Marijn Munnecom

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Sandbox Pedal Board

David Litaba

Helix® Floor leverages dual-SHARC® processing and HX® Modeling to deliver the authentic sound and feel of analog amps and effects, and its player-friendly interface sets the standard for ease of use. Features include a large color LCD, capacitive-touch footswitches, customizable scribble strips, extensive analog and digital I/O, and an onboard expression pedal.

LINE 6

Product Page

Review by PremierGuitar

Review by TonyMcKenzie.com

Manual

Demo by Pete Thorn

Official Product Video

Helix Floor

Yoshi van Vroonhoven

Das Mini Mounting MOD TRS ermöglicht einen bequemen Zugang zur Signalversorgung der Pedale auf dem Board. Es passt perfekt in die Befestigungslöcher des RockBoard® LED-Lights und ist eine vielseitig einsetzbare, saubere Montage-Lösung auf allen Pedalboards der RockBoard® Serie. Der zentrale Zugang zur Signalversorgung erfolgt durch eine TRS 6,3 mm Stereoklinkenbuchse. Da es sich bei den Klinkenbuchsen um Durchgangsbuchsen handelt, ist auch in umgekehrter Richtung eine Weiterleitung von Signalen an externe Pedale, wie z.B. Wah, möglich. Auch sind, durch die Verwendung von TRS-Stereo-Buchsen, „Send/Return“-Anwendungen (A- = Tip und B- = Ring) einfach realisierbar.

The Mini Mounting MOD TRS provides convenient access to the signal supply of the pedals on the board. It fits perfectly into the RockBoard® LED Light mounting holes and is a versatile, clean mounting solution on all RockBoard® series pedalboards. Central access to the signal supply is provided by a TRS 6.3 mm stereo jack socket. Since the Mini Mounting MOD TRS uses through-connections between the inner and outer jacks, it is also possible to pass signals in the reverse direction to external pedals, such as Wah. Also, by using TRS stereo jacks, „send/return“ applications (A- = tip and B- = ring) are easy to realize.

RockBoard

MiniMod TRS

Ivan Mihić

MIDI 4 x LOOP ermöglicht das Hinzufügen von vier zusätzlichen Effektschleifen zum Gitarrensystem. MIDI 4 x LOOP (M4L) ist ein Schleifenumschalter, der über die MIDI-Schnittstelle (über Program Change- oder Control Change-Befehle) oder manuell über die Tasten gesteuert wird. Mit den MIDI-Befehlen ist es auch möglich, das Signal stummzuschalten (z. B. für lautloses Stimmen).
M4L sollte über einen programmierbaren MIDI-Controller gesteuert werden (der das Programmieren der gewünschten Anzahl von PROG CHANGE- oder CTRL CHANGE-Befehlen für ein bestimmtes Preset ermöglicht).

MIDI 4 X LOOP allows to add four additional effects' loops to the guitar system. MIDI 4 x LOOP (M4L) is a loops' switcher controlled by MIDI interface (by Program Change or Control Change commands) or manually, by using the buttons. Using the MIDI commands it is also possible to mute the signal (e.g. for silent tuning).
M4L should be controlled by programmable MIDI controller (which enables to progra<m desired No. of PROG CHANGE or CTRL CHANGE command for a given preset).

G-LAB

Official Website

Review by audiofanzine

Demo by Psyckadeli TV

Dawid Horodecki

Demo by  Frank Kuhlmann

Review by VGuitar Forum

Review by Musiker-Board

MIDI 2x Looper

Tester

Die Fuzz Face Mini-Serie bietet die legendären Fuzz Face-Sounds in kleineren, pedalboardfreundlicheren Gehäusen mit zahlreichen modernen Ausstattungsmerkmalen wie einer hellen Status-LED, einem Netzanschluss und einem praktischen Batteriefach. Das FFM1 Silicon Fuzz Face Mini basiert auf einem Fuzz Face aus dem Jahr 1970 aus unserer eigenen Sammlung, das für seinen hellen und aggressiven Fuzz Face-Sound geschätzt wird, der durch seine abgestimmten BC108-Siliziumtransistoren erzeugt wird.

The Fuzz Face Mini line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments such as a bright status LED, an AC power jack and a convenient battery door. The FFM1 Silicon Fuzz Face Mini is spec’d from a 1970 Fuzz Face in our own collection prized for its bright and aggressive Fuzz Face sound delivered by its matched BC108 silicon transistors.

Dunlop

Review by Michael Brown, musicradar.com

Demo by Prymaxe

Demo by germanndude

FFM1 Silicon Fuzz Face Mini

QuickMount Type UH

Universal-Pedal-Montageplatte für horizontale Pedale

Universal Pedal Mounting Plate For Horizontal Pedals

Michael McCarron

The ’70s was a bountiful time for analog effects pedals. Among the great fuzz boxes of the era, the Foxx Tone Machine stands proudly as one of the most expressive and more extreme. The pedal was the flagship of Foxx’s lineup, which ran for a few years before vanishing in the latter part of the decade.

Foxx

Review by GuitarPlayer 

Tone Machine

Crowther Audio

Hot Cake

The ODR-mini delivers creamy, natural overdrive – Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother – the ODR-1. You‘ll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the mini features true-bypass switching, the SPECTRUM pot with mid-click, fluorescent pointers on the “GitD“ – knobs (Glow-in-the-Dark). Guaranteed to be a BIG part of your sound while a small part of your pedal board.

Nobels

Review by Guitar World

Review by Guitar.com

Demo by  Elmo Karjalainen

ODR-Mini Overdrive

The Dirty Shirley Overdrive packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock in no time.

Friedman

Review by bonedo

Demo by session

DIRTY SHIRLEY

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here !

Xotic

Demo by Mike Hermans

EP Booster

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Demo by PMTVUK

Rat 2

A single channel mid-strong overdrive reminiscent of the late 90s Fulldrive but without the boost channel.

Fulltone

Demo by fulltoneeffects

Full-Drive 1

Truetone

1Spot Pro CS7

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Der G-LAB MIDI 4 x LOOP (M4L) ist ein kompakter, MIDI-gesteuerter Effektschleifen-Umschalter, der für die Verwaltung von bis zu vier unabhängigen Pedalen oder Signalketten entwickelt wurde. Er verfügt über einen echten passiven Signalweg mit elektromechanischem Relay-Bypass, um sicherzustellen, dass der Gitarrenton unverändert bleibt, wenn die Loops inaktiv sind. Das Gerät unterstützt sowohl MIDI-Program-Change- als auch Control-Change-Befehle, was eine flexible Integration in komplexe Rack- oder Pedalboard-Setups ermöglicht. Jeder Loop kann auch manuell über Tasten an der Oberseite umgeschaltet werden, und eine integrierte Opto-Element-Schaltung bietet eine "Silent Switching"-Funktion, um hörbare Klickgeräusche zu eliminieren. Entwickelt als modulare Erweiterung für die G-LAB Guitar System Controller oder als eigenständiges MIDI-Utility, enthält es einen MIDI THRU zum Durchschleifen zusätzlicher Geräte.

The G-LAB MIDI 4 x LOOP (M4L) is a compact, MIDI-controlled effects loop switcher designed to manage up to four independent pedals or signal chains. It features a true passive signal path with electromechanical relay-based bypass to ensure guitar tone remains unaltered when loops are inactive. The unit supports both MIDI Program Change and Control Change commands, allowing for flexible integration into complex rack or pedalboard setups. Each loop can also be toggled manually via top-mounted buttons, and a built-in opto-element circuit provides a "silent switching" function to eliminate audible clicks. Designed as a modular expansion for the G-LAB Guitar System Controllers or as a standalone MIDI utility, it includes a MIDI THRU for daisy-chaining additional equipment.

MIDI 4 x LOOP

Demo by Second Tribe

Review by Music n Gear

Mac 4.4 Midi

REBEL line Shimmer Reverb stompbox. A hybrid combination of a 24-bit DSP and an analogue signal path results in a clean effect space while maintaining a strong dry signal.  

Spectral Verb is like a ticket into the outer space, and the three potentiometers determine the destination galaxy.  

Everything is safely enclosed in a powder-coated metal housing with a legendary footswitch you can find in other g-lab’s products, which ensures excellent results on the demanding scene over the years.  

Demo by EytschPi42

Demo by TheGuitarGeek

SV-1 Spectral Verb

A REBEL Booster analogue stompbox that retains the space of sound. Adrenaline Booster has earned its name. It bumps the band exactly where an adrenalin boost is needed. With its three potentiometers, you can adjust it to every genre. 

Everything is safely enclosed in a powder-coated metal housing with a legendary footswitch you can find in other g-lab’s products, which ensures excellent results on the demanding scene over the years. 