The PastFx New Division Is a faithful recreation of the 1970’s / 80’s MN3007 EHX Clone Theory. We have also incorporated some of the features of the 1st 1970’s Reticon Sad1024 version, while adding new options that address some of the flaws of the original circuit.

Peter Hook (New Order /Joy Division) is probably the most well-known artist associated with these early models. The 1970’s Sad1024 version incorporates an “Edge” (Bright switch), however when the Bucket Brigade chip was replaced with the MN3007, the bright switch was removed and a VIB/Flange switch was added.
The Heart of the New Division is its Chorus effect.

PastFx

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Demo by Leon Todd

New Division - Chorus/Flange/Vibrato

The PastFx Patriarch fuzz is a faithful recreation and expansion of the Buffalo FX Patriot MKI and MKII, which was modeled after the Sovtek “Civil War” (Blue & Grey) Muff famously used by David Gilmour during Pink Floyd’s 1994 Division Bell tour and timelessly captured in their acclaimed live album Pulse. It is our highest gain offering within the Spectrum Collection. The Patriarch is characterised by booming low end, cutting lead tones, and jaw-dropping sustain and power, all while maintaining a surprisingly quiet noise floor. It is a heavy, girthy Muff-style fuzz that blasts through the mix and offers punishingly brutal note definition and natural compression that makes for extremely satisfying high gain fuzz tones. The Patriarch is more naturally “mids present” than most other Muff-derived circuits. To further exploit this, the pedal boasts a “Mids” knob that allows users to bring more or less into the mix, as well as a “Lows” cut knob that tames the substantial low end as it is turned clockwise. There is also an internal micro switch for exploring more tone sculpting options for determining the pedal’s mids and EQ response. With the Level rolled down or turned up, the Patriarch can deliver bite, grit, and presence, with a refined fire-breathing attitude that gloriously pummels the senses and rains down sweet muffy goodness at any setting.

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Manual

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Demo by gilmourish

Patriarch

Der PastFx 18V Power Booster ist eine pedalboardfreundliche Nachbildung und Weiterentwicklung des klassischen Buffalo FX Power Booster, inspiriert von der legendären Schaltung des Colorsound Power Booster. Er kombiniert Boost, EQ, Overdrive und leichtes Fuzz mit intuitiven Reglern für Gain, Level, Bass, Mild und Treble zur Klangformung. Das Pedal verfügt über einen dedizierten Master-Lautstärkeregler, externe Gain-Kontrolle und einen einstellbaren internen Gain-Schalter für unterschiedliche Verzerrungsgrade — von sauberem Boost über krustigen Overdrive bis hin zu leichtem Fuzz — und fügt dem Gitarrenton Farbe hinzu, ohne diesen zu dominieren. Es läuft bei 9 V bzw. intern verdoppelt auf 18 V für mehr Headroom.

The PastFx 18V Power Booster is a pedalboard-friendly recreation and expansion of the classic Buffalo FX Power Booster inspired by the legendary Colorsound Power Booster circuit. It combines boost, EQ, overdrive, and mild fuzz characteristics with intuitive controls for Gain, Level, Bass, Mild, and Treble to shape your sound. The pedal offers a dedicated master volume, external gain control, and adjustable internal gain switch for varying levels of grit — from clean boost to gritty overdrive and light fuzz — while adding tonal colour without overpowering your core guitar tone. It runs from 9 V to internally doubled 18 V for increased headroom.

Demo by MustyGuitar

Demo by  TheSuperFunAwesomeHappyTimePedalShow

18V Power Booster

Der PastFx Hot for Flanger ist ein analoger Flanger-Effektpedal des australischen Herstellers PastFx, der vom klassischen 1970er-MXR M117 Flanger-Sound inspiriert ist, aber mit modernen Features und einem kompakten Gehäuse erweitert wurde. Er verwendet einen NOS MN3007-BBD-Chip, der klassische Jet-Plane- und modulierte Sweep-Sounds liefert, sowie Regler für Speed (Rate), Width, Manual, Regen (Feedback) und Blend zur Mischung von trockenem und Flanger-Signal. Ein spezieller Waldo/EVH-inspirierten Timing-Schalter verändert die Clock/Modulationscharakteristik, und eine zweifarbige LFO-LED zeigt die Modulationsgeschwindigkeit an. Das Pedal wird mit 18 V DC (Negativ-Tip) betrieben und bietet True Bypass.

The PastFx Hot for Flanger is an analog flanger effect pedal from Australian builder PastFx, inspired by the vintage 1970s MXR M117 Flanger sound and circuit but modernized with extra features and a compact enclosure. It uses an NOS MN3007 bucket-brigade delay (BBD) chip, providing classic jet-plane and swooshing modulation tones alongside controls for Speed (Rate), Width, Manual, Regen (feedback) and Blend for wet/dry balance. A unique Waldo/EVH-inspired clock/timing switch adds a different voicing or faster clock range, and a dual red/blue LFO LED gives visual feedback on modulation rate settings. The pedal runs on 18 V DC (negative tip) for optimal headroom and BBD performance, and is equipped with true bypass switching.

Demo by Michael Nielsen

Hot for Flanger

Der PastFx Stereo Chorus PX65 ist eine originalgetreue analoge Nachbildung des klassischen DOD FX65 Stereo Chorus, eines Pedals, das vor allem für John Frusciantes Sounds auf Blood Sugar Sex Magic bekannt ist. Er verwendet einen Panasonic MN3007 BBD-Chipsatz, um eine satte, schimmernde Modulation zu liefern, und erweitert das ursprüngliche Design um moderne Funktionen. Zu den Neuerungen gehören dedizierte Level- und Blend-Regler, ein Vibrato-Druckknopf für ein zu 100 % moduliertes Signal und ein "Regen"-Modus für flanger-ähnliche Intensität. Der "Dave/Andy"-Schalter ermöglicht den einfachen Zugriff auf phasenfremde Stereo-Sounds, inspiriert durch Andy Martins charakteristische Nutzung der Schaltung. Zudem erlauben interne Mikroschalter die Umstellung auf die FX62 Bass Chorus-Schaltung für eine erhöhte Vielseitigkeit im Tieftonbereich.

The PastFx Stereo Chorus PX65 is a faithful analog recreation of the vintage DOD FX65 Stereo Chorus, a pedal famously associated with John Frusciante's tones on Blood Sugar Sex Magic. It utilizes a Panasonic MN3007 BBD chipset to deliver lush, shimmering modulation while expanding upon the original design with modern features. New additions include dedicated Level and Blend knobs, a Vibrato push-button for 100% wet signal, and a "Regen" mod for flanger-like intensity. The "Dave/Andy" toggle allows users to easily access out-of-phase stereo tones inspired by Andy Martin’s signature use of the circuit. Additionally, internal micro-switches enable the pedal to be converted to the FX62 Bass Chorus circuit for increased low-end versatility.