Marcell Janssen

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Best Of Both Worlds

Tester

A True Strobe Tuner in a Mini Stompbox Format

Sonic Research

Product Page

Review by Anatomy of Guitar Tone

Manual

Review by The Gear Page

Demo by fiveightandten

Demo by Adam White

St-300 Turbo Tuner Mini

David Litaba

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Strymon

Review by Bonedo 

Review by Amazona 

Demo by Pete Thorn

Demo by Andertons Music 

Cloudburst Ambient Reverb

Adrian Gutierrez

Review by AMAZONA

Review by reddit /guitarpedals

Demo by Antoine Michaud

Demo by Vintage Guitar Workshop

blueSky V1

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Origin Effects

Official Product Video

Review by Compressor Pedal Reviews

Review by Gearnews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

ch ray

Quad Cortex ist der leistungsstärkste Floor-Modeler der Welt. Mit insgesamt 6 Kernen (4x SHARC+ und 2x ARM Cortex-A5 mit jeweils 500 MHz) eröffnet diese unglaubliche Rechenleistung grenzenlose Möglichkeiten im Bereich des Sounddesigns.

Quad Cortex is the most powerful floor modeler on the planet. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 running at 500MHz each), this ludicrous amount of processing capacity provides limitless sound design possibilities.

Neural DSP

Review by wired

Review by Fractal Audio Forum

Review by guitarguitar

Quad Cortex 2.0 manual

Demo by EytschPi42

Demo by Neural DSP

Quad Cortex

PedalSafe Type NRL

QuickMount Type NRL 

Pedal-Montageplatte für das NEURAL DSP Quad Cortex Pedale

Pedal Mounting Plate for the NEURAL DSP Quad Cortex pedal

Schutzabdeckung & RockBoard-Montagep für NEURAL DSP Quad Cortex Pedal

Protective Cover & RockBoard Mounting Plate For NEURAL DSP Quad Cortex pedal

Schutzabdeckung & universelle Montageplatte für NEURAL DSP Quad Cortex Pedal

Protective Cover & Universal Mounting Plate For NEURAL DSP Quad Cortex pedal

James Morse

The greatest pieces of studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Boost. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Boost reimagines this classic preamp as a tone-shaper and drive pedal for guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by bonedo

Review by Guitar World

Demo by AndyDemos 

Demo by Peach Guitars

DCX BOOST

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

Julia analog chorus and vibrato from WalrusAudio.com. Julia offers a unique blend knob to blend your dry signal with chorus or blend between chorus and vibrato.

Walrus Audio

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Nobel Music 

JULIA

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Michael Hodgson

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Berry Gibson

El Capistan V1

Gilles Peynet

KingTone

Kingtone Website 

Demo by Buddy Blues

Mini Fuzz v1

ISP Technologies

Deci-Mate

julien Tabarly

The Protein 2 in 1 Overdrive is a collaboration between David Brown and guitarist/producer Adam Sniegowski.  After years on the road and in the studio using backline amps that could be very inconsistent,  Adam came to Dave wanting to create a dual overdrive that would sound great with any backline he encountered. They started with two drives they loved, stacked well together, but had a few inherent issues. Dave set out to fix those issues without losing the soul of the originals.

Browne Amps

Review by ThatGuitarLover

Overdrive Comparison by That Pedal Show 

Demo by Michael W. Westbrook 

 Demo by Alberto Berrero

Demo by Jackson Brooksby

Demo by Ben Neal

Protein Dual Overdrive V3 (Black)

Mit mehr als 20 Jahren an Expertise im Bereich Reverb-Modeling legt Dir UAFX Golden Reverberator ein Trio der besten legendären Reverbs direkt zu Füßen. Der röhrenbetriebene Federhall klassischer Gitarrenverstärker der 60er Jahre. Der dichte und eindringliche Klang von 50er Jahre Studio Plate-Reverbs. Das unendliche algorithmische Wunder der frühen digitalen Reverb-Hardware.

Basierend auf dem leistungsstarken UAFX Dual Engine Processing und einem noch nie dagewesenen Maß an klanglicher Authentizität ist der Golden Reverberator ein kompromissloses Flaggschiff Hallgerät, das Dich jahrzehntelang inspirieren wird.

Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.

Built upon powerful UAFX dual-engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no-compromise reverb unit, built to inspire you for decades

Universal Audio

Review by Sam Goffen, samgoffenguitar.com

Review by Thomas Dill, bonedo.de

Demo by Kris Barocsi

Demo by Mattjew Kelly

Golden Reverberator

Demo by StrobeTuner

ST-300 Turbo Tuner

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

hugo beaulieu

Sandbox Pedal Board

How do you get too much reverb? Trick question – kinda like, how much bacon is too much? There’s never too much! With a wealth of studio-quality algorithms on tap and 4 preset buttons that double as MASH expression switches, HALL OF FAME 2 X4 REVERB is the ultimate ambience powerhouse.

TC Electronic

Review by mixdownmag

Demo by Jurren Mekking

Hall of Fame 2 X4

Es war der Oktober im Jahr 1971, als die Mannen von Pink Floyd ihr berühmtes Werk „Live at the Pompeii“ im Amphitheater der gleichnamigen italienischen Stadt aufnahmen. Stets mit dabei war eines der wohl angesagtesten Effektgeräte der damaligen Zeit – das Binson Echorec. Wohl kaum ein anderes Gerät prägte so maßgeblich den Sound von Pink Floyd der frühen Jahre wie dieses Echogerät, dessen Prinzip auf einer rotierenden Magnetscheibe basierte, die mit vier Tonköpfen das Signal aufnahm bzw. abspielte. Dabei machte nicht nur Leadgitarrist Dave Gilmour vom Echorec gebrauch, auch Bassist Roger Waters und Tastenmann Richard Wright nutzen diese Maschine ausgiebig.

The Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn’t realize. We’re talking about variable delay time! We thought, “What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson?” Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life!

Catalinbread

Demo by The Pedal Zone 

Demo by Catalinbread Effects

ECHOREC

Das Catalinbread Reverb-Pedal hat das gleichnamige Programm des Yamaha FX500 Multieffektgeräts aus den 90er-Jahren zum Vorbild. Maßgeblichen Anteil hatte dieser Ambient-Reverb am Sound der britischen Band Slowdive auf ihrem Album Souvlaki, das heute unter Fans des sogenannten Shoegaze-Stils als absoluter Klassiker gilt. Und das, obwohl die Signalqualität des FX500 laut diverser Aussagen im Netz mit heutigen Maßstäben nicht mithalten kann.

With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit: no mix control, a sub-par preamp, and a ghastly tone-sucking bypass signal. At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three paths. One path contains a multi-voiced chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched.

Note - The Soft Focus runs from 9 to 18 volts using a standard DC center-negative power supply for pedals. Make sure you’re using a supply that provides at least 100mA. Running the Soft Focus at 9V will sound great, but if you want a bit more output, a dry signal boost and increased headroom, try any voltage you like up to 18V! The Soft Focus does not run on batteries.

Review by Premier Guitar

Demo by Mark Johnston

Demo by Demos In The Dark 

Demo by SweetWater

Soft Focus Reverb

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Claus Jensen

BL-44 is a reverse pedal within our BL line. It is a real-time reverse delay, constantly reading backwards what you put into it forwards. With control over the system clock, the user can affect delay time and overall quality of the delay, from fast playback to slow, degraded buffers. It is simple in control and surprising in sound.

Old Blood Noise Endeavors

Demo by Dan Pechacek

BL-44 Reverse

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Demo by Rabea Massaad

ARP-87 Multi-function Delay

PedalSafe Type B2

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tim TURPIN

When designing the temperature controlled fuzz, we tried some unusual approaches. One false start utilized a voltage controlled error correction circuit to bias a single germanium transistor. It ultimately didn’t work for the fuzz, which is comically sensitive to transistor gain attributes. 

We did find a place for it though. 

It turns out it was PERFECT for achieving a germanium clean boost that, (like our fuzz) is impervious to component drift, leakage, and temperature....moreso in fact. We also fixed a couple other issues preventing the germanium transistor from being used as a convinc- ing linear boost...we increased the input headroom (even a normal guitar signal will drive a germanium transistor into unwanted input distortion without some tweaks) and increased the input impedance (a BJT transistor would normally thin out bass frequencies and interact negatively with whatever flows into it). 

The result is a germanium clean boost that can utilize a germanium transistor WITHOUT the weird artifacts that were previously accepted as part of the deal...temperature sensitivity, drift, and suboptimal input impedance and headroom. 

After the boost is first powered up, it takes about ten seconds before the error correction circuit correctly biases the germanium transistor After this things get interesting....we can hear how having the boost engaged makes guitar signals sound more musical...even when set at the same volume as the bypassed tone. Notes are given a simultaneously smoother and more detailed character, like a compressor but different. Some people we’ve shown it to have noted that it appears to deemphasize the unwanted parts of a signal and enhance the good. It’s killer on bass. It helps acoustic guitar pickups sound more natural. And of course it’ll push your amp into a frenzy. 

Benson Amps

Demo by JayLeonardJ

Demo by Demos In the Dark

Demo by AndyDemos

Germanium Boost (Black)

Jeff Welsch

The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.

Demo by Sweetwater

Mary Cries

EarthQuaker Devices

Special Cranker

QuickMount Type B

Der Lightspeed Organic Overdrive ist ein Overdrive mit sehr natürlichem Klang. Warum „organisch“? Nun, einfach gesagt, es ist der klarste, natürlichste und beste Overdrive, den wir je gehört haben, für Spieler, die einen natürlichen Drive-Sound suchen. Dieses Pedal harmoniert mit dem Klang der Gitarre und des Verstärkers und hat satte Obertöne und komplexes, aber sanftes Clipping. Der Lightspeed Overdrive reagiert empfindlich auf den Anschlag des Plektrums und hat ein anderes „Gefühl“ als andere Overdrives. Der Lightspeed kann auf „transparent“ eingestellt werden, kann Ihr Signal aber auch bis an den Rand treiben.

The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why "organic"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge. 

Greer Amps

Review by Sam Goffen Guitar

Review by Premier Guitar 

Demo by Premier Guitar

Demo by Andertons

Lightspeed (Standard Blue)

You asked for it…we went to work…it’s wonderful.

The Black Tiger Delay Device is an amazing delay pedal. What would happen if you took the sound of two vintage tape delays, and sprinkled in a bit of sound from a vintage oil-can delay? Well…you’d be in delay heaven, or at least we think so. So, that’s what we did! After countless requests for a Greer Amps delay, we’ve finally answered the call. We took the time to engineer this delay to have the sound and feel of those vintage delays, with some added touch sensitivity. The front end of the Black Tiger is structured in a way that lets the nuances of your playing come through. If you’re looking for a delay that has the warmth of vintage studio equipment, with some slight grain on the repeats, then look no further. The Black Tiger is the answer.

Demo by Coast Sonic

Review by delicious audio

Review by Pedal of the Day

Black Tiger

Das EarthQuaker Devices Ghost Echo ist ein Vintage-Reverb-Gerät, das entwickelt wurde, um den atmosphärischen Charakter klassischer röhrenbetriebener Federhall-Einheiten zu emulieren. Diese analog-digitale Hybrid-Schaltung nutzt einen einzigartigen Pre-Delay-Bereich von 30 ms bis 150 ms, um alles von subtiler Raumatmosphäre bis hin zu tiefen, höhlenartigen Echos zu erzeugen. Durch die Trennung des ersten Anschlags vom verhallten Signal ermöglicht es präzise Slapback-Töne, die bei schnellem Spiel artikuliert bleiben. Die aktuelle V3-Version verfügt über verbesserte Operationsverstärker für einen geringeren Rauschanteil und einen neu kalibrierten Dwell-Regler, der zur Selbstoszillation fähig ist. Eine spezielle Zusammenarbeit mit dem Kreativstudio Brain Dead führte zu einer limitierten Edition mit individuellem, psychedelischem Artwork.

The EarthQuaker Devices Ghost Echo is a vintage-voiced reverb unit designed to emulate the haunted, atmospheric character of classic amp-top spring tanks. This analog/digital hybrid circuit utilizes a unique pre-delay range of 30ms to 150ms to create everything from subtle room ambiance to deep, cavernous echoes. By separating the initial attack from the reverberated signal, it allows for distinct slapback tones that remain articulate during fast playing. The current V3 iteration features upgraded op-amps for a lower noise floor and a recalibrated dwell control capable of reaching self-oscillation. A specialized collaboration with the creative studio Brain Dead resulted in a limited edition version featuring custom psychedelic artwork.

Demo by The Pedal Zone

Review by Music Connection

Ghost Echo Vintage Voiced Reverb

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

NS-2 Noise Suppressor

blueSky V1 by Strymon