Yurikkonen Panda

ver.7.1

David Litaba

Die One Control Pedal Board Junction Box ist Teil der Minimal Series, die viele praktische Tools und Gadgets für moderne Pedalboards bietet. Es ist eine praktische In- und Output Box die genutzt werden kann, um das Signal vom und zum Pedalboard zu routen, damit alle Kabelstrecken sauber und gut organisiert sind. Die Junction Box verfügt über zwei Paare 6,35 mm (1/4") Mono-Klinkenbuchsen die jeweils untereinander verbunden sind.

The One Control Junction Box belongs to the Minimal Series, which offers many useful tools and gadgets for modern pedalboards. It is a convenient small in- and output box that can be used to route signal to and from your board to keep everything clean and organized. The Junction Box comes with two pairs of 6.35 mm (1/4") mono jacks which are all respectively connected to each other.

One Control

Official Product Page

Manual

Demo by JayLeonardJ

Review by Sweetwater Customers

Minimal Series Board Junction Box

Francois SCHLEGEL

Fender & Reverb – kennst du ein berühmteres Duo? Das Hammertone™ Reverb verwöhnt deinen Ton mit drei klassischen Reverb-Effekten: Hall, Room und Plate. Alle in einem kompakten Bodentreter, den du nahtlos in dein Rig integrieren kannst. Mit den Reglern für Dämpfung und Tone gestaltest du deinen Klang. Die von Fender entwickelten Reverb-Modelle eignen sich für dezente Effekte ebenso wie für extreme Räume.

Fender & Reverb - name a more iconic duo… we'll wait.

The Hammertone™ Reverb delivers three classic reverb effects - Hall, Room and Plate - in a compact stomp that will integrate seamlessly into your rig. Powerful damping control and tone switch offer supreme flexibility, while the Fender-designed on-board reverb tones are perfect for subtle to extreme ambience.

Fender

Product Page

Review by guitarpickreviews.com

Review by guitar.com

Review by guitarplayer.com

Review by premierguitar.com

Review by bonedo.de

Demo by TheGuitarGeek

Demo by James Frankland

Demo by Brett Kingman

Demo by EytschPi42

Official Product Video

HAMMERTONE REVERB

Ronald Westland

Das UAFX Lion '68 Super Lead Amp Pedal liefert die klassischen britischen Verstärker-Sounds, die von legendären Künstlern wie Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC und vielen anderen berühmt gemacht wurden.

Lion '68 ist das einzige Pedal, das die originalgetreuen Sounds von drei verschiedenen 100-Watt-Plexi-Verstärkern liefert. Dank der leistungsstarken Dual-Engine-Verarbeitung und der erstklassigen UAD-Modellierung erhältst du die großartigen Cleans, den aggressiven Breakup und das heiße Röhren der Originale.

The UAFX Lion '68 Super Lead Amp pedal gives you the classic British amp sounds made famous by decades of legendary artists including Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC, and more.

Lion '68 is the only pedal that delivers the dead-on tones of three distinct 100-watt plexi amplifiers. Built on powerful dual-engine processing and world-class UAD modeling, you get all the gorgeous cleans, aggressive breakup, and hot-rodded roar of the originals.

Universal Audio

Demo by Guitar Bonedo

Review by bonedo

Review by That Guitar Lover

Lion 68 Super Lead Amp

Proclaim your allegiance to the most iconic effect pedal in music history with this special edition of the Cry Baby Junior Wah, featuring a bold Cry Baby ‘wave logo' pattern and contrasting footwear-inspired tread.

Dunlop

Demo by The Pedal Picassos

JUNIOR WAH SPECIAL EDITION WHITE

10bson

Sometimes you want to slice and dice your tasty tones, and Effects Bakery has rolled another winner with the Choco Cornet EQ (equalizer) pedal. While the tone control on your guitar or bass can be very powerful, a graphic equalizer cuts your big fat sound into manageable slices, referred to as “bands”.

Each of these five sliders controls frequencies (from low to high) centered at 100hz, 250hz, 630hz, 1.6khz, and 4khz. Each of these controls can either be “flat” I the middle – or they can BOOST or CUT your tone with precision! Want your Les Paul to sound more like a Tele? Cut some mids and add some highs.

The Choco Cornet EQ pedal from Effects Bakery also features a separate volume and master volume control – this allows you to experiment with boosting or cutting your tones while maintaining a consistent output volume.

Sculpt yourself a tonal delight with the EB Choco Cornet!

Effects Bakery

Demo by Takuya Hasegawa

Demo by クエ・エク チャンネル

Review by reddit /guitarpedals

Choco Cornet EQ

Tester

Die revolutionäre WL-Serie von BOSS überzeugt mit großartigem Sound, extrem niedriger Latenz und einer komfortablen Einrichtung – nie war es für Musiker einfacher, kabellos zu spielen. Das WL-60 System richtet sich an Performer, die es auf der Bühne ernst meinen, und kombiniert Plug-and-Play-Betrieb mit einer schnellen, anwendergeführten Steuerung. Der kompakte Empfänger wurde speziell für den Einsatz auf Pedalboards entwickelt und verfügt über ein großes Display sowie Schnellzugriffstaster, um das Frequenzspektrum zu scannen und den optimalen Funkkanal auszuwählen. Der robuste Taschensender ermöglicht im Betrieb mit herkömmlichen Alkali-Batterien eine Laufzeit von bis zu 25 Stunden und ist kompatibel mit nahezu jedem Instrument.

Offering great tone, ultra-low latency, and effortless set up, BOSS’s revolutionary WL series has made it easier than ever for musicians to go wireless. The WL-60 system is a great fit for serious stage performers, bridging plug-and-play simplicity with fast user-guided control. The compact receiver is tailor-made for pedalboards, and features a large visual display and direct-access buttons to quickly scan and select the best wireless channel. Rounding out the system is a rugged bodypack transmitter, which is compatible with nearly any instrument and runs for up to 25 hours on regular alkaline batteries.

BOSS

Review by PREFORMER Magazine 

Demo by Preformer Magazine 

Demo by BOSS 

WL-60 Wireless System

ch ray

When one considers the idea of an official shredder’s hall of fame, Yngwie Malmsteen would likely be the first to be enshrined. After all, he essentially established the neoclassical shred lexicon single-handedly. With the MXR Yngwie Malmsteen Overdrive, you can now shape your tone to match the sound and energy of the innovative Swedish guitarist. Armed with a simple 2-knob layout and voiced specifically for virtuosic fretboard gymnastics, this pedal will boost every nuance of your playing for superior clarity, expressive dynamics, and rich harmonics. That’s not to say that the Yngwie Malmsteen Overdrive is a one-trick pony; even minor adjustments will have a profound impact on your tone. Players searching for a potent powertrain for their neoclassical shred engine will find that the Yngwie Malmsteen Overdrive adds just the right amount of combustion to their metal-flavored crunch.

Demo by  N Stuff Music

Review by The Gear Page

Review by gearnews.de

Review by AMAZONA

Yngwie Malmsteen OD yellow Ltd.

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Review by Charleston Classical Guitar

Review by musicradar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Michael Hodgson

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Michael Ford

Ampero II Stage, das neueste Schmuckstück der Ampero-Serie, ist hier, um deine Live-Auftritte zu revolutionieren. Mit seiner hochmodernen Triple-Core-Digitalplattform und den hochwertigen, unabhängigen AD/DA-Wandlern der ESS Sabre-Serie liefert Ampero II Stage einen unvergleichlichen Klang. Egal, ob du auf einer riesigen Festivalbühne oder in einem gemütlichen Live-House auftrittst, Ampero II Stage ist deine Eintrittskarte zu einer unvergesslichen Klangreise. Er wurde speziell für Bühnenauftritte entwickelt und lässt dich mit seinen acht Fußschaltern, einer intuitiven Bedienlogik und einem frischen UI-Design glänzen. Mit dem zusätzlichen Komfort einer Bluetooth-Verbindung und stimmungsvollen LED-Anzeigen ist der Ampero II Stage dein ultimativer Bühnenbegleiter.

Ampero II Stage, the latest gem in the Ampero series, is here to revolutionize your live performances. With its cutting-edge triple-core digital platform and premium ESS Sabre series independent AD/DA converters, Ampero II Stage delivers unparalleled sonic excellence. Whether you're rocking a massive music festival stage or a cozy livehouse venue, Ampero II Stage is your ticket to an unforgettable sonic journey. Crafted specifically for stage performances, it empowers you to shine with its eight footswitches, intuitive operation logic, and a fresh UI design. With the added convenience of Bluetooth connectivity and atmospheric LED indicators, Ampero II Stage is your ultimate stage companion.

HOTONE

Review by Guitarworld

Review by Gearnews

Demo by Mad Steex

Ampero II Stage

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

cuulguit@r

Ok, there's a gig or session and they tell you: "we have a full backline here so don't bring your amps. We have twin channel amps here". You go there and there's a Fender Twin and/or a Roland Jazz Chorus. Nice amps, but not for you. Here's the board for that. 
The 2nd row of pedals is a little augmented for easier footswitch a

The BYOP (Bring Your Own Preamp) Board

AMT Electronics

Review by gearspace

Demo by Evgen Pleximents

Demo by Pedal Science

SS-11 A

Mathew Pybus

Die Warm Audio ODD Box orientiert sich nicht nur optisch, sondern auch klanglich am beliebten Fulltone OCD Overdrive. Leider musste Fulltone-Inhaber Mike Fuller im letzten Jahr sein Geschäft schließen, was die Preise für Pedale wie den Fulltone OCD auf dem Gebrauchtmarkt steigen lässt. Warm Audio hat sich wiederum in den letzten Jahren einen Namen mit gelungenen Nachbildungen von diversen Pedalen und auch Studioequipment gemacht. Mit dem ODD Overdrive bietet das Unternehmen nun eine verhältnismäßig günstige Alternative zum Original an.

The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound.

Warm Audio

Review by Gitarre & Bass 

Review by bonedo 

Demo by Warm Audio 

Demo by intheblues 

ODD Box v1

T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.

T-Rex

Review by Thomas Dill, bonedo.de

Møller 2

Dieses High-Fidelity-Stereo-Reverb-Pedal bietet sechs verschiedene Programme in Studioqualität: Spring, Hall, Plate, BFR, Refract und Air. Es basiert auf einer leistungsstarken digitalen Plattform mit einem Analog Devices SHARC-Prozessor, 32-Bit-Fließkomma-Verarbeitung und 24-Bit/48-kHz-Wandlern. Das Gerät verfügt über einen einzigartigen Volume-Swell-Effekt, der auf jedes Programm angewendet werden kann, sowie über Sustain- und Latching-Momentary-Funktionen zur Erzeugung atmosphärischer Klänge. Es bietet eine umfassende Steuerung über MIDI, unterstützt bis zu 128 Presets und verfügt über drei wählbare Bypass-Modi, einschließlich True Bypass und DSP-Trails. Das Plate-Programm ist speziell vom klassischen analogen Plattenhall EMT 140 inspiriert und sorgt für eine sanfte und gleichmäßige Diffusion.

This high-fidelity stereo reverb pedal features six distinct studio-quality programs: Spring, Hall, Plate, BFR, Refract, and Air. It is built on a powerful digital platform using an Analog Devices SHARC processor with 32-bit floating-point processing and 24-bit 48kHz converters. The unit includes a unique volume swell effect applicable to any program, along with sustain and latching momentary functions for creating ambient washes. It offers extensive control via MIDI, supporting up to 128 presets, and features three selectable bypass modes including true bypass and DSP trails. The Plate program is specifically inspired by the classic EMT 140 analog plate reverb for smooth and even diffusion.

Walrus Audio

Review by Guitar.com

MAKO R1 Stereo Reverb

Joao Silva

The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets. A workhorse of a delay that is just as ready for the road as it is the studio.

Review by Gitarre & Bass

Demo by FACE MI

Mako D1

Joseph Cannings

The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets.

Walrus MAKO Series: M1 Product Page 

Walrus MAKO Series: M1 Manual

Walrus MAKO Series: M1 Presets

Walrus MAKO Series: M1 Demo 1

Walrus MAKO Series: M1 Demo 2

Walrus MAKO Series: M1 Demo 4

Walrus MAKO Series: M1 Demo 3

Mako M1

The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This MIDI controllable stompbox provides quick, hands-free access to four different user programmed EQ settings. It has found its way onto the touring pedalboards of David Gilmour, John Mayer, Steven Wilson, The Killers, The Dierks Bentley Band, and more. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.

Source Audio

SOURCE AUDIO PROGRAMMABLE EQ

Users Guide 

The Source Audio Programmable EQ for Bass Guitar

Steven Wilson Talks About the Programmable EQ from Source Audio

Source Audio Programmable EQ

Programmable EQ

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Angelo Pitone

φ (Phi) has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

Crazy Tube Circuits

Review by Compressor Pedal Reviews

Demo by R.J. Ronquillo

Golden Ratio Phi v2

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Review by Talk Bass.com

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

Mit dem Mercury Flanger hat Source Audio nicht nur einen beachtlichen Flanger mit einer Menge an sanften bis überwältigenden Flange Sounds geschaffen. Taucht man via Neuro App erst einmal in die fantastischen Möglichkeiten dieses Pedals ein scheinen den Soundwelten keine Grenzen mehr gesetzt. Nicht nur bietet der Flanger der Source Audio One Series drei enorm gelungene Presets – hierunter befindet sich das vielgesuchte Thru-Zero a.k.a. Tape Flanging – sondern auch die Möglichkeit über Verbindung mit dem Smartphone weitere Effektparameter zu steuern und in den Presets zu speichern. Der Nutzer hat hier Zugriff auf eine sich ständig erweiternde Sammlung von Presets oder, kann eigene Modulationswelten kreieren, die keineswegs auf Flanging beschränkt sind.

With the Mercury Flanger Source Audio has not only created an astonishing array of flanging sounds ranging from subtle to overwhelming in a handy stompbox. If one looks beneath the surface of the enclosure using the Neuro App, an entire world of sound, seemingly without limits opens up. Not only does the Mercury offer three very well designed presets, amongst which one will find the sought after thru-zero a.k.a. tape flanging. There is also the option to connect the pedal to your smartphone to control a multitude of further effects parameters and save them in the three preset slots. The user also gets access to a vast and ever increasing collection of presets or can create their own sounds which are not at all limited to mere flanging.

Source Audio SA 240 One Series Mercury Flanger - Official Demo Video

Source Audio SA 240 One Series Mercury Flanger - Review by Muzikus CZ

Source Audio SA 240 One Series Mercury Flanger - Review by Bonedo DE

Source Audio SA 240 One Series Mercury Flanger - Review by Gitarre&Bass DE

Source Audio One Series - Review by Tone Report

Demo by Do Noise

Mercury Flanger

Harley Benton

Powerplant ISO-12 Pro

Bei der überwältigenden Menge an klassischen Overdrive Pedalen auf dem Markt kann man als Musiker auf der Suche nach dem passenden Sound schnell den Überblick verlieren. Für Gitarristen, die nach einem klassischen 70er Jahre-Voicing suchen, ist das One Control Marigold Orange OverDrive (MOOD) vielleicht das Ende der Suche. Inspiriert vom Vintage Rock-Sound der 70er setzt das sich Marigold Orange bewusst vom 'Strat-und-TS-Standard-Sound' ab und arbeitet in einem breiten Frequenzbereich ohne unnötigen Bass Cut. Das MOOD ist die Art von Overdrive Pedal, das einen bereits angezerrten Verstärker etwas gradliniger klingen lässt und den Tone schön fokussiert um sich einen idealen Platz im Bandgefüge zu verschaffen. Das Ansprechverhalten in den Mitten lässt sich über den seitlichen Flat/Mids-Schalter zusätzlich anpassen.

When selecting among the various few thousand permutations of classic overdrive pedals, it can be overwhelming to select the correct one to suit your needs. For those who are seeking something with a bit more classic 70s rock flavor, the One Control Marigold Orange OverDrive might just be what the doctor ordered. Inspired by the tones that rang out form classic boxes of that era, the Marigold brings a newer taste to the overcrowded overdrive table. For those who are not trying to recreate the classic 'Strat and a TS style overdrive' type sounds, and perhaps use higher output pickups and want less of a midrange haziness, it might be time to get the Marigold Orange OverDrive. The pedal offers a full frequency response with no bass cut - this is the kind of overdrive that enables one to provide a more streamlined distortion to feed an already distorting amp and help focus and tune it effectively to cut through the mix. Less honk, less complicated overtones that rob your sound of power, and the ability to alter the midrange content with a simple 'Flat/Mids' switch. Think classic rock tones with the swagger and the slice to bring your licks out front.

Marigold Orange Overdrive NG

Die One Control Minimal Series Stereo 1 Loop Box (MSS1LB) ist ein True Bypass Loop Switcher, der speziell für Stereo-Setups mit zwei Verstärkern oder für Aufnahmen und Live-Situationen entwickelt wurde, bei denen man direkt in den Mixer spielt. Alle Klinken-Anschlüsse des MSS1LB (Eingang, Ausgang, Send und Return des Effekt-Loops) unterstützen TRS Stereo-Klinkenstecker. Die Stereo 1 Loop Box verfügt über einen M/S-Schalter zum Umschalten zwischen Mono- und Stereo-Betrieb. Wenn das Mono-Eingangssignal von den Effektpedalen im Effekt-Loop in ein Stereosignal umgewandelt wird, ist der Ausgang ebenfalls Stereo. Der Fußschalter kann in zwei wählbaren Modi entweder auf 'Normal' oder 'Rapid' eingestellt werden. In der N-Position ('Normal') fungiert der Schalter als Latching-Type Switch, der den Loop bei jedem Drücken des Fußschalters ein- oder ausschaltet. In der R-Position ('Rapid') wird der Schalter zu einem Momentary Switch, der den Loop nur aktiviert, während der Fußschalter gedrückt wird.

The One Control Minimal Series Stereo 1 Loop Box (MSS1LB) is a single loop switcher made for a stereo setup with two amplifiers or running directly into the mixer for recordings or live performances. All the jack connections on the MSS1LB (input, output, effects loop send and return) support TRS stereo plugs. The Stereo 1 Loop Box features a M/S switch to toggle between mono and stereo operation. If the mono input signal is transformed into a stereo signal by the effects pedals connected to the effects loop, the output will be stereo as well. The switching mode can be set to either 'Normal' or 'Rapid'. In the N position ('Normal'), the switch functions as a latching-type switch that will switch the loop on or off every time the footswitch is pressed. In the R position ('Rapid'), the switch becomes a momentary switch that engages the loop only while the footswitch is pressed.

Demo by Nick Scarfo

Review by Musiker-Board

1 Loop Box

Der Crocodile Tail Loop (OC10) ist das Flaggschiff unter den programmierbaren True Bypass Loop Switchern von One Control. Mit 10 schaltbaren Loops und 70 frei editierbaren Presets (10 Bänke mit je 7 Presets) ist der OC10 bestens für eine professionelle Nutzung geeignet. Der Switcher bietet eine vollständige MIDI-Unterstützung und kann sowohl Program Change / Patch Change (PC) Nachrichten senden als auch über den MIDI-Through in ein größeres MIDI-Setup integriert werden. Die Link- und Sync-Funktionen heben den Crocodile Tail Loop deutlich von anderen Switchern ab: Mit einem speziellen One Control LAN-Kabel lassen sich zwei OC10 verbinden, um so auf mehrere Pedale abseits der Bühne zugreifen zu können. Für viele professionelle Musiker ist es unglaublich wichtig, einen Loop-Switcher fernsteuern zu können. Unabhängig davon, ob man die Effekte im Rack oder am Verstärker postieren möchte oder es vorzieht, dass der Techniker die Patch-Änderungen kontrolliert, ist der Crocodile Tail Loop eine großartige Lösung für praktisch alle Gitarristen, die Pedale verwenden. Der OC10 verfügt außerdem über eine integrierte BJF Buffer-Schaltung mit separaten Ein- und Ausgängen. Der Loop Switcher kann im Direct Mode auch ein einfacher Umschalter sein. Der Direct Mode eignet sich perfekt für Proben oder zum Experimentieren mit Pedalen, bevor sie fest ins Setup integriert werden. Zusätzlich zu 7 in Reihe geschalteten Loops verfügt der One Control Crocodile Tail Loop (OC10) über drei separate Loops, die für verschiedene Zwecke verwendet werden können. Diese Loops können zum Umschalten des Verstärkerkanals oder zum Verbinden von Effekten verwendet werden, die im FX Loop des Verstärkers gespielt werden sollen, sowie für eine Vielzahl anderer Funktionen, um den Anforderungen des einzelnen Gitarristen gerecht zu werden. Der Crocodile Tail Loop ist wirklich einer der innovativsten Pedal Switcher auf dem Markt.

The Crocodile Tail Loop (OC10) is the flagship switcher from One Control. The OC10 offers 10 switchable loops and 70 preset setups (10 banks with 7 presets per bank). The loop switcher also features MIDI operation and can send Program Change / Patch Change (PC) messages or you can use it as MIDI-Through unit in combination with other MIDI devices. The Link and Sync functions truly separate the Crocodile Tail Loop from other switchers: Link two OC10 together with a special One Control LAN cable to access multiple pedals off stage. Being able to link or remotely control a loop switcher is incredibly important for many professional musicians. Whether you use a rack of effects or you prefer to have your tech controlling you patch changes, the Crocodile Tail Loop is a great solution for all guitarists who use pedals. The OC10 also comes with the amazing BJF buffer circuit with independent inputs and outputs. The OC10 can also be a simple switcher by using the Direct mode. Direct mode is perfect for band practices or experimenting with pedals before you’ve decided how to set your programs. In addition to 7 loops in series, One Control Crocodile Tail Loop (OC10) has three separate loops that can be used for a variety of purposes. These loops can be used for amp channel switching or connecting effects to go into an amp’s effects loop as well as a variety of other functions to match individual guitar player’s needs. The Crocodile Tail Loop truly is one of the most innovative pedal switchers on the market.

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - JayLeonardJ

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - Tom Quayle

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - Carlos E. Perez

Demo by  LEP INTERNATIONAL

Demo by digimartnet

Crocodile Tail Loop Wing OC10W

Der One Control Gecko (Mark I) ist ein kompakter MIDI-Programmwechsel-Controller, der entwickelt wurde, um die Preset-Verwaltung für MIDI-fähige Gitarreneffekte zu optimieren. Er verfügt über eine einfache Benutzeroberfläche mit drei Fußschaltern – Up, Down und OK –, mit denen Benutzer durch spezifische MIDI-Patches scrollen und diese aktivieren können. Die Schaltung ist darauf ausgelegt, Programmwechsel-Befehle (PC) auf MIDI-Kanal 1 in einem Bereich von 0–127 zu senden. Er bietet zwei primäre Betriebsmodi: einen „Direkt“-Modus für Echtzeit-Scrolling und einen „Preset“-Modus zum Speichern von Favoriten-Patches. Das Gerät verfügt über ein großes, gut sichtbares Digitaldisplay zur Anzeige der aktuellen Programmnummern. Dieses Pedal wurde speziell für eine geringe Stellfläche auf dem Pedalboard entwickelt, ohne dabei an struktureller Haltbarkeit einzubüßen.

The One Control Gecko (Mark I) is a compact MIDI program change controller designed to streamline preset management for MIDI-enabled guitar effects. It features a simple interface with three footswitches—Up, Down, and OK—allowing users to scroll through and engage specific MIDI patches. The circuit is designed to send Program Change (PC) messages on MIDI channel 1 across a range of 0–127. It offers two primary operational modes: a "Direct" mode for real-time scrolling and a "Preset" mode for storing favorite patches. The unit includes a large, high-visibility digital display to indicate current program numbers. This pedal is specifically engineered for a small pedalboard footprint while maintaining high structural durability.