Kevin Ramos

Clean Solid and transparent with some growl

New Eric Case Band Bass Pedalboard - Kevin Ramos

Tester

Straight forward, no nonsense and predictable controls, so you can familiarize immediately with the sounds it offers.

Kasleder

Product Page

Manual

Demo by absurdcus

Demo by Paul Del Bello

Jellyfish

Cici Powell

How can you get more fans on their feet? Add more freedom to your performance— without pushing a single button. Ideal for small and medium stages, GLX-D® Digital Wireless is the easy way to go wireless with less worry.

Shure

Review by Guitar Fella

Review by Talk Bass

Demo by sillennium

Demo by Michael Seebass

GLXD16 Wireless System

David Graves

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Origin Effects

Demo by  BassTheWorld.com

Official Product Video

Review by Compressor Pedal Reviews

Review by reddit /basspedals

Review by Gearnews

Review by AMAZONA

Manual download

Cali76 Bass Compressor (Classic)

Teeratai Kaewmanee

The AG Preamp pedal inherits the renowned AG amplifier’s tight, fast response and extensive tonal flexibility, making it an essential component for discerning bassists. With its powerful 4-band EQ, the AG Preamp lets you sculpt your tone with finesse, adapting to any musical genre or playing style. From warm and punchy to bright and articulate, the pedal delivers unrivaled control and responsiveness. Foot-switchable broadband “deep” and “bright” controls further enhance your sound, providing added depth and presence for a rich and natural sonic impact.

Operating at 18 volts, the AG Preamp pedal ensures generous headroom and pristine signal integrity. You can confidently push your sound to the limits without sacrificing clarity or encountering unwanted distortion. The pedal maintains a clean, transparent tone that stays true to the player’s style.

The AG Preamp pedal also offers essential connectivity options. It features a built-in headphone output and auxiliary input, enabling silent practicing and jamming along with favorite tracks, as well as a DI output with pre/post and ground lift controls, making it an ideal solution for live performances and studio or at-home recording sessions.

Aguilar

Demo by Bass Bonedo

Review by bonedo

Review by Talk  Bass.com

AG Preamp

Truetone

1Spot Pro CS7

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Gruuvik

Gruuvik 2.0

Bluetone 2x15" cabinet

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

Xotic

Demo by Mike Hermans

EP Booster

Electro-Harmonix

New Pedal

Micro POG Gruuvik edition

James Squire

Das Empress Effects Bass ParaEq ist ein hochwertiges analoges parametrisches Equalizer- und Boost-Pedal, das speziell für Bassisten entwickelt wurde, die präzise Klangkontrolle suchen. Es verfügt über drei vollständig einstellbare parametrische EQ-Bänder mit variabler Q und ermöglicht eine Anhebung oder Absenkung von ±15 dB. Das Pedal beinhaltet Hochpass-, Tiefpass-, Tiefen- und Höhen-Shelving-Filter, die umfassende Frequenzformungsmöglichkeiten bieten. Ein fußschaltbarer Boost bietet bis zu 30 dB sauberen Gain, und das Pedal arbeitet intern mit 27V für außergewöhnlichen Headroom. Weitere Funktionen sind ein wählbarer 10MΩ Hi-Z-Eingang für Piezo-Tonabnehmer und ein automatisch erkennender symmetrischer Ausgang, was es sowohl für Live- als auch Studioanwendungen geeignet macht.

The Empress Bass ParaEq is the only parametric EQ pedal on the market built from the ground up for bass. It gives players studio-grade tone shaping in a compact pedal format that is purpose-built for low-end instruments, not just adapted from guitar gear.

Following the success of our Bass Compressor—and after hearing from countless players who were already using the ParaEq MKII Deluxe on bass—we knew it was time to give bassists more than a “good enough” EQ. The Bass ParaEq delivers the same transparent, tone-sweetening power that made the Deluxe a favourite, but with frequency ranges, filters, and features tailored specifically for bass.

With a dynamic low shelf, bass-tuned EQ bands, a Hi-Z input for upright players, and an auto-detecting balanced output, it’s built to give bassists the control they’ve always deserved—on stage, in the studio, everywhere.

Empress Effects

Review by TGT11

Review by Bass Gear Magazine

Demo by Happy Mag

Demo by Tim Lefebvre

Bass ParaEQ

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Der Bluetone Compura ist ein Kompressorpedal für Gitarre und Bass, das auf einer Diodenbrückentechnologie basiert. Es bietet sechs Bedienregler: Gain (Eingangspegel vor der Kompression), Threshold, Ratio, Release, Attack und Volume (Ausgangspegel nach der Kompression). Es arbeitet mit 9 V DC, mit negativer Mittenpolung.

The Bluetone Compura is a guitar and bass compressor pedal based on diode bridge technology. It offers six controls: Gain (pre-compression level), Threshold, Ratio, Release, Attack, and Volume (post-compression level). It operates at 9 V DC with center negative polarity.

Bluetone

Review by Kitarablogi

Review by Riffi

Demo by Kitarablogi

Compura

Der hochgelobte **A2BP pro**, der in zahlreichen musikalischen Szenen Anerkennung gefunden hat, hat sich weiterentwickelt und ist nun der **A2BP pro MARK II** – ein hochwertiger, professioneller **2-Kanal-Bass-Preamp**, der eine präzise Klanggestaltung ermöglicht.  

Wie sein Vorgänger verfügt er über einen Head-Amp, der **Vakuumröhren mit hoher Spannung** antreibt. Allerdings wurde die **Klangregelung** weiter optimiert. **CH-A** behält die ursprüngliche Tonregelung bei, während **CH-B** nun mit der kraftvollen und druckvollen Klangschaltung des **A1BP pro MARK II** ausgestattet ist.  
※ Beide Kanäle haben, wie beim Vorgängermodell, eine **flache Frequenzcharakteristik**, wenn die Klangregler in der Mittelstellung stehen.  

Zusätzlich wurde der bisherige **MUTE-Schalter** im **Toggle-Design** durch einen **Fußschalter** ersetzt, um eine komfortable Bedienung zu ermöglichen. Außerdem wurde ein neuer **BALANCE VOL**-Regler hinzugefügt, mit dem die Lautstärke des **BALANCE OUT** unabhängig vom **MASTER**-Regler eingestellt werden kann.  

Zudem wurde der **AUX IN**-Eingang von **RCA-Anschlüssen** auf eine **3,5-mm-Klinkenbuchse** umgestellt, um die Vielseitigkeit zu erhöhen.

The highly acclaimed A2BP pro, known across numerous sound scenes, has evolved into the high-end, professional-grade **A2BP pro MARK II**—a 2-channel bass preamp designed for ultimate sound shaping.  

As with its predecessor, it features a head amp that drives vacuum tubes at high voltage. However, the tone control has been further refined. CH-A retains the original tone control, while CH-B now incorporates the same robust and powerful tone circuit found in the **A1BP pro MARK II**.  
※ Both channels maintain a flat response when the tone controls are set to the center position, just like the previous model.  

Additionally, the traditional toggle-style **MUTE** switch has been upgraded to a footswitch for hands-free operation. A new **BALANCE VOL** control has been added, allowing independent volume adjustment from the **BALANCE OUT**, separate from the **MASTER** control.  

Furthermore, the **AUX IN** input has been changed from RCA connectors to a **3.5mm jack** for improved versatility.

ALBIT

Demo by さくらちゃんねる

Review by Reverb

A2BP pro MARK II

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster. 

Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.

A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape. 

Walrus Audio

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Nobel Music 

Julia V2

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

StroboStomp HD

Visual Sound 1 Spot Pro CS12

Pipergate is our homage to the guitar tone of the psychedelic rock pioneer Syd Barrett and his sound presumably using the Selmer Buzz Tone booster/fuzz pedal.
While faithful to the three-transistor topology of the original pedal, we have improved the circuit so that today’s guitarists can easily use it on their pedalboards. The pedal runs now on standard DC9V instead of the 3V of the originals.

The improvements include a new function, namely the Buzz knob that allows the user to adjust the bass gain range. Every control went through a little fine tuning from us that now allows a way broader range of tones to be set. The same sound of the original with new possibilities added.

This is a specialty box built around three extremely rare, matched Germanium transistors. It is the imprint of the sound world of an era that does not belong to the mainstream these days.

Review by delicious audio

Demo by Kris Barocsi

Demo by Buddy Blues

Pipergate

Based on the Timmy Overdrive with special EQ for Bass

Demo by  Subbeast Bass Pedals&Effects

Demo by Secret Bass

Official Website

Review by MaSa @note

Token Bass Overdrive

Just as the masterful flight of the majestic bird from whom it takes its name gracefully crosses the border of the sky and ocean, the Albatross is a blend between a modern JFET preamp and an old-school transistor fuzz.

Demo by the wetter bass

Albstros

Kasleder Effects proudly introduces the Kasleder Germanium Acid Fuzz pedal. The circuitry of the light green fuzz pedal is based on two very rare NOS SFT 308 Germanium transistors inside. These - now are hard to find - transistors were responsible for the sound of the original Dallas Arbiter Fuzz Face and Tone Bender MK 1.5 pedals as well.
The Kasleder Germanium Acid Fuzz faithfully reproduces the tonal qualities of the original Fuzz Face stomp boxes so delivers a sound true to its great predecessors. However its circuitry is based on the classic Fuzz Face circuitry, it has a few modifications to meet the demands of the present day player. The GE Acid Fuzz effects pedal’s maximum gain level is relatively low so it delivers a true warm vintage “wooly” fuzz tone character to your sound.

Demo by DivKid

Germanium Acid Fuzz

Jellyfish by Kasleder