Adrian  Chirino

main pedalboard (shoegaze/doom/hardcore)

MG30CFX

JCM800

Elod Bajrami

Altoids

Product Page

Official Product Video

Roger Thompson

Portable MIDI foot controller pedal is small and exquisite, with easy-to-use 4 foot switches.
Wireless MIDI pedal with intelligent APP(CubeSuite) control, easy to operate, convenient to use.
Bulit in 300mAh rechargeable lithium battery, charging for 2.5 hours, can be used for 12 hours.
The display screen can directly feedback the commands you issued, intuitive and clear.
Compatible with Wins, iOS, Android and other platforms.

M-VAVE

Review by The Gear Page

Manual

Demo by The Pedal Picassos

Demo by Ehrosmith TV

Chocolate

Tester

The DD-6 Digital Delay is the first BOSS delay pedal to offer true stereo delay and panning effects. Features include built-in tap tempo capability and a delay/hold time of over 5 seconds (5,200ms). A new Reverse mode makes it easy to get trippy ‘60s and ‘70s-style effects, while the newly designed Warp mode creates radical delay effects on the fly.

BOSS

Demo by Reverb

Demo by Shnoble

Review by Andrew Siemon

DD-6 Digital Delay

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Review by bonedo

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Ennio miurin

Seit über 50 Jahren ist Marshall führend bei der Entwicklung von Overdrive- und Distortion-Sounds, die ganze Genres geprägt haben. Der Jackhammer fängt den klassischen Marshall-Drive ein und geht noch einen Schritt weiter. Mit extremen Distortion-Fähigkeiten und präzisen EQ-Einstellungen ist dieses Pedal ein echtes Kraftpaket. 

For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. 

Marshall

Review by guitartoneoverload

Demo by Portal Gitarowy

JH-1 Jackhammer

Der Mosky Black Rat Distortion ist ein sehr preisgünstiger Mini-OEM-RAT-Klon, der denselben LM308-Operationsverstärker wie das Original verwendet.
Er verfügt außerdem über die Distortion-Klänge „Vintage“ und „Turbo“. Identische Modelle finden Sie bei Eno, Mosky und Donner.

The Mosky Black Rat Distortion is a very affordable mini OEM RAT clone, it uses the same LM308 Op-amp as the original.
It also comes with “vintage” and “turbo” distortion voicings. You’ll find identical models by Eno, Mosky and Donner.

Mosky

Review by Ultimate Guitar

Review by delicious audio

Demo by Derek Paul Guitar

Demo by Rudy Bressers

Black Rat Distortion

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

paolo d'errico

Authentic and classic 3-dimensional phase shifting – the VINTAGE PHASER VP1 provides everything from whirling speakers to impressive jet plane effects! There is a dedicated Rate control and separate Tone switch for fine-tuning the speed and tone. No matter what phasing effect sound you’re after, VP1 makes getting there easy!

Behringer

Review by awkwardsound.com

Demo by Ryan Lutton

Demo by Steven twangs

Vintage Phaser VP1

Electro-Harmonix

Triangle Big Muff Pi

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Matteo Carrozzo

Das Arena 2000 ist ein Multi-Effektprozessor für E-Gitarre von Donner. Es bietet 278 integrierte Effekte und Verstärkermodelle für eine große Klangvielfalt. Das Gerät verfügt über eine integrierte Drum-Maschine und einen Looper für Übung und Performance. USB-Konnektivität ermöglicht Aufnahme und Preset-Verwaltung. Das Arena 2000 besitzt ein Farbdisplay und mehrere Fußschalter für Live-Steuerung. Es ist für den Einsatz auf der Bühne und im Studio konzipiert.

The Arena 2000 is a multi-effects processor for electric guitar from Donner. It features 278 built-in effects and amplifier models for a wide range of tones. The unit includes an integrated drum machine and looper for practice and performance. It offers USB connectivity for recording and preset management. The Arena 2000 has a color display and multiple footswitches for live control. It is designed for stage and studio use.

Donner

Demo by Guitar Safari

Review by Guitar Player

Review by Interactive Guitar Magazine

Arena 2000

RockBoard

ISO Power Block V16

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Mehmet Aycan Özek

Modern

David Litaba

Designed in collaboration with Black Arts Toneworks, the Boneshaker is a dirty boost coupled with a powerful 3-band semi-parametric EQ. The Boneshaker can smack the front-end your amp into overdrive, or sculpt the tone of your fuzz to stand out in a mix. If your already dirty amp channel needs a little bit of a goose and you want full control over every frequency, the Boneshaker is just the ticket.

Product Page 

Review by Reddit /guitarpedals

Review by Bonedo

Users Manual 

Demo by Guitar Interactive Magazine

DOD Boneshaker Reissue with Charlie O’Neal

Boneshaker Distortion

Hedra ist ein rhythmischer 3-stimmiger Pitch-Shifter, der deinem Instrument 3 Harmoniestimmen hinzufügen kann. Tap-Tempo synchronisierte Delays sind ebenso für jede Stimme verfügbar. Pitch Glides, Micro-Tuning, 4 individuelle Delay-Konfigurationen, einstellbare Tonhöhenkorrektur und MIDI-Tastatursteuerung machen Hedra zu einem eigenen Instrument, das seinesgleichen sucht.

Hedra is a 3-voice rhythmic pitch shifter capable of adding 3 harmony voices to your instrument. Tap tempo synchronized delay is also available for each voice. Pitch glide, micro tuning, 4 individual delay confgurations, adjustable pitch correction, and midi keyboard control combine to make Hedra an instrument like no other.

Meris

Official Product Page

Meris Hedra - Official Demo Video

Meris Hedra - Official Vocal Demo Video

Meris Hedra - Demo Video - ThePedalZone

Meris Hedra - Demo Video (No Talking) - Guitar Bonedo

Meris Hedra - Demo / Review Video - SeanPierceJohnson

Meris Hedra - Review by Muzikus [CZ], [02-2020]

Meris Hedra - Review by Gitarre&Bass [DE], [11-2019]

Meris Hedra - Review by TopGuitar [PL], [10-2019]

Hedra

Der Lightspeed Organic Overdrive ist ein Overdrive mit sehr natürlichem Klang. Warum „organisch“? Nun, einfach gesagt, es ist der klarste, natürlichste und beste Overdrive, den wir je gehört haben, für Spieler, die einen natürlichen Drive-Sound suchen. Dieses Pedal harmoniert mit dem Klang der Gitarre und des Verstärkers und hat satte Obertöne und komplexes, aber sanftes Clipping. Der Lightspeed Overdrive reagiert empfindlich auf den Anschlag des Plektrums und hat ein anderes „Gefühl“ als andere Overdrives. Der Lightspeed kann auf „transparent“ eingestellt werden, kann Ihr Signal aber auch bis an den Rand treiben.

The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why "organic"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge. 

Greer Amps

Review by Sam Goffen Guitar

Review by Premier Guitar 

Demo by Premier Guitar

Demo by Andertons

Demo by Rabea Massaad

Lightspeed (Standard Blue)

David Joyce

Venus ist ein echter Röhren-Overdrive, inspiriert von einem der größten Meisterwerke des Pedal-Museums.  

Mit ultimativer Vielseitigkeit und Klangformung im Fokus haben wir es uns zur Aufgabe gemacht, eine klassische Röhren-Klangskulptur mit modernen Verfeinerungen nachzubilden – von einem sanften, leichten Röhren-Overdrive bis hin zu einem aggressiven High-Gain-Distortion im Fuzz-Bereich.  

Kompakte Größe, maximale Leistung  
Größe ist wichtig! Ohne Klangqualität zu opfern, haben wir unsere Schaltung in das kleinstmögliche Gehäuse gepackt: 12,6 x 6,6 x 5,7 cm (L x B x H). Anstelle eines internen Step-Down-Transformators haben wir Venus so konzipiert, dass es mit einem standardmäßigen 9V-DC-Netzteil betrieben wird – für minimale Hintergrundgeräusche und Brummen. Das Pedal kann mit dem mitgelieferten Netzteil oder jedem isolierten 9V-DC-Netzteil mit 500mA (Mitte negativ) betrieben werden. Ein speziell entwickelter interner Spannungswandler sorgt dann für die optimalen Betriebsbedingungen mit symmetrischen +/-15V DC.  

Röhrenwahl & Anpassung  
Das klassische Meisterwerk, das Venus inspiriert hat, wurde ursprünglich mit einer ECC83 (12AX7) Doppeltriode geliefert. Für einen sanfteren, saubereren Klang ersetzten viele Nutzer diese Röhre jedoch durch Varianten mit weniger Gain und höherem Headroom, wie die ECC81 (12AT7) oder ECC82 (12AU7). Deshalb haben wir uns für eine ECC832 als Standardröhre entschieden – eine ungewöhnliche Kombination, die eine Hälfte einer ECC83 und eine Hälfte einer ECC82 enthält. Dadurch bleibt der Charakter des Originals erhalten, jedoch mit mehr Klarheit, besserer Saitentrennung und einer breiteren Klangbühne.  

Alle gängigen Doppeltrioden wie ECC83/12AX7, 5751, ECC81/12AT7, 12AY7 oder ECC82/12AU7 können weiterhin eingesetzt werden, um unterschiedliche Klangnuancen zu erzielen. Mit dem Bias-Regler lässt sich der Röhren-Bias steuern, also der Stromfluss durch die Kathoden. Damit kann man den Sweet Spot für verschiedene Röhrentypen finden und gleichzeitig die Verzerrungstextur einstellen – von rau, aggressiv und "gated" (gegen den Uhrzeigersinn) bis hin zu weich und cremig (im Uhrzeigersinn). In der maximalen Rechtsdrehung bietet der Bias-Regler den saubersten Klang für die meisten Röhrentypen.  

Volle Klangkontrolle  
Ein 3-Band-Equalizer gibt dir absolute Kontrolle über das Frequenzspektrum. Mit dem Mittenregler kannst du gezielt zwischen den verschiedenen Klangcharakteristiken der ursprünglichen Einheit wechseln – besonders nützlich für Amps mit leicht abgesenkten Mitten.  

Zusätzlich haben wir einen Push-Schalter integriert, um die Tief- und Tiefmittenanhebung in den Röhren-Gain-Stufen zu steuern. So kannst du zwischen einem satten ("fat") oder straffen ("tight") Klang wählen.  

Ein schaltbarer Low-Output-Impedanz Line Driver (Buffer/Volume Booster) sorgt dafür, dass dein Signal verlustfrei an das nächste Pedal oder den Amp weitergeleitet wird, wobei alle Frequenzen erhalten bleiben. Venus arbeitet immer im True Bypass, unabhängig von der Einstellung des Push-Schalters. Der Line Driver wird nur dann aktiviert, wenn der Effekt eingeschaltet ist.

Venus is a real tube overdrive inspired by one of the greatest masterpieces of the pedal museum.

With ultimate versatility and tone shaping in mind, we set out to recreate a classic tube tone sculpture with modern refinements, generating anything from a smooth, light tube overdrive, to a high-gain, nasty distortion within the realm of fuzz. 

First of all, size matters! Without sacrificing tone, we squeezed our circuit into the smallest possible enclosure, measuring 12.6 x 6.6 x 5.7 cm (L x W x H).  Instead of an internal step-down power transformer, we designed Venus to operate from a standard 9V DC power supply to minimize background noise and hum. The user can operate the pedal from the included power supply or any isolated 9V DC, center-negative power supply output with 500mA current capability. Then a properly designed internal voltage booster/inverter circuit provides the correct voltage conditions (symmetrical +/- 15V DC).

While the classic masterpiece that inspired Venus originally shipped with an ECC83 (12AX7) dual triode tube, users looking for a smoother, cleaner sound replaced the tube with a lower gain/higher headroom variant like ECC81 (12AT7) or ECC82 (12AU7). With that in mind, we selected an ECC832 tube as stock for Venus. This kind of oddball tube features half of an ECC83 and half of an ECC82. The tone is as close as possible to the original “tube sculpture” but with more clarity, string separation and a wider soundstage.

You can still substitute with all the "usual suspects" of dual triode tube types like ECC83/12AX7, 5751, ECC81/12AT7, 12AY7, ECC82/12AU7 for a different sonic flavor. Use the bias knob to set the tube bias/control the current passing through the tube cathodes. By adjusting this knob, you can find the sweet spot for different tube types used and/or set the texture of the overdrive / distortion: from gnarly, nasty and gated (counter-clockwise) to smooth and creamy (clockwise). The full clockwise setting of the bias knob has the cleanest sound for most tube types used.

A full 3-band EQ gives you total control over frequency response. With the mid control, you can sweep through the sounds of all the variants of the unit that inspired Venus and also comes in especially handy if you are using slightly mid-scooped clean amps. To sculpt the tone further and match the pedal to different guitars and/or pickups, we have also added a push switch to set the amount of low and low-mid frequencies boost that hits the tube gain stages between the stock fat or tight sound (when pushed in). A switchable low-output-impedance line driver (buffer/volume booster) ensures that your signal gets properly pushed through to the next pedal or your amp, and all your audio frequencies are retained. The bypass state of Venus is always true bypass regardless of this push button switch setting. The selectable line driver is only placed at the output of the effect when engaged.

Crazy Tube Circuits

Review by Music Radar

Review by Gear News

Demo by AndyDemos

Demo by MUSTY GUITAR

Venus

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

KMA Machines

Demo by Eytschpi42

Review by Gitarre & Bass

Manual download

Moai Maea

The Heavy Menace is the most versatile distortion pedal we’ve ever created.  It’s an evolution of our original Heavy with new features and a compact enclosure. 

In addition to the original Heavy and Heavier modes, the Heavy Menace adds a new Lite(ish) mode, covering any high-gain sound from classic hard rock to searing modern metal.  

Empress Effects

Review by reddit /guitarpedals

Demo by LambChopper678

Demo by Sonic Drive Studio

Heavy Menace

Yakov Yakovlev

Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing, constantly looking to recreate its legendary tone.

We wanted players to be able to get that tone from their own rig, be able to drop it right in and feel the brutal power, articulation and depth of gain that made the NATAS amp the legend it is.

A staggering feat of engineering, a sound and response never experienced from a gain pedal includes cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (scooped or humped) tone shaper, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time.

Fortin Amplification

Review by Guitar World

Review by guitar pedal X

Demo by Kyle Bull

Natas Distortion

DELETED USER

The Pentatone Gate is a standalone version of the GATE section in the Ibanez Pentatone Preamp. This gate achieves a quick response and natural sustain and has an added threshold mode switch which allows you to adjust the threshold in the appropriate range.
Furthermore, thanks to the 4 I/O jacks, the gate circuitry can work at a proper location, such as right after distortion pedals or in between the send/return of a guitar amplifier.

Ibanez

Review by Guitar Bomb

Pentatone Gate PTGATE

BONAFIDE BUFFER is the sonic remedy that will free your tone of any treble-sucking constraints put upon it by long cable runs. Just slam this high-quality, no-nonsense tone tool on your pedalboard and get ready to bask in your tone as it was meant to be. Transparent, crisp, alive and all you!

TC Electronic

Review by Sound on Sound

Quick Start Guide

Demo by EytschPi42

Bonafide Buffer

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

User Manual

Demo by Premier Guitar 

Oceans 12 Dual Stereo Reverb

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

The EHX Grand Canyon is Electro-Harmonix’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon’s 13 modes are:

1. ECHO – pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering
2. MOD – Modulated delay, yields rich flanger, chorus, vibrato, warble and more
3. MULTI – Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.
4. REVERSE – Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes
5. DMM – Deluxe Memory Man, re-creates the luscious tone of EHX ‘s legendary bucket-brigade delay pedal
6. TAPE – Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter
7. REVERB – Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay
8. PITCH – EHX’s critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats
9.SHIM – Shimmer generates a rich octave-shifted wash of shimmering soundscapes
10. SAMPLE/HOLD – Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected
11. DRUM – Magnetic drum echo that faithfully emulates a classic Binson Echorec® style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns
12. DOUBLE – Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs
13. LOOPER – Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

Grand Canyon

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Kevin Agiri

Der Monumental Stereo Harmonic Tremolo ist ein Stereo-Tremolo-Pedal für E-Gitarre und andere Instrumente. Es basiert auf harmonischen Tremolo-Schaltungen aus Vintage-Verstärkern. Das Pedal teilt das Signal in getrennte Frequenzbereiche auf, die phasenversetzt moduliert werden. Dadurch entsteht ein pulsierender Effekt, der sich von klassischem Lautstärke-Tremolo unterscheidet. Der Stereo-Betrieb ermöglicht eine Verteilung der Modulation auf zwei Ausgänge. Das Pedal ist für den Einsatz auf der Bühne und im Studio ausgelegt.

The Monumental Stereo Harmonic Tremolo is a stereo tremolo pedal designed for electric guitar and other instruments. It is based on harmonic tremolo circuits found in vintage amplifiers. The pedal splits the signal into separate frequency bands that are modulated out of phase. This creates a pulsating effect that differs from standard volume tremolo. The stereo operation allows the modulation to be spread across two outputs. The pedal is intended for live performance and studio use.

Walrus Audio

Monumental Stereo Harmonic Tremolo (Orange)

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Die Sea Machine V3 ist ein in mehrerlei Hinsicht außergewöhnliches Chorus-Pedal. Dieser Analog/Digital-Chorus-Hybrid verfügt über sechs Regelmöglichkeiten (Shape, Rate, Depth, Intensity, Dimension, Animate), eine gegenüber normalen Chorus-Effektpedalen erweiterte Verzögerungszeit, eine Geschwindigkeits-LED, einen Analog Dry Signal Path sowie einen True Bypass. Die Sea Machine V3 eignet sich sowohl für klassische als auch für außergewöhnliche Chorus-Effekte und harmoniert exzellent auch mit verzerrter E-Gitarre. Die zusätzlichen Regler Dimension und Animate erweitern das Chorus-Spektrum dieses in Ohio/USA in Handarbeit gefertigten Pedals enorm.  Das Sea Machine V3 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Sea Machine V3 is an exceptional chorus pedal in many respects. This analog/digital chorus hybrid features six control knobs (Shape, Rate, Depth, Intensity, Dimension and Animate), extended delay time (compared to regular chorus effect pedals), a speed LED, analog dry path signal and True Bypass. The Sea Machine V3 delivers both traditional and unconventional chorus effects and works very well with distorted electric guitars. The additional Dimension and Animate controls massively enhance the sound palette of this made in Ohio, USA pedal. The Sea Machine V3 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices

Sea Machine

Learn more about Marshall JH-1 Jackhammer overdrive, distortion pedal on PedalPedia - the most comprehensive online resource for effect pedals ▶️ Official specs, manuals, product videos and more

JH-1 Jackhammer by Marshall | RockBoard | PedalPedia