NIck Costa

My pedal board for solo gigs, designed for my dual output Gibson J160.

4 Signal paths: Acoustic, Electric, Beat Buddy, Vocals. 

The guitar signal chain goes through the FX loop in the DI to share some FX on both guitars (delay, reverb, octaver) and allows me to capture both in loop. It also runs through the harmony pedal to guide the key on vocal harmonies. The DI sends one blended output to mixer.

Beat Buddy syncs to Loop pedal via MIDI.

Board has a white LED strip underneath.

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Looping Board - All in One

Pavle Ivanovic

Behringer

Behringer Xenyx 1002SFX

David Litaba

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Dunlop

Product Page

Manual

Demo by W-Distribution

Official Product Video

Review by Jim Dunlop 

Review by VAR GUITAR

Review by musicradar

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Bart Gijde

FS-7 ist ein kompakter Doppelfußschalter zur Fernsteuerung von Effektpedalen oder zur Kanalumschaltung von Verstärkern. Zwei Fußschalter sind hintereinander angeordnet, was Platz auf Effektpedalbrettern spart. Zwei wählbare Modi für Latch oder Momentary ermöglichen die Steuerung einer breiten Palette von Geräten.

FS-7 is a compact dual footswitch for remote control of effect pedals or amp channel switching. Two footswitches are arranged in tandem, which saves space on effects pedal boards. Two selectable modes for latch or momentary allow for control of a wide range of equipment.

BOSS

FS-7

James  Thain

The ProD2 is a high-quality ultra-compact stereo passive direct box that features custom-made Radial transformers. Essentially two ProDIs in one compact enclosure the ProD2 is a great choice for stereo keyboards, DJ equipment and consumer hi-fi systems. Its high-performance transformer has an exceptionally linear frequency response from 20Hz to 18kHz and is able to handle high signal levels without saturation making it ideal for electronic instruments. The ProD2 is housed in an extremely rugged two piece 14 gauge steel enclosure with a book-end designed outer shell that prevents damage to the switches, features a -15dB PAD for high output sources and ground lift switch to troubleshoot noise from ground loops.

Radial Engineering

Demo by Adam Likes to Rock

Review by audiofanzine

Review by Sound on Sound

Review by Gearspace

PRO D2

Tester

Simplifier features a 100% true analog preamp that recreates with obsessive detail the most useful and popular clean channel preamps in the market AC BRIT: Classic AC30 sparkly and tridimensional sound. A true British heritage since the 60's. AMERICAN: Classic blackface deluxe sound. Sweet and dynamic with a balanced response. By far the most used amp on studio recordings MS BRIT: Classic clean-to-crunch vintage plexi style amp. The sound that defined rock music.

DSM & Humboldt

Demo by Worship Tutorials

Review by bonedo

Review by Gitarre & Bass

Demo by Brett Kingman

Simplifier Classic

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

TC Electronic

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Simon Katz

The Red-Eye Twin Instrument Preamp offers a simple, one-box, direct-connect solution for
musicians that play two instruments at the same gig or have an instrument with dual pickups. The
Red-Eye Twin works well with instruments having passive or active piezo pickups, electret
microphones or magnetic pickups such as electric guitars and basses. Performers that find the
Red-Eye Twin useful are, for example, those playing fiddle and mandolin, guitar and mandolin,
string bass and electric bass or dual pickup instruments

Fire Eye

Review by Fretboard Journal

Demo by Bass Whisperer TV

Review by acoustic guitar forum

Red Eye Twin

Cory Gage

Der K&K Sound Pure Preamp ist ein kompakter externer Vorverstärker, der entwickelt wurde, um das Signal von Akustikgitarren-Pickups und anderen passiven Tonabnehmern zu verbessern. Er bietet eine rauscharme Schaltung mit einer dreibändigen Klangregelung (Bass, Mitten und Höhen) sowie ein internes Gain-Trimmpoti zur Anpassung der Verstärkung. Der spezielle Breitband-Mittenfilter und die hohe Eingangsimpedanz sorgen für eine natürliche, breitbandige Wiedergabe von 10 Hz bis 30 kHz, was ihn besonders effektiv mit Piezo-Pickups macht. Der Pure Preamp wird mit einer 9-V-Batterie betrieben und bietet mit seiner robusten Belt-Clip-Bauform klare, kraftvolle Klänge und einfache Klangformung.

The K&K Sound Pure Preamp is a compact external preamplifier designed to enhance the signal from acoustic guitar pickups and other passive transducers. It features a clean, low-noise circuit with three-band EQ controls (bass, mid, and treble) and an internal gain trim that lets you adjust the amplification from subtle to stronger boosts. Its wide-band midrange filter and high input impedance provide a natural, full-range response from 10 Hz to 30 kHz, making it especially effective with piezo pickups. Powered by a 9 V battery with long life and housed in a rugged belt-clip case, it delivers clarity, power, and simple tonal shaping in a small form factor.

K&K Sound

Demo by Fabian Holland

Demo by Hiroya Tsukamoto

Pure Preamp

Antony Douch

Entdecke den RC-600 – den modernsten Looper der Welt. Mit ihrer erweiterten Bedienung und zahlreichen anpassbaren Funktionen führt die wegweisende Loop Station im Bodentreter-Format Gitarristen, Singer-Songwriter, Multiinstrumentalisten und andere Looping-Musiker in eine neue Ära kreativer Leistungsfähigkeit. Halte mehrere Mikrofone und Instrumente in hochwertigem Sound in 32-Bit auf sechs Stereo-Tracks fest und behalte jederzeit die Kontrolle. Hierfür sorgen neun frei zuweisbare Fußtaster sowie die umfangreichen externen Steuerungsoptionen. Und das ist erst der Anfang. Bearbeite den Sound deiner Loops mit der riesigen Effektauswahl, erhöhe den Groove mit den integrierten Rhythmen, route Audiosignale nach Belieben auf die drei Stereoausgänge, integriere deine DAW über USB und vieles mehr.

Meet the RC-600, the most advanced looper on the planet. Loaded with evolved features and customizable functions, this next-generation Loop Station ushers in a new era of creative power for guitarists, singer/songwriters, multi-instrumentalists, and other looping musicians. Capture multiple mics and instruments with six stereo tracks and premium 32-bit sound, and take full command with nine freely assignable footswitches and deep external control support. And that’s just the start—you can also color loops with a massive FX selection, groove with onboard rhythms, route audio as you like to the three stereo outputs, integrate with computer software via USB, and much more.

Demo by SoundCrunch

Review by Richard Purvis, guitar.com

Review by Loopstation

RC-600

Cameron Taylor

The CopperSound Passive ABY pedal is a simple and handy utility device designed to split one input into two separate outputs, or combine two separate inputs into one output. Being a Bi-directional Passive device, its applications are only limited by your imagination! Use it to run and organize your stereo rig, switch between two instruments on the fly, or even as a mute switch for silent instrument changes. To make connections simple, the footswitch washers are color-coordinated to their corresponding output jack. Since this ABY is a passive device, power is only required for the status LEDs.

Coppersound

Passive ABY Switcher

Vocal Effects Stompbox with Guitar-Controlled Harmony, Reverb and Tone

TC Helicon

Review by Guitar Fella

Demo by Andertons Music

Harmony Singer

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Review by reddit /guitarpedals

Review by Six String Sensei

Review by Guitar World

Demo by  Pepe Music

OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Bring professional drums to your pedalboard. Built like a guitar pedal
stompbox, the BeatBuddy delivers authentic, studio-quality drum beats
wherever you play. Experiment with 220+ styles and 24 genres to find
your perfect match. Customize your performance with fills, transitions,
intros and outros by simply tapping your foot.

BeatBuddy’s dynamic, award-winning samples play in 24-bit studio-grade sound with
32-bit floating point processing. Utilize near-endless memory to add up
to 3 million songs using an SD card. Included BeatBuddy Manager software
lets you create and edit custom beats, create set lists and more.

Singular Sound

Review by Guitar Interactive Mag

Demo by  60 Cycle Hum

Demo by  Zach Wirchak

Demo by Karl Golden Music

Beat Buddy

Session circuitry enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear.
Unlike standard compression that can squash the entire range of your signal, the Session’s Comp EQ features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real-time to your dynamics. The harder you strum, the more they compress and vice versa.

LR Baggs

Review by Guitar IQ

Demo by Guitar IQ

Demo by Clever Little Rodents

Align Series Session

Strymon

Ojai r30

Zuma r300

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Das Bright-Eye ist ein kompaktes High-Fidelity-Clean-Boost- und Buffer-Pedal, das entwickelt wurde, um die Signalintegrität bei langen Kabelwegen zu bewahren. Es überträgt die hochwertige Signalkonditionierungsschaltung aus dem bewährten Red-Eye-Akustik-Preamp der Marke in ein pedalboardfreundliches Format. Mit einem hochohmigen Eingang und einem niederohmigen Ausgang optimiert die Schaltung die Impedanzanpassung, um tonale Verluste durch passive Tonabnehmer zu eliminieren. Ein integriertes optisches Steuerungssystem nutzt einen Lichtstrahl und eine Fotozelle, um den Boost nahtlos zu aktivieren, ohne mechanische Schaltgeräusche oder Knacken zu erzeugen. Ein dedizierter, seitlich angebrachter Modusschalter ermöglicht den Wechsel zwischen einem völlig flachen Frequenzgang und einer angepassten Einstellung, die scharfe Höhen abmildert.

The Bright-Eye is a compact, high-fidelity clean boost and buffer pedal engineered to preserve signal integrity across long cable runs. It adapts the premium signal-conditioning circuitry from the brand's acclaimed Red-Eye acoustic preamp into a pedalboard-friendly enclosure. Featuring a high-impedance input and a low-impedance output, the circuit optimizes impedance matching to eliminate tonal degradation from passive instrument pickups. An integrated optical control system utilizes a light beam and photocell to activate the boost seamlessly without generating mechanical button pops or noise. A dedicated side-mounted mode toggle allows users to switch between a completely flat frequency response and a shaped setting that softens harsh high frequencies.

Demo by gearmanndude

Bright-eye clean boost

The Red-Eye Instrument Preamp offers a simple direct-connect solution for musicians playing instruments with high-impedance piezoelectric pickups. The Red-Eye Preamp works well with instruments having passive or active piezo pickups or those with magnetic pickups such as electric guitars and electric basses.

The Red-Eye Preamp’s impedance-matching field-effect transistor input circuit is designed especially to match and track the impedance of passive piezoelectric pickups. That results in a smooth, natural, balanced, acoustic instrument tone. Low distortion, low noise, and generous headroom mean that clear tone comes through even when an instrument is played percussively and loudly.