Søren Koch

Live board for Michael Falch & Zonen Tour 2025. Binson B2 Echorec is inserted in loop and controlled by the LS-2. Signals splits before IR-2 - one goes to guitar amp (mic'ed up), the other via IR-2 to FOH. Both signals are mixed and used for FOH and in-ear mix. Guitars used for this tour: 1964 Rickenbacker 615, 1964 Gretsch Tennessean, 1971 Gibson Les Paul Deluxe, 1971 Hagström Swede, 1990 Rickenbacker 360/12V64. Amp used: 1963 VOX AC15 (2x12").

Michael Falch & Zonen Tour 2025

Tester

Der Keeley 30ms Automatic Double Tracker - dieses stereo Effekt Pedal bietet eine Reihe an Studio Style Double Tracking Effekte, die Instrumente fetter und voller klingen lassen. 
Ebenso eingebaut wurde ein Reverb, der den berühmten Chamber Reverb aus dem Abbey Roads Studio #2 simuliert.
Der Keeley 30ms arbeitet perfekt mit Gitarre, Bass, Keyboards und sogar Gesang und bietet eine Vielzahl von Double Tracking Effekten,
Über das beiliegende TRS Stereo Adapterkabel kann der 30ms auch als Stereo Effekt verwendet werden bzw. zusätzlich zum Effektsignal auch das Dry Signal ausgegeben werden.
Im, über zwei interne DIP Switches zugänglichen Double Tracking Pro Modus, können in den einzelnen Modi noch weitere Möglichkeiten freigeschalten werden.
Im Dimension Modus klingt der 30ms wie ein Chorus, ohne die Regelmäßigkeit eines LFOs und bietet zwei zusätzliche double-getrackte Stimmen zum Originalsignal. Tuning und Delay der Double Tracks kannst du über die Regler kontrollieren.
Der Abbey Modus bietet einen etwas konventioneller klingenden Chorus indem er zwei synchronisierte parallel laufende Tape Decks mit unterschiedlicher Geschwindigkeit simuliert.
Mit dem einzigartigen Slapback Modus haben die Jungs von Keeley einen klasse Rockabilly Sound geschaffen. Ein Slapback Delay + zwei tunebare gedoppelte Stimmen.
Und der Double Tracking Pro Modus? Hier gibt es noch weit mehr Einstellmöglichkeiten zu entdecken…

Keeley 30ms Automatic Double Tracker.  The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments.  Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two.  The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals. 
The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro.  

The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode.  In this mode you have the ability to create up to two different voices for a stereo double tracked field.  
You control the tuning and delay for results that are stunning mono or through two amplifiers in stereo.  Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds.  
Stereo or mono this mode gives you a wide, lush sound without sounding like a conventional chorus pedal.  Lastly the team at Keeley created a unique Slapback Mode for rockabilly sounds.  
The Slapback is now a double tracked echo with the two altered voices.  Add the Keeley Abbey Verb to this mode to create really new effects.

Keeley Electronics

Official Product Page

Manual

Keeley 30ms Double Tracker - Demo Video - ProGuitarShopDemos

Keeley 30ms Double Tracker - Demo Video - Mike Hermans

Keeley 30ms Double Tracker - Review by Bonedo [DE]

Keeley 30ms Double Tracker - Review by Tone Report [EN]

30 ms Double Tracker

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Das Catalinbread Topanga emuliert das legendäre Fender 6G15 Federhallgerät, welches quasi die Mutter des Surfsounds und der Soundtracks aller Spaghetti-Western ist. Teil der Magie dieses Hallgerätes war der Umstand, dass es in der Regel vorgeschaltet wurde was schnell dazu führte, dass das Hallsignal verzerrte und noch intensiver klang. Dieser Effekt ist heutzutage nicht so leicht zu reproduzieren, aber Catlinbread hat es mit einem zusätzlichen Preamp tatsächlich geschafft!

The outboard Fender 6G15 spring reverb unit is the sound of Surf guitar, Spaghetti Western and many other great guitar sounds from the sixties. Part of its magic, and how it differs from the internal spring reverb found in most Fender-style amps, is that it is run *in front* of the amp, causing the reverb signal to distort and sound more intense. Because there were additional knobs on the outboard units, you also have more control over the reverb qualities. The Dwell knob controlled how hard the springs were getting hit by the guitar signal. The Tone knob allowed the treble to be dialed back to just the right degree of brightness. It was also essentially a tube preamp, so it would color the sound going into the amp. All this added up to a very distinctive reverb sound with a lot of attitude and complex non-linearities that are hard to replicate. But we here at Catalinbread did just that! Besides giving you the classic three knob control compliment of the original, we’ve also added a great discrete preamp that you can control via the Volume knob for a healthy amount of great clean boost when you want it

Catalinbread

Catalinbread Product Page 

Catalinbread Topanga Manual 

Catlinbread Topanga Demo by CME 

Catalinbread Topanga Spring Reverb Demo by Distortion LTD

Topanga

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Product Page

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Belle Epoch

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

BOSS

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by Guitar

Official Product Video

Demo by  Nick Bowcott 

IR-2

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Gilles Peynet

LS-2

The RotoSIM by DLS Effects is a stereo rotary speaker simulator that provides musicians with a wide range of adjustments to dial in their desired sound. It features individual horn intensity controls for Bass and Tweeter, independent rotation speed knobs, and ramp time control. Additionally, it includes a built-in overdrive with an On/Off switch and gain control, as well as stereo output with two separate inputs for versatile tonal options. The pedal also offers seven internal trim pots for extra-tweakable volume, gain, blend, and response. This unit is designed to provide authentic-sounding rotary effects with stereo output, making it a versatile option for musicians seeking a high level of control over their sound.

DLS Effects

Review by Vintage Guitar Mag

Review by musicradar

Review by Premier Guitar

Demo by  SoNg1508

Demo by Prymaxe

Official Website

RotoSIM

Peter Park

Der Power Boost kam Ende der 60er Jahre auf den Markt – die Idee war, Gitarristen mehr Power zu geben, und das tat er auch! Wahrscheinlich war es einfach Glück, dass das Pedal beim Vollaufdrehen wie der beste Stack aller Zeiten klang! Wir waren damals bei Glasern sehr beliebt, in ganz London zersplitterten die Fenster! Dann wurde das Pedal zur Messe in Dallas mitgenommen, wo es mit stehenden Ovationen gefeiert wurde (wie Klatschen – die Gitarren waren noch nicht erfunden).

The Power Boost was born in the late sixties - the idea was to give guitarists a boost..... in power, and it did! Guess it was just luck that when you turned the pedal up full it sounded like the best stack ever! We we're really popular with glaziers in those days, windows were shattering right accross London! Then the pedal was taken to the Dallas trade show where it was given a huge standing ovation (like clapping - the guitars hadn't been invented yet)

Colorsound

Demo by gilmourish

Demo by Pedal Science

Facebook Page

Review by Harmony Central

Review by Sugaree Licks

Power Boost 18V Castledine reissue

Crowther Audio

Hot Cake

CS-2 Compression Sustainer

Don Jordan

TU-2

No pedal holds more mystique than the legendary Klon Centaur overdrive. With its unique overdriven tones and boosting capabilities, this pedal has captured the imagination of players from Jeff Beck to John Mayer

The Archer is an exact tribute to the legendary Klon pedal featuring germanium diodes and captures every nuance of the original unit 

J. Rockett Audio Designs

Demo by Guitarist 

Demo by Shawn Tubbs

Demo by Pete Thorn 

Demo by J.Rockett Audio Designs

Archer

Voodoo Lab

Pedal Power 2 Plus

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Dieser custom Chorus-, Vibrato- und Leslie-Lautsprechereffekt wurde von Ingenieuren entwickelt, die auch Musiker sind. Dieser Effekt ist für Profis gedacht, die nach extrem hochwertigem Klang und robuster Konstruktion suchen. Diese Designanstrengung hat einen der wärmsten, vielseitigsten und leistungsstärksten Effekte seiner Art hervorgebracht. Wir geben Ihnen die Chorus-Power, die Sie bei Live-Auftritten brauchen. Dieser Effekt ist mit einem schweren Stahlgehäuse, Stahlschaltern und Stahlpotentiometern konstruiert, um jeder Bühnenumgebung standzuhalten.

This custom Chorus, Vibrato, and Rotating Speaker effect was designed by engineers who are also musicians. This effect is for the professional who is looking for extremely high quality sound and robust construction. This design effort has produced one of the warmest-sounding, versatile, and most powerful effects of it's kind . We give you the chorusing power to cut through on live performances. This effect is constructed using a heavy steel enclosure, steel switches, and steel pots to withstand every road environment.

Demo by ProGuitarShopDemos

Review by Talk Bass.com

Chorus-Vib

Der EchoTAP ist ein Doppel-Echo-Delay-Pedal mit einer Panel-eingestellten Echo-Sektion und einer Tap-Tempo-Echo-Sektion, zwischen denen der Musiker im Betrieb umschalten kann. Der TAP-Tempo-Kanal deckt Verzögerungszeiten von etwa 30 ms bis 3 Sekunden ab, die Panel-Sektion von ca. 50 ms bis 3 Sekunden. Jeder Echo-Kanal besitzt eine eigene Echo-Lautstärkeregelung, dazu kommt ein Tone-Regler, mit dem sich die Echos von hell/digital bis hin zu dunkler/Band-Echo-Charakteristik formen lassen. Stereo-Eingang und -Ausgang sind vorhanden (zwei Ein-, zwei Ausgänge), das trockene Instrumentensignal bleibt im analogen Pfad, während das Echo digital verarbeitet wird. Entwickelt und gefertigt in den USA von DLS Effects.

The EchoTAP is a dual-echo delay pedal featuring both a panel-set echo and a TAP-Tempo echo that the musician can switch between on the fly. The TAP tempo channel covers delay times from about 30 ms to 3 seconds, while the panel channel covers from ~50 ms to 3 seconds. Each echo has its own echo-volume control and there is a tone control to shape the echo repeats from bright/digital to darker/tape-echo-style. Stereo I/O is supported (two inputs, two outputs) and the dry instrument signal remains analog-path while the echo is digital. Designed and built in the USA by DLS Effects.

Demo by JohnnyHiland

Echo tap

Überarbeiteter Versa Vibe Univibe-Effekt!   Kleiner, leichter mit Vintage, Modern, Bass Throb Regler, Waveform, Vibrato und Vibe-blend!   Rein analog mit optischer Univibe-Technologie!

Redesigned Versa Vibe Univibe effect!   Smaller, lighter with Vintage, Modern, Bass Throb control, Waveform, Vibrato and Vibe-blend!   Pure analog with optical Univibe technology!

Demo by  PJ and the Beard

Versa Vibe 2

Custom built for Alex Lifeson
of Rush, used on the R40 tour!

Alex needed more out of his sound for the R40 tour and turned to Dave from  DLS to help! 
Dave ripped apart the Reckless Driver and spent 3 straight days designing a Boost with Gain, 2 channels, switchable EQ (Bass and Treble) switchable sustain & attack,  plus some major drive with attitude...... DLS delivered!   Alex loved it and  used the BGS throughout the tour to wow audiences!!  

Boost-Gain-Sustain - Custom

RotoSIM by DLS Effects