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Gaun Cochran

Das UAFX Woodrow '55 Instrument Amplifier Pedal liefert Dir die legendären amerikanischen Tweed Röhren Amp Sounds, die von Künstlern und Produzenten seit Jahrzehnten verwendet werden, von den Eagles über Chuck Berry bis zu Neil Young.

The Woodrow ’55 feels more like an amp than a drive pedal, which is how most lesser, analog amp-in-a-box pedals feel at the end of the day. It’s not inexpensive. This is a high-quality pedal with a lot of research and development behind it. But if you thirst for the sonic sensations, thrills, and expressiveness of a tweed Deluxe and are reticent to pay the price in dollars or space, the Woodrow’s ability to span the expanse between a pedal solution that comes up short and the real deal makes the price look, in practical terms, like a real bargain.

Universal Audio

Product Page

Review by PREMIER Guitar 

Review by Gitarre & Bass 

Review by AMAZONA 

Manual

Demo by Vintage King 

Demo by Universal Audio 

Woodrow

Nout Schellevis

Keeley schreibt mit dem Manis Overdrive das nächste Kapitel in der Legende des mythischen Klone. Die unverzichtbaren Germanium-Dioden bilden das Herzstück des Mythos und liefern originalgetreu ikonische Sounds, aber das ist noch lange nicht alles. Mit einem Schalter können Sie auf Germanium-Transistoren aus der Zeit des Kalten Krieges umschalten, um mehr Sustain, Sättigung und eine röhrenähnliche Ansprache zu erzielen, die Sie wirklich unter Ihren Fingerspitzen spüren können. Behalten Sie Charakter und Punch bei und reduzieren Sie die hohen Mitten. Brauchen Sie mehr Low-End? Ein spezieller Bass-Boost-Schalter senkt die Cutoff-Frequenz um eine Oktave und fügt 3 dB hinzu, ideal für die Verbesserung des Low-Ends von Single-Coil-Pickups. Robust gebaut und mit der einzigartigen Fähigkeit, mit 18 V für mehr Headroom zu betrieben zu werden, ist er ein echtes Unikat. Der Manis ist ein modernisierter Hard-Clipping-Boost mit doppelter Spannung für Puristen und Konvertiten gleichermaßen.

Keeley pens the next chapter in the legend of the mythical Klone with the Manis Overdrive. The essential germanium diodes are at the heart of the myth and faithfully deliver iconic tones but that’s far from where the story ends. Toggle to swap in cold-war era germanium transistors for more sustain, saturation, and tube-like response that you can really feel under your fingertips. Maintain character and punch, dial down the upper-mid honk. Need more low-end? A dedicated bass boost switch lowers the cutoff an octave and adds 3dB, ideal for single coil low-end recovery. Built tough and uniquely capable of running on 18V for more headroom, a true first of its kind. The Manis is a modernized voltage-doubled hard clipping boost for purists & converts alike.

Keeley Electronics

Official Product Page

Developing the Keeley Electronics Manis | with Robert Keeley - Keeley Electronics

Keeley Electronics Manis vs. Klon Shootout | w Robert Keeley and Aaron Pierce - Keeley Electronics

Keeley Electronics Manis Transparent Overdrive - Owen Barry Performance - Keeley Electronics

Keeley Electronics Manis Transparent Overdrive - Seth Lee Jones Performance - Keeley Electronics

Keeley Electronics unveils the Manis Overdrive - The Evolution of a Mythical Legend - Keeley Electronics

Keeley Manis Overdrive - Demo - Musiker TV

Demo by Premier Guitar

Demo by Mike Hermans

Demo by AndyDemos

Manis

Tester

Featuring two autonomous signal paths for pitch and phase modulation, internal controls for delay time and LFO wave shape and a circuit basis of NOS MN3007 chips, the Diamond Halo Chorus brings boutique modulation, delay, pitch-shifting and chorus together under one roof. Deceptively simple in design and capable of summoning trailing swirls, echoed rooms and endless halls, the Halo is your ticket to modulated heaven.Featuring two autonomous signal paths for pitch and phase modulation, internal controls for delay time and LFO wave shape and a circuit basis of NOS MN3007 chips, the Diamond Halo Chorus brings boutique modulation, delay, pitch-shifting and chorus together under one roof. Deceptively simple in design and capable of summoning trailing swirls, echoed rooms and endless halls, the Halo is your ticket to modulated heaven.

Diamond Pedals

Review by audiofanzine

Review by Talk Bass.com

Official Website

Demo by Guitar Gear

Demo by thejay

Halo Chorus

The very idea for the Lamplighter Optical Compressor is rooted in legendary tone and studio lore. The Lamplighter is the result of countless hours of tweaking, listening, and tweaking again. The idea is pretty simple—provide compression that doesn’t “step” on your tone like other compressors do, make it as transparent as possible, with a low noise floor, while allowing the effect to be present, and provide options that musicians the world over have asked for. This is Greer Amps’ answer to the question of wide-ranging, useable compression for all musicians. After listening to studio compressors for years, we’ve often wondered why we couldn’t find something to get the smooth and subtle compression that we hear in the studio, on a pedal board. Now we know that it can be done. Your new favorite compressor is here, and you’re going to love it.

Greer Amps

Review by reddit /guitarpedals 

Review by The Gear Page

Review by Compressor Pedal Reviews

Demo by shnobel

Official Product Video

Lamplighter

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

JHS Colour Box V2 - Official Demo Video

JHS Colour Box V2 - Demo / Review Video - The Bass Channel

JHS Colour Box V2 - Demo Video (No Talking) - Guitar Bonedo

JHS Colour Box V2 - Demo / Review Video - Reverb

JHS Colour Box V2 - Demo Video - Living Room Gear Demos

JHS Colour Box V2 - Demo Video - Sweetwater

Review by bonedo

Review by delicious audio

Colour Box V2

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Hast du jemals die sonaren Wellen eines alten Fender-Blackface oder Vox-Amp Tremolos geritten? Dann weißt du, dass diese Tones das Gefühl geben auf einer Millionen-Dollar-Yacht zu segeln. Das Tidewater Tremolo stellt dieses beliebten Tremolo Sounds mit Wärme und Charakter originalgetreu nach, wie man sie nur von einem Vintage-Amp erwarten würde. Mit einfachen Bedienelementen und einem geringen Fußabdruck am Pedalboard fährst du mit dem Tidewater Tremolo auf hoher See. Wenn du ein einfaches Amp-ähnliches Tremolo suchst, das nicht viel Platz beansprucht, ist das Tidewater Tremolo das Mittel der Wahl.

Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker?  Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht.  The Tidewater Tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice.

JHS Tidewater - Demo by Living Room

Tidewater trem - Demo by Mike Hermans

JHS Mini Foot Fuzz V2 & JHS Tidewater Tremolo - Review by Gitarre & Bass [DE], [09-2019]

Tidewater Tremolo

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schalte den Vintage-Charme von natürlichem Federhalls und pulsierendem Tremolo an. Source Audio macht sich nicht von Standardreverb-Effektprozessoren abhängig, wie sie in vielen modernen Reverb-Pedalen zu finden sind. Sie meißeln jede ihrer Effekt-Engines selbst von hand und laden sie in ihren eine leistungsstarken 56-Bit-Sigma-DSP. Ihr zweiköpfiges Team aus den Ingenieuren Bob Chidlaw und Jesse Remigni saß jahrelang Stunde um Stunde daran, jede Nuance und Idiosynkrasie der Federhall- und Tremolo-Effekte einiger der kultigsten Gitarrenverstärker und Outboard-Geräte der Musikindustrie einzufangen. Das Ergebnis ist unbestreitbare Klangqualität mit großartiger Klangtiefe und Präzision.

Turn on to the vintage charm of natural spring reverb coupled with pulsing tremolo. Source Audio doesn't depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, they handcraft every one of their proprietary effects engines and load them to high-powered, 56-bit Sigma DSP.  Their two man engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry’s most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.

Source Audio

True Spring Reverb - Demo by Musiker TV

SA True Spring - Demo by PG

Source Audio One Series True Spring Reverb - Review by Muzikus [CZ], [08-2019]

Source Audio One Series True Spring Reverb - Review by Gitarre & Bass [DE], [07-2019]

Source Audio One Series True Spring Reverb - Review by PremierGuitar [EN], [02-2019]

Source Audio One Series True Spring Reverb - Review by Gearphoria [EN], [10-2018]

Demo by Pete Thorn

True Spring Reverb

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Catalinbread

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Belle Epoch

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Mardy Wagner

Ernie Ball

VPJR Tuner

Für 7-11 FX-Pedale - **722 x 142 mm / 28.43" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 11 FX pedals - **722 x 142 mm / 28.43" x 5.59"** - available with Gig Bag or Flight Case

Der SOMA '63 Vintage Preamp ist das erste Pedal in der XFR-Serie von Greer Amps und eröffnet eine neue Klangwelt. Der SOMA '63 ist ein echter Vintage-Preamp, der auf dem Klang und dem Gefühl von Vintage-Verstärkern der braunen Ära aus Kalifornien basiert. Dieses Pedal simuliert den gesamten Vorverstärker, den Phasenumkehrer, die Leistungssektion und sogar das Gefühl der alten 10-Zoll-Utah-Lautsprecher, die in diesen berühmten braunen Verstärkern waren. Der Tone Stack ist so konzipiert, dass er dem Benutzer eine breite und dynamische Palette von Klangoptionen bietet. Der Presence-Regler arbeitet mit dem Tone-Stack zusammen und ist als Weitbereichsregler ausgelegt, der den Gesamtsound der gesamten Schaltung beeinflusst. Der SOMA '63 verfügt über einen Stahlkern-Transformator im Audio-Signalweg. Der Transformator trägt zur Klangformung des gesamten Schaltkreises bei, und wenn die Verstärkung stark angehoben wird, insbesondere bei Tonabnehmern mit höherem Output, wird der kleine Stahlkern-Transformator in die Sättigung gehen, genau wie bei einem klassischen Verstärker. Der SOMA '63 kann als tonformende Vorstufe oder als Overdrive-Pedal verwendet werden. Das SOMA '63 bietet eine große Auswahl an Sounds.

A brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power section, and even the feel of the vintage 10 inch Utah speakers that were in those famous brown amps. The tone stack is designed to provide a wide and dynamic range of tonal options to the user. The Presence control works with the tone stack, and is designed to be a wide range control, effecting the overall sound of the entire circuit. The SOMA ’63 features a steel core transformer in the audio signal path. The transformer lends to the overall tone shaping of the circuit, and when the gain is pushed hard, especially with higher output pickups, the small steel core transformer will saturate, just like a vintage amplifier. The SOMA ’63 can be used as a tone-shaping preamp, or as an overdrive pedal. There are a wide variety of tones available in the SOMA ’63, so spend some time with your new pedal, and find the tones that rock your world!

Review by Premier Guitar

Demo by Noise Generator

Demo by MAS Distro

Soma 63

The Sure Shot Clipping Boost is a different kind of boost.  Is it high headroom? NO!  Is it Germanium?  Again, NOOOOPE!  This boost is designed to get dirty, but it does so in a very special way.  The Sure Shot has one single control on its face.  The LOUD control does just that, it makes you loud, but…it does it in a way that is unique amongst boosts.  As you increase the LOUD control, the Sure Shot will push your amp into overdrive, while it also pushes a pair of MA856 clipping diodes.  
This results in a very special tone—a LAYERED drive effect, in which the amp AND the pedal are both beginning to overdrive.  Now, this alone is truly special…but wait…there’s more.  If you run this in front of your favorite boost, overdrive, distortion, or even a second Sure Shot, you’ll find that it adds texture and juiciness to those sounds.  The audio image of the Sure Shot is purposely rooted in the 1970’s, with some areas slightly peaked out, and some frequencies tamped down just a bit.  

Review by reddit /guitarpedals

Review by Get Offset

Review by That Guitar Lover

Demo by  Midwood Guitar Studio

Demo by Demos In The Dark

Sure Shot Clipping Boost

Greer Amps expands the XFR line with a new offering!  The Royal Velvet Class-A British Drive and Pre nails the feel and tone of two of Nick Greer’s favorite amps. Imagine a world in which a V*x 30 watter and a Greer Thunderbolt30 got together. In that world, you’d end up with a sound machine much like the Royal Velvet. This British drive and pre features the same transformer as the previously released, award winning SOMA63. After a year of working with this super versatile transformer, we have found a way to alter the feel of it by changing the “loading” of the transformer. This really brings the pedal to life, and makes it something truly unique in the space of drive pedals today. If you’re looking for that Class-A British grind with some chime on the top end, this beauty is what you need. 

Demo by Amelia Island Fine Guitars

Review by Stompbox Steals

Royal Velvet

We’ve all had those late nights, filled with loud music, questionable decisions, and the occasional run-in with a big, beastly monster that wants to rip our faces off…right? Well…this is that night, in pedal form. The Gorilla Warfare MKII is a pedal that we have had a ton of requests for over the years. (We even did a super limited run of this pedal a while back, with a different graphic, slightly tweaked circuit, and a different chip…that was then, this is now, and this…this is better.) I’ve been asked more times than I can count to do a “Greer Amps version of the RAT circuit…and do it right”…well…here it is. This is our angry, aggressive, larger-than-life and not-holding-back version of the old familiar circuit, complete with the good old LM308 chip.

Demo by R.J. Ronquillo

Demo by Fuzzed Drones

Gorilla Warfare MKII

Lamplighter by Greer Amps