The Lupine is actually 2 fuzz pedals in one compact 125B enclosure, complete with an extra set of input and output jacks if you want to put the two sides of the Lupine at different points in your signal chain. The Purple Lupine is an updated version of our original Lupine Analog Octave Up pedal, which is based on octave circuits of classic octave fuzzes of the past. The Blend control allows you to blend between your clean signal and the octave up circuit and the Level control allows you to set your output volume. What’s new to this version of the Lupine is the Gain control, which allows you to control the gain into the octave circuit, ranging from a subtle, sputtery octave up to a blaring and piercing octave sound that’ll probably make you want to turn your tone knob down. Paired with this octave fuzz is the new JFET based fuzz circuit on the Cream side of the pedal. The Cream Lupine consists of 3 controls, Input, Bias, and Output, all of which interact with each other. Input sets the input level to the fuzz circuit and works like the volume knob on your guitar with a treble bleed. The Bias control sets the bias of the main gain stage of the circuit, which can give you a range from gated or sputtery fuzz to a smooth, heavy distortion. Output then sets the overall output level from the fuzz. Using these controls you can go all the way from lighter overdrive sounds to fat, heavy fuzz!

Flower Pedals

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Review by delicious audio

Manual

Lupine Dual Fuzz

Are the colors you’re getting from your sound garden not quite standing out enough? Do you want more tonal options from your boost pedals? Give the Poppy Dual Boost a try. Perfect for tone shaping, driving a tube amp or pedal, or just giving you that extra boost you needed for your solo.

The Poppy operates on 9V, but boosts that to 18V internally to ensure that you have all the clean power you need. It is essentially 2 boosts housed in a single 125B enclosure. The 2 sides have slightly different controls and different circuit topologies. The Red Poppy is the same opamp based boost circuit from the original mini Poppy pedal. It has 3 controls: Boost, Tone, and Bump. Boost controls the over boost level you’re getting, while the Bump and Tone controls give additional tonal abilities. The Bump control boosts a certain range of frequencies more than the rest, and this frequency range is controlled by the Tone control. So if you really want to just get a mids boost, or get more of a trebly sound, turn up the bump and choose your desired frequency. The White Poppy is a new circuit which uses JFET transistors and a baxandall tone circuit for a more tube amp-like tonal quality. It also has 3 controls: Boost, Bass, and Treble. As usual, the Boost controls the overall boost in the circuit, and the Treble and Bass controls allow you to shape your eq to your liking.

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Demo by Living Room GD

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Poppy Dual Boost

Have you always wanted a wah planted in your tone garden, but didn’t want to give up the real estate for such a simple effect?  Well, check out the Hosta Wah Filter!  It’s an analog wah circuit with digital control.  The analog circuitry is based off the most well known wah in history, complete with a genuine red fasel inductor.

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Hosta Wah Filter

Is there any effect more beautiful than analog delay? How about 2 analog delays? We’ve paired the beauty of analog delay with the beauty of the Dahlia flower to create the Dahlia Dual Analog Delay! It’s a digitally-controlled, fully analog signal path, BBD analog delay pedal with two independent delay paths each offering up to 820ms of delay complete with true stereo ins and outs as well as preset and MIDI capabilities!

Demo by Mark Johnston

Dahlia Dual Analog Delay

Looking for lush modulation to wash your tones across a prairie at sunset? Take a listen to the Castilleja Phaser! It’s a 4 stage analog optical phaser with digital controls. Unlike most phasers, this one has 2 different voicings: the first a standard 4 stage phaser in the vein of classics such as the Phase 90, and the second voiced like the classic Univibe.