Jeff Berger

Jam-packed pedalboard

Chris Corrado

Das Pedal, das kompakte Reverb-Pedale revolutioniert hat, hat sich weiterentwickelt. Mit blueSky erhalten Sie den üppigsten, majestätischsten Hall, den man sich vorstellen kann. Verwandeln Sie eine einzelne Note oder einen Akkord in eine riesige Klangatmosphäre mit unfassbar schönen, unglaublich langen Hallfahnen. Hören Sie das inspirierende Plätschern eines verbesserten Federhall-Algorithmus, der vor Vintage-Vibe nur so trieft. Verlieren Sie Zeit und Raum aus den Augen, während Sie mit tiefen und weitläufigen neuen Shimmer-Sounds interagieren, die Sie noch nie zuvor gehört haben.

The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.

Strymon

Strymon blueSky V.2 – Reverberator – Intro

New blueSky Audio Examples | Strymon

Product Page

Review by delicious audio

Review by reddit /guitarpedals

Manual

blueSky V2

Manuel K.

Der TC Electronic Ditto+ Looper ist ein kompakter digitaler Looper, der für eine einfache und intuitive Loop-Aufnahme entwickelt wurde. Er ermöglicht das Aufnehmen, Overdubben, Rückgängigmachen und Wiederherstellen von Loops über eine einzelne Fußtaste. Das Pedal verfügt über einen internen Speicher für mehrere Loops sowie über eine USB-Verbindung zum Sichern und Importieren von Audiodateien. Die hochwertige, unkomprimierte Audioverarbeitung erhält den Originalklang ohne Klangverfärbung. Der Ditto+ Looper richtet sich an Gitarristen, die eine unkomplizierte Loop-Lösung ohne komplexe Menüs suchen. Das robuste Metallgehäuse eignet sich ideal für den Einsatz auf dem Pedalboard.

The TC Electronic Ditto+ Looper is a compact digital looper pedal designed for simple and intuitive loop recording. It allows players to record, overdub, undo, and redo loops with a single footswitch interface. The pedal features internal loop storage that can hold multiple loops and enables transferring audio via USB for backup or import. Its high-quality uncompressed audio preserves the original signal without coloration. The Ditto+ Looper is designed for guitarists who want straightforward looping without complex menus. It is housed in a compact metal enclosure suitable for pedalboards.

TC Electronic

Review by Guitar World

Official Product Video

Demo by Andertons

Demo by Aaron Short Music

Review by musicradar

Review by Looper Pedal Reviews

Quick Start Guide

DITTO+ LOOPER

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Tester

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Hast du jemals die sonaren Wellen eines alten Fender-Blackface oder Vox-Amp Tremolos geritten? Dann weißt du, dass diese Tones das Gefühl geben auf einer Millionen-Dollar-Yacht zu segeln. Das Tidewater Tremolo stellt dieses beliebten Tremolo Sounds mit Wärme und Charakter originalgetreu nach, wie man sie nur von einem Vintage-Amp erwarten würde. Mit einfachen Bedienelementen und einem geringen Fußabdruck am Pedalboard fährst du mit dem Tidewater Tremolo auf hoher See. Wenn du ein einfaches Amp-ähnliches Tremolo suchst, das nicht viel Platz beansprucht, ist das Tidewater Tremolo das Mittel der Wahl.

Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker?  Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice.

JHS Tidewater - Demo by Living Room

Tidewater trem - Demo by Mike Hermans

JHS Mini Foot Fuzz V2 & JHS Tidewater Tremolo - Review by Gitarre & Bass [DE], [09-2019]

Tidewater Tremolo

PedalSafe Type L

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Das MXR Carbon Copy Analog Delay verfügt über einen vollständig analogen Signalweg für einen besonders satten, warmen Delay-Sound – ein Ergebnis, das nur durch die klassische Bucket-Brigade-Technologie möglich ist. Dieses Design bietet eine beeindruckende Delay-Zeit von 600 ms mit optionaler Modulation über einen Schalter auf der Oberseite sowie ein einfaches Layout mit drei Reglern, die Delay-Zeit, Mix (Dry/Wet-Mischung) und Regen (Delay-Wiederholungen) steuern – und das alles in einem Pedal, das nicht größer ist als ein Phase 90. Darüber hinaus bieten zwei interne Trimmpotis eine vom Benutzer einstellbare Breiten- und Geschwindigkeitssteuerung der Modulation für noch mehr Klangoptionen. Das Carbon Copy führt Sie mit einem Dreh am Regler von knackigen „Badezimmer“-Slap-Echos zu epischen, Gilmour-artigen Delays. Ein echter Hardwire-Bypass, der Betrieb mit einer einzigen 9-Volt-Batterie und bühnenreife blaue LEDs runden das Paket ab.

Übersetzt mit DeepL.com (kostenlose Version)

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by Marty Music

Carbon Copy Analog Delay M169 

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

BOSS

Review by The Gear Page

Review by Sound on Sound

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

ch ray

The Cogmeister is a single guitar booster/overdrive/distortion/fuzz pedal containing a trio of compatible sections arranged in fixed series pattern; these comprise the Push, Drive, and Solo sections – each featuring its own true/hard-wire bypass stompswitch and corresponding LED. Powered using a ‘standard’ 9-Volts DC (12-Volts max) centre-negative dc barrel external connection or a regular internal 9-Volt battery.

Dinosaural

Demo by Jackson Brooksby

Demo by Sascha Ivantic

Review by the Fretboard

Review by Guitar Player

Cogmeister

David Graves

The Bonetender is a fuzz pedal designed with germanium diodes and intended to emulate classic British fuzz effects of the 1960s. It features a compact design and controls for level and gain.

Lovepedal

Official Website

Review by The Gear Confessions

Demo by Strings Shop

Demo by Mike Hermans

Bonetender

Der SP Compressor hat eine hervorragende Klangqualität und bietet eine große Auswahl an Kompressor-Sounds von Vintage über subtil bis hin zu modern.
 
Er ist sehr flexibel und verfügt über einen Dry-Blend-Regler, bis zu +15 dB Boost und einen internen Dip-Schalter zur Attack-Steuerung.

The SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage, to subtle, to modern and more.

It’s super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control.

Xotic

SP Compressor

Nathan Rapheld

Seit über 75 Jahren vertrauen einige der größten Namen auf der Bühne und im Studio auf Peterson als Maßstab in Sachen Stimmpräzision. Der StroboStomp Mini™ bietet die unübertroffene Stimmgenauigkeit von 0,1 Cent aller authentischen Peterson Strobe Tuner im Format eines Mini-Pedaltuners. Mit einem hochauflösenden LCD-Strobe-Display mit variabler LED-Farbhintergrundbeleuchtung klingen Ihre Instrumente nie besser gestimmt. Ein True-Bypass-Modus ohne Knackgeräusche und ein gepufferter Ausgabemodus geben Ihnen die Kontrolle über Ihren kostbaren Klang ohne Kompromisse. Mit über 80 exklusiven Sweetened Tunings® und Guided Tunings an Bord können Sie Ihren Sound einstellen und stimmen wie die Profis!

For over 75 years, Peterson has been trusted by some of the biggest names on stage and in the studio as the standard in tuning precision. The StroboStomp Mini™ delivers the unmatched 0.1 cent tuning accuracy of all authentic Peterson Strobe Tuners in a mini pedal tuner format. Featuring a high-definition LCD strobe display with variable LED color backlight, your instruments will never sound more in tune. A pop-less true bypass mode and a buffered output mode place you in command of your precious tone without compromise. With over 80 exclusive Sweetened Tunings® and Guided Tunings on-board, you'll be able to dial in your sound and tune like the pros!

Peterson

Review by guitar pedal X

Demo by The Time Preservation Society

Strobostomp Mini

At half the size of a standard wah, the Cry Baby Mini 535Q Wah provides the perfect balance of wah control and pedalboard-efficiency.

Dunlop

Review by bonedo

535Q Cry Baby Mini Wah

Zuma

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Berry Gibson

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

MachX Pedalboard

JCM 51

Das Digitech Luxe ist der erste autonome polyphone Detuner des Unternehmens, der die gleiche Pitch-Shifting-Technologie wie das Whammy in einem schlanken Gerät vereint. Die an die 80er Jahre erinnernden Chorus-Effekte, die mit diesem Pedal möglich sind, machen es zu einem idealen Kandidaten für Shoegaze, Dreampop oder Indie.

Packing the same pitch-shifting technology as the Whammy in a streamlined unit, the Digitech Luxe is the company's first autonomous polyphonic detuner. The 80s-tinged chorus-esque effects possible with this pedal make it an ideal candidate for shoegaze, dreampop, or indie.

DigiTech

Review by Basschat

Review by Harmony Central

Review by Reddit /guitarpedals

Review by Guitar

Demo by Eirik Stordrange

Demo by YSOLIFE

Demo by ProGuitarShopDemos

Demo by Reverb

Luxe

With just one look, you know exactly what it sounds like.
Pure.
True.
Love at first sight.
Love at first sound.
The perfect 10...

Inside you'll find free-standing Switchcraft jacks, a heavy-duty Italian on/off switch, double-clad circuit board, low-noise inductor, exclusive RMC-ICAR potentiometer, and tight tolerance through-hole components. Outside you've got a black crinkle-finish base and a chrome rocker with black footpad.

Italian soul.

Plain and simple.

Just like all RMC wahs, the RMC10 is developed and built by me, Geoffrey Teese, and includes licensed Foxrox Electronics fuzz-friendly technology, true-bypass, easily adjustable rocker tension, and AC adapter jack, and is covered by our limited one year warranty.

Real Mccoy Custom

Demo by David Curtis

Demo by Sam Vilo

RMC10

David Litaba

The Timmy Overdrive provides a versatile range
of overdrive tones that enhance the natural sound
of your guitar and amp setup. With three different
clipping options and ingeniously configured Bass
and Treble controls, this pedal offers players a ton
of options to make the most of their playing and
recording experience.

Review by guitarguitar

Demo by Blake Hall

Demo by Audiofanzine

Demo by emit works

Demo by Gear4music

CSP027 TIMMY OVERDRIVE

Friedman

Buxom Boost

Franko Teston

Der HeadRush® Flex Prime ist der ultimative, kompakte Multi-Effektprozessor für Gitarristen und Bassisten, die ihr Klangspektrum erweitern möchten. Dieses leistungsstarke All-in-One-Pedal bietet eine umfangreiche Bibliothek realistischer und extrem reaktionsschneller Gitarreneffekte, Verstärker-, Boxen- und Mikrofon-Emulationen.

Neben seinem beeindruckenden Angebot an Klangmöglichkeiten ermöglicht der Flex Prime die mühelose Gestaltung des perfekten Sounds dank eines hochwertigen 4-Zoll-Touchdisplays und WLAN für die cloudbasierte Preset- und Klon-Nutzung sowie die Fernbearbeitung. Egal, ob Sie Arenen füllen oder Ihre ersten Barré-Akkorde üben – mit dem Flex Prime erhalten Sie Ihr Traum-Rig per Fingertipp.

The HeadRush® Flex Prime is the ultimate, compact multi-FX processor for guitar and bass players looking to expand their sonic horizons. This powerful all-in-one pedal boasts an extensive library of realistic and ultra-responsive guitar effects, amps, cabs, and microphone emulations.

In addition to its impressive catalog of tonal possibilities, the Flex Prime allows players to craft the perfect tone with unprecedented ease via a high-quality 4” touch display and Wi-Fi for cloud-based preset/clone sharing and remote editing. Whether you're selling out arenas or diving into your first barre chords, the Flex Prime delivers the rig of your dreams with the touch of a screen.

HeadRush

Review by The Gear Forum

Review by reddit /HeadRush

Demo by Taylor Danley

Flex Prime

PAUL MARSHALL

Das ThorpyFX Veteran V2 [Si] ist ein Dual-Effektpedal aus der "Vintage Reimagined"-Serie, das einen hochwertigen Silicon-Fuzz im Stil der Sechziger (ähnlich einem Fuzz Face) mit einem Rangemaster-ähnlichen Silicon-Treble-Booster kombiniert. Die beiden Effekte sind unabhängig und verfügen jeweils über einen eigenen Fußschalter, wobei der Fuzz-Bereich in den Boost-Bereich geleitet wird, um ein kraftvolles Stapeln zu ermöglichen. Der Fuzz-Bereich verfügt über Regler für Fuzz, Volume, Smooth (Eingangsimpedanz/Basswiedergabe) und Bias (Schaltungs"hitze"/Mitten). Die Boost-Seite hat Regler für Boost und Range, mit denen Frequenzen von basslastig bis höhenbetont ausgewählt werden können. Die V2-Version ist kleiner als die V1 und wurde für den Betrieb mit einem standardmäßigen 9V Netzteil mit Center-Negative-Polarität entwickelt.

The ThorpyFX Veteran V2 [Si] is a dual-effect pedal that is part of the "Vintage Reimagined" series, combining a high-quality Sixties-style silicon Fuzz (akin to a Fuzz Face) with a Rangemaster-style silicon treble booster. The two effects are independent, each with its own footswitch, with the Fuzz side running into the Boost side for powerful stacking. The Fuzz section features controls for Fuzz, Volume, Smooth (input impedance/bass response), and Bias (circuit heat/mids). The Boost side has controls for Boost and Range, allowing selection from bass-heavy to treble-focused frequencies. The V2 version is smaller than the V1 and is designed to run from a standard 9V center-negative power supply.

ThorpyFX

Demo by  Jackson Brooksby

Veteran V2 [Si ]

The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard. The tonal flexibility is provided through a tonestack bypass foot switch that allows you to have two different fuzz sounds from the same pedal. The balance control is linked to the tonestack bypass and can be set to the same volume as your core sound or as a boosted fuzz for solos.

Demo by R.J.Ronquillo

Demo by Living Room GD

Field Marshal

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

EP Booster

Taras Kireev

Description:
The FILTRATION II G String Noise Reduction pedal is
 the latest generation in noise reduction technology.
The Decimator features improved Linear Time Vector
 Processing that offers the smoothest, ripple free
approach in tracking the envelope of the input signal.
The LTVP will instantly respond to short staccato notes and at the same time provide ripple free control of long
sustained notes while downward expanding.
The FILTRATION II G String Noise Reduction pedal is
 easy to use and simple to operate.
Features:
The FILTRATION II G String has 4 ¼ inch jacks.
Connect the guitar directly to the Guitar IN. Connect the Guitar OUT to the input of the amplifier.
Connect the DEC IN to the loop send and DEC OUT to
 the loop return. For best performance place all gain
pedals in front of the amplifier and DEC IN.
You can put Delay and Reverb effects pedals after
 the FILTRATION II G String and before the loop return
to avoid cutting off reverb and delay tails.

DemonFx

Demo by Dr. Mad Tone

Demo by Eric Normand

Review by Strat-Talk

Review by New Gear Day

G-STRING Filtration II

Entwickelt aus unserer Flaggschiff-Starlight Echo Station, bringt das Orion Tape Echo die magischen, sanften Delay-Effekte der klassischen 70er-Jahre Maestro Echoplex EP-III Tape-Delays in einem eleganten, kompakten Format.

Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.

Universal Audio

Review by Gearnews

Manual Page

Demo by EytschPi42

Orion Tape Echo

Das OD-3 OverDrive Pedal steht in der Tradition der legendären BOSS Overdrives und bietet dem Gitarristen eine stark erweiterte Palette an sanften Overdrive-Sounds und eine verbesserte Ansprache, ohne das Original zu vernachlässigen.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

Review by Guitar Pedal X

Review by The Gear Check

Demo by sonicstate

Demo by Jack Fossett

Demo by Michael Banfield

Demo by intheblues

OD-3 Overdrive

Tobias Elliott

Mit 15 dB an möglichem Boost oder Cut pro Band wurde der EQ700 sorgfältig auf sieben Frequenzbänder abgestimmt, um dir das ultimative Werkzeug zur Klangformung deiner Gitarre zu bieten. Um das volle Potenzial des EQ700 auszuschöpfen, ist es hilfreich, die Grundlagen des Frequenzspektrums deiner Gitarre zu verstehen. Der EQ700 deckt den Bereich von unter 100 Hz bis über 6,4 kHz ab, wodurch du eine Vielzahl von Frequenzen gezielt anheben oder absenken kannst, um deinem Sound mehr Fokus zu verleihen. Besonderes Augenmerk liegt auf den entscheidenden Mittenfrequenzen – sie können deinen Klang machen oder brechen. Der nächste Abschnitt gibt dir Tipps an die Hand, mit denen du im Handumdrehen deinen perfekten Gitarrensound formen kannst.

With 15 dB of available boost or cut per band, the EQ700’s seven frequency bands were carefully optimized to provide the ultimate tools for EQ’ing your guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe. The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. Special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.

Behringer

Demo by Ryan Lutton

Review by KillerGuitarRigs

EQ700 Guitar Graphic Equalizer

Géraud CHIEZE

The Universal Audio UAFX Heavenly Plate Reverb pedal is a compact stompbox that emulates the sound of classic 1950s studio plate reverbs, used on countless hit records. It’s built on the algorithms of the award-winning Golden Reverberator and features rich, haunting textures with a authentic, immersive sound.

The pedal offers three modes: Vintage Bright, Vintage Dark, and Modern Full, each delivering a unique tone. The Vintage Bright mode is ideal for bright, snappy plate sounds, while the Vintage Dark mode provides a warmer, more subtle ambiance. The Modern Full mode offers a more modern take on the classic plate sound.

Heavenly Plate Reverb

Anthony Biondo

The Ceriatone Horse Breaker is a 2-in-1 Overdrive Pedal, consisting of our Ceriatone Centura
overdrive on the left and the “BB” overdrive on the right. As is the case with all our products,
we have paid excruciating attention to each circuit. Both are 100% accurate down to part
composition, and even manufacture where important. We have gone so far as to reverse
personal vintage samples of each, measure, and compare exhaustively. We’re confident you’ll
agree that it is worth the effort.
Having two accurate, sought-after circuits in one pedal would be neat enough, but we didn’t
stop there. Obviously, each pedal can be played individually, or can be stacked together. We
also added two important toggle controls to home in on your tones and sit properly in your
greater rig.

Ceriatone

Demo by TheKlonWars

Review by Ultimate Guitar

Review by Pedal of the Day

Horse Breaker

When we decided to create a studio-class pedal that faithfully recreates the classic, unmistakable sound of the most sought-after rotating speaker system, we prepared to study every nuance and finest detail. The Strymon sound design labs have been filled with those signature, swirling, three-dimensional sounds, as we painstakingly analyzed and recreated the physics and mechanics behind these systems.