Simon Kerschbaumer

Krautster II

ARZ400

Simi's Lead Guitar Board

Celestion Alnico Cream Speaker

Das Catalinbread Reverb-Pedal hat das gleichnamige Programm des Yamaha FX500 Multieffektgeräts aus den 90er-Jahren zum Vorbild. Maßgeblichen Anteil hatte dieser Ambient-Reverb am Sound der britischen Band Slowdive auf ihrem Album Souvlaki, das heute unter Fans des sogenannten Shoegaze-Stils als absoluter Klassiker gilt. Und das, obwohl die Signalqualität des FX500 laut diverser Aussagen im Netz mit heutigen Maßstäben nicht mithalten kann.

With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit: no mix control, a sub-par preamp, and a ghastly tone-sucking bypass signal. At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three paths. One path contains a multi-voiced chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched.

Note - The Soft Focus runs from 9 to 18 volts using a standard DC center-negative power supply for pedals. Make sure you’re using a supply that provides at least 100mA. Running the Soft Focus at 9V will sound great, but if you want a bit more output, a dry signal boost and increased headroom, try any voltage you like up to 18V! The Soft Focus does not run on batteries.

Catalinbread

Product Page

Review by Premier Guitar

Review by Bonedo 

Manual

Demo by Mark Johnston

Demo by Demos In The Dark 

Demo by SweetWater

Soft Focus Reverb

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

David Litaba

Make the most of your delay or modulation pedal with the Harley Benton Tap Tempo Switch! Small, durable and requiring no power, the Tap Tempo switch adds an extra layer of flexibility to many effect pedals by letting you add tempo information to the effect quickly and on the fly. Its soft-touch, ‘normally-open’ footswitch has just the right amount of feedback to let you input tempos with your foot reliably. Its low weight (112g) and compact dimensions save valuable real estate on your packed pedalboard, too.

Harley Benton

Tap Tempo Switch

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Nicolas Wilfer

Andy Timmons mysteriöser 'Halo' Effekt ist ein modulierter Dual-Echo-Sound, der vom Klangzauberer selbst lange Zeit geheim gehalten wurde, und er verbrachte Jahrzehnte damit, die Sounds zu kombinieren und zu entwickeln, die jetzt ganz einfach mit dem Keeley Halo Effektpedal erzeugt werden können. Gespielte Noten aus dem Halo 'tanzen rhythmisch' und erzeugen fast eine Reverb-ähnliche Diffusion. Diese Noten werden mit Tape-ähnlichen Effekten wie Modulation, Sättigung und Kompression zusammengehalten. Das Pedal bietet neben Andy Timmons Signature Delay Tone die Möglichkeit eigene Sounds zu kreieren und als Preset zu speichern. Der einfache, übergangslose Wechsel zwischen Side A und Side B mit frei regelbaren Settings vereint dabei praktisch zwei separate Delay Effekte in einem Pedal. Zusätzlich zu Andys charakteristischem 'Halo'-Sound bietet das Pedal vier weitere Rhythm-Modes: Viertelnoten, punktierte Achtel, Bucket Brigade (BBD) und ein klassisches Multi-Head Tape Echo. Atemberaubende Stereo-Effekte und eine makellose Klangqualität werden durch Regler für Saturation, Tone und Shelving-Filter weiter verbessert, um das Keeley Halo zum 'ultimativen' Delay Effektpedal zu machen.

Andy Timmons' mysterious sounding 'Halo' effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself and he spent decades combining and crafting the sounds you can get from the Keeley Halo effects pedal. Notes from the Halo dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation, and compression. The pedal comes loaded with Andy Timmons' signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature 'Halo' sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.

Keeley Electronics

Official Product Page

Keeley Halo - Official Demo Video

Keeley Halo - Demo Video 2 - Musiker TV

Keeley Halo - Demo Video - Musiker TV

Keeley Halo - Demo Video by Mike Hermans

Keeley Halo - Demo / Review Video - JHS Pedals

Keeley Halo - Demo / Review Video - Reverb

Keeley Halo - Demo / Review Video - Brett Kingman

Keeley Halo - Demo / Review Video - ThePedalZone

Keeley Halo - Demo / Review Video - JayLeonardJ

Keeley Halo - GuB Review 9/22 DE

JHS Pedals Andy Timmons Signature Overdrive_Keeley Halo - Review by Darkstars.de, [03-2023]

Keeley Halo - Auszeichnung Bester Effekt Guitar Magazine

Halo - Andy Timmons Dual Echo (70 Years Thomann)

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Natale Calafiore

Der Pico Atomic Cluster ist ein kompaktes „Spectral Decomposer“-Pedal von Electro-Harmonix, das mittels eines speziellen Algorithmus die Frequenzauflösung Ihres Instruments reduziert und damit Oszillationen erzeugt. Mit dem ATOMS-Regler steuern Sie, wie viele gleichzeitige resonante Oszillationen ablaufen; der SPEED-Regler bestimmt, wie schnell die Oszillationen erneuert werden (kann auch über Tap-Tempo eingestellt werden). Weitere Regler sind VOL (Ausgangspegel), BLEND (Mischverhältnis trocken/effekt) und eine MODE-Taste, die zwischen SHARP (sofortige Übergänge) und SMOOTH (weiche Übergänge) wechselt. Ziel sind Rhythmen, lo-fi Glitches, arpeggioartige Klänge bis hin zu Ambient-Pads und Synth-Sounds.

The Pico Atomic Cluster is a compact “spectral decomposer” pedal from Electro‑Harmonix that uses a unique algorithm to reduce the frequency resolution of your instrument signal and create oscillations. With the ATOMS knob you control how many simultaneous resonant oscillations play at once; the SPEED knob sets how quickly the oscillations are refreshed (which also can be set via tap tempo). Additional controls include VOL (output level), BLEND (wet/dry mix), and a MODE button toggling between SHARP (instant transitions) and SMOOTH (fade-transition between oscillations). It aims to deliver anything from rhythmic lo-fi glitches and arpeggio-type sounds to ambient pads and synth-like textures.

Official Product Video

Pico Atomic Cluster

ch ray

The DigiTech Drop Blackout Limited Edition is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop Blackout Limited Edition also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop Blackout Limited Edition into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes. The Drop is true bypass and uses 9V DC power supply to easily integrate into your existing pedalboard. Same features as Drop but in a Blackout Limited Edition.

DigiTech

Review by bassic.de

Review by AGUFISH Music

Review by reddit /guitarpedals

Review by bonedo

Demo by Music Bliss Malaysia

Demo by Leon Todd

Drop Blackout

QuickMount Type B

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

BOSS

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Tester

The Gehenna is our take on a highly flexible metal distortion:
from classic NWOBHM to early 2000s Core-music, from raw Black and Death Metal to super tight and modern Djent - it’s all in there!
Featuring our proprietary cut-control that allows you to dial in different gain structures, saturation types and adjust the frequency response to the tuning of your guitar: from super tight and controlled to roaring and huge vintage sounds!
The Gehenna boasts one of the most expansive yet easy to use EQ-sections you’ll find in any pedal: An active dual-band mids control allows for tailoring of both high- and low-mids separately while active treble and bass controls and a set of passive presence & depth controls really set this thing apart from other distortion/preamp pedals and allow for immense tone-sculpting capabilities.
The mix of passive and active controls give you sounds that range from classic amp-like distortion to filthy sounding tones you never heard before!

Lichtlaerm Audio

Review by sevenstring.org

Review by Musiker-Board

Demo by dots.sounds

Gehenna mk II

Stellen Sie sich vor, Sie hätten Ihren Lieblings-Pitchshifter, Octave-Generator und ein analoges Fuzz in einem einzigen Pedal. Ein Doppeleffekt, der zu musikalischen Abenteuern inspiriert. Das ist es, was das neue Octa Psi Transfigurating Fuzz ausmacht. Der rein analoge Fuzz- und Distortion-Effekt verfügt über ein leistungsstarkes Transistor-Design, das jeden Bass- oder Gitarrentonabnehmer gewaltig klingen lässt. Der schnell reagierende polyphone Pitch-Shifter bietet eine Symphonie von Sounds zum Erkunden. Drop-Tuning, bekannte und neue Pitch-Shifting-Kombinationen und sogar unerwartete, vom Chorus inspirierte Sounds, um nur einige zu nennen. Warum sich mit statischen Fuzz-zu-Pitch-Shift- oder Pitch-Shift-zu-Fuzz-Einstellungen zufriedengeben? Mit dem Octa Psi müssen Sie nicht binär sein. On-the-fly-Befehle umfassen das Umschalten der Effektreihenfolge, das Umschalten auf "all-wet" und sogar die Umschaltung von True Bypass auf Buffered Bypass-Modi. Schließen Sie das Gerät für den Remote-Betrieb an, oder verwenden Sie ein TRS-Expression-Pedal, um die Pitch-Bending-Parameter zu steuern und sich so richtig auszutoben.
Der Octa Psi liefert atemberaubende Sounds und eine beeindruckende Optik in einem neu gestalteten Aluminiumgehäuse mit der Qualität, die Sie von Robert Keeley erwarten. Willkommen in einer neuen Ära von Keeley Electronics.

Imagine having your favorite pitch-shifter, octave generator, and analog fuzz all in one pedal. A dual effect designed to inspire musical adventuring. That's what the new Octa Psi Transfigurating Fuzz is all about. The all-analog fuzz and distortion features a powerful transistor design that will make any bass or guitar pickup sound massive. The fast tracking polyphonic pitch-shifter offers a symphony of sounds to explore. Drop tuning, familiar and new pitch-shifting combinations, and even unexpected chorus-inspired sounds just to name a few. Why settle for static Fuzz into Pitch Shift or Pitch Shift into Fuzz settings? With the Octa Psi, you don't have to be binary. On-the-fly commands include switching the effects order, going all-wet, and even True bypass to Buffered Bypass modes. Plug in for Remote use or use a TRS Expression Pedal to control the pitch bending parameters and dive-bomb your heart out.
The Octa Psi delivers mind-blowing sounds and visual impact in a newly designed aluminum enclosure with the quality you would expect from Robert Keeley. Welcome to a new era of Keeley Electronics.

Octa Psi Transfigurating Fuzz Demo | Featuring Aaron and Robert | Keeley Electronics

Keeley Electronics Octa Psi Transfigurating Fuzz - w Sarah Lipstate - MOST CREATIVE PEDAL TO LOOP?! -  Keeley Electronics

Keeley Electronics - Octa Psi Transfigurating Fuzz - Sarah Lipstate Performance

Developing the Keeley Electronics Octa Psi Transfigurating Fuzz | with Robert Keeley - Keeley Electronics

Keeley Electronics Octa Psi Demo - The Pedal Zone

Keeley Octa Psi Transfigurating Fuzz Pedal Demo with Robert Keeley - Sweetwater Soundcheck

The Keeley Electronics Octa Psi Transfigurating Fuzz - Get Offset

Octa Psi - Transfigurating Fuzz

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Review by Charleston Classical Guitar

Review by musicradar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Adrian Zumbrunn

Das Ernie Ball VP Jr 250k kommt mit den gleichen großartigen Eigenschaften wie unser original Lautstärkepedal, allerdings um 22% kleiner. Das im kompakten, robusten und nahezu unzerstörbaren Aluminiumgehäuse untergebrachte Pedal ist perfekt auf passive Audiosignale abgestimmt. Direkt hinter der Eingangsbuchse unterhalb der Wippe wartet ein Micro-Schalter, der die Wahl zwischen zwei voreingestellten Lautstärke-Raten bietet.

The Ernie Ball VP Jr 250k provides all the same great features as our original volume pedal while reducing your footprint by 22%. The VP 250k Jr is perfectly voiced for passive signals and features a compact, rugged design consisting of aircraft grade aluminum housing that is virtually indestructible. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates.

Ernie Ball

Demo by Austin Lindsay

Demo by Long & McQuade 

Review by Talk Bass.com

Review by audiofanzine

Review by Ernie Ball Forum

Review by Guitar Space

Volume Pedal Jr. 250K

Simple loop switching for your guitar pedals

High-quality true bypass strip loop control for your effects pedals.

Compact easy switching solution to keep your tone intact. 

For your simple compact board, TheGigRig QuarterMaster QMX just makes life that little bit easier.

Available in 5 different options for small to large pedalboards.

GigRig

Demo by TheGigRig

QuarterMaster QMX-6

PowerPlant ISO-2 Pro

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

A 60W power amp that runs from 12-24V, cares neither about polarity nor about AC or DC: it just works. 
In contrast to other solid state power amps it is designed to amplify analog setups rather than modelers: Pandora has a built in, analog impedance curve approximation and a negative feedback loop with presence and depth controls just like a tube amp. Just run a preamp pedal, distortion or EQ into it for a full setup - even with your guitar plugged straight into it it sounds amazing and will be loud enough to hang with a drummer! 
Built with the TPA3118-chip, a very powerful and efficient amplifier we added a lot of support circuitry to buffer the incoming signal and both shape it and pre-amplify it to maximize the output of the PandorA.
Just plug it right into your guitar cabinet (minimum 8 Ohm) and create the smallest, most portable full live-setup you’ve ever seen. Use it with stereo effects or a splitter to create stereo- or wet/dry-setups with ease!
To accommodate different power supplies we added a rectifier circuit, lots of power filtering and created a circuit that allows a wide range of power: center-negative, center-positive, AC-voltage, DC-voltage and anywhere from 12-24V with added headroom at higher voltages.
We also added a footswitch to mute the signal if needed!

Review by guitar pedal X

Demo by Sonic Drive Studio 

Demo by Max Power's Tasty Tones

Demo by Taylor Danley

Demo by The other John Browne 

PandorA

As it’s been one of the most requested pedals for us to bring back to life we decided to not just re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market!
We took the first design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.

Demo by Keith Merrow

Demo by Rigs of Death Metal

Medusa

As always we tried to honor the original circuit and leave the core sound intact while offering something new that you won’t find on any similar pedal!
Enter: The King in Yellow!
With a saturation and frequency response clearly based on TS-style overdrives we added our revered active 4-band EQ - as always voiced to perfectly suit the pedal!
As we usually do we also added a charge pump to increase the operating voltage to 36V internally ensuring immense headroom, three times the output volume and a clear operation of the EQ while simultaneously keeping the noise floor low.
In addition to the classic symmetric clipping we added an asymmetric setting as well as LED clipping for more dynamic range - all available at the flick of a switch.


Demo by Sonic Drive Studio

The King in Yellow

Aesahaettr (God Destroyer) is the name of a knife capable to cut through the very fabric of time and space in Phillip Pullmans epic novel “His Dark materials”.

Like its namesake our Aesahaettr is made to help your tone cut through any mix by boosting the signal and allowing for reduction of all frequencies that muddy up the sound: delivering up to 35dB of clean boost to push any amp into overdrive and a parametric low-cut up until 1500Hz that allows to dial in any taste of boost from thick, saturated or even blown up sounds over classic treble boost sounds up into modern metal territory and far beyond. This thing works great with down-tuned and extended range guitars and allows for the modern sounds everyones crazy about right now without being another TC-Integrated derivate. For ultimate flexibility we added an active 4-band EQ that’s capable of up to 16dB cut or boost on each band: 40-100hz, 400hz, 1000hz and 4000-1000hz.

Review by Rig-Talk

Demo by Xander Raymond Charles

Aesahaettr

Gehenna mk II by Lichtlaerm Audio