OnionBelt

From photo by Steven Diffey
https://photos.google.com/share/AF1QipO2td2z3T_FCjmclBeH-1vGUowK-5dEAuP0T-mddoal-6ttV4wVAKMTt5UHzES4lw?key=WkZsQUhhTFJZVnQwSGRQcjdjb0V4MFBsQUdyTlBB

Tommy Guerrero Jazz Cafe

Tester

The Roto Choir recreates both the rotating lower speaker and the treble rotor horn –the only way to attain that complex, multi-dimensional tone. In fact, the Roto Choir utilizes a specifically formulated SansAmp technology to deliver the entire signal chain –from the original tube power amp to the speaker and high-frequency rotor horn, to the microphone used to capture it. This is HD, 3D emulation.

The simple controls hide a wealth of options. Drive adds just the right amount of compression, harmonics and grit. Low and High sculpt the tube amp emulation with powerful EQ curves. The Fast/Slow footswitch allows users to ramp up, slow down or even stop the rotating speaker. There’s also a dedicated control to custom set the Top Speed of your rotor. Want to vary the intensity of the effect? Simply adjust the Position control to move the Roto Choir’s virtual mic closer or further from the horns. Other features include a biamped/single-speaker mode switch, stereo output and a Speaker Sim switch for direct recording.

Tech 21

Product Page

Review by The Gear Page

Review by bonedo

Review by Gitarre & Bass

Manual

Official Product Video

Demo by Brett Kingman

RotoChoir

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Stefan Valenberghs

The Aqua-Puss Analog Delay MkIII delivers smooth vintage delay tones and tape-based echo with 20ms to 300ms of delay time.

Way Huge

Aqua-Puss MKII

PedalSafe Type WH3

QuickMount Type WH3

Pedal-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

 Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Catalinbread

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Belle Epoch

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing—a fraction of the size and weight of the original—with true bypass switching.

With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode—dry signal mixed with pitch-shifted signal—or Vibrato Mode—only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.

Put the MXR Uni-Vibe Chorus/Vibrato on your board and expand your tonal palette.

Demo by jumdunlopusa

M68 Uni-Vibe Chorus/Vibrato [small box]

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

Electro-Harmonix

Oceans 11

PedalSafe Type A2

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

M293 Booster Mini

The MXR Sugar Drive Pedal provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion. It's based on a rare overdrive pedal that has acquired a mythical reputation among fanatical tone-seekers thanks to its unique circuit design.

The key elements of that circuit design are the Drive control and something called a voltage doubler. First, the Drive control on this pedal doesn't just increase the intensity of the overdrive pedal. It starts with your clean signal and then blends it with the overdrive effect as you turn it up, replicating the smooth transition of an amplifier going from clean to dirty. The voltage doubler increases overall headroom, which opens everything up nicely.

Review by Guitar World

Review by Hometone Blog

Demo by  Made by Miike

M294 Sugar Drive

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

Used at Island Brewing Sunset Live Session 


Tommy Guerrero Uluwatu

The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. Want these sounds but need presets? Check out the Slötvå.

Walrus Audio

Tech Demo by Walrus Audio

SLÖ

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Der Blue Hippo Analog Chorus MKIII klingt so herrlich flüssig wie eh und je und ist nun im Pedalboard-freundlichen Way Huge Smalls Gehäuse erhältlich. Mit seiner einfachen Bedienoberfläche für Speed und Depth kannst du alles von üppiger Klang-Verbreiterung bis hin zu vollem Modulations-Wahnsinn einstellen. Wenn du ein bisschen dichtes Vibrato genießen möchtest, leg einfach den Vibe-Schalter um und gib deinem Sound mehr Textur. Der Blue Hippo Chorus ist geradlinig und ein perfektes 'No-Nonsense Pedal' - einfach einstöpseln und in die Untiefen abtauchen!

The Blue Hippo Analog Chorus sounds as lusciously liquefied as ever in a Way Huge Smalls housing. With its simple Speed and Depth control interface, you can dial in everything from lush tone-widening to full-on rotating speaker modulation madness. If you want to splash on some thick vibrato goodness, just flip the Vibe switch to give your already aqueous tones a little more texture. The Blue Hippo Chorus is straightforward and no-nonsense-just plug in and dive into the deep end.

Official Product Page

Way Huge Smalls Blue Hippo (WM61) - Demo Video - Musiker TV

Way Huge Smalls Blue Hippo (WM61) - Demo Video - Reverb

Way Huge Smalls Blue Hippo (WM61) - Review by Gitarzysta [PL], [04-2019]

Way Huge Smalls Blue Hippo (WM61) - Review by GuitarWorld [EN], [07-2018]

Demo by Way Huge

SMALLS BLUE HIPPO ANALOG CHORUS

PedalSafe Type WH1

QuickMount Type WH1

Pedal-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Giordano Rivolta

Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog circuitry produces the warm tone that players look for in analog delays. With the ADMINI, you'll enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard.

Ibanez

Review by reddit /guitarpedals

Review by Premier Guitar

Review by AMAZONA

ADMINI Analog Delay

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

ch ray

The first POLYTUNE NOIR raised the bar for how über-cool a tuner could be with its compact design and sleek black look. Now POLYTUNE 2 NOIR is here to rock pedalboards around the world! Featuring a super-bright LED display, an insanely-accurate strobe tuner and our groundbreaking polyphonic tuning mode, POLYTUNE 2 NOIR packs the most-innovative tuning technology into a tiny enclosure in the coolest color of all – basic Black. Tuning has simply never been more rock ‘n’ roll!

TC Electronic

Demo by Daniel Seriff

Demo by Nick Rees

Polytune 2 noir

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Demo by Rabea Massaad

ARP-87 Multi-function Delay

PedalSafe Type B2

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

From Josh Lippi's Instagram (towards the end) https://www.instagram.com/p/DKBFle2zRr8/

Tommy Guerrero Japan Tour 2025

Der Custom Badass Modified O.D. verfügt über eine klassische Overdrive-Schaltung mit modernen Modifikationen für verbesserte Leistung und Vielseitigkeit.

Für zusätzliche Flexibilität haben wir einen 100-Hz-Cut- und Boost-Regler hinzugefügt, der einen fokussierteren EQ ermöglicht, wenn er abgesenkt wird, oder einen kräftigeren Ton, wenn er angehoben wird. Der Bump-Schalter aktiviert ein alternatives EQ-Voicing, das die Bässe und Mitten anhebt. Wenn du ihn vor den '78 Custom Badass Distortion schaltest, erhältst du eine Reihe von Gain-Strukturen, die an einen Verstärker erinnern, ohne deinen Ton zu 

The Custom Badass Modified O.D. features a classic overdrive circuit with modern modifications for improved performance and versatility.

For added flexibility, we've added a 100HZ cut and boost control that allows for a more focused EQ when cut, or a beefier tone when boosted. The Bump switch engages an alternate EQ voicing that boosts the lows and mids. Put it in front of the '78 Custom Badass Distortion for a slew of amp-like gain structures that won't mask your tone.

Review by Musiker-Board

Demo by Pierre Le Cam

Demo by Max Guitar B.V.

M77 Custom Badass Modified O.D.

720 Looper

RockBoard

Covering the General sounds used in classics. Making sure those Bar, Pub and Wedding Gigs are covered with the correct effects! 

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Cover Band Settup 

David Litaba

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Review by Guitar.com

Review by Pedal of the Day

Review by Six String Sensei

Demo by Made by Miike

Audio Examples

Flint

PedalSafe Type J

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

no no

Lore

PedalSafe Type C2

Schutzabdeckung & RockBoard-Montageplatte für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Schutzabdeckung & universelle Montageplatte Für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & Universal Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Tsakalis Audioworks

Galactic

Compact Version of Hugely Popular Sub 'N' Up Octaver with Advanced Polyponic Octave Engine and TonePrint-Enabled Technology for Easy Custom Effects

Review by Talk Bass.com

Review by Continual Riff

Demo by Andrew Z

Sub 'N' Up mini Octaver

Kee Vin Wong

Das Wayhuge Smalls Aqua-Puss Analog Delay MkIII liefert warme Vintage Delay Sounds mit bis zu 300 ms Verzögerungszeit, die sich bestens für Old School Slap-Backs eignen. Über die klassischen Regler für Delay und Feedback lässt sich der Effekt gewohnt einstellen, wobei sich das Pedal bei extremen Settings auch zu wilder Selbstoszillation animieren lässt.

Way Huge Smalls Aqua-Puss (WM71) - Demo Video - Musiker TV

Way Huge Smalls Aqua-Puss (WM71) - Demo Video - Reverb

Way Huge Smalls Aqua-Puss (WM71) - Review by GuitarWorld [EN], [07-2018]

Product Video by JimDunlop

SMALLS AQUA-PUSS ANALOG DELAY

Alle großartigen Gitarrentöne haben eine solide Grundlage. Zu viele Kabel, die in und aus deinem Pedalboard und zu und von deinem Verstärker weggehen, können dir manchmal versehentlich die natürlichen höheren Frequenzen deiner Gitarre rauben (was deinen Ton matschig macht) und im Grunde genommen einen „Tonsog“ erzeugen. Ein hochwertiger Buffer kann verhindern, dass diese hohen Frequenzen verloren gehen, und mit einem Clean Boost kannst Du sicherstellen, dass Deine Gitarre immer im Mix sitzt. Wir stellen den Wampler dB+ vor.

Der dB+ verfügt über die gleichen großartigen Funktionen wie sein Vorgänger - der Decibel + - aber jetzt hast du die Möglichkeit, den Buffer unabhängig voneinander ein- und auszuschalten, und das alles in der Größe eines Mikropedals. Was auch immer deine Bedürfnisse sein mögen, der dB+ ist bereit, sie zu erfüllen. Ob im Studio oder auf der Bühne, es ist ein Ein-Knopf-Problemlöser-Toolkit.

Du musst nie wieder unter High-End-Signalverlusten oder einem „schlechten Ton“ leiden. Du musst nie mehr den Boost einschalten, nur um den Buffer einzuschalten. Du kannst jetzt die Verantwortung für deinen Sound übernehmen und ihn jederzeit genau so haben, wie du ihn haben willst.

All great guitar tones have a solid foundation. Too many cables going in and out of your pedal board and to and from your amp can sometimes accidentally rob of you your guitar’s natural higher frequency tones (making your tone muddy) and in essence – creating “tone suck”. A quality buffer can help prevent those high frequencies from being lost and with a clean boost – you can make sure your guitar always sits in the mix. Introducing the Wampler dB+.

The dB+ has all the same great features as its predecessor – the Decibel + – but now you have the ability to turn the buffer on and off independently as well in a now micro pedal size. Whatever your needs may be, the dB+ is ready to deliver. From studio or stage, it’s a one-knob problem solver toolkit.

You no longer have to suffer high-end signal loss, or “tone suck” again. You never have to have your boost on just to have your buffer on. You can now take ownership of your tone and have it exactly as you want it at all times.

Wampler

Review by markweinguitarlessons.com

dB+ Boost/Buffer

A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I just picked my favorites. This includes Switchcraft 11 open frame jacks, and a super quiet soft touch switching system via an internal relay.

I have been working on this project for the better part of three years, as a collaboration and with engineering by Jon Ashley of Bondi Effects. I feel that the pedal is unique in design and sonically unlike anything I have ever heard, especially in the lower gain and boost settings. There is a subtlety that feels more like a vintage pedal than a modification of a classic. There are two circuits present in the pedal, one distortion and one preamp boost, running at 18v via an internal voltage regulator. I made this pedal with the idea to create a distinction for my own sound, and what I found is that it is an extremely useful tool for capturing a lot of different types of sounds. I am most proud of the lower gain side, as I feel it is the most unique section of the pedal, but I must also include that the gain section is extremely sweet sounding throughout, especially for heavy and complex chords. There is a midrange punch that I love and a warmth and thickness that reminds me a bit of a ribbon mic. When the development of this pedal turned into something new and unique, it became the catalyst to starting 1981 Inventions, so I decided to make this the first official release.

1981 Inventions

Demo by pedalmonk

DRV - Hyperfade Black

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Rasmus Ehrnborn

Travel Size mini board

St James 50 EL34

M293 Booster Mini by MXR