Der wahrgewordene Traum eines jeden Bassisten. Im Grunde ein dreikanaliges, ultraflexibles Dirt-Pedal, mit dem man jede Menge Fuzz-, Overdrive- und Clean-Sound mischen kann
. Das Fuzz- und Overdrive-Signal läuft parallel und das Instrumentensignal wird am Eingang gesplittet und geht in beide Schaltungen (im Gegensatz zu seriell oder 'gestapelt', wo ein Effekt in den anderen läuft). 

Die beiden Ausgänge werden über den „DIRT MIX“-Regler gemischt. Dadurch ist eine beliebige Mischung von Drive- und Fuzz-Sounds möglich. Das verzerrte Signal kann dann über den „CLEAN MIX“-Regler mit einer beliebigen Menge an starkem Cleansound gemischt werden. Die Beimischung von Cleansound hilft dabei, den Punch und die Tightness der tiefen Frequenzen zu erhalten, was für ein Basspedal sehr wichtig ist. Diese Funktionen verleihen dem Submerge ein unvergleichliches Maß an Flexibilität. Es ist in der Lage, alles von subtilen, ampelähnlichen Overdrives bis hin zu verrücktem Fuzz-Chaos zu bieten.

A bass player’s dream-come-true pedal. Basically a three channel ultra-flexible dirt pedal, allowing you to mix any amount of fuzz, overdrive and clean sound
The fuzz and overdrive runs in parallel and the instrument signal is split at the input and enters both circuits (versus seriel or 'stacked' where one effect runs into the other). 
The two outputs are mixed via the “DIRT MIX” control. This makes any mix of drive and fuzz sounds possible. The distorted signal can then be mixed with any amount of strong clean sound via the “CLEAN MIX” control. Mixing in clean sound helps preserving low-end punch and tightness, which is important for a bass pedal. These features gives the  Submerge an unparalleled level of flexibility. It is capable of everything from subtle, amp-like overdrive to full-on, crazy fuzz mayhem.

Product Page

Manual

Submerge

The Old Black Shoe is a signature pedal I developed for Australian artist Harry Howard, who is the singer and guitarplayer of Harry Howard And The NDE – and maybe better known as the bass player of Crime And The City Solution and These Immortal Souls. Harry is also the younger brother of Rowland S. Howard

Demo by Reuss Musical Instruments 

Old Black Shoe

Vier Effekte in einem kompakten Pedal, basierend auf den integrierten Effekten von Vintage-Vox-Gitarren (Starstream, Ultrasonic usw.)
Vintage-korrekte „Verzerrung“ (Fuzz), „Höhen-/Bass-Booster“ und Repeat-Percussion-Schaltkreise
Vintage-korrekte „Blechdosen“-Transistoren BC108, BC109 und 2N2646
Leistungsstarker, umschaltbarer Clean-Boost-Schaltkreis gleicht den inhärenten Lautstärkeverlust der Vintage-Schaltkreise aus
Alle vier Effekte können einzeln verwendet werden. Ein Master-Bypass-Fußschalter schaltet das komplette Pedal ein und aus
Alle vier Effekte verfügen über mechanische True-Bypass-Schaltung
Send/Return-Loop zum Anschließen eines Wah-Pedals (oder eines anderen Effekts) an der richtigen Stelle in der Signalkette, um das integrierte „Palm Wah“ der alten Vox-Gitarren nachzuahmen (Wah-Pedal nicht im Lieferumfang enthalten – verwenden Sie Ihr eigenes)

Four effects in one compact pedal, based on the built-in effects of vintage Vox guitars (Starstream, Ultrasonic etc.)
Vintage correct ’distortion’ (fuzz), ’treble/bass booster’ and repeat percussion circuits
Vintage correct ’tin can’ BC108, BC109 and 2N2646 transistors
Powerful, switchable clean boost circuit compensates for the inherent volume-loss of the vintage circuits
All four effects can be used individually. One master bypass footswitch turns the complete pedal on and off
All four effects features mechanical true bypass switching
Send/return loop to connects a wah pedal (or other effect) in the correct place in the signal chain, to mimic the built-in ’palm wah’ of the old Vox guitars (wah pedal not included – use your own)

Official Product Video

Demo by  Jake Wildwood & Co

Review by Offset Guitars

Review by reddit /guitarpedals

Repeater Fuzz MKIII

An octavia pedal like you never heard it before. More vintage than vintage. Built with new old stock germanium transistors and diodes
The Reuss Octaviaze pedal came about from experimenting with the Warren Ellis Muzzbox circuit board. This is basically a vintage 1960s Octavia circuit built with a pair of germanium NPN transistors replacing the silicons that goes into every other Octavia past and present. The sound is something else too. Extremely complex and very, very cool. Softer and warmer and less abrasive sounding than the usual Octavia. But still wild and crazy.

Octaviaze

The Reuss Repeater Fuzz Mk IV marks a return to the two-in-one pedal concept of the old Mk I and II. The pedal features a fuzz part and a repeat percussion part, each with their own dedicated footswitch and level control.
The Repeater part of the Mk IV is identical the Reuss 'stand-alone' Repeater pedal, which means it features an added the MIX control (clean blend), which was not part of the vintage Vox Repeat Percussion effect. The mix control makes it a more useful and less extreme tremolo effect, because the amplitude of the spikes can be watered out by mixing the effect with the clean sound. Still, you can have the pure, undiluted full-on psychedelic stutter when you need it (MIX control all the way down).

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