Paulo Damasceno Nepomuceno

These are the drives and preamps that i like or want to have(most of them i don't have lol)

The Sauce PT.1

ch ray

SIGNIERT VON EINEM DER RESPEKTIERTESTEN GITARRISTEN AUF DEM MARKT.
Das Pedal hat die gleichen Klangeigenschaften wie Multi Fuzz und Vintage Distortion, ist aber optisch individuell gestaltet, weist eine differenzierte Verpackung auf, verfügt über ein Echtheitszertifikat und ist vom Künstler selbst handsigniert.

SIGNED BY ONE OF THE MOST RESPECTED GUITARISTS IN THE MARKET.
The pedal has the same sonic characteristics of Multi Fuzz and Vintage Distortion, but with customization in its visual, differentiated packaging, certificate of authenticity and hand signed by the artist himself.

GNI Music

Review by Gearspace

Demo by Loucos por Pedais

Review by Fractal Audio Forum

Product Page

Demo by Guitarrista de Apartamento

FZD-AT Andy Timmons Ltd

Romain Bourlier

The Duality Dual Fuzz from Darkglass Electronics offers not one but two distinct fuzz circuits, which can be blended any way you choose with your clean signal, therefore creating a whole range of fuzztone filth.

Classily presented in a brushed silver matte finish with a mirror chromed top facing, the four black controls all turn reassuringly smoothly while the stomp button is solid and firmly operated: the whole pedal is evidently built to last.

The Blend control ranges from a clean signal when turned fully left to a positively dripping fuzztone when panned fully right, although it is possible to hear both the clean and effected signals simultaneously. Level adds grit and distortion, while the Filter control increases the resonance, top end clarity and definition.

Impressively, articulation is never lost with this pedal, although if  you prefer to lessen the high-end characteristics (we're after fuzz, not fizz, after all), roll off the Filter control to your preference as any dodgy fretting or mistakes will stand out like a sore thumb. Warm and rich, just as a great fuzz pedal should be, the power and aggression which this pedal is able to conjure up is mightily impressive.

Darkglass Electronics

Review by musicradar 

Manual

Demo by Darkglass  Electronics 

Demo by The bass channel

Duality

DER GNI BASS PLUS IST VON FELIPE ANDREOLI, EINEM DER GRÖSSTEN BRASILIANISCHEN BASSSPIELER – EHEMALIG BEI ANGRA – SIGNIERT. DER BASS PLUS WURDE VON ERFAHRENEN TECHNIKER UND INGENIEURE ZUSAMMEN MIT DIESEM GROSSARTIGEN KÜNSTLER ENTWICKELT UND BIETET OVERDRIVE, SUPER OVERDRIVE, SHAPE UND EQUALIZATION.

VIELE FUNKTIONEN IN KOMPAKTEM FORMAT MIT HOCHTECHNOLOGIE. IN LUXURIÖSER VERPACKUNG UND ECHTHEITSZERTIFIKAT IST DIES EINE PRODUKTEINFÜHRUNG, DIE DEN BESTEN PEDALSETS DER WELT WÜRDIG IST.

THE GNI BASS PLUS IS SIGNED BY FELIPE ANDREOLI, ONE OF THE GREATEST BRAZILIAN BASS PLAYERS – FORMERLY WITH ANGRA. DEVELOPED BY SKILLED TECHNICIANS AND ENGINEERS, ALONG WITH THIS GREAT ARTIST, BASS PLUS FEATURES OVERDRIVE, SUPER OVERDRIVE, SHAPE AND EQUALIZATION.
MANY FEATURES IN COMPACT FORMAT WITH HIGH TECHNOLOGY. IN LUXURY PACKAGING AND CERTIFICATE OF AUTHENTICITY IS A LAUNCH WORTHY OF THE BEST PEDAL SETS IN THE WORLD.

Bass Plus

Bass Shaper bietet eine Vielzahl von Funktionen, die alle speziell für den Musiker entwickelt wurden.
Vorverstärker mit 3-Band-Entzerrung, Shape-Taste; Overdrive mit Super-Modus; Lärmschutzgitter; symmetrischer Ausgang (XLR) mit Vor-/Nachsteuerung und Ground-Lift-Funktion; Kopfhörerausgang und unabhängiger Booster.
All dies wurde von großartigen Bassisten getestet und bestätigt, mit einfacher und intelligenter Aktivierung.

The Bass Shaper comes with a multitude of features, all of which have been designed with the musician in mind.

Pre-amp with 3-band equalization, shape button; overdrive with super mode; noise gate; balanced output (XLR) with pre/post control and ground lift feature; headphone output and independent booster.

All of this has been tested and approved by great bass players, with easy and intelligent activation.

Demo by Canuto

Demo by Felipe Jeronymo

Review by Forum ContrabaixoBR

Review by Talk Bass.com

Bass Shaper

Tester

Das Aguilar Agro Pedal ist dem Saturation-Kanal des AG 500 Topteils entnommen. In der Lage, alles von einem warmen, röhrenähnlichen Vintageton bis hin zu aggressiver Distortion zu reproduzieren, bietet der Agro die benötigte Zerre ohne die Tiefen und somit den Druck zu verlieren.

The Aguilar Agro has an AG500 saturation channel-based pedal effect that provides a warm tube-sounding overdrive & distortion. With it, the Aguilar company has built an overdrive pedal specifically for the bass
The high level of bass control invested in the Aguilar Agro makes it indispensable in the overdrive and distortion community. It is a great pick for your pedalboard.

Aguilar

Demo by Aquilar

Demo by Bass the World 

Demo by the bass Channel 

Agro

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Review by Awkward sound

Demo by  IvanBassist 

Tone Hammer

thierry augustine

Bi-amplification preamp bass pedal based on Orange bass and guitar amps.

Back in the good ol’ days, it was a popular practice to send a bass guitar signal to a bass amp and a guitar amp at the same time – known as Bi-Amping. This allows the player to keep their low end deep, clean and defined whilst amplifying the mids and top end separately, adding distortion or crisp highs with total control.

This type of setup can produce some enormous tones but typically requires a huge and complicated rig, only possible if you’re Rock ‘n’ Roll royalty. But, if you have to get all this together by yourself? Forget it!

Enter The Bass Butler…


Orange

Review by bassgearmag

Review by bonedo

Official Product Video

Demo by Bonedo

The Bass Butler

The result is hard-hitting distortion with a big low end that is similar to what you'd expect from a large amp stack driven hard. Gain and tone controls make it possible to dial in anything from a natural crunch to fuzzy, dirty distortion, providing a broad spectrum of tones that can add new dimensions to your music.

Providence

Review by No Treble

Review by Premier Guitar

Demo by Masaki Murashita

Brick Drive BDI-1

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

Noble

Demo by Noble Amplifier Company 

Noble Preamp DI

David Litaba

The Microtubes Infinity shares the footmark of our programmable line, packed with our three legendary Microtubes distortions: B3K, Vintage, and X. Moreover, it allows multiband compression on every mode, blending Impulse responses between distortions while adding extra controls via the Darkglass suite for an endless number of features: An infinity of possibilities.

Demo by  Pair of Pandas

Demo by Paajanenae

Review by TalkBass.com

Review by Rainer Wind, bonedo.de

Demo by Darkglass Electronics

Microtubes Infinity

Wir haben unser Alpha·Omega genommen und mit unermüdlicher Anstrengung all unsere erlernten Ingenieurkenntnisse darin verarbeitet. Indem wir die legendäre Verzerrungsschaltung in ein neues Paradigma einfügten, eröffneten wir eine Reihe von Möglichkeiten, die vorher nicht verfügbar waren.

We took our Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available.

Demo by  BassTheWorld.com

Demo by Nate Navarro

Review by Joris Henke, gitarrebass.de

Alpha Omega Photon

Dieses Pedal kombiniert den satten Klang des Harmonic Booster mit der Präzision einer Parallelkompression mit einstellbarem Frequenzbereich und bietet Ihnen unübertroffene Kontrolle. Mit einem 6-Band-EQ, einer Pegelreduzierungsanzeige und der Option, 7 benutzerdefinierte Impulsantworten über USB zu laden, bietet es ultimative Klangflexibilität für Bassisten aller Genres. Pur, kraftvoll und präzise – Ihr sauberer Ton, perfektioniert.

Combining the rich tone of the Harmonic Booster with the precision of an adjustable frequency range parallel compression, this pedal gives you unmatched control. With a 6-band EQ, gain reduction meter, and the option to load 7 custom Impulse Responses via USB, it delivers ultimate tonal flexibility for bass players of any genre. Pure, powerful, and precise—your clean tone, perfected.

Demo by IvanBassist

Review by sinusoidal music

Review by Bass Musician Mag

Review by gearnews.de

Manual Page

Luminal Booster Ultra

The Aggressively Distorting Advanced Machine has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.

Review by Bob Brinkman, guitarworld.com

Demo by  Joe Calderone

Aggressively Distorting Advanced Machine

DARKGLASS - ADAM // Demo by Nate Navarro

Review by reddit /Bass

ADAM

Anthony Ennen

Available as a limited special edition, this anniversary pedal covers all the expected drive tones, plus a lot more besides.

Designed in collaboration with Darkglass Electronics, the 35th Anniversary drive pedal goes full stealth with a black and gold colour scheme and a special 35th Anniversary logo box. Aside from the engage switch (which illuminates a very cool LED) and the usual in/out and DC power sockets, the pedal has three controls – level, drive and tone. As with all Darkglass pedals, you also get true bypass switching, a particularly hard-wearing footswitch and a super-bright LED.

While this is a stompbox capable of some impressive high gain sounds, it’s been designed to be equally effective at lower, more classic levels of drive and to be sensitive to bass playing dynamics. “We’ve blended old-school vibes, appealing visuals and some modern production techniques to create a pedal that has much more versatility than you might have assumed,” said Sheldon Dingwall. “It’s really been designed to capture the dynamic interaction between you and your bass. There’s plenty of dynamic range before the crunch really sets in.”
The result is a wide range of tonal possibilities from subtly distorted blues tones through to classic rock and metal. This is the perfect stompbox for Dingwall aficionados looking for something with plenty of future collectable prestige.

Demo by Erik Arkö

Demo by DingwallGuitar 

DINGWALL 35th Anniversary Gold Drive Pedal

Denis Raff

The SansAmp XB Driver is the culmination of over 30 years designing gear for bass. We have integrated key elements from our most popular bass products –the SansAmp Bass Driver DI, Para Driver DI, Q\Strip and the dUg Pinnick Ultra Bass 1000– and condensed them into a single sleek machine. And just like that, you can go from traditional to diabolical.

The 100% analog, dual-channel SansAmp XB Driver is a veritable vault of treasured bass tones. It is a sophisticated dual-amp, bi-amp, DI toolbox with 15 knobs and 3 switches. Intuitively arranged, like familiar amplifier controls, you can craft a broad range of bass tones without a PhD. The Clean and Drive channels are full-frequency, independent channels that can be used individually or blended together via the Mix footswitch. In Mix mode, you can engage the crossover switch to activate the sweepable LPF & HPF filters, which enables you to even further carve out your own tone footprint.

Tech 21

Review by Bass Musician Magazine

Demo by Mad Steex

SansAmp XB Driver

Der Q\Strip wurde mit ausgeklügelten Funktionen ausgestattet, die es Ihnen ermöglichen, diese begehrten Klangformungsschaltungen mitzunehmen, egal ob Sie zu einem Live-Auftritt oder zum Aufnehmen im Studio oder in Ihrer DAW unterwegs sind. Es ist kompakt, äußerst kostengünstig und im äußerst praktischen DI-Format.

The Q\Strip was designed with sophisticated features that enable you to take these highly-coveted tone shaping circuits with you, whether you’re heading to a live gig or tracking in the studio or into your DAW. It’s compact, extremely cost-effective and in an ultra-convenient DI format.

Review by Sound on Sound

Demo by Pete Thorn

Q/Strip

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Geddy Lee tritt seit der „Test for Echo“-Tour 1996 ohne Verstärker und Lautsprecher auf der Bühne auf und bevorzugt stattdessen große Haushaltsgeräte. Um seine Ausrüstung für neue Projekte zu optimieren, entwickelte Geddy zunächst gemeinsam mit Tech 21 einen Signature SansAmp, den GED-2112. Diese anspruchsvolle Zusammenarbeit beinhaltete die Verdichtung einer Rackladung an Equipment auf einer einzigen Rackfläche. Geddy dazu: „Der GED-2112 ist im Grunde die Fortsetzung meines langjährigen Ansatzes für Basssound. Ein ‚tiefer, klarer‘ Klang gepaart mit dem ‚kantigen Crunch‘, den ich vom SansAmp RPM erreiche – alles in einem Gerät.“

Der GED-2112 Rackmount führte ein neues Konzept für paralleles Pre-Amping ein – mit zwei separaten internen Vorverstärkern. Dieses Konzept wurde auch beim kompakten SansAmp YYZ-Pedal übernommen, um die Mischung der beiden Signalwege zu vereinfachen. Der SansAmp DI-2112 vereint das Design eines Rackmount-Pedals mit der Mobilität eines Pedals und bietet ein weiteres neues Format, das sowohl auf dem Studio-Tisch als auch auf einem Amp-Topteil zu Hause ist.

Die Drive-Vorverstärkersektion basiert auf dem vielseitigen SansAmp RPM und bietet ein breites Spektrum an Klangmöglichkeiten. Die Deep-Vorverstärkersektion bietet satte, kernige Sounds. Die Sättigung reicht von Clean in niedrigen Einstellungen über verstärkte Obertöne bis hin zu röhrenartiger Kompression in höheren Einstellungen. Sie können beide Sektionen unabhängig voneinander verwenden oder sie extern direkt an ein Mischpult oder zwei Verstärker anschließen.

Jeder Geddy Lee Signature SansAmp bietet den typischen Geddy-Sound und die Vielseitigkeit für viele verschiedene Stile.

Geddy Lee has been performing without onstage amps and speakers since the Test for Echo Tour in 1996, favoring major household appliances instead. Wanting to streamline his gear for new projects, Geddy initially partnered with Tech 21 to design a Signature SansAmp, the GED-2112. This challenging collaboration involved distilling a rackload of equipment into a single rackspace. According to Geddy, “The GED-2112 is really a continuation of my long-time approach to bass tone. A ‘deep clean’ tone coupled with the ‘edgy crunch’ I get from the SansAmp RPM now all in one box.”

The GED-2112 rackmount introduced a new framework for Parallel Pre-Amping –having two separate internal pre-amps. Following this concept, the compact SansAmp YYZ pedal adapted the architectural structure to simplify blending the two signal paths. Merging the design of the rackmount and the portability of the pedal, the SansAmp DI-2112 offers yet another new format that is designed to be equally at home on a studio desk-top as well as an amp-top.

The Drive pre-amp section is based upon the versatile SansAmp RPM, for a wide range of sonic possibilities. The Deep pre-amp section offers thick, meaty tones. Saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. You can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers.

Each Geddy Lee Signature SansAmp offers Geddy’s core sound and the versatility for many different styles.

DI-2112 GEDDY LEE SIGNATURE

Tim Purser

Für Bassisten, die keine Vorbehalte gegen die mittlerweile doch recht ausgereifte Modeling-Technologie haben, bieten einige Hersteller zumindest für bestimmte Einsatzbereiche Alternativen zu den massigen Vorbildern an. Eine davon kommt von der in diesem Metier durchaus erfahrenen Firma Tech 21 und hört auf den Namen “Sansamp VT Bass Deluxe”.

The Deluxe version of the SansAmp VT Bass features a combination of a warm, all-analog signal path and convenient digital recall. There are 6 program locations and dual inputs for two instruments to be on-line, ready to go. Create three custom tones for each input or use all six locations for a single instrument. And you can program the FX loop to engage your favorite effect each time a so-designated preset is selected. Super simple to operate, changes can easily be made on the fly –without having to refer to the owner’s manual. You just turn the knobs to a setting you like, double click on a footswitch and it’s saved in that channel. You can custom tweak and program six of your personal sounds, from vintage clean to gnarly overdrive to crushing distortion

Review by reddit /basspedals

Review by Musiker-Board

Review by Gitarre & Bass

Demo by Guitar Gear

Demo by Simone Rubinato

Sansamp VT Bass Deluxe

GILLES ESTORT

Der SansAmp Bass Driver DI ist ein vielseitiges Gerät, das weit mehr als eine einfache Direct Box ist. Es ermöglicht das Erzeugen von beeindruckenden Vintage-Röhrenklängen, modernen, klaren Slap-Sounds, knorrigen Verzerrungen und alles, was dazwischen liegt. Mit drei verschiedenen Ausgängen können Endstufen, Aufnahmepulte, PA-Mischpulte oder das aktuelle Rig gesteuert werden und verbessern somit den Sound jeder Musik. Die Regler umfassen Presence zur Definition und Anhebung der oberen Obertöne, Blend zur Kombination des Direktsignals und der SansAmp-Schaltung sowie einen aktiven EQ, der speziell für den Bass mit einer 12 dB Absenkung oder Anhebung abgestimmt ist.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

Demo by Tech21nyc

SansAmp Bass Driver DI

Frank Bello ist dafür bekannt, dass er Anthrax seinen eigenen Stil und seine energiegeladene Leidenschaft einbringt. Er schafft es irgendwie, komplexe melodische Riffs, die in diesem Genre normalerweise nicht vorkommen, mit schwindelerregender Geschwindigkeit und Genauigkeit zu verschmelzen – und das alles, während er headbangt, auf der Bühne herumtollt und ans Mikrofon stürmt, um Harmonien zu singen.

Zusätzlich zu den spezifischen Tönen, die Frank wollte, lag die Hauptpriorität darin, den Street Driver 48 einfach zu bedienen. Er wollte keine Unmengen von Knöpfen, Schaltern oder unnötigen Schnickschnack. Er wollte, dass Spieler direkt nach dem Auspacken einen großartigen Sound bekommen, egal ob es sich um Metal, R&B oder Prog-Rock handelt, ob Anfänger oder Experte, ob jung oder schon fortgeschritten. 

Frank Bello is known for bringing his own distinct style and energetic passion to Anthrax. He somehow manages to merge complex melodic riffs, not typically associated within that genre, with dizzying speed and accuracy —all while headbanging, romping around the stage, and dashing up to the mic to sing harmonies.

In addition to the specific tones Frank wanted, a major priority was to make the Street Driver 48 simple to operate. He didn’t want a zillion knobs, switches, or gratuitous bells & whistles. He wanted players to be able to get a great sound right out of the box, whether it’s for metal or R&B or prog rock, whether novice or expert, whether young or advanced in years. 

Demo by Rodney McG

Street Driver 48 -  FB48

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Wanting to change things up a bit, we streamlined its architecture into a compact, easily portable pedal. The SansAmp PSA 2.0 offers the same 100% analog signal path for punchy, responsive, organic sounds that bring out the best in any instrument. Only the programming and memory sections are digital. It also offers the same operational simplicity, essential functionality and dizzying versatility.

In the studio, you can record direct, enhance existing tracks in mixdowns, as well as add interesting touches to any instrument. Live, the SansAmp PSA 2.0 can be used as a pre-amp direct into a power amp with guitar or bass speaker cabinets, as a “monster direct box” to a P.A. system (or both simultaneously), and as an outboard processor. Additionally, the PSA 2.0 features a Performance Mode, which turns it into a 3-channel stompbox.

Review by Guitar Player

PSA 2.0

SH1 STEVE HARRIS SIGNATURE

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

ghassan benidir

my ultimate bass pedalboard

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Walrus Audio

Demo by Rabea Massaad

ARP-87 Multi-function Delay

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Heitor Rosa

An ultra-powerful digital amp, cab, and effects processor that fits in the palm of your hand
Nano Cortex gives you the power of a full guitar or bass rig in a compact, ultra-portable pedal. With studio-quality sound, a comprehensive signal chain, and the revolutionary Neural Capture technology, it meets all your tone-shaping needs whether on stage, in the studio, or at home.

Neural DSP

Review by Guitar.com

Demo by Charlie Robbins

Nano Cortex

Dave Snippe

Want quick access to FS4 and FS5 on your HX Stomp, but don't want to lose any more pedalboard space? Then this is the solution for you!

Simply attach the Helauxy to your Stomp via the pre-applied double-sided 3M VHB tape adhesive. Our switch was designed to not interfere with any of the other controls on the front of the HX Stomp. You still have full access to all buttons and knobs.

Pedalnetics

Helauxy Duo Mini Pro

Line 6 HX Stomp ist ein professioneller Gitarrenprozessor, der den Klang von Helix-Verstärkern, -Boxen und -Effekten in einem ultrakompakten Pedal liefert. Egal, ob Sie lieber ein traditionelles Amp-and-Pedal-Setup spielen oder direkt auf die Bühne oder ins Studio gehen, HX Stomp lässt sich nahtlos in eine Vielzahl von Umgebungen und Anwendungen integrieren. Das HX Stomp-Gitarrenpedal verwendet dieselbe DSP- und HX-Modellierungstechnologie wie seine größeren Helix-Brüder und passt dennoch problemlos auf Ihr Pedalboard oder sogar in die Tasche Ihres Gigbags. Es gibt über 300 Ampere, Kabinen und Effekte – einschließlich eines Loopers. HX Stomp enthält dieselben HX-Modelle wie die Produkte der Helix-Familie sowie die Legacy-Effektbibliothek der Line 6 M-Series-Pedale und Stompbox-Modellierer wie den DL4. Verwenden Sie es als "Super-Stompbox", als Backup- oder Travel-Rig, als zusätzlichen Tonexpander in Kombination mit anderen Modellierern, als Audio-Interface - oder sogar als komplettes Gitarren- oder Bass-Rig.

Line 6 have been at the forefront of the digital modelling world for over 20 years now, pushing the boundaries of guitar technology is nothing new for them and their flagship product, the Helix, has taken the guitar world by storm. With the scaled down Helix, the HX, becoming a go to for players, its latest version, the HX Stomp is sure to generate loads of interest!

The HX Stomp is the ultimate streamlined version of this superstar pedal. Constructed as a 3 pedal unit, the HX Stomp features the same processor as the Helix, meaning you get over 300 effects including legacy lines from the M Series, 8 simultaneous amp, cab and effects blocks, TRS dual expression pedal inputs and a stereo effects loop, it's a serious pedal!

It's super comprehensive but really user intuitive. Built with the working player in mind, it has a solid aluminium construction that can take the rigours of the road, perfect on stage or in the studio, the Helix is the future of multi effects.

LINE 6

Review by musicradar

Demo by Guitar Bonedo

Demo by Bernd Kiltz - Gitarrenvideos

HX Stomp Black

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

New Pedal Board

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.