switch allows you to set the overall attitude of the pedal’s output. Boost mode gives you a clean-yet-vigorous bump, OD mode adds a touch of grit and compression, and Distortion mode adds a touch more of each. In all modes, your rig still sounds like your rig. Don’t be afraid to get creative—the Duke of Tone Overdrive is excellent when stacked with other gain pedals, and running the pedal on 18V will give you an extra helping of headroom and clarity, especially in Boost mode.
For a sound that’s yours, but only more of it, you can’t do better than the Duke of Tone Overdrive from MXR and Analog Man. Put one on your pedalboard, and elevate your signal chain.

Review by Hometone Blog

Demo by Martin Clayton 

Demo by  Suichu Spica

DUKE OF TONE OVERDRIVE [CSP0399]

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

BOSS

Manual Page

MT-2 Metal Zone

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Der JHS Pedals Overdrive Preamp ist eine originalgetreue Nachbildung der ersten Version ("Big Box V1") von DODs beliebtestem Pedal, dem Overdrive / Preamp (250). Die Regelmöglichkeiten sind denkbar einfach: Der Level-Regler bestimmt den Output der Schaltung und bietet je nach Setting einen Boost oder Cut des Signals. Der Level-Regler wurde im Vergleich zum Original modifiziert (bzw. korrigiert), wodurch die Version von JHS Pedals deutlich mehr Volume bietet. Der Gain-Regler kontrolliert die Verstärkung innerhalb der Overdrive-Sektion. Höhere Settings bringen den Op-Amp und das Hard Clipping in die Sättigung und erzeugen so ein stärkeres Clipping und einen satten Drive-Sound. Der Slide-Schalter ist eine spezielle Erweiterung, die es beim ursprünglichen DOD 250 so nicht gab. Bei der Recherche zu den ersten Versionen des 250 Pedals fand JHS Pedals eine Version, die ein völlig anderes Clipping Arrangement nutze - also entschied man sich einfach beide Versionen für den Overdrive Preamp zu nutzen, damit Musiker die klanglichen Variationen selber entdecken können. Der JHS Pedals Overdrive Preamp bietet insgesamt mehr Gain / Grit und mehr Bässe und Mitten als die späteren Versionen des DOD 250.

The JHS Pedals Overdrive Preamp is a faithful replication of the first version ("Big Box V1") of DOD's most loved pedal, the Overdrive / Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this version has been modified (corrected) from the original wiring, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up the Gain control creates more clipping as it pushes the op-amp and hard clipping into overdrive. JHS Pedals also added a slider switch, which wasn't included with the original DOD 250. While researching the original pedal, JHS Pedals acquired a second early big-box unit which used a completely different clipping arrangement, so they decided to offer this switch so that you could explore these two variations for yourself. The JHS Pedals Overdrive Preamp features more gain / grit overall and more unique low / mids than the later versions of the DOD 250.

JHS Pedals Overdrive Preamp - Demo / Review Video - Musiker TV

JHS Pedals Overdrive Preamp - Demo / Review Video - Shawn Tubbs

JHS Pedals Overdrive Preamp - Demo Video - Pedal Empire

JHS Pedals Overdrive Preamp - Demo / Review Video - Tone Tailors Instrument & Repair

JHS Pedals Overdrive Preamp - Demo Video - Coast Sonic

Review by Russo Music

Overdrive Preamp

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Craig Gilchrist

Dubbed “Armageddon in a Box,” the ferocious Uberschall pedal derives its thunderous hi-gain tones from the notoriously brutal Bogner Uberschall amplifier. While the Uberschall pedal, like the amp, offers a significant range of classic lower and medium gains, its true nature comes forth when delivering savage, 
face-melting, high-gain aggression 
– don’t say we didn’t  warn you! 

Bogner

Review by musicradar

Demo by Sweetwater

Uberschall

Rolands Majors

Pedal version of Bogner Ecstasy red channe. Pre-amp and overdrive.

Demo by AndreNieri

Ecstasy Red (with boost)

Bogner Pre-Amp overdrive pedal. Large version with boost.

Demo by Guitar Lounge

Ecstasy Blue (with boost)

The JP95 John Petrucci Signature Cry Baby® Wah is the result of the legendary prog metal shredder's years-long quest to hone his perfect wah tone. For years, John used the Cry Baby Rack Wah system to tweak and fine-tune its numerous parameters until he found the sound that perfectly represents all the expression and intensity he needs. Recently, he and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to replicate and further fine-tune that sound with a single pedal. This is a wah that, as John puts it, "sounds huge and badass like an angry, screaming monster with the ultimate expressive range—it's perfect for shaping single notes or manipulating growling, heavy chords."

Dunlop

Review by Premier Guitar

Demo by TOKYO SOUND PROJECT

Demo by PMTVUK

JP95 John Petrucci Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Jeongheum Park

Can be used with a variety of pedal types.
Perfect for pairing with other tap pedal -such as Delay etc.


Mosky

Review by HighOnTech

Demo by BGelais

Tap Switch

Mit dem TC Electronic Plethora X3 setzt die dänische Effektschmiede zum Nachschlag an und bietet neben dem 2020 erschienen Plethora X5 eine kompaktere und minimal reduzierte Form dieses Pedalboards. Die grundlegende Konzeption bleibt dabei bestehen und so wartet die X3-Version ebenfalls mit der Möglichkeit auf, ein eigenes, individuelles Floorboard mit sämtlichen Toneprint-Pedalen zusammenzustellen und damit das Beste aus der Funktionsweise von klassischem Pedalboard und Multieffektpedal zu vereinen.

TonePrint Pedalboard with up to 127 Boards, 3 Pedal Slots, All Your Favorite TC Effects, 75 TonePrint Slots Per Effect, 3 MASH Footswitches and Tape Deck Looper

Review by GEARNEWS 

Review by AMAZONA 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Andertons 

Plethora X3

ch ray

The new Nobels ODR-mini 2 is the next stage in the evolution of the legendary ODR-1’s little brother, the ODR-mini. Due to popular demand, this diminutive powerhouse now features a very useful bass cut feature as an external control. Added to this, the upgraded full metal housing, along with the integrated Mounty-P Mounting Plates, completes the worthwhile upgrades for this compact dynamo.