Yannick Bigot

Big Board

HT Club 50 mk2

Albert Van der Meer

Mit dem WL-50 war es nie einfacher, dein Pedalboard ohne Kabel zu betreiben. Auf Basis einer neuen BOSS-Technologie ermöglicht das WL-50 einen hochwertigen Sound mitsamt einfacher Plug-and-Play-Bedienung, so dass du dich nie wieder mit den Unannehmlichkeiten herkömmlicher Funksysteme herumschlagen musst. Der Empfänger im Stompbox-Format fügt sich nahtlos neben deinen anderen Pedals ein und bietet einen Docking-Port zum Laden des Senders und zur automatischen Einrichtung der optimalen Funkverbindung. Darüber hinaus steht dir ein praktischer DC-Ausgang zur Verfügung, über den du weitere Pedals auf deinem Board mit Strom versorgen kannst.

Wir sind uns sicher: Wenn du dich einmal an die unkomplizierte kabellose Freiheit des WL-50 gewöhnt hast, wirst du dich nie wieder nach einem verkabelten Pedalboard sehnen! Neben dem schnellen und einfachen Setup kannst du die neue Freiheit beim Spielen voll und ganz genießen – ob zuhause, beim Jammen mit Freunden oder auf der Live-Bühne. Beim Soundcheck kannst du deinen Sound an jedem Ort im Saal kontrollieren und so die perfekten Einstellungen für dein Publikum finden. Zudem kannst du besser mit deinen Bandkollegen interagieren und deine Bühnenperformance noch dynamischer und unterhaltsamer gestalten. 

With the WL-50, it’s never been easier to bring wireless freedom to your pedalboard. Driven by new BOSS technology, the WL-50 delivers premium sound and a plug-and-play experience that eliminates all the hassles normally associated with wireless systems. The stompbox-sized receiver fits right alongside your other pedals, and includes a docking port for charging the transmitter and automatically setting the best wireless connection. There’s even a handy DC output, allowing you to distribute power to multiple pedals on your board.

Once you experience the wireless independence provided by the WL-50, you’ll never go back to using a standard cable again! Setup is quick and simple, and you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.

BOSS

Demo by musicisfun

Product Page

Review by Richard Blenkinsop, musicradar.com

Review by Bassel Hallak, bonedo.de

Manual

WL-50 Wireless System

Die Anasounds Full Story in einer limitierten Sammleredition vereint die sieben interessantesten Versionen des großen amerikanischen Distortion / Fuzz aus den 70ern, mit zwei kumulativen Versionen plus einem Vintage Germanium Treble Booster.

The Anasounds Full Story in a limited collector's edition brings together the seven most interesting versions of the big American distortion / fuzz from the 70s, with two cumulative versions plus a vintage germanium treble booster.

Anasounds

Demo by Palf

Official Product Video

Full Story édition collector

Karsten Bock

TAMPCO

Product page

Review by MusicRadar

Review by Guitar Pedal X

Demo by Tone Factory

Demo by Chrisdava

Demo by Signal Path

Demo by Mike Hermans

All-Bender

julien Tabarly

The K+ ion is essential for our muscles and therefore for our heart,
and this is how we position the power supply in the signal chain.
So now it is time to take care of your pedalboard!

Review by The Gear Page

Review by reddit /guitarpedals

Demo by Jay Leonard 

K+ Motherboard

The Fjord Fuzz SOL effect pedal, designed in collaboration with PALF, is a sonic alchemy that captures the spirit of Gilmour and Hendrix, offering a unique experience with its dynamic fuzz and overpowering uni-vibe, everything is emotionally powerful.

Fjord Fuzz

Tester

Organic, psychedelic, atmospheric phaser

The anasounds phase lag is a mesmerizing vintage phaser. The 100% analog modulation use the ota technology that allows not only a beautiful sound rendering but also a great effect stability. The modulation sweeps all the frequencies of your sound wether the rate is slow or fast, from a gorgeous spatialization effect to a vibrato.

Review by The Guitar Channel

Demo by Pedal of the Day

Phase Lag

Aleksandr Lazarev

The Exchanger is an effect pedal for electric guitar that transforms in an analog way the frequency response of magnetic pickups. The low noise corrective electronic device inside the Exchanger broadens the frequency response of your pickup and creates a wide bandwidth which captures and balances all the guitar vibrations.

The Exchanger then creates new enhanced pickup characters which give your guitar a multiple personality and dynamic independently of your pickup quality. Activate and select among eight famous customizable pickups voicings. Disactivate to get your initial tone back.

Keyztone

Demo by Darrell Braun Guitar

EXchanger Pro

David Litaba

Der Keeley Compressor Mini wurde entwickelt, um die Magie der Kompression einfacher und benutzerfreundlicher zu machen. Mit der (parallelen) Kompression im Manhattan-Stil liefert der Compressor Mini intuitiv und automatisch die perfekte Mischung aus dynamischem und komprimiertem Gitarren-Signal. Auf diese Weise erhält der Compressor Mini die subtilen Nuancen und die Dynamik im Signal, damit Musiker mühelos spielen und optimal klingen können. Eine komplett neue Transient Release Time ist so eingestellt, dass sowohl Single Coils als auch Humbucker lebendig und ausdrucksstark klingen. Die neue automatische Tone Recovery Schaltung sorgt auch bei hohen Kompressions-Einstellungen für kristallklare Höhen. Der Preamp-Sound des Keeley Compressor Mini ist legendär und hilft dabei, dass Potential von anderen Effektpedalen und des Verstärkers voll auszuschöpfen. Für praktisch jede Stilrichtung, live oder im Studio - der Compressor Mini ist die Geheimwaffe für einen großartigen Sound!

The Keeley Compressor Mini is designed to make the magic of compression simple and easy to use. Featuring Manhattan-style (parallel) compression, the Compressor Mini intuitively and automatically delivers the perfect blend of dynamic and compressed guitar signal. This is how the Compressor Mini retains all the subtlety and dynamics in your playing, making it effortless to play and sound your best. An all-new transient release time is set to make both single coils or humbuckers sound lively and expressive. The new automatic tone recovery circuit ensures crystal clear highs, even with high compression settings. The Keeley Compressor Mini's pre-amp tone is legendary; pushing both pedals and amplifiers to their greatest potential. With any style of guitar, playing live or at the recording desk, the Compressor Mini is your secret weapon. Keeley has done the math for you - this is the new calculus for great tone!

Keeley Electronics

Keeley Compressor Mini - Official Demo Video

Keeley Compressor Mini - Demo Video - Pedal of the Day

Keeley Compressor Mini - Demo / Review Video - JayLeonardJ

Keeley Compressor Mini - Demo / Review Video - AndyDemos

Keeley Compressor Mini - Demo / Review Video - Chicago Music Exchange

Keeley Compressor Mini - Demo / Review Video - Brett Kingman

Keeley Compressor Mini - Demo / Review Video - Premier Guitar

Keeley Compressor Mini - Demo Video - Mike Hermans

Keeley Compressor Mini - Review by Bonedo [DE], [11-2021]

Keeley Compressor Mini - Review by Gitarre&Bass [DE], [11-2021]

Compressor Mini

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Dunlop

Official Product Page

Guitar World Demo

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

GCB95 Cry Baby Standard Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Armond Mahnaz

The Slötvå Multi Texture Reverb is a variant of the Slö but adds on the ability to create and save three presets. Save your favorite dreamscapes by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The Slötvå allows players to create lush, modulated, sleepy, and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.

The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.

Combine deep modulation with long washy trails and experience, the Slötvå.

Walrus Audio

Slötvå

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Richard Sharman

KORG

Pitchblack X

The MXR M306 Poly Blue Octave Pedal is a colossal box of tone. There's a staggering array of effects to explore in a single pedal that'll keep you experimenting all night. With no less than four separate octave divisions available you can send your tone plummeting down the registers for some unctuous bass or soar up through the pitches to reach dizzying high notes. Combine all those octaves together or separately and mix in the fuzz, mono, dry/wet and expression pedal options and you have an almost unlimited palette of sonic creation. Whatever sound is in your head, you can bring it to life it on the MXR Poly Blue.

It simply can't be overstated just how versatile and varied this delightful stomp box is. Offering dual-mode modulation, your effects are boosted with phaser like momentum, be that a thick, undulating slow swirls or a frenzied, frantic dash. Set into the polyphonic mode you have access to textures resembling the famous rotary Leslie effect, while the monophonic switch evokes the swooshes and dips of MXR's celebrated Phase 90 pedal. And for those times you don't want to draw on the considerable power of the M306, it's default off bypass mode will ensure your signal is unaffected no matter where you place this on your pedalboard.

Poly Blue Octave M306 Product Page 

Poly Blue Octave M306 Manual

Review by Premier Guitar

Review by bonedo

Demo by abienttrash

Demo by Guitar Bonedo

M306 POLY BLUE OCTAVE

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Léo Riba

If you’re looking for a nice delay with many options and a sound that evokes a nice clean vintage tape echo without being unpredictable,
the Anasounds Utopia Deluxe is exactly what you need.
At the heart of the Anasounds Dystopia, we used the same PT2399 chip as the Utopia Deluxe, but the delay has a dirty voicing made even more obvious by a noisier and crunchier preamp. It is more of a booster than an overdrive, and it is also
placed after the delay.

Review by delicious audio

Review by guitar pedal X

Demo by Emma Hopkins

Demo by collector//emitter

Dystopia

Mat Gri

We listened, and decided to do you one better: here’s the Sandman, that brings together the Savage MkI (left footswitch with the large knobs)
and the FX Teacher Ego Driver, our own upgraded version of the classic mid-boost overdrive.
If you’re lusting after the beautiful vintage sound of the Savage MkI, there it is in all its original glory with the Germanium / Silicium switch in order to choose your clipping
(that switch was called Vintage / Modern on the original Savage), except now you can also push it way beyond its limits in terms of gain and mids.

The Ego Driver still has its very potent three-position tone switch (low-mids, mids, hi-mids)
that makes it much more versatile and allows the two parts of the Anasounds Sandman to sonically interact in many ways.

We’re always trying to offer you the best pedals we can build, and the components for the Savage MkI are getting harder to come by.
That is why the Sandman is a limited edition that you can order for the low price of 299 euros from June the 2nd to the 16th.
Once that period is over, you will get a second chance in September by buying it for 369 euros from stores that got it during those crucial two weeks.
After those two deadlines, the Sandman will once again become the dream it always was, except for the lucky ones who captured it on time.

Review by audiofanzine 

Demo by Florent Passamonti

Demo by Florent Garcia

Demo by Nico Chona

SANDMAN

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

MIME is a reverb pedal, built using an AI chat bot service.
The AI couldn't figure out how to use the onboard control set, so we wrapped the code into a sweet analogue package to provide you with a full wet/dry mix as well as a feedback control for reverb length.

The secondary foot switch short circuits the feedback to 100% for psychedelic swells, pads and faux amplifier feedback effects.



Official Product Manual

Demo by JHS Pedals

Mime

Midnattssol bedeutet “Mitternachtssonne” – eine wahrhaft magische Erscheinung für jene in nördlichen Breiten, wenn der Sommer zurückkehrt und die Sonne kaum untergeht. MIDNATTSSOL ist wie der Endgegner der Fuzz‑Face‑ und Uni‑Vibe‑Schaltungen – der partyfreundlichste, charmanteste und magischste aller Schaltkreise. Er bietet zahlreiche neuartige – und vor allem nützliche – Erweiterungen dieser klassischen Schaltungen und bildet eine einfache, aber umfassende Hommage, bevor der Schöpfer sich anderen Designs zuwendet. Intern kann man zwischen klassischen Uni‑Vibe‑Tönen und ReslyTone‑Sounds sowie Fuzz Face, Zonk II oder einer ganz neuen Hybrid‑Stufe wählen. Die Phasing‑Sektion erlaubt eine tiefgehende Anpassung mit insgesamt 256 Kombinationsmöglichkeiten. Der eigentliche Star ist die Expression‑Steuerung, die den Klangbereich dramatisch erweitert und ungeahnte Sounds freilegt. 

Midnattssol means “midnight sun” — a truly magical thing for those of us up north to look forward to when summer finally returns and the sun barely sets. MIDNATTSSOL is like the final boss of Fuzz Faces and Uni‑Vibes — the most party‑friendly, lovely, and magical circuits of all. It features a host of novel — and more importantly, useful — additions to these classic circuits, forming a simple yet comprehensive final little hômmage before the creator moves on to different designs. Internally switchable options let you choose between classic Uni‑Vibe tones and ReslyTone sounds, as well as Fuzz Face, Zonk II fuzz tones, or an all‑new in‑between mode. On top of that, the phasing section offers deep customization — with 256 possible combinations, to be precise. The real star is the expression control, which dramatically expands the range of this beautiful circuit, unlocking sounds never heard before. 

Demo by AndyDemos

Midnattsol

LOKE gives you two almost identical signals.
Each one has enough output to drive your preamp into overdrive.
One of the signals has a slight tape tint to it and can be shifted in time by either 0-100mS or 0-400mS.
You can quickly switch between delay modes via the secondary foot switch and the expression
control gives you the option of warping the time parameter with hands-free operation.
We also added a very exciting random LFO using the least-significant-bits method of calculation,
as well as a sort of servo control for the delay time operation.

All of this together offers you the full suite of exciting effects found on old school reel-to-reel tape gear,
but perhaps even more intriguing, it lets you dwell within the spaces left between the classic staples
of recording tricks and discover new and wonderful textures, never heard before.

Demo by Ponderer Sounds

Loke

BERSERK III expands on the circuit family tree that started with the octave section of ODIN. That same circuit can be configured in four different, equally useful and exciting ways. There’s a loud and strong octave fuzz, a precise and pointy octave fuzz, a wide and kind regular fuzz and a bright and loud regular fuzz. For ODIN II and now III, I used the loud octave fuzz and the kind regular fuzz, for a very fun 1-2-punch kind of live package. The regular fuzz lets you fall back into the mix and the octave fuzz allows you to punch through anything when needed. 

Demo by Ambient Endeavors

Berserk V3

SOL by Fjord Fuzz