Ein grafischer Equalizer, mit dem Sie den Frequenzbereich und die Q-Breite für die Klangformung von Gitarren einstellen können. Mit Nutube in der Vorverstärkersektion werden durch Anheben des Pegels charakteristische Röhrenobertöne und Kompression hinzugefügt. Wählen Sie Frequenzbänder von 100Hz/250Hz/570Hz/800Hz/2,2kHz/5,6kHz, die für eine intuitive Klangformung ausgelegt sind. Zur Erleichterung der aktiven Klangformung sind die Frequenzbänder so eingestellt, dass sie durch Verbreiterung der Q-Breite effektiver sind als bei einem typischen grafischen Equalizer. Es ist einfach, zwischen Backing und Solo zu wechseln sowie allgemeine Einstellungen vorzunehmen. Der Einsatz von Nutube im Vorverstärker sorgt für eine musikalische Verzerrung, wenn der Pegel erhöht wird. Das Fehlen eines Mittenklicks wurde absichtlich für einfache und feine Einstellungen konzipiert.

A graphic equalizer that allows you to set the frequency range and Q width tailored for guitar tone shaping. With Nutube in the preamp section, raising the level adds distinctive tube harmonics and compression. Choose frequency bands of 100Hz/250Hz/570Hz/800Hz/2.2kHz/5.6kHz, designed for intuitive tone shaping. To facilitate active tone shaping, the frequency bands are set to be more effective by widening the Q width compared to a typical graphic equalizer. It’s easy to use for switching between backing and solo, as well as for overall adjustments. The inclusion of Nutube in the preamp provides a musical distortion when the level is increased. The absence of a center click is intentionally designed for easy and fine adjustments.

Demo by  shadow's toy box

Demo by 楽器好きにはたまらない! フーチーズ 渋谷店 

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Review by AMAZONA

Review by bonedo

Valvenergy Tone Sculptor

FUEL INJECTOR offers a distinctive overdrive with clean characteristics, rich harmonics, and a natural sense of compression and bite. Developed by amp manufacturer VOX, this overdrive pedal stands out for its amp-like distortion, in contrast to typical pedal distortions. Unlike effects that color the tone like preamp-style pedals, FUEL INJECTOR preserves its natural characteristics while distorting through Nutube, providing a tone that sounds as if your connected amp is pushed into even more distortion. Compared to many drive pedals, including TS-style ones, it features overwhelming harmonic components and a pronounced compression characteristic reminiscent of a tube amp. The harmonic richness created by distorting Nutube in multiple stages, along with the bias variations unique to tubes, produces a resonant tone, capturing the essence of an amp-like sound.

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Demo by  THE AMP SHOP西田製作所 

Review by Sound on Sound

Review by Guitar Bomb

Review by Guitar World

Valvenergy Fuel Injector

 Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics.

The Real McCoy is voiced for the iconic nasal tone of the original wah model, with an accentuated midrange that imparts a warm and melodic character to your guitar.

Demo by BUZZBEE TV

Demo by kisugita_DIY

Real McCoy Wah VXVRM1

Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics. The Real McCoy Limited wah pedal is also available in a stunning chrome finish.

Demo by qu99

Demo by Gear Sounds

Review by Guitar.com

Review by The Gear Page

Real McCoy Wah Limited VXVRM1LTD

Mit dem V860 liegt die Latte für Gitarrenvolumenpedale ein gewichtiges Stück höher. Vom Look her ähnelt es kaum noch den „klassischen“ Wah-Pedalen aus der VOX-Schmiede: Das schicke Aluminiumgehäuse ist mit einer eloxierten Sandstrahlverarbeitung versehen, die nicht nur robust ist, sondern auch einen wertigen Eindruck macht. Der Pedalmechanismus beruht auf fein abgestuften Zahnrädern, die eine lange Lebensdauer und eine zuverlässige Volumeneinstellung erlauben. Alle Komponenten werden von Hand verlötet, um jegliche Form der Klangfärbung auszuschalten.

The V860 represents a new standard in guitar volume pedals. It’s a reimaging of the classic VOX pedal design exemplified by its well-known wah pedals. The stylish aluminum body features a blasted and anodized finish that is both tough and classy. The pedal mechanism uses gears with a high tooth count, ensuring durability and smooth operation. The components are completely hand-wired, minimizing any change in the tonal character.