Michael Hodgson

Baretta Special

Korina Explorer

New badass Pedal Board-copy-copy-copy-copy-copy-copy-copy-copy

Generator Mkiii 

Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.

You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.

Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.

Strymon

Demo by LiamOConnorAudio

Ojai Power Adapter

Product Page

Review by reddit /guitarpedals

Review by The Gear Page

Quick Start Guide

Manual

Ojai

Anders Rapanà

Mit dem Strymon Zuma stellt sich eine Mehrfach-Stromversorgung vor, die auch den Bedarf von großen Boards mit hungrigen Pedalen sättigen kann. Das kommt nicht von ungefähr, denn der amerikanische Boutique-Pedalhersteller hat selbst einige digitale Gerätschaften im Angebot, die zwar sehr viel und Gutes leisten, aber auch entsprechend ausreichend Strom für ihre Arbeit benötigen – von nichts kommt nichts.

Strymon Zuma is the quietest and most powerful pedal power supply of its kind, capable of powering a huge number of guitar pedals silently and reliably with a staggering 500mA of current available at each output. With nine high-current, individually isolated, ultra-low-noise outputs – each with its own dedicated regulator and custom transformer – Zuma is the most advanced isolated pedal power supply available today.
9 high-current, fully isolated outputs
9 outputs offer 9V DC option
500mA per 9V DC output powers nearly any pedal
2 selectable outputs offer 9V, 12V, or 18V DC options
12V option provides 375mA, 18V provides 250mA
Delivers a maximum of 48W
9 pedal cables included (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight cables)
Detachable IEC power cable included
24V OUT jack allows connection to additional outputs via Strymon Ojai or Ojai R30 (sold separately)

Review by bonedo 

Demo  By Reverb 

Zuma

Tester

BOSS

LS-2 Line Selector

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

Official Product Video

EQ-200 Graphic Equalizer

Das MicroPitch Delay ist ein hochauflösendes digitales Effektpedal, das duale Pitch-Shifter mit feiner Verstimmung und dualen Delays kombiniert. Es basiert auf den legendären Pitch-Shifting-Algorithmen, die ursprünglich in den Eventide H910 und H3000 Harmonizern zu finden waren, und wurde speziell für die Erzeugung breiter Stereo-Klanglandschaften und üppiger Chorus-Effekte optimiert. Das Pedal ermöglicht die unabhängige Steuerung von zwei Stimmen, jeweils mit eigenen Einstellungen für Pitch, Delay und Feedback. Es verfügt über einen einzigartigen Tone-Regler zur Gestaltung des Frequenzgangs des Effekts sowie eine dedizierte Modulationssektion, um den verstimmten Stimmen Bewegung zu verleihen. Das Gerät unterstützt vollständige MIDI-Implementierung, Expression-Pedal-Zuweisung und kann bis zu fünf Presets direkt speichern, wobei weitere über die Eventide Device Manager Software zugänglich sind. Es wird häufig von Gitarristen verwendet, um den ikonischen „Micropitch“-Schimmer und Verbreiterungseffekt zu erzielen, der in den 1980er Jahren populär wurde.

The MicroPitch Delay is a high-resolution digital effect pedal that combines dual pitch-shifters with fine-resolution detuning and dual delays. It is based on the legendary pitch-shifting algorithms originally found in the Eventide H910 and H3000 Harmonizers, specifically optimized for creating wide stereo soundscapes and lush thickening effects. The pedal allows for independent control over two voices, each with its own pitch, delay, and feedback settings. It features a unique Tone control for shaping the effect's frequency response and a dedicated Modulation section to add movement to the detuned voices. The device supports full MIDI implementation, expression pedal mapping, and can store up to five presets onboard, with more accessible via the Eventide Device Manager software. It is frequently used by guitarists to achieve the iconic "micropitch" shimmer and widening effect popularized in the 1980s.

Eventide

Review by Gearnews

Review by musicradar

Demo by Leon Todd

MicroPitch Delay

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Premier Guitar

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

Scott Machalk

From recalling presets to tapping in tempos, MiniSwitch adds another layer of functionality to your Strymon pedals at the press of a button. 

Demo by Sunday Tone 

MiniSwitch

Domingos Sávio Mendes

Diese Plektrumdose enthält sechs 0,60 mm Max-Grip®-Picks – genau wie die von Eddie Van Halen – mit einem Artwork, das auf seiner „Frankenstein“-Gitarre basiert, der bekanntesten Gitarre der Welt. Diese Plektrumdose enthält sechs 0,60 mm Max-Grip®-Picks – genau wie die von Eddie Van Halen – mit einem Artwork, das auf seiner „Frankenstein“-Gitarre basiert, der bekanntesten Gitarre der Welt.

This Pick Tin features six .60mm Max-Grip® Picks—just like Eddie Van Halen used—with artwork based on his "Frankenstein" guitar, the most widely recognized guitar in the world.

Dunlop

EVHPT02 Frankenstein Pick Tin

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Sebastian Schulz

THIS PEDAL WILL TRANSFORM YOUR GUITAR RIG

Don't let the Vertex Boost MKII's name fool you — it's much more than a mere boost. Make no mistake, this multifunction guitar pedal can function as a gain booster, with +16dB of ultra-transparent gain that can either drive your amp into saturation or give your solos a squeaky-clean level bump, depending on where you choose to deploy it. Able to accommodate both line- and instrument-level signals, the Boost MKII also includes ultra-linear input/output buffers that are guaranteed to elevate the sound of your entire rig. This stompbox's buffers can propel a typical mid-level rig into pro-level territory with zero tonal coloration. And if your rig is already 99% of the way there, the Boost MKII will deliver that elusive missing 1%. Beyond that, the Boost MKII's insert jack enables you to adjust your volume via an external treadle-style pedal while keeping your guitar's signal completely isolated — it's like plugging straight into your amp. Boasting a compact enclosure that's 33% slimmer than its predecessor, the Vertex Boost MKII belongs on every tone-obsessed guitarist's pedalboard.

Vertex Effects

Review by Guitar Player

Demo by Goodwood Audio

Demo by Vertex Effects 

Demo by Sweetwater

Boost MKII

Revv Amplification's Red Channel 4 is a thick gain monster that still has the nuance to cover oldschool tones. The G4 is an amp in a box distortion pedal based on this tone used by premier touring & recording guitarists worldwide.

Applying feedback we've received from the G3 - we've developed the polar opposite to its surgical, mid-forward Purple Channel voicing. The G4 is a great  place to start for thick saturated amp-like tones & a complement to other Revv pedals or any existing rig.

REVV

Review by bonedo

Demo by Riffs, Beards & Gear

G4 Distortion

With the Tumnus Deluxe, Brian has set a new standard. Thanks in large part to the design’s articulate-sounding buffer, all of the clarity, punch, and detailed breakup of the original Tumnus are still there. But if you prefer the sound of true bypass performance, just hit the switch on the side of the pedal for uncolored tonal purity. Brian also injected the Tumnus Deluxe with a level of tonal flexibility not previously available on this style of drive. Active bass and mid controls, as well as a regular treble control (the same as the pedal it was inspired by), encourages you to sculpt the tone from this pedal to the demands of your rig. Whether you’re boosting a driven amp or another pedal, using the pedal as a stand-alone overdrive, or crowning it your “always on” tonal sweetener, you’ll find the Tumnus Deluxe’s wide-ranging controls make it much more than just another clone. The Tumnus Deluxe delivers all the string-to-string clarity, high-headroom output, and amp-like breakup that made this style of overdrive pedal so iconic. But its 3-band EQ will enhance your tone with warm low end, instantly identifiable midrange, and just the right amount of top-end sparkle. Unlike some other similarly voiced pedals, the Tumnus Deluxe has enough tonal control to perfect your sound through any rig. The buffer inside the Tumnus Deluxe sounds so good, you might just find it enhances your tone whether the pedal is on or off. But Wampler knows that some players prefer the clean signal path of true bypass operation. With the Tumnus Deluxe’s side-mounted buffered/true bypass control, attaining that uncolored sound is as easy as flipping a switch.

Wampler

Review by Pedal Authority

Review by Gretsch-Talk

Quick Reference Guide

Demo by Tom Quayle

Demo by Pete Thorn

Demo by Reverb

Demo by Wampler

Tumnus Deluxe

Everyone knows that it was the MXR Flanger that powered the timeless Van Halen tunes "Unchained" and "And The Cradle Will Rock." Now you can grab a piece of that world-class tone with the MXR EVH117 Flanger. This amazing stompbox features the same bucket-brigade technology that provided the sweeping, whooshing magic of the original. But we didn't stop there. We've also added the EVH Switch, which instantly calls up Eddie's "Unchained" sound with the exact same Manual, Width, Speed and Regeneration settings that he used to get one of the greatest guitar tones of all time. If that's not cool enough, we painted the EVH Flanger with the rocking striped graphics that started a revolution. Get the MXR EVH117 Flanger and hit the ground running.

Product Page 

User Manual 

EVH Flanger Test

Product Demo 

EVH117 EVH Flanger

Edward Van Halen's Gitarrensound auf dem Debüt Album von1978 katapultierte ihn schlagartig in dem Olymp des Rock und selbst nach mehr als 25 Jahren hat die Gitarrenarbeit auf diesem Album nichts von ihrer Faszination eingebüßt. Den unglaublichen Sound, den EVH auf dieser Platte kreierte, gehört zu den absoluten Meilensteinen des Rock und ein wichtiger Bestandteil dieses Sounds war von vornherein der MXR Phase 90. Der Phase 90 trug maßgeblich zu den zeitlosen Gitarrensounds von “Eruption,“ “Ain't Talkin' 'Bout Love,“ “On Fire,“ und “Atomic Punk“, sowie vieler anderer klassischer Van Halen Stücke bei. Entstanden aus einer Zusammenarbeit zwischen Eddie Van Halen und Jim Dunlop ist der EVH 90 eine komplett neu designte Version des legendären Phase 90. Der EVH 90 zeigt genau die gleichen räumlichen Klangverwirbelungen und hypnotischen Phasenverschiebungen, die den Phase 90 so berühmt machten. Als neues Feature besitzt der EVH 90 den Script-Schalter, der es ermöglicht, zwischen dem Vintage 'Script Logo' und dem moderneren, aggressiveren 'Block Logo' Phasersound zu wählen. Außerdem präsentiert sich der EVH 90 mit einem rot, weiß und schwarz gestreiftem Outfit, ganz so wie Eddie´s legendäre Frankenstein Gitarre.

Edward Van Halen earned his spot in the guitar tone hall of fame with the first note on his debut album in 1978. The guitar work on that album still boggles minds more than 25 years later. The tones that EVH got on that classic record are among the greatest ever, and a huge part of Eddie‘s guitar sound has always been the MXR Phase 90. The Phase 90 contributed to the unbelievable tones on "Eruption," "Ain't Talkin' 'Bout Love," "On Fire," and "Atomic Punk," plus many other timeless Van Halen tracks. Now you can grab a piece of Eddie's magic with the new MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop Manufacturing that represents a totally redesigned, updated version of the legendary Phase 90. The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, "Script Logo" phase tone and a more modern, in-your-face "Block Logo" phaser. Plus, the EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar. Oh yeah—it's also got a bitchin' new blue LED. Now, how cool is that? Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter

Review by Amazona 

Review by Awkward sound 

Demo by SweetWater 

Demo by Reverb 

EVH Phase 90 (Red)

PedalSafe Type A1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Lee Atkin

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Demo by Made by Miike

Audio Examples

Review by Guitar.com

Review by Pedal of the Day

Review by Six String Sensei

Flint Black Knob

PedalSafe Type J

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

Als wir mit der Entwicklung von Ola dBucket Chorus und Vibrato begannen, wussten wir, dass wir einen leistungsstarken SHARC-DSP nehmen und seine gesamte Leistung für eine Sache einsetzen wollten - die üppigsten und organischsten Chorus- und Vibrato-Sounds, die man je gehört hat.

Unser handgefertigter, prozessorintensiver dBucket-Algorithmus liefert die ganze Wärme und klangliche Komplexität analoger Chorus- und Vibratosounds.

In Kombination mit True Bypass, einem Favoriten-Preset, Stereo-Eingang und -Ausgang sowie einem hochwertigen analogen Front-End und Ausgangsbereich erhältst du ein vielseitiges Chorus- und Vibrato-Arbeitspferd.

When we set out to design Ola dBucket Chorus and Vibrato, we knew that we wanted to take a high-performance SHARC DSP and dedicate all of its horsepower to doing one thing—providing the most lush and organic chorus and vibrato sounds ever heard.

Our hand-crafted, processor-intense dBucket algorithm delivers all of the warmth and sonic complexities of analog choruses and vibratos.

Couple that with true bypass, a favorite preset, stereo input and output, and a super high quality analog front end and output section, and you have yourself a versatile chorus and vibrato workhorse.

Demo by  Rock Hard Riffs

Demo by Guitar Center

Demo by  Antoine Michaud

Demo by  PMTVUK

Review by premierguitar.com

Review by bonedo.de

Simple loop switching for your guitar pedals

High-quality true bypass strip loop control for your effects pedals.

Compact easy switching solution to keep your tone intact. 

For your simple compact board, TheGigRig QuarterMaster QMX just makes life that little bit easier.

Available in 5 different options for small to large pedalboards.

The GigRig

Demo by TheGigRig

QuarterMaster QMX-6

Das legendäre Big Muff Fuzz gibt es schon so lange, es wurde auf so vielen klassischen Aufnahmen verewigt und hat dabei so viele Variationen durchgemacht, dass wahrscheinlich jeder Gitarrist eine Lieblingsversion des ikonischen Tones hat. JHS Pedals wollte diesem unbestreitbar klassischen Fuzz Pedal Tribut zollen, aber sie konnten sich nicht darauf einigen, welche Muff-Version die beste war. Mit dem Muffuletta kommt diese Unentschlossenheit nun jedem Musiker zugute: JHS Pedals hat fünf komplett analoge Nachbildungen der beliebtesten Variationen des Pedals in diese Stompbox gepackt und sogar eine exklusive JHS-Version hinzugefügt, die eine einzigartige Interpretation des historischen Effekts ist. Egal, welche Big Muff-Ära man bevorzugt, man kann sie alle im JHS Muffuletta Fuzz Pedal finden. Die Army Green-Version bietet genau die gleiche Schaltung und die gleichen Sounds, Regelmöglichkeiten und Klänge wie die klassische schwarze Version - nur mit einem aktualisierten, atemberaubenden Finish!

The legendary Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS Pedals wanted to pay tribute to that undeniably classic fuzz pedal, but they couldn't come to a consensus about which Muff was king. With the Muffuletta, their indecision is every musicians gain. JHS Pedals crammed five all-analog re-creations of the pedal's most beloved tones into this box and they even threw in a JHS-exclusive tone that is their unique take on the historic stomp. No matter what Big Muff era you prefer, you can get 'em all in the JHS Muffuletta fuzz pedal. The Army Green version provides exactly the same circuit, sounds, control and tone as the classic black version - only with an updated stunning finish!

Official Product Page

JHS Pedals Muffuletta (Army Green) - Demo / Review Video - Musiker TV

JHS Pedals Muffuletta (Army Green) - Demo Video - Musiker TV

JHS Pedals Muffuletta (Army Green) - Demo Video (No Talking) - Guitar Bonedo

Muffuletta

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

lorenzo allora

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

New Pedal Board

Adrian Zumbrunn

Das Ernie Ball VP Jr 250k kommt mit den gleichen großartigen Eigenschaften wie unser original Lautstärkepedal, allerdings um 22% kleiner. Das im kompakten, robusten und nahezu unzerstörbaren Aluminiumgehäuse untergebrachte Pedal ist perfekt auf passive Audiosignale abgestimmt. Direkt hinter der Eingangsbuchse unterhalb der Wippe wartet ein Micro-Schalter, der die Wahl zwischen zwei voreingestellten Lautstärke-Raten bietet.

The Ernie Ball VP Jr 250k provides all the same great features as our original volume pedal while reducing your footprint by 22%. The VP 250k Jr is perfectly voiced for passive signals and features a compact, rugged design consisting of aircraft grade aluminum housing that is virtually indestructible. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates.

Ernie Ball

Demo by Austin Lindsay

Demo by Long & McQuade 

Review by Talk Bass.com

Review by audiofanzine

Review by Ernie Ball Forum

Review by Guitar Space

Volume Pedal Jr. 250K

David Litaba

Dieses Wah-Pedal im klassischen Stil basiert auf den technischen Spezifikationen des ursprünglichen Wah-Effekts, den VOX in den 1960er Jahren entwickelte. Es verfügt über eine vollständig analoge Schaltung, die in einem robusten, leichten, komplett schwarzen Gehäuse untergebracht ist, das auf Portabilität und Langlebigkeit ausgelegt ist. Das Gerät bietet den legendären, vokalähnlichen Sweep, der für frühe britische Rock- und Funk-Aufnahmen charakteristisch ist. Um das ursprüngliche Design zu modernisieren, verfügt es über eine integrierte Netzbuchse, die den Betrieb ohne Batterien ermöglicht. Das Pedal wurde entwickelt, um einen authentischen Vintage-Sound zu bieten und gleichzeitig für Spieler aller Niveaus sehr erschwinglich zu sein. Es dient als unkomplizierter „Workhorse“-Effekt ohne zusätzliche komplexe Funktionen.

This classic-style wah pedal is based on the technical specifications of the original wah effect developed by VOX in the 1960s. It features an all-analog circuit housed in a rugged, lightweight, all-black chassis designed for portability and durability. The unit provides the legendary, vocal-like sweep characteristic of early British rock and funk recordings. To modernize the original design, it includes an integrated AC power jack to allow for use without batteries. The pedal is engineered to offer authentic vintage tone while remaining highly affordable for players of all levels. It serves as a straightforward "workhorse" effect without extra complex features.

V845 WAH PEDAL

WangKi Cheung

Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.

Walrus Audio

Demo by Rabea Masaad

Eras

Der TS9 Tube Screamer Reissue belebt das legendäre Overdrive‑Pedal der 1980er neu, das zahllose Gitarrentöne prägte.
Sein charakteristischer Mitten‑Boost und das warme Clipping verleihen sanften Biss, ohne die Klarheit jeder Note zu opfern.
Drei einfache Regler—Drive, Tone und Level—formen den Sound von dezentem Boost bis zu sattem Overdrive.
Buffered Bypass sichert Ihr Signal auf dem Pedalboard, ob aktiv oder ausgeschaltet.
Kompakt und robust in seinem typisch grünen Gehäuse ist es sowohl bei Profis als auch Hobbyisten unverzichtbar.
Ob SRV‑Sparkle oder moderner Crunch—der TS9 liefert den unverwechselbaren Klassiker‑Sound.

The TS9 Tube Screamer reissue faithfully revives the classic 1980s overdrive that defined countless guitar tones.
Its signature mid‑hump and warm clipping add smooth grit while preserving note clarity and amp feel.
Three simple knobs—Drive, Tone, and Level—let you shape everything from a gentle boost to full‑bodied overdrive.
Buffered bypass ensures your signal stays strong on‑ or off‑board, with true pedalboard reliability.
Compact and rugged, its familiar green enclosure has been a staple on pros’ and hobbyists’ rigs alike.
Whether you’re chasing SRV sparkle or modern crunch, the TS9 delivers instantly recognizable tone.

Ibanez

Review by Reddit /guitarpedals

Demo by intheblues

TS9 Tube Screamer

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

Das Tone City Angel Wing ist ein komplett analoges Chorus Effektpedal basierend auf BBD-Chips. Der warme, sanfte Effekt ändert den Klang Ihres Original-Signals nicht und das Pedal funktioniert mit allen verschiedenen Arten von Gitarren, Tonabnehmern und Elektronik gleichermaßen gut. Höhere Einstellungen für Rate und Depth erzeugen schöne Vintage Vibe-Sounds.

The Tone City Angel Wing is an all analog chorus effects pedal based on BBD chips. The warm, smooth effect won't change the tone of your original signal and the pedal works equally well with all different types of guitars, pickups and electronics. Higher Rate and Depth settings will create vintage Vibe tones.

Tone City

Tone City Angel Wing - Demo Video - W-Music Distribution

Angel Wing

EVH117 EVH Flanger by MXR