Tachin Sum

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

NET Pedal Board 01

ch ray

The Highline Stereo is a full-featured line isolator that is specifically designed to address the needs of instrumentalists who use amp modelers, allowing them to seamlessly connect to a PA or a recording system while maintaining their full signal integrity with no added noise or distortion. The Highline features premium Jensen 1:1 transformers, which retain the full volume level from the pedalboard to the PA, while also providing galvanic isolation that eliminates ground loop noise for a clean and noise-free signal. The balanced outputs of the Highline Stereo allow for long cable runs to the PA, and the device also blocks phantom power so it never reaches the pedalboard. The Highline Stereo can be easily reconfigured for multiple setups with the use of two summing switches: these allow you to connect to the PA or your stage monitors in either stereo or mono.

Radial Engineering

Demo by Premier Guitar

Official Product Video

Product Page

Manual

Highline Stereo

David

Das Germanium Fuzz ist ein Fuzz-Pedal. Die Regler verändern den Klang.
Dieses Pedal basiert auf zwei Germanium-Transistoren vom Typ 2N527 oder 2N404.  Sie wurden hinsichtlich Verstärkung und Leckstrom bewertet und sorgfältig aufeinander abgestimmt, um den bestmöglichen Klang zu erzielen.  Sie sind in der allgegenwärtigen kreisförmigen Fuzz-Topologie der 60er Jahre angeordnet, auf guten Klang abgestimmt und verfügen über einige zusätzliche Besonderheiten, die Probleme lösen sollen, die einer breiteren Verwendung von Germanium-Bauteilen im Wege stehen.

DAS ERSTE FUZZ-PEDAL MIT AUTOMATISCHER THERMISCHER BIAS-TECHNOLOGIE
Die Vorspannung der Transistoren in diesem Pedal wird automatisch durch eine Schaltung geregelt, die die Transistoren mithilfe analoger Komponenten sanft auf einen voreingestellten Betriebspunkt erwärmt und einen gleichbleibenden Klang unabhängig von der Außentemperatur gewährleistet. 

The Germanium Fuzz is a fuzz pedal.  The knobs change the sounds.
This pedal is designed around two germanium 2N527 OR 2N404 Germanium Transistors.  They have been graded for gain and leakage and carefully matched to sound their best.  They are set up in the ubiquitous 60’s circular fuzz topology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent more widespread use of Germanium devices.

THE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY
The bias of the transistors in this pedal is automatically regulated by a circuit that GENTLY warms the transistors to a preset operating point using analog components, and ensures a consistent sound, no matter the external temperature. 

Benson Amps

Demo by Mike Hermans

Demo by Pedal of the Day

Review by That Guitar Lover

Review by The Gear Page

Germanium Fuzz

Louis Springer

LOOP SWITCHING MADE SIMPLE
The ML5 lets you to use your MIDI controller to control your non-MIDI pedals, giving you simultaneous control of both your digital and analog effects.

Easily select which of your non-MIDI pedals are included or excluded from each of your MIDI presets and recall loop combinations with the touch of a switch.

Morningstar Engineering

Demo by BugBryan

In den letzten Jahrzehnten entschieden sich viele international bekannte Topmusiker für den ODR-1 Natural Overdrive, von Jerry Donahue bis zu Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody und vielen anderen. Alle Single-Coil Gitarristen, die meisten Humbucker Nutzer und sogar Bassisten lieben die Klarheit und Vielseitigkeit des vollen Sounds des ODR-1. Einige Heavy-Humbucker Spieler baten aber um die Möglichkeit, den Sub-Bass etwas abschwächen zu können. Und diesem Wunsch sind wir gefolgt!

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.

Nobels

Demo by The Pedal Zone

ODR-1 Overdrive

Tester

The FINAL BOOSTER is a full-range booster that emphasizes the sound quality. It allows to boost the signal that were converted to low impedance on Vitalizer™ circuit up to 20db.

Providence

Demo by Guitar Interactive Mag

Demo by Jimmy Lin『JL Music Studio』

VFB-1 Vitalizer Final Booster

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Review by bonedo

Review by reddit /guitarpedals

Review by Talk Bass.com

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

The Broadcast is a transformer coupled, discrete Class-A germanium pre-amplifier based on the classic broadcast consoles of the 1960s. In the low-gain setting, the Broadcast can cover everything from sparkling clean boost through to transparent overdrive, all with a healthy dose of volume available to push your amp. The Broadcast features a specially selected Triad steel-core transformer and a Germanium transistor. Advancing the gain on the Broadcast starts to saturate the transformer and the pedal’s discrete circuitry, giving rise to a gentle and dynamic compression coupled with subtle thickening of the mid-range. With the gain switch in the high setting and the trim control wound up, the Broadcast starts to deliver heavier distorted sounds with a warm and fuzzy edge to them. The Broadcast covers a wide range of driven and distorted tones whilst remaining dynamic, responding well to pick attack and the subtle nuances of every player.

Hudson Electronics

Demo by The Tone Lounge 

Demo by shnobel

Review by THE JHS SHOW 

Review by

Broadcast

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Strymon

Review by Elektronauts

Review by Guitar.com

Demo by strymon

El Capistan v2

Simon Lo

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

Demo by Reverb

Review by Jan Steiger, amazona.de

Review by Best Guitar Effects 

Big Sky

Oscar Kezirian

In Zusammenarbeit mit Analog Man selbst entwickelt, ist Brothers AM eine Hommage an den legendären King of Tone Overdrive.

Er basiert auf der begehrten Schaltung, bietet dir erweiterte Kontrolle und ein paar spannende Extras – ohne das zu verändern, was ihn ursprünglich so besonders gemacht hat.

Ein Schub sonniger Sättigung, der einfach immer genau richtig klingt.

Made in collaboration with Analog Man himself, Brothers AM is a tribute to the legendary King of Tone overdrive.

It builds on that iconic circuit, adding deeper control and a few tasty extras—without losing the magic that made it a classic.

Think: a stack of sunny saturation that always lands in the sweet spot.

Chase Bliss

Demo by Sean Pierce Johnson

Review by Guitar Bomb

Review by Gear News

Brothers AM

Jeff Wingo

Introducing our superior-grade FrontAux switches, designed exclusively for your Morningstar MIDI controller. If you have been on the hunt for a quality auxiliary switch that seamlessly integrates with your controller's front edge, then your search ends here. Our FrontAux switches offer unparalleled ease of use and are meticulously engineered to occupy minimal space, ensuring that they fit comfortably along the front edge of your board without compromising on functionality.

Pedalnetics

MC6Pro Front Aux 3

Patrick Dougherty

Der Morningstar Engineering MC6 Pro ist ein hochentwickelter, voll programmierbarer MIDI-Fußcontroller, der für komplexe Pedalboard- und Studiointegrationen konzipiert wurde. Er verfügt über drei hochauflösende Farb-LCD-Bildschirme, die ein dynamisches visuelles Feedback bieten, einschließlich anpassbarer Farbstreifen und Schriftgrößen zur Identifizierung von Presets. Die umfangreiche Ausstattung umfasst vier Omniports, duale Relais-Schaltanschlüsse sowie USB-C-Device- und Host-Ports für den direkten Anschluss von MIDI-USB-Hardware. Der interne Prozessor ermöglicht ein anspruchsvolles Message-Stacking, wobei jedes der 3.072 verfügbaren Presets bis zu 32 gleichzeitige MIDI-Befehle senden kann. Der Controller ist in einem robusten Gehäuse aus sandgestrahltem Aluminium mit sechs Soft-Touch-Fußschaltern untergebracht.

The Morningstar Engineering MC6 Pro is a highly advanced, fully programmable MIDI foot controller designed for complex pedalboard and studio integration. It features three high-resolution color LCD screens that provide dynamic visual feedback, including customizable color strips and font sizes for preset identification. The unit's extensive I/O includes four Omniports, dual relay switching ports, and both USB-C Device and Host ports for direct connection to MIDI-USB hardware. Its internal processor allows for sophisticated message stacking, with each of its 3,072 available presets capable of sending up to 32 simultaneous MIDI messages. The controller is housed in a durable bead-blasted aluminum enclosure with six soft-touch footswitches.

Morningstar Product Page

Review by Gearspace

Review by Six String Sensei

Demo by SON WU

MC6 Pro

Andrea De Blasio

Sweetwater exclusive.
Multi-effect processor with the helix sound Over 300 effects and models from the Helix, M series and other Line6 products 6 Simultaneously usable amplifiers, boxes and effect blocks - including looper and IR loading Coloured LC display Integrated audio interface 3 Footswitches with colour-coded LED rings MIDI In and Out Expression pedal connection Input: L / Mono and Right Output: L / Mono and Right USB MIDI In and Out / Thru Headphone output FX loop Aux in Dimensions: 17.8 x 12.6 x 6.6 cm Weight: Approximatey 800 g Connection for 9 V DC 3 A power supply Includes power supply

LINE 6

Review by musicradar

Demo by Guitar Bonedo

HX Stomp - Cosmic Gray

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Zuma r300

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Der PEC-2 ist ein programmierbarer Effekte-Controller, der Ihnen eine beispiellose Kontrolle über Ihr Effekt-System ermöglicht. Sie können bis zu 8 unabhängig geschaltete Effektgeräte (über seine Schleifen) einrichten und Kombinationen per Fußschalter oder MIDI abrufen. Er verfügt über 5 seriell geschaltete Loops und 3 unabhängige Loops, einen dedizierten Buffer (oder Nicht-Buffer Eingang) für Signalqualität, Tuner-Ausgang, Mute-Funktion sowie die Möglichkeit, ein weiteres Gerät zu verlinken oder fernzusteuern für bis zu 16 Loops.

The PEC-2 is a programmable effects controller that gives you unprecedented control over your effects system. You can set up to 8 independent effect units (via its loops) and recall combinations via simple footswitch or MIDI. It features 5 series loops and 3 independent loops, a dedicated buffer (or non-buffered input) for signal integrity, tuner out, mute function, and the ability to link/remote another unit for up to 16 loops.

Demo by  Masaki Murashita

PEC-2

The Providence SLD-1F Silky Drive overdrive pedal delivers a classic sound that is reminiscent of the smooth, silky overdrive
tones produced by vintage tube amplifiers. The tone control circuitry is all passive, for natural tonal variation that is similar to the
effect of the guitar’s tone controls

Official Website

Review by Premier Guitar

Demo by K Sakuma

Demo by Wall of Sound

Silky Drive SLD-1F

The Anadime Chorus delivers a spacious sense of width and depth as well as warmth and thickness that only an analog chorus can achieve. This versatile chorus effect is ideal for everything from moody arpeggios, to flowing chord progressions, to powerful riffs and solos.

Demo by Pete Thorn

ADC-4 Anadime Chorus

The result is hard-hitting distortion with a big low end that is similar to what you'd expect from a large amp stack driven hard. Gain and tone controls make it possible to dial in anything from a natural crunch to fuzzy, dirty distortion, providing a broad spectrum of tones that can add new dimensions to your music.