David Fux

 Ibanez AS53-TKF TKF

High Voltage Board

Studio Vintage SV20C

ch ray

Kombiniere erstaunliche Mitten, süsse harmonische Obertöne, eine Präsenz ohne Ende und einen üppigen Bass, der auf jeden Verstärker abgestimmt werden kann – die Vintage-‘70er-Jahre-Klänge, die dieses kleine Wunder erzeugen kann, sind legendär, und die Verzerrung geht weit über jegliche nostalgische Hommage hinaus.

Combine amazing mids, sweet harmonic overtones, presence for days and lush underbelly of lows that can be tuned to match any rig – the vintage ‘70s tones this little marvel can drive are legendary, and the gain available is beyond any throwback tribute.

LPD Pedals

Product Page

Review by The Gear Page

Review by Stompbox Steals

Demo by gearfever

Demo by  Edge of Breakup

SEVENTY4

Tester

Der Mooer Echolizer ist ein digitales Delay in einem kompakten, praktischen Mini-Gehäuse. Der Effekt ist wie ein analoges Delay gestimmt, mit einem warmen, runden Klang und dem typischen Höhenverlust, den man von Echowiederholungen erwartet. Der Verzögerungsbereich liegt zwischen 25 und 600 ms.

The Mooer Echolizer is a digital delay in a compact, practical mini housing. The small floor effect is tuned like an analogue delay, with a warm, rounded sound and the typical treble loss you'd expect from echo repeats. The delay range is between 25 and 600 ms.

MOOER

Official Product Page

Manual

Demo by Musiker TV

Review by Trevor Curwen, musicradar.com

Official Product Video

Review by Gearspace

Echolizer

PedalSafe Type K1

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

SoloDallas

The Schaffer Replica Storm

Micro ABY MKII

Der Sweetheart ist ein handgefertigtes, handverdrahtetes Vintage-Preamp/Overdrive-Pedal von Paperboy Pedals mit NOS-Germanium-Transistoren, Kohleschichtwiderständen, axialen Film- und Elektrolytkondensatoren, Alpha-Potenziometern und Neutrik-Buchsen. Es liefert eine Bandbreite von farbigem Clean-Boost bis hin zu dreckiger Verstärker-ähnlicher Overdrive, je nach Pickup und Einstellung. Ein Clip-Schalter erlaubt die Auswahl zwischen Germanium-Dioden-Clipping, keinem Clipping (Boost) und Silizium-Dioden-Clipping. Der „Sweetness“-Knopf steuert das Eingangssignal (Ton wird dunkler und Verzerrung geringer, wenn heruntergedreht) und der rechte Knopf regelt die Ausgangslautstärke. Es reagiert sehr dynamisch und interaktiv, besonders mit dem Lautstärkeregler der Gitarre und den Pickups.

The Sweetheart is a handmade, hand-wired vintage-preamp/overdrive pedal from Paperboy Pedals built with NOS germanium transistors, carbon composition resistors, axial film & electrolytic capacitors, Alpha potentiometers and Neutrik jacks. It delivers everything from a clean, colorful boost to gritty amp-like overdrive depending on pickups and settings. A clip-switch allows selection between germanium diode clipping, no clipping (boost) and silicon diode clipping. The “Sweetness” knob controls input signal (darkening tone and lowering grit as it’s turned down) and the right-knob controls output volume. It is very dynamic and interactive, especially with guitar volume control and pickups.

Paperboy

Sweetheart

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Review by Charleston Classical Guitar

Review by musicradar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Mit dem Xroads-Pedal können Sie zwei Verstärker und einen Tuner verbinden. Sie können zwischen den Verstärkern wechseln, beide gleichzeitig betreiben oder sie zum laulosen Stimmen oder Instrumentenwechsel stumm schalten. Der ABY-Splitter sorgt für eine besonders gute Signalaufbereitung und Impedanzwandlung. So passt sich das Gerät immer optimal an die Tonabnehmer des Instruments an, egal ob ein oder beide Verstärker aktiv sind. Das sorgt für einen gleichmäßigen, stabilen Klang. Auch bei langen Kabeln gibt es keine Probleme mit Signalverlust.

With the Xroads pedal, you can connect two amplifiers and a tuner. You can switch between the amplifiers, operate both at the same time or mute them for noiseless tuning or instrument changes.The ABY splitter ensures particularly good signal processing and impedance conversion.This means that the device always adapts perfectly to the instrument's pickups, regardless of whether one or both amplifiers are active. This ensures an even, stable sound.Even with long cables, there are no problems with signal loss.

Vahlbruch FX

Review by Gitarre & Bass 

Demo by EytschPi42

Demo by Alberto Barrero

Xroads

Palmer

PWT08

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

The LPD One20Three is a combination of the Fifty5 and the Sixty8 standard pedals. A new switching system was designed to enable soft touch switching true bypass, order switching, parallel routing and 3 programmable bypass modes.

The Fifty5 is the latest version of the top mount Fifty5 circuit. The Sixty8 is a new version with tonal updates to bring it closer to my personal Plexi Super Lead. An internal gain boost trimmer has been added to extend the gain range for those desiring more gain than the standard Sixty8 as well as a newly redesigned Bass control.

Demo by Buddy Blues

Review by delicious audio

One20Three

The LPD EIGHTY7 was designed to deliver the great guitar sounds of the 80's. The aim of this design was to capture the modified Plexi and JCM800 tones that LA recording studios were tracking in that era.
Two modes, Green and Red, deliver a wide array of gain and tone combinations.

Demo by R.J.Ronquillo

Official Website

EIGHTY7 v1

The LPD Dutch covers a lot of musical ground. It can be transparent, on the edge of breakup, a medium gain heavy blues, a hard rock rhythm machine or a singing lead and all points in between. With a smooth mid-centered voice that’s sure to please, the Dutch will compliment a large range of instruments and amplifiers. Level, Gain, Treble and Bass controls allow you to tailor your sound to it’s sweet spot. The HI/LOW switch is a gain boost with an EQ shift. The EQ has been dialed in to enhance the added gain and focus the midrange so the tone stays tight. Last state memory switching means less tapping when you power your board up and the new eye grabbing aesthetic will make it a beautiful new addition to any setup.

Demo by Visual Guy

Review by Premier Guitar

Review by Hometoneblog

DUTCH 24

The LPD Fifty5 is a celebration of the great American Tweed amplifiers of the 1950’s. These are some of the most recorded amps in history.

A straightforward layout allows quick access to great tones. Level, Drive and Tone controls with Voice and HDRM toggle switches provide the tailoring to match a wide variety of guitar and amp setups. Low, medium and high output sounds are all accessible. The Voice toggle is interactive with the Tone control allowing for more or less low mids and bass. The HDRM toggle shifts between high and low headroom, and is interactive with the Drive control to bring in more or less power amp drive.

Review by Ultimate Guitar

Demo by  TheSuperFunAwesomeHappyTimePedalShow

FIFTY5

SEVENTY4 by LPD Pedals