Francesco Padova

h90 pedalboard

Tester

Das Fulltone Clyde Wah-Wah Pedal entstand nach eingehender Analyse von Michaels Fullers 25 Stück umfassender Sammlung alter VOX-Pedale. Da ihm die alten VOX-Teile nicht genug Regelweg hatten, entwickelte er sein eigenes, seinen Vorstellungen entsprechendes Pedalgehäuse. Auf der handverdrahteten Platine des Clyde Deluxe findet man denn auch erlesene Bauteile wie z. B. Kohleschicht-Widerstände, NOS(New old Stock)Tropical Fish 0,22 Kondensatoren, GE (General Electric) 0,1 Kondensatoren sowie natürlich eine speziell nach Fulltone-Vorgaben gefertigte Spule. Durch die s. g. Resonance Control, ein Trimpoti auf der Platine, läßt sich die Bass-Wiedergabe nach persönlichem Geschmack regeln. Das ebenfalls speziell für Fulltone angefertigte Tone Poti verfügt über die gleiche Kennline, welche man bei den Icar Potis der 60er Jahre VOX-Ära findet.

The Fulltone Clyde wah-wah pedal was created after analysing Michael Fuller's collection of 25 old VOX pedals. Since the old VOX parts didn't have enough control travel, he developed his own pedal housing according to his ideas. The hand-wired circuit board of the Clyde Deluxe features exquisite components such as carbon film resistors, NOS (New Old Stock) Tropical Fish 0.22 capacitors, GE (General Electric) 0.1 capacitors and, of course, a coil specially manufactured according to Fulltone specifications. The so-called Resonance Control, a trimpot on the circuit board, allows the bass response to be adjusted to personal taste. The tone pot, also specially made for Fulltone, has the same characteristic curve as the Icar pots of the 60s VOX era.

Fulltone

Product Page 

Review by GUITAR PLAYER

Manual

Demo by delamar Guitar

Demo by YourGuitarSage

Review by The Gear Page

Review by Tony McKenzie

Clyde Deluxe Wah

Dojin Park

Der Fender Switchboard ist ein Pedalboard-Effekt-Loop-Switcher und Controller, mit dem du mehrere Pedale in anpassbaren Signalketten mit Presets verbinden und steuern kannst. Er bietet fünf umordnare Relais-True-Bypass-Effekt-Loops, ein großes Farbdisplay mit Encoder-Regler für einfache Bearbeitung, hunderte von Benutzer-Presets und Favoriten, einen integrierten professionellen Tuner und ein eingebautes bewegliches Volume-Pedal. Er verfügt außerdem über MIDI-Ausgang und Anschluss für Expression-Pedal zur erweiterten Steuerung mit Verstärkern und anderem Equipment sowie umschaltbare hochwertige Input- und Output-Buffer zur Erhaltung des Tons.

The Fender Switchboard is a pedalboard effects loop switcher and controller that lets you connect and manage multiple pedals in customizable signal chains with presets. It features five rearrangeable relay true bypass effects loops, a large full-color display with an encoder knob for easy editing, hundreds of user presets and favorites, an integrated professional tuner and a built-in moveable volume pedal. It also includes MIDI output and expression pedal control for advanced routing and integration with amps and other gear, and switchable high-fidelity input and output buffers to preserve tone.

Fender

Official Product Video

Product Page

Review by MixDown

Switchboard

Xotic

Xotic XW-1 Wah

CS-MDV mkII...the world's smallest, yet biggest sounding "real vintage Univibe clone."
It's the biggest sounding 'vibe we've ever made or heard, power it with our 18 volt DC power supply (included when bought direct from us) or power it by using 2 x 9CVDC outlets on your pedalboard multi-power supply while using the Voodoo Lab PPY "series voltage doubling cable."

Review by bonedo

Demo by musictoyznetwork

Demo by fulltoneeffects

MDV-2 Mini Dejá Vibe Mk II

Scott Smith

The miniFUZZ V2 combines the tones and options of both the miniFUZZ Si and the miniFUZZ Ge, giving you the option to switch between the distinctive  tones of silicon or germanium. The miniFUZZ has a plethora of controls  which allow you to dial in authentic vintage silicon or germanium  tones and much more! The side Dip-Switch gives fast and easy access to the amazing new tonal options.  We have added a switchable  buffer to the miniFuzz. If you chose to engage the buffer you will be able to drive long cables and complex pedal setups with no loss of tone or change of tone when engaging  the miniFUZZ. We have added a four setting tone control for tweaking the texture of the fuzz. Leave it off for bright gritty tones or select one of the options for a smoother, silkier tone.  We still have controls for boosting the output or lifting the bass response. Most fuzz pedals can sound poor when using an external DC power-supply but the  miniFUZZ’s built in battery simulator makes sure all DC plug in power sounds as good and as quiet as a battery.

KingTone

Review by

Review by delicious audio

Demo by Buddy Blues

Mini Fuzz V2 (Black Panel)

This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.

If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.

Demo by The Bedroom Rocker

Demo by Jack Fossett

69 MkII Fuzz

The Protein is based around modified versions of two well-respected drive pedal circuits: the ‘Blue’ side is based on a 1990’s Marshall Bluesbreaker but has a tweaked tone control and extra output, while the ‘Green’ side takes its cue from that Nashville session favourite the Nobels ODR-1. 

Browne Amps

Review by ThatGuitarLover.com 

Review by Guitar World 

Demo by Alberto Barrero

Demo by Buddy Blues 

Protein

Kevin King

The Mayer Screamer meets the Robben Dumble. unleash the power of two great classic sounds paired together to offer a unseen combination of tones.

Cornerstone Music Gear 

Review by Sam Goffen Guitar

Demo by Kris Barocsi 

Demo by Sasha Ivantic

Demo by Peach Guitars

Imperium

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Review by musicradar

Demo by Andertons Music Co

H90 Harmonizer®

gavin lee

Musicom Lab

EFX ME

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Giulio Morra

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

Morgiu Peace Hill Mayer

Nicolas Wilfer

Peace Hill FX

Instagram Channel

ODS Tube Preamp

The Colosseum is the result of a series of polls taken amongst the Cornerstone followers and our supporters in the Cornerstone Community. We are incredibly proud to present this pedal in which the people have had a large role in it’s design process.

Demo by That Pedal Show

Demo by Stu Gerrard

Demo by Mike Hermans

Review by Guitar World

COLOSSEUM

Skylar packs four quintessential GFI System’s reverb algorithms into a compact pedal that is straightforward and easy to use. Intuitive user interface coupled with an LCD screen makes it a breeze to navigate through Skylar’s vast sonic pallete and features.

GFI SYSTEM

Demo by MAX DECAY

Demo by Brett Kingman

Demo by collector//emitter

Demo by R.J. Ronquillo

Skylar Reverb

Orca packs four quintessential GFI System’s reverb algorithms into a compact pedal that is straightforward and easy to use. Intuitive user interface coupled with an LCD screen makes it a breeze to navigate through Orca r’s vast sonic pallete and features.Orca packs four quintessential GFI System’s reverb algorithms into a compact pedal that is straightforward and easy to use. Intuitive user interface coupled with an LCD screen makes it a breeze to navigate through Orca r’s vast sonic pallete and features.

Orca Delay

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Premier Guitar

Demo by Basscoach Denis Busch

GLXD16+

Joseph Cannings

The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets.

Walrus Audio

Walrus MAKO Series: M1 Product Page 

Review by Guitar.com

Walrus MAKO Series: M1 Manual

Walrus MAKO Series: M1 Presets

Walrus MAKO Series: M1 Demo 1

Walrus MAKO Series: M1 Demo 2

Walrus MAKO Series: M1 Demo 4

Walrus MAKO Series: M1 Demo 3

Mako M1

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Das Nero-Pedal kombiniert einen einzigartigen Fuzz-Schaltkreis mit einem eingebauten Gladio SC, der beide Schaltkreise gleichzeitig aktiviert und so einen gestapelten Drive-Effekt erzeugt. Es verfügt über einen „Comp“-Regler für das Kompressionsmanagement, der die Gesamtkompression verändert, und zwei unabhängige Bias-Regler („Voices“) für eine Reihe von Fuzz- und Overdrive-Sounds. Nero bietet eine flexible Gain-Regelung, eine hohe Eingangsimpedanz für die Vielseitigkeit auf dem Pedalboard, eine konstante Kompressionseinstellung und nahtlose Übergänge zwischen körnigem Fuzz und vollem Overdrive mit einem Fußschalter. Unter bestimmten Bedingungen lassen sich auch Gated Fuzz und schöne Cleanup-Effekte erzielen.

The Nero pedal combines a unique fuzz circuit with a built-in Gladio SC, activating both circuits simultaneously for a stacked drive effect. It features a "Comp" knob for compression management, altering overall compression, and two independent bias controls ("voices") for a range of fuzz and overdrive tones. Notably, Nero allows for flexible gain control, maintains high input impedance for pedalboard versatility, offers constant compression adjustment, and seamlessly transitions between gritty fuzz and full overdrive with a footswitch. It also achieves gated fuzz and nice cleanup effects under specific conditions.

Review by guitar pedal X

Demo by  Michael W. Westbrook

Nero

We all love Vibes don’t we? Their wobbling sound is unique and unmistakable. But I’m also sure you don’t really like some of the limits that the classic circuit used to have such as volume loss and tonal change, which often happens in classic Univibe-based pedals.

Demo by Shawn Tubbs

Demo by R.J. Ronquilo

Demo by Max Guitar B.V.

Aquarium

Nucleo Reverb ist nicht einfach nur ein Reverb-Pedal – es ist ein kreatives Instrument, das Inspiration und Entdeckungslust wecken soll.
Mit seinem intuitiven Design und der leistungsstarken M7 Cortex Engine eröffnet es ein riesiges Klangspektrum: von subtilen Ambient-Texturen bis hin zu weitläufigen, filmreifen Soundscapes.
Jedes Detail wurde entwickelt, um unendliche Klangwelten, üppige Atmosphären und lebendig wirkende, sich entwickelnde Soundlandschaften zu erschaffen – spürbar unter den Fingern.
Dieses Projekt ist das Ergebnis jahrelanger Leidenschaft und unserer engen Zusammenarbeit mit Paul Davids. Entstanden ist ein Reverb, das sich traut, weit über das Gewöhnliche hinauszugehen.

Nucleo Reverb is not just a reverb pedal – it’s a creative instrument designed to spark inspiration and exploration. It merges intuitive design with a powerful M7 Cortex Engine capable of delivering a wide spectrum of tones, from subtle ambient layers to expansive, cinematic soundscapes.
Every detail was crafted to unlock infinite textures, lush atmospheres, and evolving soundscapes that feel alive beneath your fingertips.
This project is the culmination of years of dedication and our deep collaboration with Paul Davids, resulting in a reverb that dares to go far beyond the ordinary.

Demo by Paul Davids

NUCLEO

How long have you been playing Steve Ray Vaughan songs eventually realizing that somehow you can’t really nail his sound? The Gladio SC is meant to reach it by adding the special Clean volume knob. You can’t really nail SRV drive tone if you don’t put the clean sound into the equation. Start your Texas blues journey here.