Rob Vasko

I dont own the rockboard, but this is the current setup, going into an Ampeg RB-210 with a Portaflex 1x15 HE 

Currently owned pedals.

RB210

Fabian Förster

LEKATO Guitar Looper Effect Loop Pedal 5 Minutes Looping Time ONE Looper Unlimited Overdubs — dare to adventure!

Solid, 24-bit audio construction, convenient USB to upload/download, single-knob operation, 5 min looping w/unlimited overdubs-- LEKATO Looper Pedal has it all.

Lekato

Product Page

Demo by 57studio

Demo by Photo reviews

Review by consordini.com

Manual

Looper Stage 5 Mins

Tester

DigiTech

Review by Gitarre & Bass 

Demo by A2a - Music Encyclopedia

Demo by Austin Bazaar

X-Series Bass Driver Overdrive/Distortion

Isolated Guitar Pedal Power Supply - 1 SPOT Pro models have outputs that can put out 9Vdc, 12Vdc or 18Vdc. The CS12 even has a variable voltage output for old-style fuzz pedals, and a 9Vac output for certain Line6 and Digitech pedals. And if you need to change the voltage of an output, Truetone also makes inexpensive converter cables to help you. There’s the Voltage Doubler, which does exactly what its name says, and the 18V to 9V Converter... which also does what its name says. 

Truetone

1Spot Pro CS7

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Origin Effects

Official Product Video

Review by Compressor Pedal Reviews

Review by Gearnews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

Danelectro

New Pedal

Bacon N' Eggs

Der gewaltige Bass Big Muff-Sound jetzt in einem Nano-Paket. Die Klangfarbe ist vom tankgrünen Russian Big Muff inspiriert, mit dem klassischen Big Muff Pi-Layout der Sustain-, Ton- und Lautstärkeregler.

Mit den Reglern für Lautstärke, Ton und Sustain können Sie Ihre Verzerrung und Ihren Drive formen, während der Dry-Schalter Ihren trockenen Bass mit der Verzerrung des EHX Nano Bass Big Muff mischt.

The huge Bass Big Muff sound now in a nano-sized package. Voicing inspired by the tank green Russian Big Muff with the classic Big Muff Pi layout of Sustain, Tone and Volume controls.

Controls for Volume, Tone and Sustain let you sculpt your distortion and drive, while the Dry switch mixes your dry bass with the EHX Nano Bass Big Muff’s distortion.

Electro-Harmonix

Review by reddit /guitarpedals

Review by Premier Guitar

Review by Talk Bass.com

Demo by Juanka Trujillo

Nano Bass Big Muff PI

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Badger

R-28 DOUBLE THRUSTER is an Overdrive pedalspecially designed for Bass. It sculpts clear and punchy lows, delivering sharp and grainy mid and high frequencies.Compact and portable.

JOYO

Demo by The Bass Channel

R-28 Double Thruster

Elod Bajrami

Altoids

ju.h_mn

Fender

Demo by Steven twangs

Demo by Mic Sustianevo

1-Button Footswitch

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

BOSS

CH-1 Super Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die Darkglass Mircrotubes-Serie hat Familienzuwachs bekommen: Mit dem Microtubes X und seinem größerem Bruder Microtubes X7 ergänzt die finnische Effektschmiede ihr Programm um zwei neue Preamp/Overdrive-Pedale, die erstmals mit Multiband-Technologie arbeiten und den Tieftönern damit noch mehr Flexibilität für verzerrte Sounds bieten. In der Ausstattung unterscheiden sich die beiden Modelle deutlich – wer sich für das kleinere und günstigere Microtubes X entscheidet, muss nämlich auf den D.I.-Ausgang, den 5-Band-Equalizer sowie den Onboard-Kompressor des X7 verzichten. Ob das Microtubes X soundmäßig mit seinem größeren Bruder mithalten kann und für wen die abgespeckte Version vielleicht sogar die bessere Wahl ist, wollen wir in diesem Test herausfinden.

The Microtubes X multiband distortion engine brings into controls producers have been using for years in the studio, allowing you to separate and sculpt the portions of the spectrum that are distorted and remain untouched for ultimate flexibility.

Darkglass Electronics

Demo by  HugoBass

Review by David Abdo, premierguitar.com

Review by Rainer Wind, bonedo.de

Demo by patric hunter 

Demo by darkglass electronics 

Microtubes X

Dave Snippe

DOOM 2 is an original fuzz circuit that turns your input signal into something resembling the sawtooth wave of a vintage synthesizer. Unlike most fuzz-style circuits, DOOM 2 responds to your playing technique and retains note dynamics.
New for version 2 is the you’re / your switch. You’re is the classic DOOM sound - strong upper harmonics, a mid-focused sound, and octavia / ring modulator effects as you play up the neck. Your is a new mode that has a stronger fundamental, more low end and fewer harmonics. This mode sounds more like a traditional fuzz.

3 Leaf Audio

Review by guitar pedal X

Demo by BAssTheWorld

Doom 2

The OptoStomp is a audio compressor that utilizes an optical  sensor to control signal levels.

Website

Review by audiofanzine

Review by Compressor Pdals Reviews

Demo by Peter S

Demo by Simon Smith

Opto Stomp Optical Compressor

Tuwi Yuwi

Make way for the new heir to the octave fuzz throne, the Lizard King from Electro-Harmonix. Directly inspired by the EHX x JHS collaboration released in 2023, the Lizard King takes the gnarly and responsive octave fuzz circuit from the Lizard Queen and optimizes it for bass and beyond. With updated tone controls and a new Blend knob, the bass’s fundamental tone and low-end is preserved while the top-end of the fuzz tone is shaped to fit or dominate any mix!

The EHX Lizard King is a fixed-gain fuzz that is dynamically responsive. Adjustments to your instruments volume affects the amount of fuzz. Lower instrument volumes create a clear, fuzzy overdrive, while full instrument volume sends the gain over the top for ripping riff and searing solo tones. The familiar VOLUME and OCTAVE knobs control overall output and octave blend volume respectively. New to the Lizard King, the BLEND knob sets the mix between your clean and fuzz tones to create the perfect balance of fuzz while retaining your bass’s attack and low-end. The TONE knob is a low pass filter that rolls off the highs, while the SUN/SHADOW switch further enhances the tone of the octave fuzz and clean tones. SUN boosts the octave fuzz with a more driving midrange, and the clean tone accessed by the BLEND knob has more treble and bass frequencies. When the switch is set to SHADOW, the clean tone is unchanged, and fuzz tone is tighter.

Demo by Nate Navarro

Lizard King

KORG

Website 

Pitchblack

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

kayden stehn

Main board 

Das SIB Electronics Mr. Fazeadelic ist ein vierstufiges optisches Phasenschieberpedal für Gitarristen. Es verfügt über zwei Geschwindigkeitsregler, die mit einem Fußschalter umgeschaltet werden können, was eine dynamische Steuerung während der Aufführung ermöglicht. Das Pedal wird in den USA handgefertigt und hat eine blaue Lackierung.

The SIB Electronics Mr. Fazeadelic is a four-stage optical phase shifter pedal designed for guitarists. It features two rate controls that can be swapped using a footswitch, allowing for dynamic control during performances. The pedal is hand-built in the United States and comes in a blue finish.

SIB Electronics

Demo by  J. Rockett Audio Designs

Review by Pedal of the Day

Review by The Gear Page

Demo by Pedal of the Day

Mr Fazeadelic

Giorgi Kipiani

Reverb

Dunlop

GCB-95 Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

joe freeman

Roger Mayer

Review by Guitar Player

Demo by james ryan

Octavia Rocket

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Review by bonedo

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Jonathan James

Demo by 

TU-3 Chromatic Tuner

Der 1 Spot Pro CS11 ist genauso groß wie der CS12, bietet jedoch komplett neue Ausgänge und Optionen. Er ersetzt den CS12 nicht, sondern bietet den Nutzern mehr Leistung und mehr verfügbare 9VDC-Ausgänge. Außerdem besitzt er einen zusätzlichen Ausgang auf der Rückseite, über den sich der CS11 mit den neuen Erweiterungsboxen von Truetone wie dem XP5 und XP8 verbinden lässt. Er geht bis 11… und noch viel weiter.

The 1 Spot Pro CS11 is the same size as the CS12, but with all new outputs and options.  It doesn’t replace the CS12, but gives users more power and more available 9Vdc outputs.  It also has “one more” output on the back, which allows users to connect the CS11 to Truetone’s new expansion boxes like the XP5 and XP8.  It goes to 11… and so much more.

1 Spot Pro CS11

Visual Sound is now TRUETONE, and the new V3 Series Jekyll & Hyde has been re-designed from scratch by Weil and RG Keen to meet the demands of today’s players.  With more flexibility, more great tones, and better construction than any of its predecessors, you’re going to love this new incarnation of a historically great pedal.

Demo by Shawn Tubbs

Demo by Truetone

Jekyll & Hyde V3

Following on the tremendous success of the 1 SPOT Pro CS7 and CS12, Truetone presents the most powerful slim-line power supply in its class, the 1 SPOT Pro CS6. Utilizing the energy efficient technology found in all 1 SPOT’s, the CS6 is the first low-profile power brick to be able to put out up to 1600mA of pure, silent power. Just like its bigger brothers in the 1 SPOT Pro line, the CS6 has a variety of DC voltages available to power just about any pedal on the market. Each output is completely isolated, regulated and filtered, eliminating crosstalk and noise. With no big transformer to hinder their performance, proximity noise is not an issue with any 1 SPOT Pro. The low-profile design of the 1 SPOT Pro CS6 allows it to be mounted under flat pedalboards like the Pedaltrain® Nano and Metro series. However, the compact design is also perfect for mounting on top of pedalboards, serving the dual role of a power supply and pedal riser.

Review by MIXDOWNMAG

Demo by Long & McQuade

1 Spot Pro CS6

Das Angry Fuzz ist ein absolut origineller Einzelpedal-Effekt von Truetone, der jedes bisherige Fuzz-Pedale in den Schatten stellt. Obwohl es über eine Oktavschaltung verfügt, die mit dem Fuzz gemischt werden kann, unterscheidet es sich deutlich vom Octavia oder anderen Vintage-Pedale. Sie können Lautstärke und Fuzz-Pegel einstellen und den Bright-Schalter für Ihren Fuzz-Grundklang ein- oder ausschalten. Mischen Sie die Oktavschaltung mit dem Anger-Level-Regler und voilà: Der unglaublichste Sound, den Sie je gehört haben, begleitet jede einzelne Note. Bei Einzelnoten erhalten Sie eine Oktave mehr. Spielen Sie einen Zwei-Noten-Akkord, und Sie erhalten die Oktave mehr sowie einige wilde Artefakte in der tieferen Oktave.

Funktioniert auch hervorragend mit Bass!

The Angry Fuzz is a totally original single pedal effect from Truetone that will blow away any other fuzz pedal you’ve ever tried. Although it has an octave circuit that can be blended in with the fuzz, it is not at all like the Octavia or other vintage pedals for that matter. You can set the Volume and Fuzz levels as well as turn the Bright switch on or off for your basic fuzz tone. Blend in the Octave circuit with the Anger Level knob and voila, the most incredible sound you’ve heard that tracks with every single note. On single notes, it will give you one octave up. Play a two-note chord and you’ll get the octave up plus some wild lower octave artifacts.

Works great on bass too!

Demo by  We As A Company

Demo by Texas Blues Alley

Angry Fuzz v2

1Spot Pro CS7 by Truetone