andronik supersonik

Guitar ulala

Tester

The original DiscumBOBulator was often heralded as being the world’s best autowah/envelope filter pedal. So how do you improve a pedal that’s already flawlessly funky? Well, start out by making the filter-triggering even better and extend the dynamic range and feel. Now triple the headroom signal, so the pedal handles the red hot signals of active bass pickups and line level inputs like a piece of cake. Finally you add an independent 10dB boost that’ll make funky solos take flight instantly, and you have the new improved DiscumBOBulator V2.

Emma Electronic

Demo by Godlyke Inc.

Demo by  Maksim Sorokin

Product Page

Review by Pedal of the Day

Review by Talk Bass.com

Review by musicradar

Manual

DiscumBOBulator v2

Nicolas Wilfer

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

Official Product Page

JHS Colour Box: A 1073 You Can Take Anywhere - JHS Pedals

Colour Box V2 10 Year Anniversary

Effectrode

Demo by Joe Perkins

Demo by Mike Hermans

Review by Anatomy of Guitar Tone

Mercury Tube Fuzz

Ruben Shannon

The Effectrode® ‘LA-1A’ Leveling Amplifier is a high-end, studio-grade vacuum tube compressor in a pedal. Whisper-quiet operation and a wide, wide dynamic range make this tone-tool an unparalleled tone enhancer on stage and in the studio—its natural warmth and clarity are unmatched.

Review by CompressorPedalReviews

Demo by Electric Mojo Guitars

Review by loopersparadise

LA1A Levelling Amplifier

The Fire Bottle™ is an all-tube booster specially designed to enhance the tone of single coil pickups. With up to 30dB of gain on tap, this powerful boost pedal can push the input stage of a tube amp into beautiful breakup and rich overdrive, creating glassy, bolder, larger-than-life Stevie Ray Vaughan Strat® guitar sounds.

Review by Musiker-Board

Demo by gilmourish

Fire Bottle

The Delta-Trem™ authentically recreates the alluring, hypnotic tone and feel of vintage guitar amp tremolo in S-T-E-R-E-O! This is accomplished using vacuum tubes and an archaic, long forgotten electronic component known as a ‘Raysistor’, essentially a tiny filament lamp and photocell housed together in a small metal can. The combination of Raysistor and all-tube circuitry tube creates an exceptionally smooth, rich and musical tremolo effect that blends well with clean and overdriven guitar sounds. The true stereo signal path allows the Delta-Trem to operate as a mono tremolo with a single guitar amp or into two amps, where the sound ping-pongs between them creating a huge, 3-D, spacious tone.

Demo by DMTR Pedal Shop

Delta-Trem

The Blue Bottle™ Inductorized Booster pedal has been custom designed for blues/rock guitarist John Verity to enable him to achieve a fatter, more bluesy B.B. King ‘335’ tones from his Strat-type guitars. It’s the perfect vintage mid-boost—never too aggressive or over-the-top—for low output single coil pickups.

Review by Guitar World

Demo by John Verity

Official Product Video

Blue Bottle

The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making
Tape delays.
it is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.

T-Rex

Demo by Martin Klaja's Guitarchannel

Demo by Duskmos

Demo by T-Rex Effects

Review by The Gear Page

Review by GEOFF KING, mixdownmag.com.au

Replicator D'LUXE

Der Heilige Gral unter den Gitarrenhall-Effekten, der Federhall im Fender®-Stil, wurde endlich mit modernen Funktionen neu aufgelegt!
Teste ihn und entdecke, warum die meisten Surf-Gitarristen und die wirklich Hallsüchtigen auf SurfyBear setzen.

The Holy Grail of guitar reverb effects, the Fender®-style spring reverb, has been finally revisited with modern features!
Try it and discover why most surf guitarists and the truly reverb addicted are turning to SurfyBear.

Surfy Industries

Demo by R.J. Ronquillo

Review by TapeOp

Review by bonedo

Surfybear Metal Reverb

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Guitar amp pedalboard-copy

Jimmy  Cooper

CIOKS 4 Expander is the perfect companion to CIOKS DC7 in case you would like four additional outlets with four selectable voltages on each tap (9, 12, 15 and 18V DC) which can each deliver 660mA at 9V DC. Simply connect CIOKS 4 Expander to your CIOKS DC7 via the courtesy 24V outlet and you are good to go.

But that is definitely not all – what makes CIOKS 4 Expander truly unique is the fact that you can power it with anything from 9V to 24V DC or 9V to 12V AC via the non-polarized DC socket input. Furthermore CIOKS 4 can even be powered by connecting it to a USB powerbank via its 5V USB C input or by using a tablet or laptop power supply with a USB C plug. This flexibility means that you can use CIOKS 4 Expander as a stand-alone unit and power it with almost any adapter including the 1-SPOT or GigRig Generator. You can also use the 24V output on a Strymon Zuma unit to power the CIOKS 4 Expander. It can also convert an unused AC outlet on your existing power supply into 4 isolated DC outlets. 

CIOKS

Demo by EytschPi42

Review by KVR Audio

The micro-Thumpinator is a bandwidth optimizer designed for bass guitar. It removes the low frequency signals that are outside the range of notes produced by the instrument.

Infrasonic frequencies cannot be reproduced by standard bass cabinets but they often make amplifiers clip, especially when they are set to boost the lower frequencies. The Thumpinator filters the signal content optimising the energy delivered by the amplifier. Low-frequency clip is substantially reduced and the sound is tighter especially at high volume levels.

The micro-Thumpinator accepts instrument and line level signals. It can be used between preamplifier and amplifier, between bass and amplifier or anywhere in the effect chain (line or instrument level). It can also be connected directly to an audio interface.

SFX Sound

Demo by Paul Reich

micro-Thumpinator v2

Das leistungsstarke Atomic™ Isolated Power Supply wurde entwickelt, um den hohen Stromanforderungen der Effectrode-Röhrenpedale gerecht zu werden. Es verfügt über eine einzigartige „Soft-Start“-Spannungsfunktion, die das Aufblitzen der Röhrenheizfäden verhindert und die Lebensdauer der Röhren maximiert.
Wird mit einem länderspezifischen IEC-Netzkabel und vier DC-Stromkabeln geliefert.

The mighty Atomic™ Isolated Power Supply is developed to meet the high power requirements of Effectrode tube effects pedals. Includes a unique "soft-start" voltage capability, which eliminates tube heater filament flash and maximise the life of the tubes.\r\nSupplied with country-appropriate IEC power cable and four DC power leads.

Demo by Everything Guitar

Atomic Power Supply

Der PC-2A ist ein echter Vintage-Studiokompressor in einer Stompbox – es gibt keine billigen VCA-Chips, Operationsverstärker oder Billigkomponenten im Signalpfad, der zu 100 % analog ist und auf einer handverlesenen Fotozelle, Polyester-Kopplungskondensatoren, Präzisionswiderständen (mit Silber-/Palladiumkontakten) und einer Sylvania N.O.S. (New Old Stock) 6111 Subminiaturröhre basiert, die mit echten Verstärkerplattenspannungen betrieben wird, und das alles auf einer speziellen versilberten Leiterplatte.
Die Röhrenschaltung liefert jede Menge Head-Room und ein sehr, sehr geringes Grundrauschen für herausragende Dynamik, wobei die Attack-Eigenschaften erhalten bleiben und gleichzeitig eine musikalische und natürliche Kompression erzeugt wird – der PC-2A hüllt Ihr Signal in Samt und verbessert Ihren Gitarrenklang, ohne ihm eine Halbleitersignatur aufzudrücken. Nützlich in Live-Situationen, um „Punch“ hinzuzufügen oder dünne Single-Coil-Tonabnehmer aufzumotzen, und unverzichtbar bei der direkten Aufnahme auf digitale Audio-Workstations (Computer), um hässliche vorübergehende Verzerrungsartefakte zu vermeiden, die moderne digitale Aufnahmegeräte bei Überlastung erzeugen.

The PC-2A is a true vintage studio compressor in a stompbox—there are no cheap VCA chips, opamps or budget components in the signal path which is 100% analogue and built on a hand selected photocell, polyester coupling capacitors, precision resistors (with silver/palladium contacts) and Sylvania N.O.S. (new old stock) 6111 sub-miniature tube operating at real amp plate voltages all on a special silver-plated printed circuit board.
The tube circuitry delivers stacks of head-room and very, very low noise floor for outstanding dynamics, preserving the attack characteristics while creating musical and natural compression—the PC-2A wraps your signal in velvet, enhancing your guitar tone without stamping a solid-state signature on it. Useful in live situations for adding ‘punch’ or fattening up thin single coil pickups and indispensable when recording direct to digital audio workstations (computer) to prevent nasty transient distortion artefacts that modern digital recording devices produce if overloaded. 

Review by Compressor Pedal Reviews

PC-2A Tube Compressor

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Der RockBoard Pedalboard Drawer ist eine simple aber extrem effiziente Lösung zum Organisieren und Verstauen von optionalem Zubehör in einem RockBoard Pedalboard. Der Pedalboard Drawer wurde entwickelt, um Zubehör wie Kabel, Plektren, Wireless Systeme und vieles mehr im MOD Slot des Pedalboards aufzubewahren. Durch den zentralen Zugang auf der Front des Pedalboards bietet der Drawer einen sichereren, sauberen und einfach zugänglichen Platz zur Aufbewahrung direkt am Setup. Durch die intelligente Arretierung der rotierenden Schublade ist eine zusätzliche Sicherung nicht notwendig.

- rotierende Schublade für RockBoard Pedalboards
- intelligenter Drehmechanismus mit sicherer Arretierung
- für Zubehör, Kabel, Wireless Systeme, Plektren, etc.
- passt in die MOD-Slot Aussparung von RockBoard Pedalboards (außer RockBoard DUO 2.0, 2.1, und 2.2)
- Material: Verstärktes Polyamid
- inkl. Montagematerial und Werkzeug
- Maße (B x T x H): 175 x 84,5 x 47 mm
- Gewicht: 150 g
- schwarz
- Hinweis: Nicht kompatibel mit den 19" Rack Panel Single oder Double (1U) - Rack Mount for RockBoard MOD

The RockBoard Pedalboard Drawer is a simple but super effective solution to organize and store optional accessories in your RockBoard pedalboard. The Pedalboard Drawer is designed to store accessories such as cables, picks, wireless systems and more directly in the MOD slot of the pedalboard. With access on the front of the pedalboard, the Drawer provides a safer, cleaner, and convenient place for storage. The Drawer opens and closes using an intelligent swivel locking mechanism.

- rotating mounting drawer for RockBoard pedalboards
- intelligent swivel locking mechanism
- for accessories, cables, wireless systems, etc.
- fits MOD slots in RockBoard pedalboards (except RockBoard DUO 2.0, 2.1, 2.2, and 2.3)
- material: reinforced polyamide
- incl. all mounting screws, counter nuts, and tools
- dimensions (W x D x H): 175 x 84.5 x 47 mm / 6 57/64" x 3 21/64" x 1 27/32"
- weight: 150 g / 0.33 lbs
- black
- Note: Not compatible with 19" Rack Panel Single or Double (1U) - Rack Mount for RockBoard MOD

Rotierende Schublade für RockBoard Pedalboards

Rotating Drawer for RockBoard Pedalboards

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Die RockBoard® PowerMODs sind speziell entwickelte Class D Transistorverstärker mit denen Lautsprecherboxen direkt und ohne zusätzlichen Verstärker vom Pedalboard angesteuert werden können. Die PowerMODs bieten einen 3-Band EQ, eine schaltbare Cabinet Simulation für Fullrange Lautsprecher sowie eine Mute Funktion. Die PowerMODs können in den MOD Slots in allen RockBoard® Pedalboards (mit Ausnahme von DUO 2.0, 2.1 und 2.2) oder auf den Pedalboards von anderen Herstellern installiert und so Platz sparend in jedes denkbare System integriert werden.


- kompakter Verstärker für Pedalboards
- kann direkt auf allen RockBoard Pedalboards installiert werden, die mit einem MOD Slot ausgestattet sind, sowie auf Pedalboards von Drittanbietern
- Class D Transistorschaltung
- Leistung (@1% THD): 118 W an 4 Ohm / 70 W an 8 Ohm
- 3-Band EQ
- frontseitige Regler für Volume, Low, Mid, High
- frontseitiger Cab-Sim Schalter
- frontseitiger Mute Schalter
- frontseitiger 6,35 mm Lautsprecherausgang
- frontseitiger 3,5 mm Kopfhörerausgang
- frontseitiger 3.5 mm AUX IN Eingang für externe Audiosignale
- frontseitiger symmetrischer XLR DI Ausgang
- rückseitiger Anschluss für beiliegendes Netzteil
- rückseitiger Instrumenteneingang
- inklusive 220 - 240 VAC Netzteil, Ausgang 36 VDC, 4,16 A
- Abmessungen (L x B x H) 175 x 116 x 47 mm
- Gewicht 1,2 kg (einschließlich Netzteil)

The RockBoard® PowerMODs are specially designed Class D transistor amplifiers that can drive speaker cabinets directly from your pedalboard without an additional amplifier. The PowerMODs feature a 3-band EQ, switchable cabinet simulation for full-range speakers, and a mute function. The PowerMODs can be mounted directly into the MOD slot (available on all RockBoard® pedalboards except the DUO series) or onto pedalboards from other manufacturers, allowing for space-saving integration into any system.

- compact amplifier for pedalboards
- can be directly mounted on into all RockBoard pedalboards equipped with MOD slots or on third-party pedalboards
- solid-state design, class D amplifier circuitry
- power (@1% THD): 118 W at 4 Ohm / 70 W at 8 Ohm
- 3-band EQ
- front panel controls for Volume, Low, Mid, High
- front-mounted Cab-Sim switch
- front-mounted Mute switch
- front-mounted 6.35 mm (1/4") speaker output
- front-mounted 3.5 mm (1/8") headphone output
- front-mounted 3.5 mm (1/8") AUX IN input for external audio signals
- front-mounted balanced XLR DI output
- rear-mounted connection for included power supply adapter
- rear-mounted instrument input
- including 220 - 240 VAC power adapter, output 36 VDC, 4.16 A
- dimensions (L x W x H) 175 x 116 x 47 mm / 6.88" x 4.56" x 1.85"
- weight 1.2 kg / 2.65 lbs (including power supply)

Kompakter 150W Pedalboard Verstärker

Compact 150W Pedalboard Power Amp

Guitar ulalala

Scott Machalk

From recalling presets to tapping in tempos, MiniSwitch adds another layer of functionality to your Strymon pedals at the press of a button. 

Strymon

Demo by Sunday Tone 

Quick Start Guide

MiniSwitch

Dave Snippe

The Voltage Unit Meter Pedal (“VUMP”) is a guitar pedal-style level indication meter. This unit reads out signal level in the
traditional “Voltage Unit” (VU) scale, which is similar to a decibel (dB) scale, but pegged to a reference value of 0
VU=1.23VRMS. Since sound levels span many decades of pressure intensity, it is convenient to express the level in the
logarithmic dB scale. An increase of 6 dB sounds about twice as loud as the reference sound level.
The intended use for this device is to be the last “pedal” in a chain of pedals connected to an electronic instrument such
as an electric guitar or bass guitar, or microphone. It provides a convenient, local measure of your signal level just before
going to the amp or a sound board. You can also precisely equalize the volume settings of your pedals using this device. 

JoyeMusic

Analog-VUMP

Cited as a major influence by wah masters such as Hendrix, Clapton, and Vaughn, Buddy Guy helped establish the effect as part of the blues vocabulary. To honor his contributions we have created the Buddy Guy Cry Baby Wah, featuring the Fasel Inductor for a sweet and singing top end, and two distinct user selectable wah voices—choose "DEEP" for a big and throaty growl, or "BG" for Buddy's own warm and bell-like wah tone. Convenient side-mounted LEDs indicate which mode you are in, while a separate LED indicates effect on/off. Let your guitar sing the blues in style with the Buddy-approved polka dot graphics and custom signature tread.

Dunlop

Review by Simon Bradley, musicradar.com

Demo by Guitar World

BG95 Buddy Guy Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

The real McCoy! The SR-71 Blackbird™ ‘Tube Tone Engine’ is a genuine all-tube preamp in a compact pedal. Designed for great versatility, the  SR-71 adds additional clean/drive/distortion channels to vintage/boutique guitar amps or works as a professional stand-alone direct recording tube preamplifier. The clean channel possesses a beautifully pure, ‘glassy’ character and audio circuitry within the drive channel is tuned to generate a rich, full-bodied and devastatingly smooth overdrive.

Review by Sound on Sound

Demo by Brett Kingman

Blackbird

The Tube-Vibe™ is a no compromise, innovative and original re-design of the classic Uni-Vibe pedal. However, instead of transistors, the Tube-Vibe utilises vacuum tubes, photocells and a pulsating filament lamp to generate exceptionally rich, swirling chorus and vibrato effects.

Tube Vibe

On more subtle settings the Phaseomatic tube phaser pedal creates a beautiful, natural sounding vibrato (frequency modulation) and shimmering phasing effects, utilising exactly the same one- and two-stage “Cathodyne” tube circuitry used to in those incredible vintage Magnatone® amps. However, the Phaseomatic’s all-tube circuitry has two additional Cathodyne phase inverters, which allow it to generate a much richer, deeper vibrato and even intense, deep “tunnel” phasing as well as a host of cosmic and spacious sound effects heard on many 1950′s “B” science fiction movie soundtracks.

Phaseomatic Vacuum Tube Phaser

Für 15-25 FX-Pedale, 6 MOD-Slots – zwei Ebenen - **826 x 498 mm / 32.52" x 19.61"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 6 MOD slots, two levels - **826 x 498 mm / 32.52" x 19.61"** - available with Gig Bag or Flight Case

Guitar Mania

Terence Vignaud

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Anasounds

Tape Preamp

Michael Hodgson

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Mission Engineering

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Expressionator

Nico Dritsch

Der Crocodile Tail Loop (OC10) ist das Flaggschiff unter den programmierbaren True Bypass Loop Switchern von One Control. Mit 10 schaltbaren Loops und 70 frei editierbaren Presets (10 Bänke mit je 7 Presets) ist der OC10 bestens für eine professionelle Nutzung geeignet. Der Switcher bietet eine vollständige MIDI-Unterstützung und kann sowohl Program Change / Patch Change (PC) Nachrichten senden als auch über den MIDI-Through in ein größeres MIDI-Setup integriert werden. Die Link- und Sync-Funktionen heben den Crocodile Tail Loop deutlich von anderen Switchern ab: Mit einem speziellen One Control LAN-Kabel lassen sich zwei OC10 verbinden, um so auf mehrere Pedale abseits der Bühne zugreifen zu können. Für viele professionelle Musiker ist es unglaublich wichtig, einen Loop-Switcher fernsteuern zu können. Unabhängig davon, ob man die Effekte im Rack oder am Verstärker postieren möchte oder es vorzieht, dass der Techniker die Patch-Änderungen kontrolliert, ist der Crocodile Tail Loop eine großartige Lösung für praktisch alle Gitarristen, die Pedale verwenden. Der OC10 verfügt außerdem über eine integrierte BJF Buffer-Schaltung mit separaten Ein- und Ausgängen. Der Loop Switcher kann im Direct Mode auch ein einfacher Umschalter sein. Der Direct Mode eignet sich perfekt für Proben oder zum Experimentieren mit Pedalen, bevor sie fest ins Setup integriert werden. Zusätzlich zu 7 in Reihe geschalteten Loops verfügt der One Control Crocodile Tail Loop (OC10) über drei separate Loops, die für verschiedene Zwecke verwendet werden können. Diese Loops können zum Umschalten des Verstärkerkanals oder zum Verbinden von Effekten verwendet werden, die im FX Loop des Verstärkers gespielt werden sollen, sowie für eine Vielzahl anderer Funktionen, um den Anforderungen des einzelnen Gitarristen gerecht zu werden. Der Crocodile Tail Loop ist wirklich einer der innovativsten Pedal Switcher auf dem Markt.

The Crocodile Tail Loop (OC10) is the flagship switcher from One Control. The OC10 offers 10 switchable loops and 70 preset setups (10 banks with 7 presets per bank). The loop switcher also features MIDI operation and can send Program Change / Patch Change (PC) messages or you can use it as MIDI-Through unit in combination with other MIDI devices. The Link and Sync functions truly separate the Crocodile Tail Loop from other switchers: Link two OC10 together with a special One Control LAN cable to access multiple pedals off stage. Being able to link or remotely control a loop switcher is incredibly important for many professional musicians. Whether you use a rack of effects or you prefer to have your tech controlling you patch changes, the Crocodile Tail Loop is a great solution for all guitarists who use pedals. The OC10 also comes with the amazing BJF buffer circuit with independent inputs and outputs. The OC10 can also be a simple switcher by using the Direct mode. Direct mode is perfect for band practices or experimenting with pedals before you’ve decided how to set your programs. In addition to 7 loops in series, One Control Crocodile Tail Loop (OC10) has three separate loops that can be used for a variety of purposes. These loops can be used for amp channel switching or connecting effects to go into an amp’s effects loop as well as a variety of other functions to match individual guitar player’s needs. The Crocodile Tail Loop truly is one of the most innovative pedal switchers on the market.

One Control

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - JayLeonardJ

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - Tom Quayle

One Control Crocodile Tail Loop (OC10) - Demo / Review Video - Carlos E. Perez

Demo by  LEP INTERNATIONAL

Demo by digimartnet

Crocodile Tail Loop Wing OC10W

TU-3S Tuner

Das Voodoolab Giggity Overdrive/Distortion Pedal verfügt über eine Vielzahl von Regelmöglichkeiten, welche die Feinabstimmung des Overdrive/Distorition Sounds erlauben. Die einzigartige Klangregelung mit Bass (Body), Höhen (Air) und einem 4-Weg Tone/Gain Schalter ermöglichen ein sehr gutes Angleichen des Klangspektrums an den gewünschten Amp Sound.

Wie jedes Voodoo Lab Pedal verfügt das Giggity über einen True Bypass Fußschalter sowie eine Status LED Anzeige.

The Voodoolab Giggity overdrive/distortion pedal has a wide range of control options that allow you to fine-tune the overdrive/distortion sound. The unique tone control with bass (body), treble (air) and a 4-way tone/gain switch allow the sound spectrum to be adjusted very well to the desired amp sound.

Like every Voodoo Lab pedal, the Giggity has a true bypass footswitch and a status LED display.

Voodoo Lab

Review by Premier Guitar

Demo by John Nathan Cody

Demo by Premier Guitar

Giggity

Tom Gumley

The Echo Fix EF-P2 is a real Spring Reverb pedal that packs a huge sound into a small enclosure. The EF-P2 features a three-spring reverb tank, adjustable Spring Drive, Bass / Treble EQ controls, and Reverb Volume control. With a footswitch for reverb bypass and also a direct signal mute footswitch, the EF-P2 can also be used as an outboard effect in recording studios. The EF-P2 can accept audio signal from synths and other audio devices, not just guitar.

Echo Fix

Demo by Demos in the Dark

Review by AMAZONA

Review by reddit /guitarpedals

EF-P2 Spring Reverb

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

tube board

This little green wonder is the world’s smallest tube buffer pedal. Inside is a Sylvania pencil tube operating at 300V, which means the Glass-A™ can effortlessly handle massive signal levels and transients from piezo crystal and high-output active magnetic pickups without distortion for an incredibly open, natural and transparent sound.

Glass-A Triode Buffer

We took a challenge and went a step further by designing the most compact size, top sounding, all-feature tap tempo tremolo effect pedal nowadays!

Starla is a synthesis of two precisely combined electronics. It is a superb sound quality analog tremolo controlled by a versatile digital tap tempo microprocessor via optical technology – a light source and photocell.

Dawner Prince

Demo by  Pyramxe

Demo by Alberto Barrero

Demo by Curtis Kent

Review by Guitariste.com

Review by delicious audio

STARLA

ch ray

Say hello to the world’s most compact reorderable audio loop switcher.

A fully analog stereo loop switcher designed to break boundaries. 
Each stereo loop can be broken up into 2x mono loops with an Y-cable and in the looper used as 2x complete independent mono loops (Y-TRS-Cables). As these cannot be displayed in this tool (but often used to double the loops on big boards) we configured in this tool 3 stereo connections as 6x mono loops. 

ML10X is the answer for today's musicians.

Morningstar Engineering

Review by 

Demo by 

ML10X (5 Stereo Loop)

Paul De maio

MC8 Pro

Isaiah Pearson

Das Supa Funk ist die Weiterentwicklung unserer Funkzilla und
Funk-lite-Familie, mit einem reaktionsschnellen und
artikulierten Hüllkurvengenerator, erweiterten Reglern und vor allem dem neuen Color-Regler, der einen sekundären Tiefpassfilter einblendet. 
Von einem klassischen, knackigen Vintage-Funk-Bom-Chicka-Wow-Wow bis hin zu kehligen, vollen, satten und stimmlichen Filter-Sweeps mit nur einer Reglerdrehung.

The Supa Funk is the evolution of our Funkzilla and
Funk-lite family of pedals, featuring a responsive and
articulate envelope generator, expanded controls and most notably, the new Color knob that blends in a secondarylow-pass filter. 
Go from a classic snappy vintage funk bom-chicka-wow-wow, all the way to throaty, full, rich and vocal filter sweeps at the turn of a knob.