Jonathan Frances

Main board

ch ray

Hey Kumpel! Willkommen zum neuen Avalanche Run™ Stereo Reverb und Delay mit Tap Tempo! Der Avalanche Run wurde mit dem Ziel entwickelt, die schwebenden Ambient-Töne des Dispatch Masters auf das nächste Level zu heben und dabei benutzerfreundlich und raffiniert zu halten. Der Avalanche Run ist ein verträumtes Sonic Discovery-Device mit bis zu 2 Sekunden Delay-Zeit und einem üppigen Stereo-Reverb. Es bietet vollständige Kontrolle über die Verzögerungszeit, Wiederholungen, Mix und Voice (mit dem Tone Regler), sowie Kontrolle über die Hallfahnen-Länge und Reverb Mix. Es kann in einem von 3 verschiedenen Modi betrieben werden: Normal, Reverse und Swell. Im "Normal" -Modus fungiert der Avalanche-Run als direktes Delay und Reverb. Im "Reverse" -Modus ist die Delay Spur umgekehrt und der Reverb bleibt im normalen Modus. Im "Swell" -Modus reagiert der Avalanche Run auf deine Picking-Dynamik und fügt dem gesamten Signalweg einen Volume Swell hinzu, ähnlich wie beim manuellen Auf- und Zudrehen des Volume Reglers deiner Gitarre. Ausgestattet mit einer Kombination aus True Bypass und Buffered Bypass mit Trails-Funktion wird auch das Avalanche Run in Handarbeit in Ohio/USA hergestellt. Das Avalanche V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

Hey buddy! Welcome to your new Avalanche Run™Stereo Reverb and Delay with Tap Tempo! The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush stereo reverb. It features complete control over delay time, repeats, mixand voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal”mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse”mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell”mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar. Equipped with True or Buffered with trails Bypass, the Avalanche Run is hand made in Ohio, USA. The Avalanche Run V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices

Official Product Page

Manual

EarthQuaker Devices Avalanche Run v2 Stereo Reverb & Delay - EarthQuakerDevices

EarthQuaker Devices Avalanche Run V2 - Review by Amazona [DE], [11-2020]

Review by Mod Wiggler

EarthQuaker Devices Avalanche Run V2 - Official Demo

Demo by Knobs

Avalanche Run V2

QuickMount Type I

Pedal-Montageplatte für Eventide H9

Pedal Mounting Plate For Eventide H9

Vincent Shore

Das TC Electronic PolyTune 3 Noir ist ein ultrakompaktes Stimmgerät, das polyphones, chromatisches und extrem präzises Strobe-Tuning in einem schwarzen Mini-Gehäuse vereint. Es integriert die renommierte Bonafide Buffer-Schaltung, um Signalverluste bei langen Kabelwegen und komplexen Pedalboards zu verhindern. Das Pedal erkennt automatisch, ob eine einzelne Saite oder alle Saiten gleichzeitig angeschlagen werden, und passt die Anzeige entsprechend an. Ein dedizierter Schalter ermöglicht den Wechsel zwischen True Bypass und Buffered Bypass Modi für maximale Flexibilität. Das Display verfügt über einen Umgebungslichtsensor, der die Helligkeit der 109 LEDs automatisch an die Lichtverhältnisse anpasst.

The TC Electronic PolyTune 3 Noir is an ultra-compact tuner that combines polyphonic, chromatic, and ultra-precise strobe tuning modes within a black mini-chassis. It integrates the renowned Bonafide Buffer circuit to prevent signal loss across long cable runs and complex pedalboards. The pedal automatically detects whether a single string or all strings are plucked and adjusts the display mode accordingly. A dedicated switch allows users to toggle between True Bypass and Buffered Bypass modes for maximum signal flexibility. The display features an ambient light sensor that automatically adjusts the brightness of its 109 LEDs to suit the lighting conditions.

TC Electronic

Review by Guitar World

Review by Premier Guitar

Polytune 3 Noir

Tester

A re-creation of the classic Ross compressor, with very low noise. Use the Sustain, Attack, and Level knobs to find your ideal tone. Tweek the Attack to boost your bottom end and level off high-output pickups.

True bypass design minimizes tone loss.

 Aluminum alloy casing with stoving varnish finish.

JOYO

Demo by Chris Walton

Demo by Disorderly Sound Studios

Product Page

Review by Trevor Curwen

JF-10 Dynamic Compressor

thuy nguyen

This 10 band EQ effect pedal is suitable for both Bass and Guitar, the frequency band ranges from 31.25Hz to 16kHz, including 4-string, 5-string Bass and 6-string, 7-string Guitar. On the pedal’s right side, there is an independent Volume Control Knob, and the related LED light on each knob flickers accordingly.

Demo by The Tone Lounge

Official Product Video

Review by claudius, gearnews.de

R-12 Band Controller EQ

David Litaba

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Strymon

Review by Bonedo 

Review by Amazona 

Demo by Pete Thorn

Demo by Andertons Music 

Cloudburst Ambient Reverb

Meet our updated multiverb unit for cosmic sounds! Astronaut 2 is more than just a reverb, it combines a set of different effects for ambient, spacey sounds with many variations and features.

Changes (compared to the previous version of the Astronaut multiverb unit):
Improved tones and new sounds, 11 in total.
Ability to keep tails in bypass.
Decay knob added to adjust effect parameters .
Program selector with fixed positions.

Shift Line

Demo by Chords of Orion

Review by Gearspace

Review by Pedal of the Day

Review by Ultimate Guitar

Astronaut v2

Mooer Audio erweitert seine Produktpalette mit der verbesserten X2 Serie. Mit insgesamt 14 hochwertigen Delay Effekten bietet das D7 X2 Delay Effektpedal mehr als doppelt so viele wählbare Effekt-Modi wie sein kleinerer Bruder, das Micro Series D7 Delay und fügt zusätzlich Stereo-Ein- und Ausgänge hinzu. Das D7 X2 Delay bietet eine breite Palette von klassischen Analog- und Tape-Delays bis hin zu moderneren und experimentelleren Delays wie 'Low-Bit', 'Galaxy' oder 'Ping Pong' Effekten. Die einstellbaren Parameter können je nach ausgewähltem Effekt variieren und zusätzlich mit den flexiblen Tweak 1- und Tweak 2-Reglern weiter angepasst werden. Zusätzliche Parameter können mit den Mix-, Time- und Feedback-Reglern angepasst werden. Die Delay-Zeit jedes Effekts kann mit dem Time-Regler oder mit dem Tap Tempo Fußschalter für schnelle Anpassungen im laufenden Betrieb eingestellt werden.

Mooer Audio extends their product range with the improved X2 Series. With a total of 14 high-quality delay effects, the D7 X2 Delay effects pedal features more than twice the effect modes of its smaller brother, the Micro Series D7 Delay, while also adding stereo inputs and outputs. The array of delay effects in the D7 X2 provide a wide range from classic analog and tape delays to more modern and experimental delays such as 'Low-Bit', 'Galaxy', or 'Ping Pong' effects. Adjustable parameters are can vary based on the selected effect and they can also be customized further with the Tweak 1 and Tweak 2 knobs. Additional parameters can be adjusted by using the Mix, Time, and Feedback knobs. The delay time of each delay effect can be adjusted with the Time knob or by using the tap tempo footswitch for quick adjustments on the fly.

MOOER

Mooer D7 X2 Delay - Official Demo Video

Mooer D7 X2 Delay - Demo / Review Video - W-Music Distribution

Mooer D7 X2 Delay - Demo Video - Do Noise

Mooer D7 X2 Delay - Demo Video - Ryan Lutton

Mooer D7 X2 Delay & Mooer R7 X2 Reverb - Demo Video (No Talking) - Guitar Bonedo

Mooer D7 X2 Delay - Demo Video - Mike Hermans

Mooer D7 X2 Delay - Demo / Review Video - Brett Kingman

Review by Stefan Karlsson, guitarpedalx.com

Review by Dimitri, amazona.de

D7 X2 Delay

Javier Murcia Dominguez

Soul Press II ist die nächste Generation der Hotone Press-Pedalreihe. Das neu gestaltete Upgrade basiert auf den beliebten Konzepten von Soul Press und Vow Press. Es integriert bis zu vier Funktionsmodi (Volume, Wah, Volume/Wah, Expression), was die Spielbarkeit auf ein neues Niveau hebt. Die Pedalstellungsanzeige zeigt die Pedalstellung in Echtzeit an. Die Auswahl des TONE-Modus und die Einstellung des Q-Werts stellen eine absolute Verbesserung von Klang und Funktionalität dar. Mehrere E/A-Optionen bieten einen vielfältigeren Zugang. Die neu gestaltete Größe des Pedals sorgt für Tragbarkeit und optimale Ergonomie. Soul Press II ist ein wirklich vielseitiges Wah-Pedal.   

Soul Press II is a next-gen product in the Hotone Press series pedal line. It's new-designed upgrade is based on the popular concepts of both the Soul Press and Vow Press. It integrates up to four function modes (volume, wah, volume/wah, expression), taking playability to new heights. The pedal position indicator shows the pedal position in real time. The TONE mode selection and Q value adjustment represent an absolute improvement in tone and functionality. Multiple I/O options provide more diverse access. The reimagined pedal size maintains portability while delivering an optimal ergonomic experience. Soul Press II is a truly versatile wah pedal.   

HOTONE

Review by reddit /guitarpedals

Review by headliner

Review by The Gear Page

Review by Bass Musician Mag

Demo by The Pedal Guy

Demo by Nobes Music

Demo by intheblues

Demo by Pedal of the Day

Soul Press II

Das Digitech Freqout Natural Feedback Creator Effektpedal gehört zu den eher exotischen Vertretern im Pedalboard. Es widmet sich der Erzeugung von Rückkopplungen, die zwar zum Repertoire jedes gepflegten (Rock-) Gitarristen gehören, aber üblicherweise nur mit entsprechender Lautstärke und der Interaktion zwischen Amp, Box und Gitarre möglich sind. Mit dem E-Bow, der seit Mitte der 70er Jahre erhältlich ist, gibt es bereits ein Werkzeug, das die Saiten per Magnetfeld beliebig lang in Schwingung versetzt, indem es über die gewünschte Saite gehalten wird. Oder den Sustainer von Fernandes, ein Pickup, der ebenfalls die Saiten zum Schwingen bringt, wenn er per Schalter dazu aufgefordert wird. Und natürlich muss beim Umbau der Gitarre einer der vorhandenen Tonabnehmer dem Sustainer weichen.

The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

DigiTech

Demo by Mike Hermans 

FreqOut

lu vdk

Das RAT2 ist Ihr Verzerrer-Pedal für jeden Gig, egal ob Rock, Blues, Punk oder Jazz. Es ist der Maßstab, an dem sich alle anderen Verzerrer messen lassen müssen. Es ist auf Tausenden von Aufnahmen zu hören und hat den Sound der einflussreichsten Bands der letzten drei Jahrzehnte mitgeprägt.

The RAT2 will be your go-to distortion pedal for every gig, whether it’s rock, blues, punk, or jazz.  This is the standard that all other distortion devices are measured against.  Heard on thousands of recordings, it has helped define the sound of the past three decade’s most influential bands.

ProCo

Review by The Blogging Musician

Review by Guitar.com

Demo by Kai Down

Demo by That Pedal Show

Alessandro Cimoli

The Big Muff is an iconic pedal. Many versions of this classic stompbox have been created since its introduction in the 70s, and Billy Corgan of The Smashing Pumpkins is arguably the most-renowned user of the Electro Harmonix Big Muff. Pioneering the huge, engulfing "wall of fuzz" sound that defined the groundbreaking Siamese Dream album in the mid-90s, Corgan relied on a particular iteration of the circuit to attain that massive sound - the V4.

Known as the Op-Amp Big Muff, rare originals of this pedal have sold on the second-hand market for hundreds of pounds. And whilst tone-chasers have worked extremely hard to replicate his legendary sound, Electro Harmonix have listened to fans and given us a pedal that delivers Corgan's tone in a compact stompbox at an affordable price!

Collaboratively designed with the man himself, the Op Amp Big Muff has all the hi-gain, saturated goodness that fans have tried to emulate for almost 25 years. With the 3 classic controls you'd expect to find on most Big Muffs (Sustain, Tone and Volume), you can carefully craft your optimal fuzz sound. Rolling in more top-end cut the higher you turn it up, you can also bring in some sub-octave warmth when you set it lower.

So today is your chance to turn your quiet rig into one that can send you into the stratosphere like a spaceboy in a rocket. With this pedal, rock like a cherub!

Electro-Harmonix

OP Amp Big Muff

MFer

Legendärer transparenter Boost-Overdrive mit riesigem Dynamikbereich, Gain on Tap und Soft-Clipping-Dioden, inspiriert von den Eigenschaften von Germanium

Legendary Transparent Boost Overdrive with Huge Dynamic Range, Gain on Tap and Soft Clipping Diodes Inspired by Germanium Characteristics

Behringer

Demo by TheGigRig

Centaur

Der EarthQuaker Devices Plumes basiert auf dem legendären grünen Overdrive Pedal, das seit Jahrzehnten als Industriestandard gilt. Im Zusammenspiel mit einem guten Röhrenverstärker erzeugt der Plumes eine warme, transparente Sättigung. EarthQuaker verzichtet auf den bewährten JRC4558 OpAmp und die BJT Buffer und ersetzt sie in der Schaltung durch Low Noise JFET OpAmps für einen präziseren Sound mit deutlich geringerem Grundrauschen. Mit 10 Megaohm Eingangsimpedanz bietet das Pedal einen wunderbar klaren, detaillierten Sound. Der Arbeitsbereich des Tone-Reglers wurde ebenfalls angepasst um mit einem satteren Low End ein breiteres Spektrum an möglichen Sounds zu bieten. 

Zusätzlich bietet der Plumes drei wählbare Clipping-Modi um den Sound des Pedals an möglichst viele Stilrichtungen und unterschiedlichstes Equipment anpassen zu können. Mode 1 bietet symmetrisches Clipping, basierend auf einem Paar LEDs. Das Setting bietet den sattesten Crunch und den klassischen Sound eines übersteuerten Röhrenverstärkers. Mode 2 ist ein Clean Boost ohne Soft Clipping, perfekt um den Clean Sound im Mix nach vorne zu bringen oder den Preamp eines Verstärkers in die Sättigung zu fahren. Mode 3 nutzt asymmetrisches Clipping mit Silizium Dioden und klingt am ehesten nach einem originalen Screamer. Im direkten Vergleich liefert das Setting aber mehr Output und klarere Clean Sounds.

Darüber hinaus verfügt der Plumes auch über EarthQuaker Devices 'Soft Touch' Flexi-Switch-Funktion, mit der du im Handumdrehen zwischen Momentary Modus und traditionellem Latching wählen kannst.

The EarthQuaker Devices Plumes is based on the legendary green overdrive pedal, which has been the industry standard for decades. In combination with a good tube amp, the Plumes creates a warm, transparent saturation. EarthQuaker Devices relinquishes the trusted JRC4558 OpAmp and BJT Buffers and replaces them with low noise JFET OpAmps for a more robust and precise signal with a significantly lower noise floor. With 10 megohms of input impedance, the pedal provides a stronger signal with more clarity and chime. EarthQuaker Devices adjusted the cutoff of the tone control to deliver a more useful range of travel with more booming bass on the low end without sacrificing the cutting midrange and bright top end.

In addition, the Plumes offers three selectable clipping modes to ensure that it will work with a wide variety of gear and playing styles. Mode 1 is symmetrical clipping based on a pair of LEDs. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it will deliver that classic crunchy valve amp tone. Mode 2 is a clean boost without soft clipping and with straight OpAmp drive, perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into breakup saturation. Mode 3 is an asymmetrical silicon diode arrangement like an original screamer but with more output and clean clarity.

The Plumes features EarthQuaker Devices relay-based 'soft touch' Flexi-Switch Technology for both momentary and latching footswitch operation.

EarthQuaker Devices Plumes - Official Video Manual

EarthQuaker Devices Plumes - Official Bass Demo

EarthQuaker Devices Plumes - Official Synth Demo

EarthQuaker Devices Plumes - Official Guitar Demo

EarthQuaker Devices Plumes - Demo Video - Guitar Bonedo

EarthQuaker Devices Plumes - Demo / Review Video - Musiker TV

EarthQuaker Devices Plumes - Demo Video - Musiker TV

EarthQuaker Devices Plumes - Guitar, Synth, Bass Demo Video - ThePedalZone

EarthQuaker Devices Plumes - Tone Report Demo Video - Reverb

EarthQuaker Devices Plumes - Demo Video - Sweetwater

EarthQuaker Devices Plumes - Review by Gitarist [NL], [12-2020]

EarthQuaker Devices Plumes - Review by Muzikus [CZ], [12-2019]

EarthQuaker Devices Plumes - Review by Gitarre&Bass [DE], [11-2019]

EarthQuaker Devices Plumes - Review by GuitarWorld [EN], [11-2019]

EarthQuaker Devices Plumes - Review by PremierGuitar [EN], [10-2019]

EarthQuaker Devices Plumes - Review by GuitarPlayer [EN], [10-2019]

EarthQuaker Devices Plumes - Review by Bonedo [DE], [09-2019]

EarthQuaker Devices Plumes - Review by Amazona [DE], [09-2019]

Plumes Small Signal Shredder

PedalSafe Type B

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard-Einzelpedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard-Einzelpedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

The Ibanez CF7 Chorus/Flanger Pedal combines the rough-and-tumble Tone-Lok series chassis with a wide spread of effect possibilities to traverse

Ibanez

CF-7 Chorus/Flanger

Walrus Audio

Canvas Power 15

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

cuulguit@r

6 Amp-in-a-Box Pedals to choose from including a pre-gain drive and an overall EQ let me create any type of Rock and Metal dirt.

The 6 x AIAB Board

Don Jordan

Offizielles Steve Lukather Signature Overdrive Pedal:

Was soll man über Luke's Sound noch sagen? Er spielt den GAS-789SL seit Jahren und jetzt auch den SL-OD Overdrive vor seinen angezerrten / verzerrten Verstärkern um den Ton noch schneller und differenzierter zu machen, ohne den Grundsound dabei zu ändern. Zwei Overdrive Pedale (Low Gain und High Gain) + Boost Pedal (Clean Boost) mit +20 dB Ausgangslevel Boost (Kippschalter) in einer Box, drei für jedes Pedal getrennte Bass Boost (Kippschalter) um die tiefen Frequenzen zu pushen, ohne dass der Sound matschig wird = variabler geht es nicht. Dabei ist der SL-OD gerade mal 14,5 cm breit!

Sound Design by Steve Lukather und Uli Rodenberg

Drei komplett unabhängige Pedale in einem Gehäuse: Low Gain Overdrive, High Gain Overdrive, Boost (Clean Boost)
Overdrive Low Gain mit Kippschalter für Bass Boost
Regler: Level, Tone, Drive
Overdrive High Gain mit Kippschalter für Bass Boost
Regler: Level, Tone, Drive
Boost (Clean Boost) mit 2 Schalter für Bass Boost und +20dB Level Boost
Regler: Level, Tone
Signalkette: Gitarre => Low Gain Overdrive => High Gain Overdrive => Boost (Clean Boost) => Verstärker
Locked Schalter: Verriegelung der beiden Overdrives
3x Fußschalter: Mechanisch True Bypass, (fast) keine Umschaltgeräusche, neues Schaltungsdesign
Jewel LED: Overdrive Low Gain = Blau, Overdrive High Gain = Rot, Boost (Clean Boost) = Grün
Ein- und Ausgang: 6,3 mm Klinke
Schwarzes pulverbeschichtetes Aluminiumgehäuse
Spannungsversorgung über 9-18 V Netzteil (Nicht im Lieferumfang, kein Batteriebetrieb)
Handgearbeitet in kleiner Stückzahl
Made in Germany
Drei Jahre Garantie

Steve Lukather:
Just wanted you yo know how much I LOVE the box you sent me. Hard to describe it ... it just makes it sound BETTER. Smooths out the amp distortion in the most positive way without noise or strange coloring. I use it every night and it is proudly placed on my pedal board. I am deeply honored! Tanks SO much man! Happy to endorse your excellent gear.

Rodenberg

SL-OD Overdrive – Steve Lukather Signature

Der One Control Agamidae Tail Loop ist ein programmierbarer 6-Kanal Loop Switcher, der zusätzlich über sechs 9V DC Ausgänge verfügt. Mit zwei wählbaren Schalt-Modi lässt sich der Switcher perfekt in jedes Setup integrieren - im Direct/Edit Mode lassen sich alle sechs Loops einzeln über den jeweiligen Fußschalter aktivieren, im Recall Mode arbeitet der Agamidae mit den gespeicherten Presets. In jedem Preset lässt sich eine beliebige Kombination der sechs Loops abspeichern. Verschiedene Pedale mit unterschiedlichen Formen und Größen können es zu einer Herausforderung machen, in einer Live-Situation einzeln auf die Pedale zu treten. Mit dem Agamidae haben alle Schalter die gleiche Größe und sind in einer Reihe positioniert, die hellen LEDs zeigen außerdem deutlich welcher Loop aktiviert ist.

The One Control Agamidae Tail Loop is a programmable six-channel loop switcher equipped with six DC outputs. With two selectable switching modes, the switcher can be perfectly integrated into any setup - in Direct/Edit Mode, all six loops can be activated individually using the respective footswitch; in Recall Mode, the Agamidae works with the stored presets. Any combination of the six loops can be saved in each preset. Having various pedals with different shapes and sizes can make it a challenge to stomp pedals one by one in a live situation. With the Agamidae all of your switches have the same size and are easily lined up with bright LEDs making it very easy to see whether you pedals are active or not.

One Control

One Control Agamidae Tail Loop - Demo / Review Video - Guitar IQ - Play Smarter

One Control Agamidae Tail Loop - Loop Switcher Demo / Review Video - JayLeonardJ

Review by GuitarIQ

Agamidae Tail Loop

Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment.

In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds.

The AMT O-DRIVE was designed for guitarists looking for distoriton sounds similar to that of Orange TT* amplifier.

AMT Electronics

Demo by Montreux Guitars

Demo by  Chaves Guitarras

FX O-Drive mini

Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment.

In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds.

The AMT Vt-DRIVE was designed for guitarists looking for distoriton sounds similar to that of VHT* amplifiers.

Demo by Musikgarage

FX VT-Drive mini

Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment.

In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds.

The AMT E-DRIVE was designed for guitarists looking for distoriton sounds similar to that of Engl* amplifiers.

Demo by  Le Hangar Des Guitares

Review by bonedo

FX E-Drive mini

In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds.

The AMT B-DRIVE was designed for guitarists looking for distoriton sounds similar to that of Bogner* amplifiers.

Drive Series pedals provide massive gain, and tonal perfection; just as the tube heads they represent!

Demo by  Dielson Souza

FX B-Drive mini

Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment.

In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds.

The AMT P-DRIVE was designed for guitarists looking for distoriton sounds similar to that of Peavey 5150 and 6505* amplifiers.

Review by Marshall Forum

Review by guitar pedal X

Demo by Jay Gore

FX P-Drive mini

Drive Series effects are designed to be connected in front of a “clean” channel inputs of guitar combos or amplifiers, and do not have a cabinet simulated output as the Legend Amp Series. These pedals allow guitarists to obtain warm, crisp, natural tube sounds of their favorite high gain amplifiers, while preserving individuality and tone of the instrument and equipment.

In the Drive Series, AMT uses new original circuitry solutions developed by AMT specialists based on real actual tube stage emulation and response. The result is bright, rich, full, and powerful distortion sounds.

The AMT S-DRIVE was designed for guitarists looking for distoriton sounds similar to that of Soldano* amplifiers.

Demo by  Мастер Цеха

Demo by Alexey Skovoronsky

FX S-Drive mini

Chamaeleo Tail Loop MKIII

Fergus Langer-McIntosh

Kradyil - Bass

The sound ranges from a medium-heavy crunch to a deep dark, almost fuzz, with some fabulous 90s alternative rock distortion in the middle. I wouldn’t call it a modern metal pedal, but compared to Donner Morpher, it is much closer to modern metal-rock sounds. The versatility of Dark Mouse truly exceeds Morpher’s, as you can easily reach 70’s, 80’s, or modern 90’s metal-rock tones.

Donner

Demo by intheblues 

Demo by Soul String 

DARK MOUSE

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

BOSS

TU-3 Chromatic Tuner

R-12 Band Controller EQ by JOYO