Thomas & Simone RhPf Electronics

Monolithic Grooves & Sonic Rituals. 
At the heart of Janek’s rig lies the brooding low-end force of RhPf’s Basilisk and the dynamic, touch-sensitive versatility of the Mosferatwo — a combo tailored to the sludgy stomp and riffy swagger of Gentle Beast. From earthquaking doom passages to psychedelic tremble-and-howl sections, his board is designed for maximum feel and narrative control.

The Carl Martin Octa-Switch II anchors the setup for quick live changes, while staples like the Big Muff Pi, Strymon blueSky, and Carbon Copy add saturated filth, cavernous reverb, and analog warmth. A Drone Rainger sits up top for chaotic, glitched-out textures — a clear nod to the band’s more experimental side.

Modulation comes courtesy of an MXR Phase 90 and Ibanez Weeping Demon wah, with additional character from a Pharaoh fuzz and a unique high-headroom overdrive/tone shaper that hints at Janek’s deep commitment to tonal sculpting. Expect seismic fuzz, sculpted mid scoops, and sudden eruptions of beautifully unhinged noise.

Gentle Beast - Janek Huschke

Der Basilisk ist ein High-Gain-Stoner-Doom-Distortion-Pedal, das mit brachialem Bassfundament, fettigem Sustain und einem röhrenden, fuzzigen Sägezahn-Sound überzeugt. Inspiriert vom legendären Basler Basilisken wurde dieses Klangmonster erschaffen, um selbst die schwersten Riffs zu beherrschen.

The Basilisk is a high-gain stoner doom distortion pedal, delivering crushing low-end, thick sustain, and a roaring fuzzed-out grind. Inspired by the legendary Basel Basilisk, this monster of tone is designed to dominate the heaviest of riffs.

RhPf Electronics

3D Viwer and AR tool

Interactive Frequency Response

Product Page

Manual

Basilisk

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

Demo by We As A Company

Demo by Philip Czarnecki

3D Viewer and AR tool

Interactive Demo

News Letter

Mosferatwo

Tester

Der OctaSwitch MKII ist ein 8-fach Looper/Switcher, bei die Effektpedale in die acht Effekt-Loops auf der Rückseite dieser Einheit (alle mit True-Bypass, widerstandsfrei und mit Gold-Relais, damit alle Pedale, sowohl neue als auch alte, verwendet werden können). Durch An- und Ausstellen der nummerierten Schalter in jeder der acht DIP Bank Switches stellt man ein, welche Effekte man simultan je Bank nutzen möchte. Eine blaue LED für jeden Effekt-Loop und jede Bank. Der Octa-Switch II verfügt jedoch noch über eine Reihe weiterer Features! Der neunte Fußschalter auf der Linken Seite ist ein Bypass-Switch, der es erlaubt alle acht Pedale komplett aus der Signalkette zu nehmen und den unbeeinflussten Klang direkt an den Verstärker zu senden. Es gibt außerdem zwei externe Schaltbuchsen, welche die Verwendung von zwei Verstärkern erlauben und/oder das Umschalten der Kanäle auf diesen Amps. Der OctaSwitch bietet einen Mono Eingang (bei Bedarf gebuffert) und einen Stereo Ausgang.

The OctaSwitch MKII is an 8-loop switcher/looper that allows you to connect effect pedals to its eight effect loops on the back of the unit. All loops feature true bypass, are resistance-free, and use gold-plated relays, making them compatible with both modern and vintage pedals. By toggling the numbered switches in each of the eight DIP bank switches, you can determine which effects are activated simultaneously in each bank. A blue LED indicates the status of each effect loop and bank.

However, the OctaSwitch II offers even more features! The ninth footswitch on the left side is a bypass switch that allows you to completely remove all eight pedals from the signal chain, sending the unprocessed signal directly to the amplifier. Additionally, there are two external switching jacks that enable the use of two amplifiers and/or channel switching on these amps. The OctaSwitch provides a mono input (which can be buffered if needed) and a stereo output.

Carl Martin

Review by Marshall Forum

Demo by Brett Kingman

Review by Zzounds

Review by Rig Talk

Octa-Switch MK2

Ibanez

WD-7 Weeping Demon wah

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

BOSS

Review by bonedo

Demo by Gear4music 

Demo by Equipboard

Official Product Video

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

RockBoard

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks 

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Product Page 

Pharaoh

Giordano Rivolta

It’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom/heavy/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!

Rainger FX

Review by PREMIER Guitar 

Review by pedal of the day 

Demo by Pedalof the Day 

Demo by Do Noise 

Drone Rainger

Oft kopiert aber nie erreicht, rangiert das schwer zu findende, originale, Phase 90 bei den Sammlern alter Bodentreter ganz weit oben. Das Original - seit der Gründung der Firma Dunlop bis in die späten 70er Jahre erhältlich – definierte den klassischen Phase Shifter Sound und war in allen Musikstilen zu hören, egal ob Hard Rock, Jazz-Fusion oder Funk-Hits. Der nach dem Kultpedal der Firma designte Phaser kommt puritanisch mit einem Regler aus, über den der Phaser-Speed einstellbar ist. Eine rote LED über dem stabilen Fußschalter zeigt den Schaltstatus an. Das massive Spritzgußgehäuse verfügt über jeweils 1/4" Klinke In- und Out-Eingänge. Betrieben wird der Kulttreter mit einer 9V Batterie, die in einem leicht zugänglichen Batteriefach auf der Unterseite Platz findet. Es ist erhältlich in der ursprünglichen orangenen Farbe.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles effect on/bypass (red LED indicates on) Speed knob varies rate of phase sweep

Review by Guitar Player

Demo by Reverb

M101 Phase 90

akai map

Electro-Harmonix

Ram's Head Big Muff Pi

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

Adrian Gutierrez

Strymon

Review by AMAZONA

Review by reddit /guitarpedals

Demo by Antoine Michaud

Demo by Vintage Guitar Workshop

Bluesky V1

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

Silvio from Loopy Demos is a web developer, musician, and gear nerd from Germany, known for turning pedal demos into interactive web experiences. His compact pedalboard is built for quick jam sessions but reflects his refined tone philosophy and deep technical chops. At the start is a Polytune 2 Noir keeping things in tune, followed by the Boss DM-2W for warm analog delays that sit perfectly in a mix. The RhPf Mosferatwo is his main drive — delivering anything from snappy edge-of-breakup to thick, swampy fuzz, depending on how it's dialed. He complements this with the Smallsound/Bigsound Mini, a dynamic fuzz/overdrive hybrid that rewards nuanced playing. Rounding it out is the Fairfield Shallow Water, adding characterful pitch wobble and murky ambience, ideal for lo-fi textures. His primary guitar is a Fidelity Guitars Stellarosa Lite II, equipped with Lollar Firebird pickups and a Descendant vibrato, offering a glassy, punchy tone that balances Tele-style clarity with extra heft. Silvio records all his demos by reamping prerecorded DI tracks through each pedal, captured via his UAD Volt 4 interface and most recently routed through a Benson Chimera amp sim in Logic. His setup is clean, efficient, and highly musical — just like his website loopydemos.com, where visitors can tweak pedal knobs in real-time and hear the sonic results instantly.

Stellarosa Lite II

Loopy Demos - Silvio

Volt 4

Smallsound / Bigsound

Mini

Shallow water
K-Field Modulator

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.

Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.

K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours.

The water is shallow on this side of the pool. Do not dive and you will not drown.

Fairfield Circuitry

Product Video by FairfieldCircuitry

Shallow Water

DM-2W Delay (Waza Craft)

ch ray

The first POLYTUNE NOIR raised the bar for how über-cool a tuner could be with its compact design and sleek black look. Now POLYTUNE 2 NOIR is here to rock pedalboards around the world! Featuring a super-bright LED display, an insanely-accurate strobe tuner and our groundbreaking polyphonic tuning mode, POLYTUNE 2 NOIR packs the most-innovative tuning technology into a tiny enclosure in the coolest color of all – basic Black. Tuning has simply never been more rock ‘n’ roll!

TC Electronic

Demo by Daniel Seriff

Demo by Nick Rees

Polytune 2 noir

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

William W

Dream Board

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

Review by KAHFA

Demo by Philomena Music and Demo

Capharnaüm

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

Mo(s)ghoul

Sylvain Puysegur

Dark Star ist ein charaktervoller Lo-Fi-Reverb – ideal für langsame Anschläge und die Erzeugung atmosphärischer Pads. Rund um den Kernklang bieten zahlreiche Regler Möglichkeiten zur Klangverfremdung: Signalabbau, Filterung, Pitch-Shifting, zusätzlicher Delay sowie nützliche Parameter wie Mix und Volume.

Für maximale Integration in verschiedenste Setups verfügt der Dark Star über Stereo-Ein- und Ausgänge, analoges Dry-Through sowie wahlweise Trails- oder True-Bypass-Schaltung. Presets, Expression-Steuerung für jeden einzelnen Regler und vollständige MIDI-Kontrolle über sämtliche Parameter runden das leistungsstarke Feature-Set ab.

Ein Reverb für jede Position in deiner Signalkette – fast schon ein eigenes Instrument.

Dark Star is a characterful lo-fi reverb, ideal for slow attack and pad generation. Around the core voice are a number of controls for signal degradation, filtering, pitch shifting, added delay, and utilities like mix and volume. For integration into many different rigs, Dark Star has stereo in and out with analog dry through and trails or true bypass switching. Presets, expression control over every knob, and MIDI control over every element round out the robust feature set.  This is a reverb for anywhere in your signal chain, and almost an instrument of its own.

Old Blood Noise Endeavors

Review by delicious audio

Review by guitar pedal X

Demo by Harp Lady

Demo by The Pedal Zone

Dark Star V3

Stephen Walton

Chase Bliss

Video Manuel

MOOD MKII

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Demo 

Old Blood Noise Black Fountain Product Page 

Black Fountain-copy

GREGORY GUENEAU

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

KMA Machines

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

Manual Page

ENDGAME - Duality Calibrator

The Gravity Well analog tremolo/wavefolder/refractor is your sonic submersible for exploring subaquatic psychedelic netherworlds of sound. It's a dual pedal featuring a tremolo on one side and a wavefolder on the other. When both sides are active a third effect emerges, a refractor, a first-of-its-kind style of modulation effect produced by integrating the tremolo and wavefolder to rhythmically and fluidly warp and un-warp your signal, producing a dazzling variety of never-before-heard sounds and textures.

Possibilities are endless, but include analog synthesizer sounds, touch sensitive envelope filter-esque sweeps, heavy cinematic pulsing rhythms, splatty gnarly alien fuzz, ring mod like bell tones, science fiction sound fx and textures, and surfy tremolo warbles, just to name a few!

Cosmodio Instruments

Review by Pedal of the Day

Demo by rob. robn

Gravity Well

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Walrus Audio

Review by Guitar.com

Demo by Rabea Massaad

Demo by Knobs

Demo by Walrus Audio

Julianna

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Ein paralleler 3-Band-Enhancer mit unabhängigem Gain- und Level-Setup für Bässe, Mitten und Höhen. Der Tri-Hormonic Phalanx formt jede Frequenz separat – mit Klarheit und Kontrolle. Verleihe deinem Sound Druck im Bass, Präsenz in den Mitten oder Glanz in den Höhen, ohne Überschneidungen. Für transparente Klangformung oder gezielte Sättigung – immer phasenstabil, immer musikalisch.

A parallel 3-band enhancer with independent gain and level controls for lows, mids, and highs. The Tri-Hormonic Phalanx lets you shape each frequency band separately—add grit to the mids, shimmer to the highs, or body to the lows, all without overlap. Whether for clean sculpting or stacked harmonic saturation, it delivers clarity, power, and phase-coherent balance.

Tri-Hormonic Phalanx

Fabian Förster

Wenn du Bass auf einem Track spielst, hast du vielleicht das Gefühl, dass der Bass-Sound nicht gut in den Track „passt“. Vor allem bei Songs, die intensiver oder härter klingen. Wenn du mit deinem Bass einen aggressiveren Ton erzeugen willst, kann eine extreme Verzerrung wie ein Fuzz eingesetzt werden - oder du kannst eine leichtere Gain-Lösung verwenden, die den Ton deines Basses beibehält. Dies ist der Surfing Polar Bear Bass OD (MOD BY BJF)

Basierend auf dem beliebten Surfing Bear Overdrive-Pedal von Animals Pedal haben wir mit Hilfe des genialen Effektdesigners Björn Juhl von BJFe den bestmöglichen Bass-Overdrive geschaffen - den IT'S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. Er hilft nicht nur dabei, den übersteuerten Sound klassischer Röhrenbass-Amps aus den 60er und 70er Jahren zu erzeugen, sondern moderne E-Bassisten spielen auch härtere Linien im Einklang mit den Rhythmusgitarren, um massive Riffs zu kreieren.

Probiere den SPBBOD mit deinen Fingern aus und sieh, wie dynamisch er auf jede Note reagiert. Du kannst mit dem Lautstärkeregler oder deiner Spielstärke von Clean auf Overdrive umschalten. Schlage ihn hart an und erhalte die OD-Kante. Spielen Sie sanft und Sie werden mit einem satten, fast cleanen Ton belohnt. Die Wahl liegt bei deinen Fingern. Es ist nicht nur der Rest der Band, sondern auch der Sound und das Gefühl des Overdrive, bei dem du die tiefen und tiefen Töne deutlich hören kannst, mit einer schönen Kante auf deinem Basston, die dich ins Rampenlicht katapultieren kann!

When you’re playing bass on a track, you may feel that the bass sound doesn’t “sit” well within the track sonically. Especially with songs that are more intense or fierce sounding. If you want to make a more aggressive tone with your bass, distortion can be extreme like a fuzz – or you can use a more light-gain solution that retains the tone of your bass. This is the Surfing Polar Bear Bass OD (MOD BY BJF)

Based on Animals Pedal’s popular Surfing Bear Overdrive pedal, we have made the best bass overdrive possible with the help of genius effects designer Björn Juhl from BJFe – the IT’S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. In addition to helping create an overdriven sound from classic tube bass amps from the 60s and 70s, modern electric bassists are also playing heavier lines in unison with the rhythm guitars to create massive riffs.

Try the SPBBOD with your fingers and see how it responds dynamically to every note. You can switch from clean to overdrive with your volume knob or your playing strength. Hit it hard and get the OD edge. Play softly and be rewarded with rich almost clean tone. The choice is up to your fingers. It’s not only the rest of the band, but also the sound and feel of the overdrive where you can clearly hear the low end and root notes with a beautiful edge on top of your bass tone that can propel you into the spotlight!

Animals Pedal

Review by Reddit /guitarpedals

Demo by 【ムツミ】Mutsumi

Demo by LEP INTERNATIONAL

Surfing Polar Bear Bass OD MOD

Multi-reverb with preset capability and intuitive control.

Four unique reverb algorithms.

Four programable presets.

Intuitive interface.

Native Audio

Demo by R.J. Ronquillo

Ghost Ridge V1.5

ISO Power Block V12 IEC

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

From the loudest corners of Bern’s garage rock scene, Tim of The Attycs brings a pedalboard that hits like a sonic wrecking ball—built for grit, chaos, and absolute control when it counts.

The chain starts with the Shure GLXD16+—wireless and precise—before diving into the pitch-bending madness of the EHX Pitch Fork. From there, it slams into the heart of his tone: the RhPf Mosferatwo, dialed for searing gain and snarling articulation. When things need to get nastier, the ThorpyFX Fallout Cloud steps in with thick, saturated fuzz.

Delays come in layers. First, the MXR Carbon Copy for warm analog repeats, then the Boss DD-8, clocked perfectly with an MXR Tap Tempo—a must when the tempo shifts onstage. The chain ends with the EarthQuaker Avalanche Run V2, adding cinematic trails and swirling ambience when the fuzz clears.

And for vocals? A Death By Audio Echo Master sits on its own loop—grimy, slapback-soaked, and ready to distort every shout into something bigger than life.

The Attycs - Tim

Filippo Rimondi

Der MXR Tap Tempo-Schalter verfügt über eine einstellbare Tip/Ring-Konfiguration, sodass Sie die Verzögerungszeit einer Vielzahl von Delay-Pedaltypen steuern können. Dieser kleine Fußschalter ist robust gebaut und für ein langes Leben auf Tour geeignet.

The MXR Tap Tempo switch features adjustable tip/ring configuration so you can control the delay time of a wide variety of delay pedal types. This pint-sized footswitch is ruggedly built for a lifetime on the road.

MXR M199 TapTempo Switch

Der Death By Audio Echo Master ist ein analoges Lo-Fi Delay im Tape-Style, dass speziell als Vocal-Effekt entwickelt wurde und die Stimme in ein experimentelles, chaotisches Feld aus Rauschen, Wiederholungen und Rückkopplungen bringen kann. Über den integrierten Effekt-Loop lassen sich weitere Effektpedale ganz einfach ohne zusätzliche Adapter in den Vocal-Sound einbinden. Der Echo Master überzeugt neben dem Delay-Effekt mit gematchten Bourns-Transformern am Input auch als lebendig klingender und Rückkopplungs-minimierender Vocal-Preamp. Bei dezenten Settings eignet sich der Echo Master als Always-On Effekt, um dem Signal eine phänomenale Qualität zu geben und den Klang der Stimme vollständig zu kontrollieren, bevor man damit in die PA geht.

Designed for vocals, the Death By Audio Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use any of your favorite effects pedals on your vocal sound without any adapters. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.