hugo beaulieu

Sandbox Pedal Board

Tester

How do you get too much reverb? Trick question – kinda like, how much bacon is too much? There’s never too much! With a wealth of studio-quality algorithms on tap and 4 preset buttons that double as MASH expression switches, HALL OF FAME 2 X4 REVERB is the ultimate ambience powerhouse.

TC Electronic

Demo by EytschPi42

Official Product Video

Product Page

Review by mixdownmag

Review by bonedo

Manual

Demo by Jurren Mekking

Hall of Fame 2 X4

Es war der Oktober im Jahr 1971, als die Mannen von Pink Floyd ihr berühmtes Werk „Live at the Pompeii“ im Amphitheater der gleichnamigen italienischen Stadt aufnahmen. Stets mit dabei war eines der wohl angesagtesten Effektgeräte der damaligen Zeit – das Binson Echorec. Wohl kaum ein anderes Gerät prägte so maßgeblich den Sound von Pink Floyd der frühen Jahre wie dieses Echogerät, dessen Prinzip auf einer rotierenden Magnetscheibe basierte, die mit vier Tonköpfen das Signal aufnahm bzw. abspielte. Dabei machte nicht nur Leadgitarrist Dave Gilmour vom Echorec gebrauch, auch Bassist Roger Waters und Tastenmann Richard Wright nutzen diese Maschine ausgiebig.

The Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn’t realize. We’re talking about variable delay time! We thought, “What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson?” Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life!

Catalinbread

Review by Amazona 

Demo by The Pedal Zone 

Demo by Catalinbread Effects

ECHOREC

Das Catalinbread Reverb-Pedal hat das gleichnamige Programm des Yamaha FX500 Multieffektgeräts aus den 90er-Jahren zum Vorbild. Maßgeblichen Anteil hatte dieser Ambient-Reverb am Sound der britischen Band Slowdive auf ihrem Album Souvlaki, das heute unter Fans des sogenannten Shoegaze-Stils als absoluter Klassiker gilt. Und das, obwohl die Signalqualität des FX500 laut diverser Aussagen im Netz mit heutigen Maßstäben nicht mithalten kann.

With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit: no mix control, a sub-par preamp, and a ghastly tone-sucking bypass signal. At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three paths. One path contains a multi-voiced chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched.

Note - The Soft Focus runs from 9 to 18 volts using a standard DC center-negative power supply for pedals. Make sure you’re using a supply that provides at least 100mA. Running the Soft Focus at 9V will sound great, but if you want a bit more output, a dry signal boost and increased headroom, try any voltage you like up to 18V! The Soft Focus does not run on batteries.

Review by Premier Guitar

Review by Bonedo 

Demo by Mark Johnston

Demo by Demos In The Dark 

Demo by SweetWater

Soft Focus Reverb

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Claus Jensen

BL-44 is a reverse pedal within our BL line. It is a real-time reverse delay, constantly reading backwards what you put into it forwards. With control over the system clock, the user can affect delay time and overall quality of the delay, from fast playback to slow, degraded buffers. It is simple in control and surprising in sound.

Old Blood Noise Endeavors

Demo by Dan Pechacek

BL-44 Reverse

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Walrus Audio

Demo by Rabea Massaad

ARP-87 Multi-function Delay

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tim TURPIN

When designing the temperature controlled fuzz, we tried some unusual approaches. One false start utilized a voltage controlled error correction circuit to bias a single germanium transistor. It ultimately didn’t work for the fuzz, which is comically sensitive to transistor gain attributes. 

We did find a place for it though. 

It turns out it was PERFECT for achieving a germanium clean boost that, (like our fuzz) is impervious to component drift, leakage, and temperature....moreso in fact. We also fixed a couple other issues preventing the germanium transistor from being used as a convinc- ing linear boost...we increased the input headroom (even a normal guitar signal will drive a germanium transistor into unwanted input distortion without some tweaks) and increased the input impedance (a BJT transistor would normally thin out bass frequencies and interact negatively with whatever flows into it). 

The result is a germanium clean boost that can utilize a germanium transistor WITHOUT the weird artifacts that were previously accepted as part of the deal...temperature sensitivity, drift, and suboptimal input impedance and headroom. 

After the boost is first powered up, it takes about ten seconds before the error correction circuit correctly biases the germanium transistor After this things get interesting....we can hear how having the boost engaged makes guitar signals sound more musical...even when set at the same volume as the bypassed tone. Notes are given a simultaneously smoother and more detailed character, like a compressor but different. Some people we’ve shown it to have noted that it appears to deemphasize the unwanted parts of a signal and enhance the good. It’s killer on bass. It helps acoustic guitar pickups sound more natural. And of course it’ll push your amp into a frenzy. 

Benson Amps

Demo by JayLeonardJ

Demo by Demos In the Dark

Demo by AndyDemos

Germanium Boost (Black)

Jeff Welsch

The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.

Review by AMAZONA

Demo by Sweetwater

Mary Cries

ch ray

EarthQuaker Devices

Special Cranker

QuickMount Type B

Der Lightspeed Organic Overdrive ist ein Overdrive mit sehr natürlichem Klang. Warum „organisch“? Nun, einfach gesagt, es ist der klarste, natürlichste und beste Overdrive, den wir je gehört haben, für Spieler, die einen natürlichen Drive-Sound suchen. Dieses Pedal harmoniert mit dem Klang der Gitarre und des Verstärkers und hat satte Obertöne und komplexes, aber sanftes Clipping. Der Lightspeed Overdrive reagiert empfindlich auf den Anschlag des Plektrums und hat ein anderes „Gefühl“ als andere Overdrives. Der Lightspeed kann auf „transparent“ eingestellt werden, kann Ihr Signal aber auch bis an den Rand treiben.

The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why "organic"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge. 

Greer Amps

Review by Sam Goffen Guitar

Review by The Gear Page

Review by Premier Guitar 

Demo by Premier Guitar

Demo by Andertons

Lightspeed (Standard Blue)

You asked for it…we went to work…it’s wonderful.

The Black Tiger Delay Device is an amazing delay pedal. What would happen if you took the sound of two vintage tape delays, and sprinkled in a bit of sound from a vintage oil-can delay? Well…you’d be in delay heaven, or at least we think so. So, that’s what we did! After countless requests for a Greer Amps delay, we’ve finally answered the call. We took the time to engineer this delay to have the sound and feel of those vintage delays, with some added touch sensitivity. The front end of the Black Tiger is structured in a way that lets the nuances of your playing come through. If you’re looking for a delay that has the warmth of vintage studio equipment, with some slight grain on the repeats, then look no further. The Black Tiger is the answer.

Demo by Coast Sonic

Review by delicious audio

Review by Pedal of the Day

Black Tiger

David Litaba

Das EarthQuaker Devices Ghost Echo ist ein Vintage-Reverb-Gerät, das entwickelt wurde, um den atmosphärischen Charakter klassischer röhrenbetriebener Federhall-Einheiten zu emulieren. Diese analog-digitale Hybrid-Schaltung nutzt einen einzigartigen Pre-Delay-Bereich von 30 ms bis 150 ms, um alles von subtiler Raumatmosphäre bis hin zu tiefen, höhlenartigen Echos zu erzeugen. Durch die Trennung des ersten Anschlags vom verhallten Signal ermöglicht es präzise Slapback-Töne, die bei schnellem Spiel artikuliert bleiben. Die aktuelle V3-Version verfügt über verbesserte Operationsverstärker für einen geringeren Rauschanteil und einen neu kalibrierten Dwell-Regler, der zur Selbstoszillation fähig ist. Eine spezielle Zusammenarbeit mit dem Kreativstudio Brain Dead führte zu einer limitierten Edition mit individuellem, psychedelischem Artwork.

The EarthQuaker Devices Ghost Echo is a vintage-voiced reverb unit designed to emulate the haunted, atmospheric character of classic amp-top spring tanks. This analog/digital hybrid circuit utilizes a unique pre-delay range of 30ms to 150ms to create everything from subtle room ambiance to deep, cavernous echoes. By separating the initial attack from the reverberated signal, it allows for distinct slapback tones that remain articulate during fast playing. The current V3 iteration features upgraded op-amps for a lower noise floor and a recalibrated dwell control capable of reaching self-oscillation. A specialized collaboration with the creative studio Brain Dead resulted in a limited edition version featuring custom psychedelic artwork.

Demo by The Pedal Zone

Review by Music Connection

Ghost Echo Vintage Voiced Reverb

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

BOSS

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Musiker-Board

Review by reddit /guitarpedals

Review by Pedal Authority

NS-2 Noise Suppressor

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

PH-3 Phase Shifter

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Demo 

Old Blood Noise Black Fountain Product Page 

Black Fountain-copy

Dark Star is a lo-fi reverb aimed at slow attack and pad generation. Three modes introduce pitch shifting, delay, and bit crushing to the core voice of long, dark reverb. A hold switch allows infinite trails while the pedal is on. This is a reverb to go first in your signal chain, and almost an instrument of its own.

Dark Star V2

The Ibanez Bi-Mode Chorus BCL is a unique pedal that offers a wide range of tonal possibilities. The bi-mode chorus circuit allows for two independent LFOs, one fast and one slow, which can be used to create a variety of modulation effects. The pedal also features analog circuitry, which produces a warm and rich chorus sound. The pedal is made in Japan, known for its high-quality craftsmanship and attention to detail. The pedal is a vintage item, making it a rare and unique find for guitar enthusiasts.

Ibanez

Demo by Tasteful Guitar

Demo by gstormelectro

Official Website

Review by Harmony Central

BCL Bi Mode Chorus

Der DigiTech Whammy bietet Ihnen dieselben haarsträubenden „Dive Bomb“-Effekte, packenden Pitch Bends und blitzschnellen Harmoniewechseln, die Sie suchen, sowie einige neue Überraschungen. Verändern Sie ganze Akkorde mit der neuen Einstellung für die Tonhöhenverschiebung von Akkorden und führen Sie klassische Single-Note-Bends aus.

The DigiTech Whammy brings you the same hair-raising “dive bomb” effects, gripping pitch bends and lightning harmony shifts you are looking for plus a few new twists. Bend entire chords with the new chordal pitch shifting setting, and execute classic single note bends.

DigiTech

Review by HORN FX

Review by musicradar

Demo by S19NAL C14AIN

Demo by Leduc's Own Music Shop

Sweetwater Exclusive Product Page

Whammy V

The Turbo RAT is the most intense pedal in the RAT family. For those brave enough to harness its power, it provides a palette of distortion unequaled by any other pedal. This is why it has been a main ingredient in the post punk/indie rock movement of the past twenty years.

ProCo

Review by guitar.de

TurboRat

Lee Atkin

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Demo by Made by Miike

Audio Examples

Review by Guitar.com

Review by Six String Sensei

Flint Black Knob

PedalSafe Type J

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

Adrian Gutierrez

Demo by Antoine Michaud

Demo by Vintage Guitar Workshop

blueSky V1

The Ibanez AD-80 Analog Delay is a classic tool for musicians seeking to add depth and resonance to their sound. With a simple interface and robust functionality, this pedal offers a rich bucket-brigade analog delay of up to 300 ms. Its controls for Delay Time, Repeat, and Blend allow for a highly customizable musical experience. This is more than just a delay pedal, it's a gateway to sonic landscapes.

Demo by Joe Perkins

Demo by shnobel

Review by mylespaul

Review by Delay Dude

AD-80 Analog Delay

Canvas Power 22

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

RockBoard

Justin Chancellor, the one and only bass player for Tool. 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Justin Chancellor (Tool) Fan Board 

Der EHX TriParallel Mixer ist ein leistungsstarker Hub für die Erstellung und Mischung von Effekten mit drei separaten Effektschleifen und flexiblen Bedienelementen für vielfältige Konfigurationen.

Der TriParallel Mixer ist angesichts seines Funktionsumfangs überraschend kompakt und dank seiner intuitiven Bedienelemente und Ein-/Ausgänge einfach zu bedienen.

Verwenden Sie ihn, um zwischen bis zu drei separaten Effektschleifen zu wechseln oder sie zu mischen. Senden Sie den Ausgang einer Gitarre oder eines anderen Instruments an drei separate Verstärker oder geben Sie drei separate Instrumente ein, um zwischen ihnen zu wechseln oder sie auf einen einzigen Ausgang zu mischen. Mischen Sie Effekte parallel, um Klänge zu erzeugen und Optionen zu nutzen, die bei der seriellen Verwendung von Effekten (nacheinander) nicht möglich sind.

The EHX TriParallel Mixer is a powerful effects creation and mixing hub with three separate FX loops and flexible controls allow for multiple configurations.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate.

Use it to switch between or mix up to three separate effects loops. Send a guitar or other instrument out to three separate amplifiers, or input three separate instruments to switch between or mix to a single output. Mix effects in parallel to create sounds and allow for options not possible when using effects in series (one after another).

Electro-Harmonix

Demo by Gaving Forbes Music

Review by Guitar Player

Review by Gear News

Tri Parallel Mixer

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

VOLUME PEDAL

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

GE-7B Bass Equalizer

Der British Pedal Company Compact Series MKI Tone Bender ist eine kompakte, moderne Nachbildung des originalen Metal Case Tone Bender Pedals von 1965, das von Gary Hurst in London (England) entwickelt wurde. Der MKI Tone Bender der Compact Series ist mit Germanium-PNP-Transistoren ausgestattet und bietet den mittlerweile legendären 'knurrigen', aggressiven Tone und das unglaubliche Sustain, die den Sound des britischen Rock in den späten 60er Jahren prägten. Das Pedal erhält eine große Klarheit im Signal und die dynamische Attack schneidet durch jeden Mix. Der BPC Compact Series MKI Tone Bender bringt den legendären Tone in ein Pedalboard-freundliches Gehäuse!

The British Pedal Company Compact Series MKI Tone Bender is a compact, modern replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The Compact Series MKI Tone Bender features Germanium PNP transistors and provides the now legendary 'gnarly', aggressive tone and the incredible sustain, that shaped the sound of British rock in the late '60s. The pedal retains great clarity in the signal and the dynamic attack cuts through every mix. The BPC Compact Series MKI Tone Bender brings the legendary tone in a pedalboard-friendly enclosure!