Poko Janssen

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

4.2 Board

Tester

A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I just picked my favorites. This includes Switchcraft 11 open frame jacks, and a super quiet soft touch switching system via an internal relay.

I have been working on this project for the better part of three years, as a collaboration and with engineering by Jon Ashley of Bondi Effects. I feel that the pedal is unique in design and sonically unlike anything I have ever heard, especially in the lower gain and boost settings. There is a subtlety that feels more like a vintage pedal than a modification of a classic. There are two circuits present in the pedal, one distortion and one preamp boost, running at 18v via an internal voltage regulator. I made this pedal with the idea to create a distinction for my own sound, and what I found is that it is an extremely useful tool for capturing a lot of different types of sounds. I am most proud of the lower gain side, as I feel it is the most unique section of the pedal, but I must also include that the gain section is extremely sweet sounding throughout, especially for heavy and complex chords. There is a midrange punch that I love and a warmth and thickness that reminds me a bit of a ribbon mic. When the development of this pedal turned into something new and unique, it became the catalyst to starting 1981 Inventions, so I decided to make this the first official release.

1981 Inventions

Product Page

Demo by pedalmonk

DRV - Hyperfade Black

Caroline Guitar Company

Manual

Review by Premier Guitar

Official Website

Presentation by Caroline Guitar Company

Demo by ProGuitarShopDemos

Haymaker Dynamic Drive

Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

Empress Effects

Review by Gearspace

Review by musicradar

Manual download

Demo by Liam Killen

Demo by Knobs

Echosystem

Der One Control Chamaeleo Tail Loop MKII ist die perfekte Lösung für Gitarristen, die einen tragbaren und programmierbaren Switcher mit einem sehr intuitiven Setup suchen. Mit 15 programmierbaren Presets (3 Bänke mit jeweils 5 Presets) sind die kreativen Möglichkeiten fast unbegrenzt. Zusätzlich ist der Loop Switcher mit sechs 9V DC Ausgängen ausgestattet. Die Loops verfügen alle über einen True Bypass und der Chamaeleo bietet zusätzlich einen separaten Tuner Ausgang - perfekt für Stimmgeräte oder alte Effektpedale ohne True Bypass. Mit zwei wählbaren Schalt-Modi lässt sich der Switcher perfekt in jedes Setup integrieren - im Direct Mode lassen sich alle fünf Loops einzeln über den jeweiligen Fußschalter aktivieren, im Recall Mode arbeitet der Chamaeleo mit den gespeicherten Presets.

The One Control Chamaeleo Tail Loop MKII is the perfect solution for guitar players who are looking for a portable and programmable switcher with a very intuitive setup. With 15 programmable presets (3 banks with 5 presets each), creative possibilities are endless. Additionally, this switcher is equipped with 6x DC outputs. The loops are all true bypass and the Chamaeleo Tail Loop MKII also features a separate tuner output - perfect for pedals or tuners that seem to 'suck out' your tone while not in use. With two selectable switching modes, the switcher can be perfectly integrated into any setup - in Direct Mode, all five loops can be activated individually using the respective footswitch; in Recall Mode, the Chamaeleo works with the stored presets. Any combination of the five loops can be saved in each preset.

One Control

One Control Chamaeleo Tail Loop MKII - Loop Switcher Demo / Review Video - JayLeonardJ

One Control Chamaeleo Tail Loop MKII - Demo / Review Video - GUITARGUITAR

Review by Sweetwater Customers

Chamaeleo Tail Loop MkII

Origin Effects

Magma57

The Cali76 Compact Deluxe is an all-analogue recreation of the legendary Urei® 1176® studio compressor, with an unmistakable sound heard on countless classic albums. This studio-grade FET compressor uses Class-A, low-noise circuitry and a dedicated parallel compression control to bring your favourite recorded guitar tones to your pedalboard.

Review by that guitar lover

Review by Sound on Sound

Demo by Living Room GD

Demo by Sweetwater

Cali76 Compact Deluxe

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Review by Amazona 

Review by Guitar.com

Review by Pedal of the Day

Review by Six String Sensei

Demo by Made by Miike

Audio Examples

Flint

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening it with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Demo by strymon

Deco - V1

David Litaba

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

TC Electronic

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

kris tonner

My quad setup for a Nord Stage piano & Oberheim Synth

OBX8

Pro Keyboard pedalboard 

Bruno Oliveira

Nano Series delay guitar effect pedal.
Super mini size, durable aluminum alloy case.
Supports 2 modes: MOD or NORMAL.
With volume, delay time and effect feedback adjusting knobs.
LED light for showing the working status.
True bypass footswitch for switching on and bypass status.
1/4" mono audio input/ output jacks.

Ammoon

Demo by KOKO DC

Demo by Bart Dietvorst

Review by stompboxsteals

Echo Nano Delay

Simon Lo

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

Demo by Reverb

Official Product Video

Review by Jan Steiger, amazona.de

Review by Best Guitar Effects 

Big Sky

ome might say we’re driven. When our engineers lock themselves in our sound design labs for months on end, you might say we’re obsessed. We have been dedicating ourselves to forging a collection of the most organic, luscious, expressive, and versatile modulation effects ever heard.

It was an enormous mission—we painstakingly studied the nuances of the legendary modulations of celebrated tremolo effects, phaser pedals, chorus units, and more from the last five decades. We didn’t stop at faithfully capturing these warm and lush vintage sounds—we expanded their vocabulary with extended versatility and sonic possibilities never before heard.

Review by permierguitar

Quick Start Guide 

Demo by Mike Hermans

Demo by stymon

Mobius

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Bjørn Johnsen

Updated and more powerful than ever, the MIDI Box 4 converts standard 5-pin (DIN) MIDI communications to a variety of 1/4″ formats.

Four independent control ports interface to your devices, and new user-accessible configuration switches make setup easier than ever.

Each control port may be set to one of four output modes, selectable using the DIP switches on the face of the MIDI Box 4.

Disaster Area Designs

Demo by  Mikhail Medvedev

Demo by The Gear Room

Midi Box 4

It’s in that moment when you start playing. You hear the speaker start to rotate and you sense the moving air. With a little growl it becomes magic from that first moment. This is what rotary speaker is about and with VENTILATOR II, you enter a sonic world of absolute perfection - handy, light and absolutely reliable. The best rotary speaker sound you could wish for, now it’s yours!

Neo Instruments

Ventilator II

Demo by gearmanndude

Demo by Chris Buck

Anders Rapanà

Parallelizer is a parallel effect loop system that has 3 Mono SENDs and can mix 3 Stereo RETURNs and dry signal.You can preserve your dry signal by using the Parallelizer, which can result in loss of dry signal when using the digital effect pedals or when connecting the effect pedals in series.
 128 memory locations (when using MIDI PC)
 The 9V power input is converted to a +/-12V internally for anyaudio level
Firmware update is available via MIDI

Musicom Lab

Official product Video 

Demo by Musicom Lab 

Parallelizer II

Sebastian Rosenfeldt

A mixer for today's gigging keyboard player

Designed for stage use, the Key-Largo allows you to connect up to three stereo keyboards, effects and volume pedals, and a laptop computer via USB, managing all these signals to send a balanced audio feed to a PA system for a seamless performance on stage. Three stereo analog inputs feature individual volume controls to balance levels, and each can be sent to a shared effects loop to add reverb or delay in an instant using a dedicated footswitch. A USB connection allows laptop computers to be integrated into the setup for control of soft-synths, and a built-in sustain footswitch and connections for a stereo volume pedal provide additional ways to control your performance.

Radial Engineering

Demo by Bonedo Synthesizers

Review by AMAZONA

Key-Largo

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Adrielle Machaer Suryantoro

Les Paul (magnetic output)

Les Paul (GK output)

New Pedal Board

Maz 18

Jazz Chorus JC-40 (L)

Jazz Chorus JC-40 (R)

K12.2

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

Chad Penfold

Der GM-800 hebt die Gitarrensynthese in ein neues Zeitalter natürlicher Spielbarkeit und grenzenloser kreativer Bandbreite. Angetrieben von der neu entwickelten Serial GK-Schnittstelle erschließt die fortschrittliche ZEN-Core-Engine jeden erdenklichen Sound – von akustischen Instrumenten bis hin zu klassischen und modernen Synthesizern –, während der Hochleistungs-DSP eine Tracking-Stabilität und einen Ausdrucksspielraum bietet, die noch nie zuvor möglich waren. Kombinieren und bearbeiten Sie Töne frei mit dem intuitiven Szenen-Workflow, färben Sie Sounds mit einer riesigen Auswahl an Effekten und erkunden Sie ein Universum neuer Inhalte in Roland Cloud. Der GM-800 ist kompakt, stromlinienförmig und äußerst vielseitig und verleiht Ihrer Gitarre oder Ihrem Bass unbegrenztes musikalisches Potenzial.

The GM-800 elevates guitar synthesis into a new age of natural playability and boundless creative range. Driven by the newly developed Serial GK interface, the advanced ZEN-Core engine unlocks any sound imaginable—from acoustic instruments to classic and modern synths—while high-performance DSP delivers tracking stability and expressive scope never before possible. Freely combine and edit Tones with the intuitive Scene workflow, color sounds with a huge selection of effects, and explore a universe of fresh content on Roland Cloud. Compact, streamlined, and ultra-versatile, the GM-800 infuses your guitar or bass with unlimited musical potential.

Demo by

GM-800

Greg Dunn

The new pinnacle of what a reverb pedal can be has arrived.
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.
These are sounds to inspire new creative works and endless hours of playing.

BigSky MX features a staggering amount of computing power — it uses a high performance tri-core 800 MHz ARM processor — all dedicated to producing truly breathtaking reverbs. Our new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. 

Review by Synth Anatomy

BigSky MX

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Demo by Andertons Music Co

H90 Harmonizer®

The Zuul®+ takes everything that made the original Zuul® legendary and adds multiple new, essential, features. The first thing we wanted to do was expand the ‘Key In’ functionality (that makes the gate active after OD/Boost pedals, reacting to the pure guitar signal), Zuul®+ now boasts a ‘Key Thru’ (complete with ground lift switch), that eliminates the need to split the signal externally. We have also added all new Hold and Release controls that give you everything you need to ensure you have pristine gating response in your rig.

Fortin Amplification

Demo by Professor Killertone

ZUUL+

RockBoard

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks 

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Product Page 

Pharaoh

Dieses „BE“ Dual-Overdrive-Pedal fängt den Klang des mittlerweile legendären Friedman BE-100 Verstärkers ein, der die Bühnen weltbekannter Musiker auf der ganzen Welt ziert. Das ursprüngliche Friedman BE-OD Single-Channel-Pedal eroberte die Branche im Sturm. Zehntausende Pedale wurden weltweit verkauft und es ist immer noch sehr beliebt! Dieses neue BE-OD Deluxe-Pedal verwendet genau denselben Schaltkreis, verfügt jedoch über einen weiteren Kanal und zwei Mittenregler. Die obere Reihe (Kanal 1) ist identisch mit dem ursprünglichen BE-OD-Pedal, während Dave die untere Reihe (Kanal 2) mit etwas geringerem Gain abgestimmt hat. Mit zwei „BE“-Kanälen in Ihrem Arsenal können Sie sowohl Ihre Rhythmus- als auch Ihre Lead-Sounds perfekt einstellen. Das BE-OD Deluxe liefert authentischen Röhrenverstärkersound mit den Reglern, die Sie zur Gestaltung Ihres Sounds benötigen. Zu den Reglern gehören: 3-Positionen-Tight-Schalter, Lautstärke, Gain, Bass, Mitten, Höhen und Presence. Mit diesen reaktionsschnellen Reglern gelangen Sie von milden Overdrives bis hin zum absoluten Gain-Nirvana. Das BE-OD Deluxe wird in den USA hergestellt und ist so konstruiert, dass es jahrzehntelangem Gebrauch standhält. Es ist ein Muss für jeden Ton-Enthusiasten.

This "BE" dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over.  The original Friedman BE-OD single channel pedal took the industry by storm. Tens of thousands of pedals sold worldwide and it's still going strong!  This new BE-OD Deluxe pedal employs the exact same circuit but adds another channel and dual midrange controls. The top row (Channel 1) is identical to the original BE-OD pedal while Dave voiced the bottom row (Channel 2) with slightly lower gain.  Dual "BE" channels in your arsenal allow you to perfectly set both your rhythm and lead sounds.  The BE-OD Deluxe delivers authentic tube amplifier sound with the controls needed to shape your tone. Controls include: 3 position tight switch, volume, gain, bass, middle, treble and presence knobs.  These responsive controls will take you from mild overdrives to straight up gain nirvana.  Built in the USA and designed to withstand decades of abuse, the BE-OD Deluxe is a must have pedal for any tone enthusiast.

Friedman

Review by Bonedo 

Demo by PMTVUK 

Demo by Pete Thorn 

BE-OD deluxe

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Heitor Rosa

The Gladio is specifically designed to help worldwide Robben Ford fans to reach his fabulous Dumble tone. You will not only get a similar tone but you’ll find renewed inspiration and ideas thanks to Gladio’s exceptional touch sensitivity and amp-like feel.

Cornerstone Music Gear 

Review by delicious audio

Demo by Kris Barocsi

Demo by Pete Thorn

Demo by Shawn Tubbs

Demo by That Pedal Show 

Gladio

The Protein is based around modified versions of two well-respected drive pedal circuits: the ‘Blue’ side is based on a 1990’s Marshall Bluesbreaker but has a tweaked tone control and extra output, while the ‘Green’ side takes its cue from that Nashville session favourite the Nobels ODR-1. 