Nicholas Howerton

Made for a friend who is actually building this board.

Face Melter 5000 (Don't ask questions :p)

Tester

Der Name Orange steht für einen eigenen britischen Ampsound und natürlich ein unverwechselbares Design, das aufgrund der auffälligen, fruchtigen Farbe einen hohen Wiedererkennungswert hat. Effektpedale sind sicherlich nicht die Hauptdisziplin, mit der man die Marke in Verbindung bringt, doch das soll sich wohl ändern, denn 2015 hat Orange zum ersten Mal seit den 60er Jahren einen Schritt in den Bodentretermarkt gewagt.

The Amp Detonator from Orange is the ultimate tool for guitarists who want to use a guitar with two different amplifiers and/or effect chains. Two outputs, each with its own buffer amp, allow the guitar signal to be forwarded alternately or simultaneously, without the need for long cable runs. In addition, a specially developed isolating transformer and a switch for phase reversal ensure noiseless operation without loss of sound.

Orange

Product Page

Review by Bonedo 

Manual

Demo by Guitar Interactive Magazine 

Demo by Orange Amps 

Review by Guitar Interactive Magazine 

Amp Detonator ABY

Tavish Stone

 Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. 

JHS Volture Manual French

JHS Volture Manual Czech

JHS Volture Manual German 

JHS Volture Manual Polish

JHS Volture Manual Dutch

JHS Volture Manual Englisch

JHS Volture Product Page 

Review by Pedal PCB

Review by reddit /guitarpedals

Demo by Pedal Stacking

Demo by Tellurite Music Co.

Volture

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Phil Treu

Feel the need to express yourself fully? M-Audio’s EX-P expression controller pedal works with all M-Audio MIDI controllers that have an expression pedal input. A built-in polarity switch insures compatibility with most other brands of controllers and keyboards. Use the EX-P to control any assignable variable MIDI controller value including volume, modulation, panning, filter sweep and more. Durable molded construction with integral cable.

M-Audio

Demo by Rob L

Demo by Stamatis Stabos

Expression

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

Official Product Video

EQ-200 Graphic Equalizer

ch ray

With every AUTO Series pedal, your performance becomes an integral part of the sound effect!
Your touch, playing dynamics, and note choices shape the tones and textures, responding to your performance and evolving in real-time. Hence, the sound design is intricately woven into your musical expression, guiding you on a journey of continuous discovery and wonder.

Customize the adjustments with the DYNAMICS and PITCH knobs and dedicated mode switches. Adjust the DYNAMICS decay time, introduce glide to PITCH tracking, and tailor the response curves to match your playing style and the desired effect. Each of the primary effect knobs is paired with a corresponding smaller adjustment knob, also known as an attenuverter. This allows you to precisely dial in the variation amount and direction for each effect knob independently. Imagine the dynamic possibilities – a loud strum on a guitar can turn one knob clockwise significantly, while only slightly nudging another knob in the opposite direction. Explore the subtleties, from gentle parameter shifts to sweeping, full-parameter transformations.

Gamechanger Audio

Demo by Gear Sounds

Review by The Gear Page

Review by musicradar

Review by Sound on Sound

Review by AMAZONA

Auto Chorus

Gamechanger Audio’s AUTO Series M-Type pedals redefine classic audio effects with
cutting-edge parameter automation - carefully designed to become part of your performance.
Rather than overwhelming you with a variety of pre-made, quirky sounds, we provide you with
the essential toolset: three nuanced algorithms, four vital parameter controls, two exceptionally
precise dynamics & pitch tracker engines, and a set of patching accesories.
With these building blocks and the knowledge contained in this booklet - you will be able to
explore an endless array of sound possibilities. The combinations are virtually limitless, allowing
you to continuously breathe new life into the AUTO REVERB and create soundscapes that
naturally evolve with your playing, offering a unique musical experience every time.

Review by Guitar Bomb

Review by Gearnews

Auto Reverb

To shape the AUTOMATION, you can precisely calibrate both DYNAMICS and PITCH tracking engines – indicated by the led light strips in the patchbay. Furthermore, you can customize the automation with the DYNAMICS and PITCH knobs, along with dedicated switches featuring three distinct modes for both sides of automation. Thereby you tailor the response curves to suit your playing style and the desired automation effect.

The result – an unlimited breadth of touch-responsive effects – orchestrated in real time by the nuances of your playing. 

From subtle, tasteful settings, all the way up to wild experimentation – the AUTO Series is an endless platform for discovery.

Auto Delay

James  Thain

The ProD2 is a high-quality ultra-compact stereo passive direct box that features custom-made Radial transformers. Essentially two ProDIs in one compact enclosure the ProD2 is a great choice for stereo keyboards, DJ equipment and consumer hi-fi systems. Its high-performance transformer has an exceptionally linear frequency response from 20Hz to 18kHz and is able to handle high signal levels without saturation making it ideal for electronic instruments. The ProD2 is housed in an extremely rugged two piece 14 gauge steel enclosure with a book-end designed outer shell that prevents damage to the switches, features a -15dB PAD for high output sources and ground lift switch to troubleshoot noise from ground loops.

Radial Engineering

Demo by Adam Likes to Rock

Review by audiofanzine

Review by Gearspace

PRO D2

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Hologram Electronics

Quick Start Manual

Demo by Mark Johnston

Chroma Console

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

rudy iskandar

Pedal Board Power Supply With 8 Isolated Outputs

GATOR

Review by GUITAR WORLD 

Demo by Guitar World 

Power 8

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Bernat Canovas Quijada

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

New Pedal Board

Jonathan James

Demo by 

TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Seit seiner Veröffentlichung im Jahr 1981 ist das Arbeitstier SD-1 Super Overdrive das wichtigste Gain-Pedal für Generationen von Gitarristen aller Musikrichtungen. Basierend auf der revolutionären asymmetrischen Clipping-Schaltung des OD-1 Overdrive – einem der drei originalen BOSS-Kompaktpedale aus dem Jahr 1977 – liefert das SD-1 satte, weiche und hochmusikalische Overdrive-Töne, die Gitarristen überall auf der Welt noch immer inspirieren.

Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977—the SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere.

Review by Guitar Player 

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Demo by GUITARGUITAR

SD-1 Super Overdrive reissue

vDer DS-1X katapultiert die berühmte BOSS-Distortion in eine neue Ära des Ausdrucks und bietet unübertroffene Performance für Gitarristen, die den ultimativen Ton suchen. Dieses fortschrittliche Pedal vereint Jahrzehnte an Erfahrung mit den neuesten Technologien und liefert ein bahnbrechendes Klangerlebnis, das nur durch BOSS-Innovation möglich ist. Mach dich bereit, überrascht zu werden – der inspirierende und ultra-responsive DS-1X wird deine Sicht auf Distortion-Pedale für immer verändern.

The DS-1X launches the famous BOSS distortion into a new era of expression, delivering unmatched performance for guitarists seeking the ultimate tone. This advanced stomp combines decades of pedal expertise with the latest technologies, bringing you a breakthrough sound experience that’s only possible with BOSS innovation. Prepare to be amazed—the inspiring and ultra-responsive DS-1X will change your thinking about distortion pedals forever.

Demo by  Ola Englund

Review by Music Radar

Review by TonePedia

DS-1X Distortion

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Felix Veas

■ Portable midi pedal, small and exquisite.
■ Charging for 2.5 hours,can be used for 12 hours. 
■ The display screen can directly feedback the commands you issued , intuitive and clear.
■ WINDOWS, MAC, IOS, ANDROID and other platforms are all compatible.
■The built-in host interface allows for direct control of the effector
■Advanced customization mode with switchable bank
■Customization of keyboard combination keys

M-VAVE

Chotolate Plus

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

RockBoard

ISO Power Block V6 IEC

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Das M-Audio SP-1 ist ein nicht rastendes Momentan-Sustainpedal, das für den Einsatz mit Keyboards, Synthesizern und anderen elektronischen Instrumenten entwickelt wurde. Es verfügt über einen Polaritätsschalter, der die Kompatibilität mit nahezu jedem Keyboard oder Digitalpiano ermöglicht. Das SP-1 wird über einen 6,3-mm-Klinkenstecker angeschlossen und besitzt ein 1,5 m langes Kabel für flexible Aufstellung. Sein robustes, einfaches Design macht es sowohl für den Bühnen- als auch für den Studioeinsatz geeignet und bietet zuverlässige Sustain-Kontrolle in kompakter Form.

The M-Audio SP-1 is a non-latching momentary sustain pedal designed for use with keyboards, synthesizers, and other electronic instruments. It includes a polarity switch for compatibility with virtually any keyboard or digital piano. The SP-1 connects via a standard ¼-inch TS plug and features a 5-foot cable for flexible setup. Its durable, simple design makes it suitable for stage or studio use, offering reliable sustain control in a compact form.

SP-1

M-Audio SP-2 | Universal Sustain Pedal with Piano Style Action For MIDI Keyboards, Digital Pianos & More, Original Version, 1 Function