Mehmet Aycan Özek

Modern

Tester

Electro-Harmonix

Triangle Big Muff Pi

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

akai map

Ram's Head Big Muff Pi

David Litaba

GREEN RUSSIAN BIG MUFF PI

Richard Mckenney

Der MXR Rockman X100 Analog-Klangprozessor
erweckt den charakteristischen Klangcharakter von Tom Scholz' berühmten Kopfhörerverstärkers und Signalprozessors in Pedalform. Er bietet kristalline Cleans, knackige Obertöne und schimmernde Modulationen - das Original X100-Gerät den Sound des Arena-Rocks. Diese getreue, rein analoge Nachbildung bietet dieselben vier Klangvoreinstellungen, sorgfältig kalibrierte Kompression für einen klaren Sound, egal ob clean oder verzerrt, den gleichen wie das Original, sowohl Mono- als auch Stereomodus Mono- und Stereomodus sowie eine optionale externe Modus
Umschaltung für eine verbesserte Benutzererfahrung.

The MXR Rockman X100 Analog Tone Processor
revives the signature sonic character of Tom Scholz’s
celebrated headphone amp and signal processor
in pedal form. Offering crystalline cleans, crunchy
harmonics, and shimmering modulation, the original
X100 unit defined the sound of arena rock. This
faithful, all-analog recreation features the same four
tonal presets, carefully calibrated compression for
a clear sound whether clean or distorted, the same
bucket-brigade chorusing as the original, both mono
and stereo modes, and optional external mode
switching for an enhanced user experience.

Official Website

Review by Guitar Bomb

Review by The Gear Page

Review by Talk Bass.com

Review by gearnews.de

Manual

Rockman X100

Der Lightspeed Organic Overdrive ist ein Overdrive mit sehr natürlichem Klang. Warum „organisch“? Nun, einfach gesagt, es ist der klarste, natürlichste und beste Overdrive, den wir je gehört haben, für Spieler, die einen natürlichen Drive-Sound suchen. Dieses Pedal harmoniert mit dem Klang der Gitarre und des Verstärkers und hat satte Obertöne und komplexes, aber sanftes Clipping. Der Lightspeed Overdrive reagiert empfindlich auf den Anschlag des Plektrums und hat ein anderes „Gefühl“ als andere Overdrives. Der Lightspeed kann auf „transparent“ eingestellt werden, kann Ihr Signal aber auch bis an den Rand treiben.

The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why "organic"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge. 

Greer Amps

Review by Sam Goffen Guitar

Review by bonedo

Review by Premier Guitar 

Demo by Premier Guitar

Demo by Andertons

Official Product Video

Demo by Rabea Massaad

Product Page

Lightspeed (Standard Blue)

Olivia Ferrante

THE DANE is a creation designed to meet the exacting needs of Danish Pete. However due to the design brief needing to cover the wide palette of sounds he uses, the pedal finished up being the most versatile pedal available on the market for such a clean design. THE DANE has two sides - a complex light to medium gain overdrive on the left and a high headroom super clean boost on the right. The pedal is designed so that the boost runs into the drive side. This yields three distinct tonal variations ranging from clean boost all the way through to full and fat saturation. The pedal is also designed to clean up impeccably from your volume control and as such it is ideal for dynamic players who like to adjust their playing style.

ThorpyFX

Demo by Demos in the Dark

Demo by Sasha Ivantic

Review by guitar pedal X

THE DANE MKII

David Joyce

Venus ist ein echter Röhren-Overdrive, inspiriert von einem der größten Meisterwerke des Pedal-Museums.  

Mit ultimativer Vielseitigkeit und Klangformung im Fokus haben wir es uns zur Aufgabe gemacht, eine klassische Röhren-Klangskulptur mit modernen Verfeinerungen nachzubilden – von einem sanften, leichten Röhren-Overdrive bis hin zu einem aggressiven High-Gain-Distortion im Fuzz-Bereich.  

Kompakte Größe, maximale Leistung  
Größe ist wichtig! Ohne Klangqualität zu opfern, haben wir unsere Schaltung in das kleinstmögliche Gehäuse gepackt: 12,6 x 6,6 x 5,7 cm (L x B x H). Anstelle eines internen Step-Down-Transformators haben wir Venus so konzipiert, dass es mit einem standardmäßigen 9V-DC-Netzteil betrieben wird – für minimale Hintergrundgeräusche und Brummen. Das Pedal kann mit dem mitgelieferten Netzteil oder jedem isolierten 9V-DC-Netzteil mit 500mA (Mitte negativ) betrieben werden. Ein speziell entwickelter interner Spannungswandler sorgt dann für die optimalen Betriebsbedingungen mit symmetrischen +/-15V DC.  

Röhrenwahl & Anpassung  
Das klassische Meisterwerk, das Venus inspiriert hat, wurde ursprünglich mit einer ECC83 (12AX7) Doppeltriode geliefert. Für einen sanfteren, saubereren Klang ersetzten viele Nutzer diese Röhre jedoch durch Varianten mit weniger Gain und höherem Headroom, wie die ECC81 (12AT7) oder ECC82 (12AU7). Deshalb haben wir uns für eine ECC832 als Standardröhre entschieden – eine ungewöhnliche Kombination, die eine Hälfte einer ECC83 und eine Hälfte einer ECC82 enthält. Dadurch bleibt der Charakter des Originals erhalten, jedoch mit mehr Klarheit, besserer Saitentrennung und einer breiteren Klangbühne.  

Alle gängigen Doppeltrioden wie ECC83/12AX7, 5751, ECC81/12AT7, 12AY7 oder ECC82/12AU7 können weiterhin eingesetzt werden, um unterschiedliche Klangnuancen zu erzielen. Mit dem Bias-Regler lässt sich der Röhren-Bias steuern, also der Stromfluss durch die Kathoden. Damit kann man den Sweet Spot für verschiedene Röhrentypen finden und gleichzeitig die Verzerrungstextur einstellen – von rau, aggressiv und "gated" (gegen den Uhrzeigersinn) bis hin zu weich und cremig (im Uhrzeigersinn). In der maximalen Rechtsdrehung bietet der Bias-Regler den saubersten Klang für die meisten Röhrentypen.  

Volle Klangkontrolle  
Ein 3-Band-Equalizer gibt dir absolute Kontrolle über das Frequenzspektrum. Mit dem Mittenregler kannst du gezielt zwischen den verschiedenen Klangcharakteristiken der ursprünglichen Einheit wechseln – besonders nützlich für Amps mit leicht abgesenkten Mitten.  

Zusätzlich haben wir einen Push-Schalter integriert, um die Tief- und Tiefmittenanhebung in den Röhren-Gain-Stufen zu steuern. So kannst du zwischen einem satten ("fat") oder straffen ("tight") Klang wählen.  

Ein schaltbarer Low-Output-Impedanz Line Driver (Buffer/Volume Booster) sorgt dafür, dass dein Signal verlustfrei an das nächste Pedal oder den Amp weitergeleitet wird, wobei alle Frequenzen erhalten bleiben. Venus arbeitet immer im True Bypass, unabhängig von der Einstellung des Push-Schalters. Der Line Driver wird nur dann aktiviert, wenn der Effekt eingeschaltet ist.

Venus is a real tube overdrive inspired by one of the greatest masterpieces of the pedal museum.

With ultimate versatility and tone shaping in mind, we set out to recreate a classic tube tone sculpture with modern refinements, generating anything from a smooth, light tube overdrive, to a high-gain, nasty distortion within the realm of fuzz. 

First of all, size matters! Without sacrificing tone, we squeezed our circuit into the smallest possible enclosure, measuring 12.6 x 6.6 x 5.7 cm (L x W x H).  Instead of an internal step-down power transformer, we designed Venus to operate from a standard 9V DC power supply to minimize background noise and hum. The user can operate the pedal from the included power supply or any isolated 9V DC, center-negative power supply output with 500mA current capability. Then a properly designed internal voltage booster/inverter circuit provides the correct voltage conditions (symmetrical +/- 15V DC).

While the classic masterpiece that inspired Venus originally shipped with an ECC83 (12AX7) dual triode tube, users looking for a smoother, cleaner sound replaced the tube with a lower gain/higher headroom variant like ECC81 (12AT7) or ECC82 (12AU7). With that in mind, we selected an ECC832 tube as stock for Venus. This kind of oddball tube features half of an ECC83 and half of an ECC82. The tone is as close as possible to the original “tube sculpture” but with more clarity, string separation and a wider soundstage.

You can still substitute with all the "usual suspects" of dual triode tube types like ECC83/12AX7, 5751, ECC81/12AT7, 12AY7, ECC82/12AU7 for a different sonic flavor. Use the bias knob to set the tube bias/control the current passing through the tube cathodes. By adjusting this knob, you can find the sweet spot for different tube types used and/or set the texture of the overdrive / distortion: from gnarly, nasty and gated (counter-clockwise) to smooth and creamy (clockwise). The full clockwise setting of the bias knob has the cleanest sound for most tube types used.

A full 3-band EQ gives you total control over frequency response. With the mid control, you can sweep through the sounds of all the variants of the unit that inspired Venus and also comes in especially handy if you are using slightly mid-scooped clean amps. To sculpt the tone further and match the pedal to different guitars and/or pickups, we have also added a push switch to set the amount of low and low-mid frequencies boost that hits the tube gain stages between the stock fat or tight sound (when pushed in). A switchable low-output-impedance line driver (buffer/volume booster) ensures that your signal gets properly pushed through to the next pedal or your amp, and all your audio frequencies are retained. The bypass state of Venus is always true bypass regardless of this push button switch setting. The selectable line driver is only placed at the output of the effect when engaged.

Crazy Tube Circuits

Demo by AndyDemos

Demo by MUSTY GUITAR

Review by Music Radar

Review by Gear News

Venus

Ennio miurin

For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. 

Marshall

Demo by Portal Gitarowy

Review by guitartoneoverload

JH-1 Jackhammer

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

KMA Machines

Review by Gitarre & Bass

Manual download

Demo by Eytschpi42

Moai Maea

The Heavy Menace is the most versatile distortion pedal we’ve ever created.  It’s an evolution of our original Heavy with new features and a compact enclosure. 

In addition to the original Heavy and Heavier modes, the Heavy Menace adds a new Lite(ish) mode, covering any high-gain sound from classic hard rock to searing modern metal.  

Empress Effects

Review by delicious audio

Review by reddit /guitarpedals

Demo by LambChopper678

Demo by Sonic Drive Studio

Heavy Menace

Yakov Yakovlev

Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing, constantly looking to recreate its legendary tone.

We wanted players to be able to get that tone from their own rig, be able to drop it right in and feel the brutal power, articulation and depth of gain that made the NATAS amp the legend it is.

A staggering feat of engineering, a sound and response never experienced from a gain pedal includes cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (scooped or humped) tone shaper, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time.

Fortin Amplification

Review by Guitar World

Demo by Kyle Bull

Natas Distortion

DELETED USER

The Pentatone Gate is a standalone version of the GATE section in the Ibanez Pentatone Preamp. This gate achieves a quick response and natural sustain and has an added threshold mode switch which allows you to adjust the threshold in the appropriate range.
Furthermore, thanks to the 4 I/O jacks, the gate circuitry can work at a proper location, such as right after distortion pedals or in between the send/return of a guitar amplifier.

Ibanez

Pentatone Gate PTGATE

BONAFIDE BUFFER is the sonic remedy that will free your tone of any treble-sucking constraints put upon it by long cable runs. Just slam this high-quality, no-nonsense tone tool on your pedalboard and get ready to bask in your tone as it was meant to be. Transparent, crisp, alive and all you!

TC Electronic

Review by Sound on Sound

Quick Start Guide

Demo by EytschPi42

Bonafide Buffer

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Product Page 

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

User Manual

Demo by Premier Guitar 

Oceans 12 Dual Stereo Reverb

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

The EHX Grand Canyon is Electro-Harmonix’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon’s 13 modes are:

1. ECHO – pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering
2. MOD – Modulated delay, yields rich flanger, chorus, vibrato, warble and more
3. MULTI – Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.
4. REVERSE – Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes
5. DMM – Deluxe Memory Man, re-creates the luscious tone of EHX ‘s legendary bucket-brigade delay pedal
6. TAPE – Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter
7. REVERB – Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay
8. PITCH – EHX’s critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats
9.SHIM – Shimmer generates a rich octave-shifted wash of shimmering soundscapes
10. SAMPLE/HOLD – Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected
11. DRUM – Magnetic drum echo that faithfully emulates a classic Binson Echorec® style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns
12. DOUBLE – Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs
13. LOOPER – Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

Grand Canyon

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Kevin Agiri

Building off the rich, warm, pulsating modulation of the Monument, the Monumental Harmonic Stereo Tremolo is an analog, optical tremolo bringing new controls, features, and width to the Walrus Audio line. New features available in the Monumental include the ability to save presets, blend between standard and harmonic tremolo modes, access to new wave shape and tap division options, and most importantly, a pan control to set the stereo spread of the tremolo to the right and left channels.

Walrus Audio

Monumental

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Die Sea Machine V3 ist ein in mehrerlei Hinsicht außergewöhnliches Chorus-Pedal. Dieser Analog/Digital-Chorus-Hybrid verfügt über sechs Regelmöglichkeiten (Shape, Rate, Depth, Intensity, Dimension, Animate), eine gegenüber normalen Chorus-Effektpedalen erweiterte Verzögerungszeit, eine Geschwindigkeits-LED, einen Analog Dry Signal Path sowie einen True Bypass. Die Sea Machine V3 eignet sich sowohl für klassische als auch für außergewöhnliche Chorus-Effekte und harmoniert exzellent auch mit verzerrter E-Gitarre. Die zusätzlichen Regler Dimension und Animate erweitern das Chorus-Spektrum dieses in Ohio/USA in Handarbeit gefertigten Pedals enorm.  Das Sea Machine V3 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Sea Machine V3 is an exceptional chorus pedal in many respects. This analog/digital chorus hybrid features six control knobs (Shape, Rate, Depth, Intensity, Dimension and Animate), extended delay time (compared to regular chorus effect pedals), a speed LED, analog dry path signal and True Bypass. The Sea Machine V3 delivers both traditional and unconventional chorus effects and works very well with distorted electric guitars. The additional Dimension and Animate controls massively enhance the sound palette of this made in Ohio, USA pedal. The Sea Machine V3 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Sea Machine V3 - Official Demo

Sea Machine

QuickMount Type B

Gianluigi LAVARINI

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

Catalinbread

Demo by Pedalboard of the Day

Demo by HarryAndAGuitar

Demo by Get Offset

Demo by 60 Cycle Hum

Demo by Let's Play All

Demo by Demos In The Dark

Demo by Mike Hermans

Demo by JayLeonardJ

Demo by R.J.Ronquillo 

Demo by Brett Kingmann

Many Worlds Phaser

Moritz Ringwald

Analoger Bucket Brigade Flanger in vollem Stereo. Nutzt 4 MN3009 Bucket Brigade IC chips für satte Flange-Sounds mit ausreichen Headroom. Er verfügt über einen bidirektionalen Feedback-Regler und einen Sweep-Regler, der die Verzögerungszeit auf einer Seite des Stereofeldes erhöht, während er die Verzögerungszeit auf der anderen Seite verkürzt. Der Dimension-Schalter überkreuzt die beiden Kanäle miteinander und erzeugt so einen Doppel-Flanger-Effekt, bei dem zwei Delay-Linien in entgegengesetzte Richtungen moduliert werden, auch im Mono-Einsatz.

All-analog, full-stereo modulation effects pedal that uses a quartet of genuine MN3009 Bucket Brigade IC chips to deliver a rich Flanger effectwith high headroom. It features a bi-directional Feedback control and a Sweep control that increases the delay time on one side of the stereo field while shortening the delay time on the other side. The Dimension switch crossfeeds the two channels into one another, creating the entrancing double-flanger effect of two delay lines being modulated in opposite directions, even when used in mono.

Supro

Review by Pedal of the Day

Review by Eirik Stordrange

Supro Flanger 1309

ch ray

Dem beliebten MXR Ten Band EQ hat der amerikanische Hersteller ein Facelift verpasst und präsentiert ihn unter der Modellnummer M108S in einem neuen, leichteren Gehäuse mit True-Bypass-Schaltung, einer effektiveren Rauschunterdrückung und zwei Ausgängen. Geblieben sind das große Frequenzspektrum von 31,25 Hz bis 16 kHz, getrennte In- und Output-Levels sowie der Betrieb mit 18 Volt für mehr Headroom.
Da der MXR Ten Band EQ auch Frequenzbereiche unterstützt, die von einem Gitarrenlautsprecher eigentlich nicht mehr übertragen werden, empfiehlt er sich ebenso für den Betrieb am E-Bass, für Fullrange-Anwendungen oder fürs Direct-Recording. Nicht wenige Gitarristen schätzen den grafischen Equalizer

The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard. 

Review by awkwardsound 

Review by bonedo 

Demo by Ryan Lutton

Demo by PMTVUK

Review by HOMETONEBLOG

M108S Ten Band EQ

Keeley Kompressoren sind wohl die beliebtesten Boutique Kompressoren am Markt. Mit weit über 50.000 gebauten Kompressoren ist die Keeley Werkstatt wohl ein Experte auf den Gebieten Kompression, Limiting und Sustain. Keeley weiß ganz genau was es braucht um ein Instrument klingen zu lassen, als wäre es professionell aufgenommen worden. Sie wissen wie sie deine Gitarre im Mix ganz nach vorn stellen und sie wissen genau, was das Spielen zur wahren Freude macht. Keeley Compression macht’s möglich! Der Keeley Compressor Plus ist der nächste Schritt nach vorne in Keeleys Reihe an 2- und 4- Knob Kompressoren. Die neuen Features sind einfach und geradeaus. Es gibt einen einfachen Release Schalter, der speziell auf Single Coils und Humbucker getunt ist. Kein rätseln mehr, ob Attack und Release richtig eingestellt sind. Deine Humbucker haben all das Attack und den Punch den sie haben sollen! Das Keeley Team hat außerdem einen fantastisch klingenden Tone Regler kreiert, der die sensiblen Obertöne, die bei komprimierten Signalen oft verloren gehen, betont. Außerdem verfügt der Compressor Plus über einen Blend Regler, der das Kompressor Signal auf bis zu 50 % im Mix absenken, und so die Dynamikspitzen in deinem Spiel und somit deine Phrasierung erhalten kann, während du zudem das nötige Sustain bekommst. Der Keeley Compressor Plus bietet denselben fabelhaften Push an süßen Frequenzen, den du von älteren Kompressoren kennst, nun mit der nötigen Flexibilität für jedes Instrument.

The Keeley Compressor is the most popular boutique compressor in the world.  With well over 50,000 compressors built in the Keeley shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded.  They know how to make your guitar jump from the mix. They know how to make it fun and easy to play.  Keeley Compression is how.  The Keeley Compressor Plus is the next true advancement in their 2 and 4 knob compressor line.  The new features are simple and straight forward.  Now there is a simple Release Switch that is tuned for single coils or humbuckers.  No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should.  The Keeley team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression.  The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument.

Keeley Electronics

Keeley Compressor Plus - Demo Video - ProGuitarShop Demos

Keeley Compressor Plus - Demo Video - Livingroom Gear Demos

Review by The Gear Check

Review by AMAZONA

Compressor Plus

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

The MC404 CAE Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Cry Baby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a built-in MXR MC401 Boost/LineDriver adds even more flexibility. Choose between inductors and turn the boost on or off with the side-mounted kickswitches; bright LEDs on each side of the wah indicate operation status. The MC404 boasts true hardwire bypass, a long-life CTS potentiometer, and internal pots for "Q" and gain adjustments.

Dunlop

Demo by ProGuitarShopDemos 

MC404 CAE Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Rat 2

Der OD-1X katapultiert den klassischen BOSS-Overdrive in eine neue Ära des Ausdrucks und bietet unübertroffene Performance für Gitarristen, die den ultimativen Ton suchen. Dieses fortschrittliche Pedal vereint Jahrzehnte an Erfahrung mit den neuesten Technologien und liefert ein bahnbrechendes Klangerlebnis, das nur durch BOSS-Innovation möglich ist.

Mach dich bereit, überrascht zu werden – der inspirierende und ultra-responsive OD-1X wird deine Sicht auf Overdrive-Pedale für immer verändern.

The OD-1X launches the classic BOSS overdrive into a new era of expression, delivering unmatched performance for guitarists seeking the ultimate tone. This advanced stomp combines decades of pedal expertise with the latest technologies, bringing you a breakthrough sound experience that’s only possible with BOSS innovation. Prepare to be amazed—the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

BOSS

Review by TonePedia

OD-1X OverDrive

Moai Maea by KMA Machines