Roberto Gonzalez Lozano

ATTITUDE PEDAL BOARD

The new Bass Mid Control is the active mid-controller for bass players. A small but powerful pedal that provides frequency control adjustments between 120Hz ~ 3kHz. When using 2-band EQ or passive bass, the Frequency control provides excellent manipulation of the mid frequencies, while the Boost/Cut gives you boosting or cutting capabilities of up to + / - 12dB. This compact pedal can also be powered by a 9V battery or for additional headroom use an 18V power adapter. This pedal will provide you the flexibility to play any musical style.

E.W.S

Demo by Hablandoen Grave 

Product Page

Manual

Tester

THE EBS OCTABASS BLUE LABEL PUSHES THE BOUNDARIES FOR WHAT HAS BEEN SEEN AS POSSIBLE WITH AN ANALOG OCTAVE EFFECT. THE QUALITY AND CHARACTER OF THE OCTAVE TONE, AS WELL AS THE PRECISION AND SPEED OF THE TRACKING, ARE OUTSTANDING.   
The EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate tracking and a fat, natural sound. When you play your instrument, it "tracks" the note you play and produce a sound one octave below to mix in with the note you play.  The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.

Review by Premier Guitar

Review by bonedo

Demo by BassTheWorld

Official Product Video

OctaBass Blue Label

Dunlop

CBM105Q Crybaby Mini Bass Wah

Jonny Dibble

The BASSRIG ’64 Black Panel is, quite simply, a complete vintage bass amp in a pedal. Based on Fender®’s Showman® and Bassman® amplifiers, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you the drive, grit and articulation of these classic amps in one small box.

Origin Effects

Demo by Andertons

Demo by The Bass Channel

Demo by BassTheWorld.com

Official Product Video 

BASSRIG  ’64 Black Panel

daniel lee

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist. 

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

Demo by IvanBassist

Review by Compressor Pedal Reviews

Review by reddit /basspedals

Cali76 Bass Compressor (Super Vintage Blue)

David Graves

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Demo by  BassTheWorld.com

Review by Gearnews

Review by AMAZONA

Manual download

Cali76 Bass Compressor (64 Black Panel)

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

“This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together.” - Billy Sheehan

EBS Billy Sheehan Ultimate Signature Drive

Guitar Interactive Magazine review 

Billy Sheehan Ultimate Signature Drive Users Manual

Billy Sheehan review on his EBS Signature pedal 

Billy Sheehan Ultimate Signature Drive

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

christopher P

Tossing around configuration ideas for a bass board for ampless gigs. The tuner, compressors, and octaver run in front of the HX Stomp. The HX will be used for amps and cabs/IRs, and any additional FX. The Aftershock will run from the L mono send on the HX with dual mono returns so I can blend clean/dry or hi/low back in on separate paths in the Stomp.

The stereo Canvas will be mounted under the board where it is pictured on the layout, with holes drilled to access the XLR outputs. Unfortunately Rockboard doesn't make a patchbay that quite suits my needs. I would like it very much if, in future versions of this product line, they might consider user configurable patchbays, or just have a bunch of D style punch-outs on the front of the board. Something like that would be a better option than what they offer now, IMO. I know they make one with two XLR outs, but I like the one I have because I'd rather have the midi passthroughs for other configurations I might put together, and I don't need an XLR  in. I often need two XLR outs.

The L mono output from the HX goes to the left channel of the canvas to send my FX signal to FOH. The R send from the HX will go to the right channel on the Canvas  to send either dry or low passed clean signal to FOH. The L/R outputs from the Canvas also go to jacks 3 and 4, respectively, on the Rockboard patchbay in the event I need to utilize the 1/4" outputs for anything.

The Midi Baby will send commands to the HX, which passes or sends midi commands to the Aftershock.

I'm playing around with other ideas as well, but this seems promising for what I'm trying to accomplish.

It will be powered either with an appropriate array of Cioks stuff, or something from Sweetfoot.

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Bass Board for Ampless Gigging  Tres 3.1

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Review by HAPPY MAG

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

An additional Pedal Creator entry for the HX Stomp, for users who configure theirs with dual mono sends so that your signal flow diagram in the Pedal Creator will work correctly.

LINE 6

HX Stomp (dual mono sends)

Nathan Rapheld

Seit über 75 Jahren vertrauen einige der größten Namen auf der Bühne und im Studio auf Peterson als Maßstab in Sachen Stimmpräzision. Der StroboStomp Mini™ bietet die unübertroffene Stimmgenauigkeit von 0,1 Cent aller authentischen Peterson Strobe Tuner im Format eines Mini-Pedaltuners. Mit einem hochauflösenden LCD-Strobe-Display mit variabler LED-Farbhintergrundbeleuchtung klingen Ihre Instrumente nie besser gestimmt. Ein True-Bypass-Modus ohne Knackgeräusche und ein gepufferter Ausgabemodus geben Ihnen die Kontrolle über Ihren kostbaren Klang ohne Kompromisse. Mit über 80 exklusiven Sweetened Tunings® und Guided Tunings an Bord können Sie Ihren Sound einstellen und stimmen wie die Profis!

For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini™ delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune. A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you'll be able to dial in your sound and tune like the pros!

Peterson

Review by reddit /guitarpedals

Review by guitar pedal X

Quick Start Guide

Demo by The Time Preservation Society

Strobostomp Mini

Yoshi van Vroonhoven

Das Mini Mounting MOD TRS ermöglicht einen bequemen Zugang zur Signalversorgung der Pedale auf dem Board. Es passt perfekt in die Befestigungslöcher des RockBoard® LED-Lights und ist eine vielseitig einsetzbare, saubere Montage-Lösung auf allen Pedalboards der RockBoard® Serie. Der zentrale Zugang zur Signalversorgung erfolgt durch eine TRS 6,3 mm Stereoklinkenbuchse. Da es sich bei den Klinkenbuchsen um Durchgangsbuchsen handelt, ist auch in umgekehrter Richtung eine Weiterleitung von Signalen an externe Pedale, wie z.B. Wah, möglich. Auch sind, durch die Verwendung von TRS-Stereo-Buchsen, „Send/Return“-Anwendungen (A- = Tip und B- = Ring) einfach realisierbar.

The Mini Mounting MOD TRS provides convenient access to the signal supply of the pedals on the board. It fits perfectly into the RockBoard® LED Light mounting holes and is a versatile, clean mounting solution on all RockBoard® series pedalboards. Central access to the signal supply is provided by a TRS 6.3 mm stereo jack socket. Since the Mini Mounting MOD TRS uses through-connections between the inner and outer jacks, it is also possible to pass signals in the reverse direction to external pedals, such as Wah. Also, by using TRS stereo jacks, „send/return“ applications (A- = tip and B- = ring) are easy to realize.

RockBoard

MiniMod TRS

Mit dem AfterShock Bass Distortion wird es richtig schmutzig. Für sich alleine und direkt aus der Schachtel hat es bereits drei massive Bass Distortion Engines mit enormer tonaler Bandbreite. Das Spektrum reicht hier von Low-End Crunch über natürlichen subtilen röhren-artigen Overdrive bis zu In-Your-Face germanium-style Fuzz. Angeschlossen ans Smartphone hat man mit der Source Audio Neuro App Zugriff auf weitere Parameter und eine Bibliothek aus über 40 Overdrive, Distortion und Fuzz Algorithmen. MIDI-Kompatibilität via separat erhältlichem Source Audio Neuro Hub und Stereo In- und Outputs runden das Paket ab und machen diesen Bass Drive zu einem der flexibelsten am Markt.

With the AfterShock Bass Distortion it gets really dirty. By itself and directly out of the box, it comes with three massive bass distortion engines of enormous tonal range. Their spectrum spans from low-end crunch to subtle tube-like overdrive to in-your-face germanium style Fuzz. Plugged to a smartphone one gets access to a myriad of further parameters and a library of over 40 overdrive, distortion and Fuzz algorithms via the Neuro App. MIDI compatibility via the separately available Source Audio Neuro Hub as well as stereo in- and outputs make this one of the most flexible bass drives on the market.

Source Audio

Official Product Page

Source Audio SA 246 One Series AfterShock Bass Distortion - Official Demo Video

Aftershock Bass Distortion (SA246)

PedalSafe Type SR1

QuickMount Type SR1

Pedal-Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Pedal Mounting Plates for SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Schutzabdeckung & RockBoard-Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Protective Cover & RockBoard Mounting Plate For SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Schutzabdeckung & universelle Montageplatte für SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ Pedale

Protective Cover & Universal Mounting Plate For SOURCE AUDIO AfterShock, Vertigo, TrueSpring Reverb, Gemini Chorus, C4 Synth & EQ pedals

Elod Bajrami

Altoids

Diamond Pedals

Diamond Pedals Website 

Bass Comp Jr

Analog Octaver with 1 octave down. Second footswitch for sub octave only. Tone Control for OC2-like sound CCW and Mutron-like sound CW.

3 Leaf Audio

Demo by Marc-Antoine Forget

Octabvre MkIII

Carlos  Steinmann

MIDI Baby 3 works like three MIDI Babies in a single enclosure – three footswitches, three LEDs, triple the programmability.

Connect MIDI Baby 3 to your computer using the supplied USB cable, then launch our intuitive web configuration tool. You can then configure MIDI Baby 3 to send a wide variety of useful MIDI messages, configure its inputs and outputs, and even change the LED colors for each function.

Send program changes, continuous controller messages, MIDI notes, and more. Special “meta” commands allow you to change how the MIDI Baby 3 works on the fly, so you can invert or re-order messages. Finally, a built-in MIDI clock option allows you to send clock to your connected MIDI devices.

Disaster Area Designs

MIDI Baby 3

Louis Springer

Kontrolliere ein Volumen und FX-Parameter ohne dein Pedalboard mit einem weiteren großen Pedal noch voller zu packen. Platzsparen muss nicht heißen auf Funktionalität zu verzichten – das DVP Volume (X) Pedal macht alles das, was sein großer Bruder das DVP3 kann – bei halber Größe und genauso robust gebaut im leichten Alu-Gehäuse. Wie das DVP3 hat es auch die rutschfeste Pedaloberfläche und den patentierten Low-Friction-Band-Drive, der für einen sanften und gleichmäßigen Regelweg und zuverlässige Performance sorgt. Für maximalen Komfort ist die Leichtgängigkeit des Pedals vollkommen einstellbar.

Der AUX Ausgang vereint Tuner und Expression Funktion in einer Buchse, die per internem Schalter festgelegt werden kann. Über interne Trim-Potis kann das Minimum-Volumen des Pedals eingestellt werden und wenn du willst, kannst du auch die Funktionsrichtung umkehren – ein weiterer interner Schalter macht’s möglich.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. 

The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so.

Dunlop Volume (X) Mini Pedal Review Premier Guitar EN

VOLUME (X) MINI (DVP4)

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

paddy.bee

Ampeg Bass Board Midi

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by Talk Bass.com

Review by Gitarre & Bass

Demo by Nate Navarro

Sound Samples w/ Ian Martin Allison

DCX BASS

Cadran Tulipe

Der SGT-DI™ Preamp und DI bietet modernen Bassisten ein komplettes Rig in einer einzigen Stompbox. Er bietet einen verbesserten Super Grit Technology™ Overdrive-Schaltkreis mit den kultigen Ampeg SVT®- und B15-Stimmen, einen vielseitigen 3-Band-EQ mit wählbarem Mid-Schaltkreis, Ultra-Hi- und 3-Wege-Ultra-Lo-Schalter, einen variablen Kompressor und eine Aux-/Kopfhörersektion. Plus! Der erste IR Loader/Cab Simulator von Ampeg. Wählen Sie aus drei klassischen Werksboxen oder bis zu drei eigenen Boxen, indem Sie die kostenlose Ampeg IR Loader-Anwendung verwenden.

The SGT-DI™ preamp and DI gives modern bassists an entire rig in a single stompbox. It delivers an enhanced Super Grit Technology™ overdrive circuit featuring iconic Ampeg SVT® and B15 voices, versatile 3-band EQ now with sweepable Mid circuit, Ultra-Hi and 3-way Ultra-Lo switches, a variable compressor, and an Aux /Headphone section. Plus! Introducing the first IR Loader/Cab Simulator from Ampeg. Choose from three classic factory cabs or up to three cabs of your own by using the free Ampeg IR Loader application.

Ampeg

Demo by  Nuno Correia - Bass

SGT-DI

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Arnaud Guémené

Shelby6

Bass pedalboard #3

The Xotic Robotalk is a unique and versatile envelope filter pedal that offers a wide range of tonal possibilities. The pedal features two individual envelope filter channels, each with its own set of controls for sensitivity, resonance, and decay. This allows for a high degree of customization and flexibility, making it suitable for a variety of musical styles and playing techniques.

The Robotalk 2, in particular, is a reimagining of the original pedal with a more compact chassis and updated components. It features a '70s-style filter effect and two envelope filter channels, making it a great option for those who want a vintage tone with modern features.

Xotic

Demo by Prymaxe

Review by Horn FX

Review by Gearspace

Robotalk 2

François GENTILE

We no longer need to introduce this famous circular fuzz pedal, which produced the iconic sound of many guitarists in the 60’s.
With its two volume and gain controls forming a smiling face, it offers a unique sound going from a creamy and dynamic fuzz to a powerful and punchy fuzz with sharp trebles.

The extremely simple circuit offers a lot of space for customization, hence our own interpretation of the mythical pedal with the Feed Me.
The Feed Me mk3 is ultra versatile and customizable. You can get the classic sound of the 60’s model, rich in trebles and sustain.
But also a thick and fat fuzz, for more modern sounds close to stoner tones. Or a garage rock style gated fuzz by using the Crack and Smash controls for a velcro texture.
While remaining ultra expressive and responsive as always to the guitar’s volume and tone controls, with the Feed control, for warm cleans.

Anasounds

Demo by Jake Cloudchair

FEED ME MK3

thuy nguyen

Official Website

CE-2

THOM

The DY-1 is an active Buffer intended to lower the impedance in a sound chain in order to avoid losses in your chaining as much as possible, thus allowing you to regain all the dynamics of your signal.

 The transparency of the "DY-1" has been particularly carefully designed so as not to degrade the signal and the harmonics passing through it.

DESS

DY-1

Jonathan James

Demo by 

BOSS TU-3 Chromatic Tuner

Der MXR Vintage Bass Octave bietet die warmen analogen Subbass-Vibes eines klassischen Schaltkreises mit überlegenem Tracking, sauberem Headroom und der Vielseitigkeit, die moderne Spieler verlangen. Er liefert eine beeindruckende Bandbreite an Sounds im leichten, platzsparenden MXR Mini-Gehäuse.

The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand, delivering an impressive range of sounds in the lightweight, space-saving MXR mini housing.

Demo by Janek Gwizdala

Review by Harmony Central

Review by Premier Guitar 

M280 Vintage Bass Octave

Das Nemesis Delay ist das Resultat von drei Jahre intensiver Forschung, Zuhören und Entwicklung. Es bietet 24 verschiedene Effektmaschinen, das volle Spektrum an Delay-Effekten eingefangen in einem Pedal. Auf der einen Seite eine Sammlung minutiös verarbeiteter Vintage Delay Klänge und hochentwickelte Pitch-Shifting, Reverse, Filter Modulation, und rhythmische Delays auf der anderen.
Das Nemesis birgt eine Palette an fortschrittlichen Funktionen wie volle MIDI Kontrolle und zusätzlichen Bearbeitungsfunktionen, Künstler und User Presets plus viele Ein-/Ausgangs-Möglichkeiten durch die Neuro Mobil App, um nur ein Paar zu nennen.
Alle diese Eigenschaften, mit USB Verbindung, externen Kontrollgeräts Möglichkeiten und der On-Board Tap Tempo mit zwischen Beats, machen das Nemesis zu einem der leistungsstärksten und vielseitigsten bisher verfügbaren Delay-Pedale.

The Nemesis Delay is the culmination of three years of intense research, listening, and engineering. It offers 24 distinct effect engines, capturing the full spectrum of delay effects, including a comprehensive collection of meticulously crafted vintage delay tones on one hand, as well as highly advanced pitch-shifting, reverse, filter modulating, and rhythmic delays on the other.
The Nemesis also features a full range of highly progressive features including full MIDI control and additional deep editing capabilities, artist and user preset sharing as well as a ton of input/output routing options via the Neuro Mobile App to mention but a few.
All this, together with its USB connectivity, external expression control capabilities and onboard Tap Tempo footswitch with beat divisions makes the Nemesis one of the most powerful and versatile Delay pedals available to date.

Source Audio SA 260 - One Series Nemesis Delay - Official Demo Video

Source Audio SA 260 - One Series Nemesis Delay - Demo / Review Video - Sweetwater

Source Audio SA 260 - One Series Nemesis Delay - Demo Video - Nathan Navaro

Source Audio SA 260 - One Series Nemesis Delay - Demo / Review Video - Pro Guitar Shop Demos

Source Audio SA 260 - One Series Nemesis Delay - Demo / Review Video - Ryan Bruce

Source Audio SA 260 One Series Nemesis Delay - Review by Bonedo [DE]

Nemesis Delay

Der Immerse Mk II bietet den besten Pedalhall - mit Algorithmen in Studioqualität, High-Fidelity-Schaltung, Hochleistungskomponenten und - konstruktion - und das alles auf kleinstem Raum. Der Mk II ist ein gewaltiger Sprung nach vorne und verfügt über komplett neu gestaltete Schaltungen und verbesserte Algorithmen.
Der Immerse Mk II packt 8 herausragende Stereo Reverbs — W3T (neue Wet Version 3), Hall, Plate & Spring Reverb, Shimmer, Wet+Sustain, Wet+Echo, und Wet+Detune. Jeder Effekt wurde in mühseliger Kleinarbeit kreiert – hier gibt es keine Lückenfüller. Der Immerse Mk II Reverberator liefert konkurrenzlose Soundqualität, keinen Unsinn und bleibt stets flexible. All das mit einem kleinen Fußabdruck und nutzbar für Instrumente aller Art.

The Immerse Mk II represents the very best in pedal reverberation — with studio-quality algorithms, high-fidelity circuitry, heavy-duty components and construction — all in a small footprint. The Mk II is a monumental step forward and features completely-redesigned circuitry and upgraded algorithms.
The Immerse Mk II houses eight stellar stereo reverbs — W3T (new Wet version 3), Hall, Plate & Spring Reverb, Shimmer, Wet+Sustain, Wet+Echo, and Wet+Detune. Each effect has been painstakingly crafted: there are no fillers here. Delivering unrivaled sound quality and no-nonsense flexibility in a compact footprint, the Immerse Mk II can be used with instruments of all stripes.