andronik supersonik

New Pedal Board

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Product Page

Review by HAPPY MAG

Review by bonedo

Demo by Mark Johnston

Official Product Video

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Tester

Der Keeley Fuzz Bender ist ein modernes 5-Regler-3-Transistor-Fuzz mit einer Kombination aus High-Gain-Silizium und seidigem, glattem Germanium Fuzz. Was macht Fuzz besser? Aktiver EQ. Mit zwei Gyratoren als aktivem EQ hast du die Möglichkeit massive Fuzz-Töne zu erzeugen, die mit typischen Squarewave Fuzzes nicht möglich sind. Bring deinen Verstärker mit bis zu 20 dB Boost / Cut bei 100 Hz und 10 kHz zum glühen. Der Fuzz Bender wurde um japanisches Vintage Germanium Transistoren herum aufgebaut, um seine monumentalen Fuzz-Töne zu erzeugen. Mit der neuen Bias-Steuerung regelst du das Attack und Decay deiner Noten. Der Bias Regler macht alles von fettem Squarwave Fuzz über Angular Fuzz bis zu glitchendem Velcro-Attack möglich. Die fünf Knöpfe des Fuzz Benders zeugen davon, dass für episches Fuzz schlicht die Größe ausschlaggebend ist.

The Keeley Fuzz Bender is a 5 knob - 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.

Keeley Electronics

Official Product Page

Manual

Keeley Fuzz Bender - Official Demo Video

Keeley Fuzz Bender - Demo / Review Video - SeanPierceJohnson

MXR Octavio & Keeley Fuzz Bender - Review by Musikmaker [NL], [07-2020]

Keeley Fuzz Bender - Review by Gitarist [NL], [08-2020]

Keeley Fuzz Bender - Review by GuitarWorld [EN], [01-2020]

Keeley Fuzz Bender - Review by TopGuitar [PL], [12-2019]

Keeley Fuzz Bender - Review by Muzikus [CZ], [11-2019]

Keeley Fuzz Bender - Review by Gitarre&Bass [DE], [10-2019]

Keeley Fuzz Bender - Review by Gitarzysta [PL], [08-2019]

Fuzz Bender

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Basierend auf der gleichen proprietären DSP-Architektur wie der Earthquaker Smash-Hit Avalanche Run, ist Pyramids ein Stereo-Flanger mit fünf benutzerdefinierbaren Presets (eine Neuheit für EarthQuaker Devices!), Acht Flanger-Modi, Tap-Tempo mit Unterteilungen, ein Multifunktions Modify Regler, positive und negatives Feedback und ein variabler Mix-Regler, die man nicht jeden Tag auf einem Flanger findet. Der "Activate" -Fußschalter bietet die exklusive Flexi-Switch -Technologie von EarthQuaker Devices. Diese Relay-basierte True-Bypass-Schaltung ermöglicht einen Momentary oder Latching Betrieb des Pyramids, wodurch es einfacher denn je ist, den Effekt zu nutzen, um einzelne Noten oder Phrasen zu verzieren!

Built upon the same proprietary DSP architecture as the smash-hit Avalanche Run, Pyramids is a Stereo Flanging Device with five user-definable presets (a first for any EarthQuaker Devices pedal!), eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative feedback, and a variable Mix control, which is something you don’t see on a flanger every day. Pyramids “Activate” footswitch features EarthQuaker Devices’ exclusive Flexi-Switch technology. This relay-based true-bypass switching platform allows for momentary or latching operation, making it easier than ever to engage the effect to bedazzle individual notes or phrases!

EarthQuaker Devices

EarthQuaker Devices Pyramids - Official Demo

EarthQuaker Devices Pyramids - Demo Video - Pedal of the Day

EarthQuaker Devices Pyramids - Review by Gitarre & Bass [DE], [02-2019]

EarthQuaker Devices Pyramids - Review by GuitarWorld [EN]

Flanger Pyramids

ch ray

Say hello to the world’s most compact reorderable audio loop switcher.

A fully analog stereo loop switcher designed to break boundaries. 
Each stereo loop can be broken up into 2x mono loops with an Y-cable and in the looper used as 2x complete independent mono loops (Y-TRS-Cables). As these cannot be displayed in this tool (but often used to double the loops on big boards) we configured in this tool 3 stereo connections as 6x mono loops. 

ML10X is the answer for today's musicians.

Morningstar Engineering

Review by 

Demo by 

ML10X (5 Stereo Loop)

Der SP Compressor hat eine hervorragende Klangqualität und bietet eine große Auswahl an Kompressor-Sounds von Vintage über subtil bis hin zu modern.
 
Er ist sehr flexibel und verfügt über einen Dry-Blend-Regler, bis zu +15 dB Boost und einen internen Dip-Schalter zur Attack-Steuerung.

The SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage, to subtle, to modern and more.

It’s super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control.

Xotic

SP Compressor

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Hey Kumpel! Willkommen zum neuen Avalanche Run™ Stereo Reverb und Delay mit Tap Tempo! Der Avalanche Run wurde mit dem Ziel entwickelt, die schwebenden Ambient-Töne des Dispatch Masters auf das nächste Level zu heben und dabei benutzerfreundlich und raffiniert zu halten. Der Avalanche Run ist ein verträumtes Sonic Discovery-Device mit bis zu 2 Sekunden Delay-Zeit und einem üppigen Stereo-Reverb. Es bietet vollständige Kontrolle über die Verzögerungszeit, Wiederholungen, Mix und Voice (mit dem Tone Regler), sowie Kontrolle über die Hallfahnen-Länge und Reverb Mix. Es kann in einem von 3 verschiedenen Modi betrieben werden: Normal, Reverse und Swell. Im "Normal" -Modus fungiert der Avalanche-Run als direktes Delay und Reverb. Im "Reverse" -Modus ist die Delay Spur umgekehrt und der Reverb bleibt im normalen Modus. Im "Swell" -Modus reagiert der Avalanche Run auf deine Picking-Dynamik und fügt dem gesamten Signalweg einen Volume Swell hinzu, ähnlich wie beim manuellen Auf- und Zudrehen des Volume Reglers deiner Gitarre. Ausgestattet mit einer Kombination aus True Bypass und Buffered Bypass mit Trails-Funktion wird auch das Avalanche Run in Handarbeit in Ohio/USA hergestellt. Das Avalanche V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

Hey buddy! Welcome to your new Avalanche Run™Stereo Reverb and Delay with Tap Tempo! The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush stereo reverb. It features complete control over delay time, repeats, mixand voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal”mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse”mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell”mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar. Equipped with True or Buffered with trails Bypass, the Avalanche Run is hand made in Ohio, USA. The Avalanche Run V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices Avalanche Run v2 Stereo Reverb & Delay - EarthQuakerDevices

EarthQuaker Devices Avalanche Run V2 - Review by Amazona [DE], [11-2020]

Review by Mod Wiggler

EarthQuaker Devices Avalanche Run V2 - Official Demo

Demo by Knobs

Avalanche Run V2

QuickMount Type I

Pedal-Montageplatte für Eventide H9

Pedal Mounting Plate For Eventide H9

Du willst dein Signal splitten und nicht auf passive Geräte, die deinen Tone killen und Signal verlieren zurückgreifen? Hier hast du was du brauchst! Diese kleine Zauberbox nimmt dein Inputsignal und splittet es permanent in zwei gebufferte Ausgangssignale, sodass dein Sound nicht an Klarheit verliert. Schließ deine Gitarre ans eine Ende und schicke es an einen Tuner, Mixer, separaten Amp etc. und den anderen Ausgang an dein Pedalboard, wie immer.

Need to split your signal? Don’t want to settle for a passive device that will kill your tone and cause signal loss? This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output through your board like normal.

Buffered Splitter

The LPD IMP is a variable input impedance buffer with a signal drive monitor.
Let’s unpack that.

The IMP is a buffer. Buffers help to ensure signal quality through cables longer than 15 feet, multiple true bypass pedals, or if you have a large pedal board.
Variable input impedance allows you to match the input impedance of the IMP to the pickups in the instrument you are using. Think of it as a kind of dynamic tone control based on pickup response.

The DRV indicator gives a visual representation of the output signal strength.

LPD Pedals

IMP Variable Impedance Buffer

Kevin Agiri

Building off the rich, warm, pulsating modulation of the Monument, the Monumental Harmonic Stereo Tremolo is an analog, optical tremolo bringing new controls, features, and width to the Walrus Audio line. New features available in the Monumental include the ability to save presets, blend between standard and harmonic tremolo modes, access to new wave shape and tap division options, and most importantly, a pan control to set the stereo spread of the tremolo to the right and left channels.

Review by guitar pedal X

Review by The Gear Page

Demo by EytschPi42

Monumental

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

Demo by Mike Hermans

EP Booster

BOSS

TU-3S Tuner

Das Voodoolab Giggity Overdrive/Distortion Pedal verfügt über eine Vielzahl von Regelmöglichkeiten, welche die Feinabstimmung des Overdrive/Distorition Sounds erlauben. Die einzigartige Klangregelung mit Bass (Body), Höhen (Air) und einem 4-Weg Tone/Gain Schalter ermöglichen ein sehr gutes Angleichen des Klangspektrums an den gewünschten Amp Sound.

Wie jedes Voodoo Lab Pedal verfügt das Giggity über einen True Bypass Fußschalter sowie eine Status LED Anzeige.

The Voodoolab Giggity overdrive/distortion pedal has a wide range of control options that allow you to fine-tune the overdrive/distortion sound. The unique tone control with bass (body), treble (air) and a 4-way tone/gain switch allow the sound spectrum to be adjusted very well to the desired amp sound.

Like every Voodoo Lab pedal, the Giggity has a true bypass footswitch and a status LED display.

Voodoo Lab

Review by Premier Guitar

Demo by Brett Kingman

Demo by John Nathan Cody

Demo by Premier Guitar

Demo by Sean Pierce Johnson

Giggity

Fusion, eine relativ neue Musikrichtung, die Jazz und Rock, besonders den technischen "Shredder"-Stil der 80er Jahre, verbindet, hat Tom Quayle als eine seiner führenden Figuren. Trotz seines tiefen theoretischen Wissens fand Tom lange keinen passenden Effektpedal. Nach einer Zusammenarbeit mit Wampler Pedals im Jahr 2012 wurde das Dual Fusion entwickelt, mit zwei modifizierten Schaltkreisen aus dem Euphoria und Paisley Drive. Es bietet Klarheit, Kontrolle und einen Verstärker-ähnlichen Sound und spricht Gitarristen verschiedener Genres an.

Fusion, a relatively new genre blending jazz and rock, particularly the technical "shredder" style from the 80s, has Tom Quayle as one of its leading figures. Known for his deep theoretical knowledge and unique playing style, Tom struggled to find a pedal that matched his needs. After collaborating with Wampler Pedals in 2012, they developed the Dual Fusion pedal. It features two modified circuits from the Euphoria and Paisley Drive, designed to give Tom clarity, control, and amp-like response when stacked. The Dual Fusion has become a versatile tool for modern fusion guitarists and appeals to players of all genres.

Wampler

Review by guitarplanet.eu

Review by musicradar.com

Review by guitarfella.com

Review by guitarinteractivemagazine.com

Quick Start Guide

Demo by Har Maes

Demo by  Brett Kingman

Demo by  David Wallimann

Dual Fusion

Cited as a major influence by wah masters such as Hendrix, Clapton, and Vaughn, Buddy Guy helped establish the effect as part of the blues vocabulary. To honor his contributions we have created the Buddy Guy Cry Baby Wah, featuring the Fasel Inductor for a sweet and singing top end, and two distinct user selectable wah voices—choose "DEEP" for a big and throaty growl, or "BG" for Buddy's own warm and bell-like wah tone. Convenient side-mounted LEDs indicate which mode you are in, while a separate LED indicates effect on/off. Let your guitar sing the blues in style with the Buddy-approved polka dot graphics and custom signature tread.

Dunlop

Review by Simon Bradley, musicradar.com

Demo by Guitar World

BG95 Buddy Guy Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Paul De maio

MC8 Pro

DC-2W Dimension C (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

New Pedal Board-copy

Now in an MXR mini housing, the Classic 108 Fuzz gives you all the same vintage fuzz tones in a much smaller footprint. Like its larger predecessor, it's loaded with the silicon BC-108 transistor for a round and dirty crunch. This Classic 108 Fuzz also has the same no-nonsense control interface—just crank the Volume and Fuzz controls to your liking and start riffing. Use the Buffer switch on the side to make the fuzz play nice with wah pedals.

Demo by Eric Merrow

Demo byGuitarristas

M296 Classic 108 Fuzz Mini

Robin Boyd

Feature-rich delay packed with inspirational delay algorithms. Digital, Analog, Lo-fi and Slap Back help go from rhythmic riffs to warm, murky repeats.  stereo in and out, midi 

Review by Gearnews

Review by reddit /guitarpedals

Demo by Guitar Bonedo

MAKO D1 MKII Delay

Emiliano Bermúdez

Das R1 MKII ist ein extrem leistungsstarker und vielseitiger Multifunktionshall, der von intimen, subtilen Reverbs in kleinen Räumen bis hin zu großen, experimentellen Euphorien reichen kann. Mit sechs verschiedenen Programmen, die auf beliebten Reverb-Sounds basieren, die von Grund auf neu entwickelt wurden, können Spieler aller Stile und Genres mit dem R1 ewige Inspiration finden.

The R1 MKII is an extremely powerful and versatile multi-function reverb that can go from intimate, small-room type subtle reverbs to huge, experimental euphoria. With six distinct programs based on fan-favorite reverb sounds that have been built from the ground up, players of all styles and genres will be able to find eternal inspiration with the R1.

Demo by Nobes Music

Review by delicious audio

MAKO R1 MKII Reverb

GREGORY GUENEAU

Mako Series M1 MKII

Der RockBoard Pedalboard Drawer ist eine simple aber extrem effiziente Lösung zum Organisieren und Verstauen von optionalem Zubehör in einem RockBoard Pedalboard. Der Pedalboard Drawer wurde entwickelt, um Zubehör wie Kabel, Plektren, Wireless Systeme und vieles mehr im MOD Slot des Pedalboards aufzubewahren. Durch den zentralen Zugang auf der Front des Pedalboards bietet der Drawer einen sichereren, sauberen und einfach zugänglichen Platz zur Aufbewahrung direkt am Setup. Durch die intelligente Arretierung der rotierenden Schublade ist eine zusätzliche Sicherung nicht notwendig.

- rotierende Schublade für RockBoard Pedalboards
- intelligenter Drehmechanismus mit sicherer Arretierung
- für Zubehör, Kabel, Wireless Systeme, Plektren, etc.
- passt in die MOD-Slot Aussparung von RockBoard Pedalboards (außer RockBoard DUO 2.0, 2.1, und 2.2)
- Material: Verstärktes Polyamid
- inkl. Montagematerial und Werkzeug
- Maße (B x T x H): 175 x 84,5 x 47 mm
- Gewicht: 150 g
- schwarz
- Hinweis: Nicht kompatibel mit den 19" Rack Panel Single oder Double (1U) - Rack Mount for RockBoard MOD

The RockBoard Pedalboard Drawer is a simple but super effective solution to organize and store optional accessories in your RockBoard pedalboard. The Pedalboard Drawer is designed to store accessories such as cables, picks, wireless systems and more directly in the MOD slot of the pedalboard. With access on the front of the pedalboard, the Drawer provides a safer, cleaner, and convenient place for storage. The Drawer opens and closes using an intelligent swivel locking mechanism.

- rotating mounting drawer for RockBoard pedalboards
- intelligent swivel locking mechanism
- for accessories, cables, wireless systems, etc.
- fits MOD slots in RockBoard pedalboards (except RockBoard DUO 2.0, 2.1, 2.2, and 2.3)
- material: reinforced polyamide
- incl. all mounting screws, counter nuts, and tools
- dimensions (W x D x H): 175 x 84.5 x 47 mm / 6 57/64" x 3 21/64" x 1 27/32"
- weight: 150 g / 0.33 lbs
- black
- Note: Not compatible with 19" Rack Panel Single or Double (1U) - Rack Mount for RockBoard MOD

Rotating Drawer for RockBoard Pedalboards

DSP bitch

Daniel Kirk

Jeder kennt die Frustration, die ein durch viele hintereinander verschaltete Effektpedale verfälschtes Signal hervorruft. Pro Audio Mixer haben AUX send/return Funktionen standardisiert um dieses Problem zu lösen. Dies bewahrt die Integrität und Dynamik des Gitarrensignals, da der Effekt mit dem unbearbeiteten Signal "gefüttert" wird.

Der X-Blender verwendet diese professionelle Audio Techologie um die klanglichen Unzulänglichkeiten auszugleichen, die manche Effekte produzieren und ist auf vollständige Transparenz ausgelegt.


It's frustrating to hear the signal deterioration when playing through a chain of effects. Because of the narrow dynamic range and multiple filtering, these effects greatly disturb the directness and trueness of the guitar signal. Pro-audio mixers standardized Aux send/return function to help solve this problem. This preserved the integrity of the guitar'ssignal and dynamics by feeding the effect with the unaffected signal. The X-Blender incorporates pro-audio engineering technology to solve the sonic imperfection some effects produce and was designed to be completely transparent.

Demo by Xotic

X-Blender

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

TU-3W Tuner

The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making
Tape delays.
it is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.

T-Rex

Demo by Martin Klaja's Guitarchannel

Demo by Duskmos

Demo by T-Rex Effects

Review by GEOFF KING, mixdownmag.com.au

Replicator D'LUXE

Tom Gumley

The Echo Fix EF-P2 is a real Spring Reverb pedal that packs a huge sound into a small enclosure. The EF-P2 features a three-spring reverb tank, adjustable Spring Drive, Bass / Treble EQ controls, and Reverb Volume control. With a footswitch for reverb bypass and also a direct signal mute footswitch, the EF-P2 can also be used as an outboard effect in recording studios. The EF-P2 can accept audio signal from synths and other audio devices, not just guitar.

Echo Fix

Demo by Demos in the Dark

Demo by R.J. Ronquillo

Review by musicradar

Review by AMAZONA

EF-P2 Spring Reverb

Branislav Vukobratovic

Die Cioks DC7 Mehrfach-Stromversorgung für Effektpedale stellt im Vergleich zu anderen Geräten dieser Art jeder Menge Energie bereit. Und das in einem flachen Gehäuse, das sogar unter ein Pedaltrain Nano Board passt. Das stattliche Kraftwerk bietet laut Angaben des dänischen Herstellers bei 9 Volt massive 4620 mA Strom und wäre damit rein rechnerisch in der Lage, ca. 577 Tubescreamer-Pedale (!) in Betrieb zu halten.

If you use effects pedals, whether on stage or in the studio, running them from a high-quality power supply is essential to getting the best performance and lowest noise out of them. The best power supplies have regulated, electrically isolated outputs, and that gives the same electrical separation as when running the pedals from batteries — but without the obvious disadvantages! There are several excellent power supplies available that offer such features, but CIOKS have managed to come up with an incredibly compact solution, seemingly without compromising on quality or flexibility.

CIOKS

Review by

Review by bonedo 

Demo by The Pedal Zone 

Demo by CIOKS 

DC 7

Nicolas Wilfer

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

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